Sara Wright – Page 4 – Feminism and Religion

Unnatural ‘History’ : Forecasting the Future? by Sara Wright

photo credit: Friend and mentor, bear biologist Lynn Rogers one of the finest naturalists I know

The day after the presidential election in 2016 I picked up what I initially thought was a saw whet owl wing while wandering down a red dirt road in Abiquiu NM. Just one wing and one talon. The hair on my arms rose up pricking my skin like needles. I started to shiver. One wing, one Owl. Women and owls have history. It was obvious that the message was an ominous one. A woman without two wings can’t fly. The day went dead as I dragged myself home. When I did some research to confirm identification, I learned that I had found the remains of a boreal owl.

I have only glimpsed a boreal owl a few times until this winter, but apparently, I have a resident because one hunts before dawn sitting on the same crabapple branch situated next to the side door. Although I eagerly look for him each dawning, I’ve also been concerned for the weasel that lives under the porch, although this owl is not supposed to eat mustelids but is said to feast on smaller prey like mice or voles and even little birds. Three nights ago, I heard one of his calls, a short series of staccato ‘whoos’. According to the literature this is not a mating call which would last much longer

Changing Woman’s Light, part 2 by Sara Wright

Last week Sara told the story of Changing Woman. You can read it here.

What I love the most about this story is that Changing Woman evolves from a woman who is passively acted upon into a self – directed deity who stands up for what she wants and needs. A second reason I feel so strongly about this tale is that Changing Woman demonstrates the importance of having a relationship with more than human beings – animals and plants. A third reason I am so attracted to this myth is the gender balance that eventually evolves between the two – Changing Woman and the Sun. But I think the most important part of the story for all of us is that Changing Woman never dies. She grows old and then young again reflecting the powers of the Great Round to renew All Life.

Imagine if we were all brought up with this kind of myth to guide us…

When I returned from NM five years ago, I brought home fragments of worked and unworked chert not realizing at the time that Changing Woman accompanied her stones and that they would continue to exert an influence on me. My relationship with that mountain is not distance dependent. I also continue to re – experience the wonder and awe I experienced as becoming part of that mountain, although these periods wax and wane like the moon. The Navajo call Changing Woman’s Mountain Tsip which means tree mountain and the Tewa use a similar word Tsip’in, to name this Being obsidian or flint mountain. A shining mountain crafted of stones and trees, yes!

Changing Woman’s Light, part 1 by Sara Wright

Born of Stone and Trees
Birthing a People
from a Mountain
of Light
I hold slivers of her body
touch numinous fragments
worked by Peoples
who honor and
live the Great Round
Pungent scent of
red pine and
spruce,
luminescent
lemony cottonwood
cobalt sky
steep gorges, sand
flakes of pink, rust
a splash of bittersweet
translucent charcoal
flint
spiny cactus
juniper serpents
twisted into
fantastic shapes
a peak that pierces sky
flat topped
on one side
I belong to Her
and She to me
Mother of all
Creation.

I have written before about Changing Woman’s Mountain located near Abiquiu New Mexico. Most call this mountain Cerro Pedernales and an image of the flat side of this mountain, her mesa, was made famous by artist Georgia O’Keefe.

Astonished by my first glimpse I climbed a long serpentine road that wound around steep gorges, rivulets of water, open meadows and unbroken stretches of lush fragrant green forests to reach the backside of this mountain. I couldn’t get over the fact that one side was a mesa and other was a peak that pierced the sky like a sword.

Navajo Mountain Way Chant : Bear as Healer – He Who Frightens Away Illness, part 2 by Sara Wright

Part 1 was posted last week. You can read it here.

The second sand painting used on the sixth night of the Mountain Way Chant is supposed to be a representation of the bears’ home in the Carrizo Mountains. In the center of this painting is a bowl of water covered with black powder. The edge of the bowl is adorned with sunbeams, and external to it are the four sunbeam rafts, on which the Nature Spirits, the Yei stand. There is a close relationship between the Yei and the bears. In the Mountain Way Chant, Talking God, Water Sprinkler (often pictured as a rainbow) Growling God (bear), and Black God are always present.

Bears and Light are related. In the first painting there is light that surrounds the bear and light is present in the form of sundogs that are positioned in each of the four directions. In the second, sunbeams are present in the center and also in each of the four directions providing places for the Yei to stand. It’s very difficult not to draw the conclusion that the light that we are speaking of is also an inner light, and this is consistent with the qualities of healing, insight, and introspection that the Navajos associate with the bear.

Navajo Mountain Way Chant : Bear as Healer – He Who Frightens Away Illness, part 1 by Sara Wright

All Navajo ceremonial practices emphasize healing human illness, emotional, mental, and physical, while restoring balance and harmony between humans and the rest of Nature. The most sacred of these ceremonies occur during the winter months. All the winter ceremonies have at their center the healing power of animals. The best known of these is probably the Night Chant that lasts nine days and nine nights and is held sometime around the winter solstice – the timing of these ceremonies is fluid. Like the Night Chant, the Mountain Way Chant probably stretches back into prehistoric times from 60,000 – 4000 B.C.E.

The Mountain Way Chant, the second and equally sacred although less well-known ceremony is also a nine-day night chant that marks a transition between the seasons of winter and spring. The Mountain Way Chant takes place in late winter before thunderstorms strike and the spring winds arrive ( any time after First Light which occurs in the beginning of February until the Spring Equinox). It’s important to know that these ceremonies are not only fluid but can occur as many times as are needed. One purpose is to call up the rains. The ceremony is led by a medicine man that addresses, in particular, the mental uneasiness and nervousness associated with transitions, helping to bring individuals and their extended families back into balance and harmony with the rest of nature (my italics).

The Gift of Enduring Friendship by Sara Wright

Mathias Klang from Göteborg, Sweden, Wikimedia Commons

After I experienced a sudden shattering break in a friendship with a woman writer/editor that I loved (that I believed would endure any personal difficulty) I was unable to process the event. I wrote a short poem to express my disbelief in which I likened this betrayal to the cutting down of this woman’s tree and left it at that. Silence is a killer of soul. There is no place to go.

The profound rupture of this woman thread felt catastrophic (I have never had a woman friend like her), and in retrospect I still see and experience our friendship in this light. At the time my life was in crisis. I had other consuming worries. Because I had learned at my mother’s knee that silence is literally the end of the road the bottomless chasm that separated us did not lessen in intensity, but I lived on.

Six years later that rupture has been healed. How did this happen? My friend, who happens to be something of a genius, intellectual, professional editor writer/poet wrote a book that she offered to anyone who wanted to read it for free. This act of great generosity was so typical of this woman’s behavior that it galvanized me into action. I took the risk and contacted her directly asking for a copy. I don’t recall just what I said except that I wished we could be friends again, never believing the impossible would happen but it did.

Ice Above and Below and the Coming of the Light by Sara Wright

January’s twilight
hours draw me
into her pale embrace
stalactites and frozen
streams whisper
that winter’s skin
is thin even with
months to go
flowing water
is muted
under seeded snow
underground roots
pulse
with light
sleeping
forest boughs
wake in wild winds
crack and moan
rest in peace
at dawn
bears sleep
fox and weasel
seek slivers of
open water
I walk in slow
motion to
stay upright
at the edge
of a meandering
serpentine stream
listening for
the scent
of just one
hemlock singing
feeling the tangles
of gray and green
Indoors
standing at the window
I ask
how many
forested eyes
are meeting my own?

Standing Under the Stars by Sara Wright

one winter night
a velvet cloak
wrapped herself
around me
starry cosmos
poured down
points of light.

kindled a planetary fire
casting a circle
inviting Spirit to hover
recovering
abandoned Body…

once embraced
Winged Animal
Presence
Guided me Home.

A little Story about How Nature Heals

Cats Tales by Sara Wright

Awakening to an image
cattails in the marsh?
When I drive by
curled brown rushes
crush stiffened
seed swords
a few gray puffs rising
under sail
dull brown capsules
cracked by winter cold
opalescent ice crystals
mirror solid gray sheets
stretch across the horizon
Why then
cattails in my dreams?

Two days later
Lynx strides by the window
self-possessed, tufted ears
erect fine points,
  feathery furred
paws sliding
over frozen snow
striped buff and coal
rounding
the corner a
  sinewy vision
   of serpentine grace
purpose unveiled
she picks up the trail
avian hieroglyphics
lead her on
my wild turkeys
freeze
perch high
in the trees
a forest of eyes
peer down through
evergreen boughs

Cats can climb.

The Grandfathers, part 2 by Sara Wright

Yesterday’s post which you can read here, ended with this line from the Grandfather, “The young people will become confused and when all is finally lost then the Creator will return to restore not just the Tewa but all tribal peoples to the land.”

I experienced wild hope surfacing… I had heard words to this effect before but assumed that the people needed that story to go on. Suddenly I wasn’t so sure… something about the way this man talked to me made me believe him. He exuded a complex sense of deep humility, knowledge and authority. I thought about the ravages of Climate Change and the disgusting cross-cultural belief that the Earth’s job was to serve humanity. My rational brain went on overload giving me a thousand reasons why what he predicted couldn’t be true, almost as if it needed to win this round (ah, Patriarchy exposes itself – if you don’t win you lose). Yes, it was true that we were in a state of breakdown… he didn’t deny it but he also made it clear that this was not the end. First we had to survive the breakdown, and living through it is a challenge that some like me live with every day. These are dark times.