Exploring the F-word in religion at the intersection of scholarship, activism, and community.
Author: Legacy of Carol P. Christ
We at FAR were fortunate to work along side Carol Christ for many years. She died from cancer in July, 2021. Her work continues through her non-profit foundation, the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete. To honor her legacy and to allow as many people as possible to read her thought-provoking and important blogs, we are pleased to offer this new column to highlight her work. We will be picking out special blogs for reposting, making note of their original publication date.
In my recent blog “The Flourishing of Life and Feminist Theology” I discussed Grace Jantzen’s view that theology should focus on “natality” or birth and life, rather than life after death or life apart from this world. This week Tikkun magazine published its summer issue with a feature called “Thinking Anew about God.” In it two male thinkers, one Buddhist and one Christian, argue for a similar turn toward the world in their traditions. Their calls for religions to focus on this world were published the same week scientists warned that the world stands on the brink of the sixth great extinction.
I have come to believe that any religion espousing cosmological dualism (devaluing this world in favor of a superior reality such as heaven) and individual salvation (the idea that what ultimately happens to me is disconnected from what ultimately happens to you) is contributing to our world’s problems rather than offering a solution. … [Religions should] stop emphasizing the hereafter and focus instead on how to overcome the illusion that we are separate from this precious, endangered earth. –David Loy, Buddhist, writing in Tikkun Summer 2014
I first encountered the image and concept of “flourishing” in Grace M. Jatzen’s feminist philosophy of religion, Becoming Divine. For Jantzen “flourishing” is a symbol of a theology of “natality” or birth and life, which she contrasts to the focus on death and life after death in traditional Christian theologies.
Jantzen argues that the focus on death and life after death is a rejection of birth. Birth is rejected because birth through a body into a body implies finitude. Birth ends in death. Jantzen argues that embracing natality means embracing finitude and death.
The Gods made only one creature like them—man. Greek TV documentary
The sight of a reptile or an amphibian usually provokes, at the very least, a feeling of repulsion in most people. Natural History of Lesbos
In the past days and weeks thetwo tortoises with whom I share my garden have woken up from a long winter’s sleep. Henry, testudo marginata, has been up for a while now. More than a month ago when I was cutting back and weeding in the area of the garden where he had been sleeping, Henry roused himself to sit in the sun near me for a few hours each day before creeping back under a shrub. At first I thought I had disturbed him, but when he came back out day after day while I worked, I began to wonder if he was coming out to say hello.
Moderator’s Note: Carol’s original essay had links to the essay which are no longer active. The essay can be found in Sister Outsider.
I was given a copy of Audre Lorde’s essay “The Uses of the Erotic” in my first year of teaching at San Jose State by a young white lesbian M.A. student named Terry. It was 1978. I was in my early 30s. This essay came into my life and the lives of my students, friends, and colleagues at “the right time.” It became a kind of “sacred text” that authorized us to continue to explore the feelings of our bodies and to take them seriously.
The second wave of the women’s movement was about to enter its second decade. We had already been through years of consciousness raising groups. There we learned to “hear each other to speech” about feelings we had learned to suppress because we had been told they were not acceptable for us as women to have or to express. Those early days of the women’s movement were one big “coming out” movement. We were bringing our feelings and ourselves out of the closet.
Recently in a conversation with a noted archaeologist and his male graduate student assistant, I proposed that the absence of war and the trappings of war, including images of larger than life-size warrior kings, suggested to me that we should not understand the social structure of ancient Crete on the model of patriarchal kingship. “Kings are always warriors,” I said, “yet there is no clear and convincing evidence of organized warfare in ancient Crete. And,” I continued, “because warrior kingship is not a ‘natural state,’ but one achieved through warfare and domination, kings must legitimate and celebrate their power through larger than life-size images of themselves. Such images were common in ancient Sumer and in ancient Egypt, but are not found in ancient Crete.”
“The pictures that line the halls speak volumes about the history of racism and sexism and they shape the future in powerful ways.”–Simon Timm
The author of these words recently posted a short video on Youtube entitled “Mirror Mirror on the Wall: The Legacies of Sexism and White Supremacy at Yale Divinity School.”* The video begins with a catchy little ditty with the words, “God is not a man, God is not a white man.” It tracks paintings and photographs of professors and other luminaries in the field of theology on the walls of the Yale Divinity School. By Timm’s count: 99 white males, 6 women, and 3 blacks. The single black woman is counted in both categories.
Though represented by its detractors as an incursion of paganism into
Christianity, and presented as an integrally and intrinsically Christian phenomenon by its supporters, the truth about the Re-Imagining Conference and movement is that it was a product of a wider feminist awakening. The critique of patriarchal religions that emerged in the academy and in churches and synagogues in the late 1960s and early 1970s was part of the emerging feminist uprising. The feminist movement placed a question mark over all patriarchal texts and traditions, secular and religious, and as such was beholden to none.
In the spring of 1971, Roman Catholic Christian Mary Daly published “After the Death of God the Father” in the liberal Catholic magazine Commonweal. She asserted that the God whose death was touted in the “Death of God” movement was an idol fashioned in the image of male power and authority. She called for “the becoming of new symbols” to express the new becoming of women. In the summer of 1971, a group of nuns from Alverno College convened the first Conference of Women Theologians. Besides sparking dialogue about the role of women in religions, the conference endorsed my call to form a women’s group at the fall meetings of the American Academy of Religion, up until then a gathering of several thousand male scholars of religion, with only a handful of women scholars in attendance. At winter solstice, Z Budapest launched the Susan B. Anthony Coven #1 in Los Angeles publishing a Manifesto calling on women to return to the ancient religion of the Goddess.
If I had been asked to write the words that introduce visitors to the Heraklion Archaeological Museum of Crete to its earliest inhabitants, I would have said something like this:
While there is evidence that human beings visited Crete as early as 150,000 years ago, the first permanent settlers arrived from Anatolia in the New Stone Age or Neolithic era, about 9000 years ago, bringing with them the secrets of agriculture and soon afterward learning the techniques of pottery and weaving. As the gatherers of fruits, nuts, and vegetables and as preparers of food in earlier Old Stone Age or Paleolithic cultures, women would have noticed that seeds dropped at a campsite might sprout into plants. Women most likely discovered the secrets of agriculture that enabled people to settle down in the first farming communities of the New Stone Age. As pottery is associated with women’s work of food storage and preparation, and as weaving is women’s work in most traditional cultures, women probably invented these new technologies as well. Each of these inventions was understood to be a mystery of transformation: seed to plant to harvested crop; clay to snake coil to fired pot; wool or flax to thread to spun cloth. The mysteries were passed on from mother to daughter through songs, stories, and rituals.
Carol Christ at the Conference of Women Theologians
Today I am publishing an early work on female language for God that I wrote with Emma Trout at the first Conference of Women Theologians in 1971. Highly contested at the conference, this essay is a foreshadowing of my subsequent work on the need for female imagery for divinity.
Rereading this essay more than four decades later, I am gratified to see that though we began our essay with the image of God giving birth (which I still view as an important image), Emma and I were aware of the danger that female imagery for God could reinforce “a false sexual polarity.” We insisted then that female imagery for God must not repeat sex role stereotypes, but rather must shatter them.
I am surprised that we also mentioned the need for a new non-static or process metaphysic, a theme I did pursue until I wrote Rebirth of the Goddessand then She Who Changesseveral decades later.
While the references in the essay are dated, the issues it raises are not. Though many mainline Christian and Jewish communities have adopted inclusive language, active experimentation with female language for God is relegated to the fringes of these groups. And while Goddess feminists resist gender stereotypes, some New Age teachers and Neo-Pagan groups perpetuate the idea that the Divine Feminine is receptive, loving, and giving, while the Divine Masculine is active, assertive, and aggressive.
Conference of Women Theologians 1971
ALTERNATIVE IMAGES OF GOD: COMMUNAL THEOLOGY BY CAROL CHRIST AND EMMA TROUT
How much better for theology to conceive of God the Creator as pregnant with the world, giving birth to it and nourishing it, than of God the divine Watchmaker who set the machine ticking millions of years ago. — Penelope Washbourne Chen in “Rediscovering the Feminine in God” The Tower alumni magazine
Even though we know that God Himself is not really a male, we have made use of no other images in talking about Him. As Mary Daly has pointed out, images have a way of perpetuating themselves even though we conceptually know better. (“After the Death of God the Father”) The image of God as a male authority figure serves to legitimize the structures of subordination (oppression) of women to (by) men. The problem is to conceive God in such a way that God’s masculinity does not function as a legitimation system for the oppression of women.
The imaging of God as male has two aspects: 1) the poverty of our language, and 2) the impoverishing of our vision of God by exclusive use of characteristics which our culture has attributed to and limited to the male in conceptualizing and imaging God. In the first of these two aspects we find images of God as Father, King, Lord; our language has no pronoun which is able to embrace and/or transcend both sexes. Our language forces us to think of God as male; we need words like “she-he,” “father-mother,” “daughter-son,” “brother-sister.” Regarding the second aspect: in the Western tradition, particularly the Christian theological tradition our ideas and images have been impoverished by almost exclusive use of “male” characteristics in conceptualizing and imaging God.
For example, initiative, transcendence, authority, primacy, leadership, control and order have all been conceived in static, self-sufficient, abstractly rational terms, in correspondence with masculine stereotypes. An alternative image of God suggested by Penelope Washbourne Chen, imaging God as pregnant, giving birth to, and nurturing the world, presents us with a more dynamic way of conceiving God. Philosophically, this image of God would find expression in the neo-classical metaphysics or process view of reality of Whitehead and Hartshorne, rather than the static ontology of the Greek tradition.
. . .
Let us now turn to the alternatives. Underlying the problem of choosing among the alternative conceptions/images of God is the problem of the evaluation of sexual differences. If, for example, one believes sexual differences are a fundamental polarity in human experience, she will find it appropriate to see this polarity reflected in the deity. If, on the other hand, one does not see sexual differences as a fundamental polarity, she will be wary of correcting a false male image/concept of God by introducing a “female” element which may serve to further legitimize a false sexual polarity.
If one is open to the possibility that sexual differences may not be fundamental, the real question is how to shatter the idol of a male deity without either 1) substituting a reverse idol of a female deity, or 2) legitimizing a false sexual polarity.
Photos of Carol speaking at the Conference of Women Theologians and of the Conference Participants from the Alverno College archives. Thanks to Sarah Shutkin for providing a copy of the essay from the Alverno College Library Archives.
When I learned about the Navajo Beauty Way, I understood it to be a path in which human beings respect all beings in the web of life and live in harmony with them. But I didn’t understand why this path was called the “Beauty Way.” As a young woman, I knew that my worth was defined by many in terms of my ability to conform to ideals of female beauty promulgated in movies, tv, and advertising. I didn’t believe the Navajos were talking about beauty in that sense, but because of my conditioning, I was not yet able to fully grasp what they might mean by beauty. I would have called the way they were describing a “Way of Harmony” or a “Way of Respect for Life.”
Feminism and Religion 