Samhain: The Cailleach, Wolf, and Black Cat  by Judith Shaw


Halloween, with its Celtic pagan roots in the sacred day of Samhain, which later morphed into a Christian holiday, is now mainly a nonreligious celebration in Europe and North America. It’s enjoyed by both young and old with scary outdoor decorations, parties, spooky costumes, haunted houses, carved pumpkins, and candy-giving.

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Flowers — Gifts of Goddess by Judith Shaw


I was captivated by a bunch of wispy, weedy zinnia flowers on my dining-room table, with its bright blossoms sprinkled on the curling stems. The zinnias pulled me from my current obsession with sea goddesses into a different zone, into the Kingdom of Plants (Kingdom Plantae). The Plant Kingdom is an important part of Goddess manifest, having come into being long before the appearance of our human family. It’s no wonder that flowers and other members of the Plant Kingdom play an important part in the mythology of our ancestors worldwide. 

Zinnia Joy, gouache on paper by Judith Shaw
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Atargatis, the Mermaid Goddess by Judith Shaw

Modern science has proven what ancient myth has long told us about our Earth — billions of years ago our world was a water world. It’s not surprising then to find water-based creation stories and goddess mermaids in the myths of our ancient ancestors. 

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Women Fly Free by Judith Shaw

Artists tend to develop their own visual language over the course of a career, returning again and again to certain motifs. That’s certainly the case for me with trees, women and goddesses, doorways and passages, ancient symbols, flowers, and animals — in particular birds — emerging again and again.

Flying Free by Judith Shaw
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From the Archives: Triple Goddesses in the Celtic World by Judith Shaw

Many neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that the Triple Goddesses were known as Maiden, Mother and Crone. 

From the Great Unknown, oil on canvas, 34″x36″ by Judith Shaw

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Mother’s Day: From Pagan Origins to Modern Celebrations by Judith Shaw

On May 12th families will gather together in the United States to celebrate another Mother’s Day. This is a good time to reflect on mothers, motherhood and why we take a day to celebrate our mothers.  

“Yemayá, Mother Goddess,” oil on canvas by Judith Shaw
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Children Are The Future by Judith Shaw

If the saying “Children are the future” is true, then it must also hold true that exposing children to a worldview which supports a loving world is important. Authors, illustrators, animators, musicians, and film and tv producers are hard at work creating stories that nurture children’s capacity to follow their dreams, to share, to resolve conflict peacefully, and to love and accept themselves and others. 

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Celtic Goddess Branwen: A Path to Empathy by Judith Shaw

From the mists of Welsh mythology Celtic Goddess Branwen provides important wisdom for our modern world. Themes of the destructiveness caused by viewing those different from us with distrust and fear are found in her story. Vengeance is revealed as a downward spiral of pain and suffering. She illustrates the healing role empathy, compassion and forgiveness can play in a world gone mad with war. Her story reveals the importance of restorative justice and the many factors at play preventing its application. 

Branwen, Celtic Goddess painting my Judith Shaw

Branwen was the sister of the giant, King Bran of the Isle of the Mighty. She was loved by her people for her gentleness, compassion and beauty. In the tradition of the Old Tribes of the British Isle — most likely a hold-over from the days before kings, when Goddess was supreme — her son would become king upon the death of King Bran.

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A Time of Renewal: Brigid Emerges at Imbolc by Judith Shaw

The wheel of the year continues turning and once again we find ourselves at the transition point from winter’s deep sleep to the first awakenings of spring. It is marked by an ancient Celtic festival called Imbolc, also known as Imbolg or Brigid’s day. It is believed to have been celebrated long before the Celts arrived in Ireland and Scotland, probably as far back as Neolithic times.

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Elena and the Reindeer Goddess: The Mission Begins by Judith Shaw

As much as I wanted to finish my fairytale project in time for the winter holidays, the muse had a different idea. Perhaps the energy of winter was what I needed in order to finish the grand finale painting for the tale. It depicts a night sky filled with magic and wonder.

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