What then is my repentance?
If not, by rote this repetition?
“Godde is.”
“Godde is.”
“Godde is.”
“Love.”
And my face tastes
The beating heart
Of the sun’s call
For reclamation of
SHE Who Is.
SHE Who Is: knows me.
She, who also, is.
©Margot Van Sluytman

From the moment I saw the title, Goddess Lost: How the Downfall of Female Deities Degraded Women’s Status in World Cultures, by Rachel S. McCoppin, I knew I would have to read it. When it arrived in my mailbox and I saw the cover, I was imbued with inspiration. Then I read two sentences in the Preface, which articulate what for me, and for many, is one of the most vital, powerful, and, as yet, under-addressed, facts.
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In a recent interview about my current published paper and my life’s-work, Sawbonna, which is a model of both social and restorative justice, I was struck by how being locked down due to this global pandemic not only rips us to the core of our fears and forebodings; but, as well, invites us, if challenges us, to witness with and for each other, as we come to see the depth of resilience that has been a kindred companion throughout the ages. From time immemorial, Gaia delights by firing our hearts of justice with creativity. With love.

Justice as a lived and living experience is a poem. Is a song. And as a song it is filled with all manner of rhythm, of texture, and of sound via melody and lyric which affects us in an infinity of ways. The voice of poetry is the voice of The Song of Songs. It is a voice of invitation. Chapter Two of The Song of Songs is an invitation to strangers to Scripture. Strangers who want to feel a rhythm of joy, of loving embrace of tender and generous welcome. The gravity of the language is its graceful invitation to be seen, to be gazed at, to be heard.