In Greece the liturgies of lent and especially of the week before Easter are known as the “divine drama,” in Greek theodrama. This may refer to the “drama” of the capture, crucifixion, and resurrection of Jesus and to the suffering of God the Father and Mary.
However, it is important to recall that the drama in ancient Greece referred to both the tragedies and comedies, most specifically, those that were performed in the theater of Dionysios in Athens. While we have been taught that the Greek tragedies celebrated “downfall of the hero” due to his “tragic flaw,” it is important to remember that Dionysios was the original protagonist of the Greek tragedy: it was his death and rebirth that was first celebrated.
Some have argued that the Greek tragedies should never be “read” alone, for they were always “performed” in tandem with the comedies, which were followed by the bawdy phallic humor of the satyr plays. The tragedies end in death and irreparable loss. But if the comedies and satyr plays are considered an integral part of the cycle, death is followed by the resurgence of life. Continue reading “THE DIVINE DRAMA AND THE UNIVERSALITY OF DEATH by Carol P. Christ”