regeneration

Legacy of Carol P. Christ: Can We Celebrate the Dark? Can We Sleep?

This was originally posted on December 19, 2019

According to Marija Gimbutas, the religion of Old Europe celebrated the Goddess as the power of birth, death, and regeneration in all of life. Agricultural peoples understand that seeds must be kept in a cold dark place during the winter if they are to sprout when planted in the spring. People who work hard during the long days that begin in spring, peak at midsummer, and continue through the fall, are grateful for the dark times of the year when they can rest their weary bones on long winters’ nights. Long winters’ nights are a time for dreams, a time when people gather around the hearth fire to share songs and stories that express their understanding of the meaning of the cycles of life.

The Indo-Europeans were not an agricultural people. Herders, nomads, and horseback riders, they celebrated the shining Gods of the Sky whose power was reflected in their shining bronze armor and shining bronze weapons. When the Indo-European speaking peoples entered into a Europe, they married their Sun and Sky Gods to the Earth Mother Goddesses of the people they conquered. These were unequal marriages in which the Sun was viewed as superior to the Earth. The unhappy marriage of Hera and Zeus reflects this pattern, as do the many rapes of Goddesses and nymphs recorded in Greek and Roman mythology.

Legacy of Carol P. Christ: “Fertility” and the Regeneration of Life

This was originally posted on October 12, 2020

Prehistoric and indigenous religious traditions are often disparagingly mischaracterized as primitive fertility religions, concerned not with higher morality, but rather with the processes of reproduction of humans, animals, and plants. When these religions feature a Great Mother Goddess, it may be assumed that these religions are primarily focused on birthing human babies. Nothing could be farther from the truth.

Indeed, archaeologist Marija Gimbutas discovered that in the symbol systems of Old Europe, the Goddess is only rarely imaged as pregnant or giving birth. Nor is She portrayed solely in human form. Rather, She is portrayed with a bird head, wings, and a plethora of other animal and plant features. If She is a Great Mother Goddess, She is revered as the Source of Life, not simply as a mother of human babies. Gimbutas states that in Old Europe the Goddess was worshiped in as a symbol of the powers of birth, death, and regeneration in all of life. Gimbutas said these societies were matrilineal and probably matrilocal. Recent research into matrilineal and matrilocal egalitarian matriarchies provides insight into the values of prehistoric societies. The Minangkabau of West Sumatra, Indonesia are matrilineal and matrilocal, with family ties being traced through the mother line and land being held communally and in perpetuity by the maternal clan. Though the Minangkabau trace their ancestry through their mothers and grandmothers, it is important to note that, as Peggy Reeves Sanday discusses in Women at the Center, it is not birth or the ability to give birth that is celebrated as the highest value, but rather the nurturing of the weak and the vulnerable.

“Fertility” and the Regeneration of Life by Carol P. Christ

Hare Spirit Guide – Fertility and Renewal, by Judith Shaw

Hare, important to humans since our early days, is known everywhere as a symbol of fertility, balance, and transformation. Although rare, cave paintings of Hare have been found. With Hare comes the Spring promise of the eternal renewal of life.

Continue reading “Hare Spirit Guide – Fertility and Renewal, by Judith Shaw”

THE DIVINE DRAMA AND THE UNIVERSALITY OF DEATH by Carol P. Christ

In Greece the liturgies of lent and especially of the week before Easter are known as the “divine drama,” in Greek theodrama. This may refer to the “drama” of the capture, crucifixion, and resurrection of Jesus and to the suffering of God the Father and Mary.

However, it is important to recall that the drama in ancient Greece referred to both the tragedies and comedies, most specifically, those that were performed in the theater of Dionysios in Athens. While we have been taught that the Greek tragedies celebrated “downfall of the hero” due to his “tragic flaw,” it is important to remember that Dionysios was the original protagonist of the Greek tragedy: it was his death and rebirth that was first celebrated.

Some have argued that the Greek tragedies should never be “read” alone, for they were always “performed” in tandem with the comedies, which were followed by the bawdy phallic humor of the satyr plays. The tragedies end in death and irreparable loss. But if the comedies and satyr plays are considered an integral part of the cycle, death is followed by the resurgence of life. Continue reading “THE DIVINE DRAMA AND THE UNIVERSALITY OF DEATH by Carol P. Christ”