Divine Feminine – Page 17 – Feminism and Religion

Gather the Women and Heal What Ails Us by Karen Moon

Karen 2006 I wrote this piece in response to an e-mail from a friend that said: “Yes, women’s circles may help you with your headaches that you have every 3 to 7 days (or whatever else ails you.)”

I think women (and men as well, but I think women feel this more deeply in general) are missing a genuine connection to others, a safe place to be heard and accepted, a chance to step outside of their roles and responsibilities in life (if only to see how very similar our challenges are), and a chance to honor beauty whether that be by reading a poem, singing a song or listening to music.

When the minister at the church turned you off towards Christianity by his fear and misdirected anger, you were searching for Divinity within someone else. But Divinity resides within yourself. Continue reading “Gather the Women and Heal What Ails Us by Karen Moon”

Dahut, the Once and Future Goddess by Judith Shaw

judith Shaw photo Dahut Ahes, Breton goddess of Love and Sensuality is a Celtic Goddess whose origins are obscured by patriarchal tales which cast Her as wanton and depraved. By weaving together the tales as they are today with an understanding of the life-affirming nature of the old pagan ways Dahut emerges as more than a glittering goddess of beauty; She is revealed as an ancient goddess in a long line of goddesses who holds the rebirth of the old ways in Her loving arms.

Continue reading “Dahut, the Once and Future Goddess by Judith Shaw”

Was Mother Kalawati a Feminist? (Part 2) by Vibha Shetiya

Continued from Part 1.

After leaving her home and her children in order to take refuge with her guru, in no time, Rukmabai won over hearts. Her guru, Siddharood Swami “with his divine sight” discerned that Rukmabai was no ordinary being. In fact, just before his death, upon realizing that his principle disciple had attained moksha (liberation from the cycle of death and rebirth), he left to her his mission of guiding others to salvation, directing his followers to now address her as Mother Kalawati.

And so it came to be that at the tender age of twenty-one, Rukmabai had a large following herself, and as an intense devotee of Krishna, she almost became synonymous with the god. As many like to point out, she had already internalized the attitude of non-attachment, whether towards individuals, possessions or food or drink; she was already enlightened.

Her disciples were both male and female, although she dedicated herself to the well-being of women. But while directing minds towards god, Kalawati Aai – a high class and high caste woman – also dedicated herself to uplifting the poor and backward Bohari community of Belgaum, Karnataka. It is said that the men used to wile away their time drinking and gambling leaving the womenfolk to run the household. Because of Kalawati Aai’s intervention, some order was brought to their lives; the men stopped drinking, which in turn put an end to the physical abuse they had heaped upon their wives, as well as the neglect their children had faced, who earlier had no choice but to turn to vagrancy. Stability in the homes through prayer and piety – in other words channeling their minds away from vice and towards god – in turn saw not just an economic change but also a change in the lives of these women and children, for the better.

But – and this is interesting – her message to women was not one of directing energy towards god in search of inner peace or salvation, but towards the family, of being a virtuous wife and mother. In fact, she urged women to put aside “just one hour a day of your life to the service of god”; the rest of the time should be aimed towards serving the family. And her advice to women unhappy on account of their domestic life would always be to look deep within themselves to remedy the situation, rather than to blame their husbands. Moreover, at no point should a woman ever neglect her duties towards family on account of her own well-being for that would be tantamount to selfishness. I find this most interesting because she herself broke norms in order to serve a personal calling. Continue reading “Was Mother Kalawati a Feminist? (Part 2) by Vibha Shetiya”

Inanna’s Autumn Gift: Fearless Spirituality by Carolyn Lee Boyd

Carolyn Lee Boyd Fall, the time of the Day of the Dead and All Souls Day, is a perfect season for us to contemplate “fearless spirituality” as we face our most essential fear, that of death. Though humans have celebrated these days for millennia, fear with a religious veneer pervades our culture, whether in hate towards women and the LGBTQ community, lies that demonize followers of other religions, terror of eternal punishment and spiritual unworthiness, and more.

When I seek guidance for cultivating spiritual fearlessness, I look to ancient Sumer’s Inanna and her willing descent into death. Her story cycle begins in fear of the Sky and Air gods and her desire to destroy her huluppu-tree, Earth’s first life. Gilgamesh hacks it apart to rid it of a serpent, a bird, and Lilith. The tree’s remains are made into Inanna’s throne and bed. In the next story she takes all the divine powers of her father, Enki, the God of Wisdom, and then joyfully celebrates her body and sexuality in her marriage to Dumuzi. Continue reading “Inanna’s Autumn Gift: Fearless Spirituality by Carolyn Lee Boyd”

Holy Women Icons: Arts and Spirituality on Retreat by Angela Yarber

angela I’ve noticed some growing trends in feminist spirituality. Recently, I’ve encountered several feminists who have attended “virtual retreats” from the comfort of their homes. I’ve also been overwhelmed by the number of clergy, scholars, and feminists who have begun coloring. Psychologists claim that coloring can soften stress, relieve anxiety, and be source of playful meditation for adults in an otherwise chaotic world. Similarly, doctors have long pointed to the emotional and physical importance of meditation, spirituality, or prayer in remaining balanced, relieving stress and anxiety. As feminists dwelling in a cisheteropatriarchal world, the need for such balance is even more important. It is these noticings that have led me to write this post.

A fabulous church that cares deeply about inclusion, social justice, and the arts is hosting an exhibition of my Holy Women Icons with a folk feminist twist for the month of October and throughout the month, I’m leading several retreats. While planning these retreats, I couldn’t help but think of the Feminism and Religion community. We are spread throughout the world, offering encouragement and challenge online every day. We have different struggles, spiritual paths, and backgrounds, but we gather on this blog to reconcile two seemingly paradoxical parts of our beings: feminism and religion. I have yet to develop these thoughts fully and I’d like to rely on you to share your input and ideas in the comments section about how we can “retreat” together virtually. With this in mind, I’d like share a bit about the Holy Women Icons Arts and Spirituality retreat I’m leading and invite you to participate at home. The entire retreat takes about 3 hours, or you can break it into 4 sections for shorter periods of time. So, if you’d like, play some music to set the mood, light a candle, and get out some paper, scissors, writing utensils, and crayons/markers, and let’s “retreat” together…

Continue reading “Holy Women Icons: Arts and Spirituality on Retreat by Angela Yarber”

Christa Interview with Edwina Sandys by Nettie Reynolds

Nettie During the summer I had the opportunity to interview Edwina Sandys, the creator of the sculpture, Christa. Initially, I was drawn to this sculpture during a seminary class with Whitney Bodman – “Jesus and His Interpreters.”

I came to seminary in 2013, a 47 year old single mom with two teenage kids in tow having left a very difficult sixteen year marriage. Seeing the picture of Christa during our class was a sacred moment for me. It echoed my journey and pain and yet also uplifted the beauty inherent in human suffering and our daily gift of grace and promise of resurrection. The debate over the cross itself and its center in Christianity, its usage to elevate patriarchal power, is ongoing, but for me, in that moment, seeing Christ as female was deeply spiritual. Continue reading “Christa Interview with Edwina Sandys by Nettie Reynolds”

Embracing the Hebrew Priestess by Jill Hammer

Jill Hammer Even after I was ordained as a rabbi, I longed to be a priestess. The spiritual leadership I wanted most was less about leading traditional Torah study and prayer (though I’d done plenty of that) and more about immersing in the ocean, creating new rituals, reading kabbalistic sources on Shekhinah (the divine feminine mentioned in Talmud and kabbalah), or interpreting legends about women. My deepest desire was for there to be a school for Jewish women on a priestess path.

Ten years ago, my dream came true. In 2005, Taya Shere and I founded the Kohenet Hebrew Priestess Institute to bring to life the traces of the priestesshood we were finding in the Bible, in Near Eastern archaeology, and in Jewish lore and history. In Kohenet sacred space, we explore the women of spirit among our ancestors, resist their erasure, and bring forward the practices that were sacred to them. We discover in these forgotten teachings the mysticism of the material: the understanding that in our lived experience on the earth we are closest to divinity. At Kohenet, we meet the submerged version of deity called Shekhinah, Imma Ilaah, Elat, Goddess, Divine Mother, and understand why she has been so feared and rejected, yet also has been a deep and lasting part of our tradition as Jews.

The Kohenet Institute has ordained four classes of women and now meets twice a year for training weeks at the Isabella Jewish Retreat Center in Falls Village, Connecticut, and at Ananda Meditation Retreat in Nevada City, CA. We and our students run workshops and services in venues like Limmud UK and the Parliament of World Religions, as well as classes at retreat centers, local synagogues and women’s centers. Days at Kohenet are filled with spiritual exploration: prayer in the feminine in Hebrew and English; ceremony to grant new names or celebrate elders or heal the sick; making incantation bowls in the style of ancient Babylonia; slideshows of ancient priestess and Goddess art from the lands of the Bible; drum circles and labyrinths; stories of witches dueling with Talmudic sages, immersing in the lake before the Sabbath. At Kohenet, we celebrate and embody the sacred feminine, and prepare our students to lead ritual in an earth-based, embodied, feminist way that is rooted in Jewish tradition. Continue reading “Embracing the Hebrew Priestess by Jill Hammer”

Venus and Mary by Natalie Weaver

Natalie Weaver edited Of the many things I have read recently, one thing stands out in my mind in high relief. It is the opening of Lucretius’ masterwork on Epicurean philosophy, De Rerum Natura (On the Nature of Things). Here Lucretius invokes Venus to help him craft this work, identifying her as the governor of all nature and the one through whose light all else comes into being. With her help, Lucretius trusts that he can write his truths with confidence and ability in defiance of dominant philosophical norms.

Lucretius goes on to extol the great wisdom of that ancient Greek, Epicurus, claiming that the philosopher saved humankind from foully groveling upon the ground by liberating people from religious superstition. Superstition, he goes on to say, is the source of true impiety and criminality, made manifest in Lucretius’ example in the sacrifice of child virgins.

Why do people succumb to religious superstition and such horrible deeds, he queries rhetorically. Because of fear of death, terror at the anticipation of penalties in the afterlife, and the desire to avoid tribulations during life. So great is the fear of suffering that it makes people susceptible to religious exploitation and subordinate to the authority of priests, whose power rests exclusively on superstition. Such a ruinous condition can only be countered by the philosophical examination of nature, including all things celestial and terrestrial, spiritual and material. Having prayerfully introduced his case and the reason for his critique, Lucretius proceeds to explore the basic tenets of Epicurean metaphysics and ethics. Continue reading “Venus and Mary by Natalie Weaver”

Restoring Ourselves to Ceremony: Red Tent Circles, by Molly

April 2015 103 — At a Red Tent Circle this spring.

“I believe that these circles of women around us weave invisible nets of love that carry us when we’re weak and sing with us when we’re strong.”

–SARK, Succulent Wild Woman

Seven years ago, a small postcard at the local Unitarian Universalist church caught my eye. It was for a Cakes for the Queen of Heaven facilitator training at Eliot Chapel in St. Louis. I registered for the training and went, driving alone into an unknown neighborhood. There, I circled in ceremony and sisterhood with women I’d never met, exploring an area that was new for me, and yet that felt so right and so familiar.

I’d left my two young sons home for the day with my husband and it was the first time in what felt like a long time that I’d been on my own, as a woman and not someone’s mother. At the end of the day, each of us draped in beautiful fabric and sitting in a circle around a lovely altar covered with goddess art and symbols of personal empowerment, I looked around at the circle of women and I knew: THIS is what else there is for me. Continue reading “Restoring Ourselves to Ceremony: Red Tent Circles, by Molly”

E Pluribus Unum and The Unrecognized Black Goddess of Rome by Stuart Dean

E pluribus unum (‘EPU’), which first began to be used by the U.S. in the 18th century, comes from a poem entitled Moretum that until well into the 19th century was generally attributed to Vergil. During those centuries Latin would have been studied from what was the equivalent of today’s elementary school through at least high school. Because Vergil is to the study of Latin what Shakespeare is to the study of English, Moretum would have been read by anyone lucky enough to receive formal education in those centuries–mostly boys–including the white sons of slave owners.

Those boys, however, would have been motivated not just to read, but to memorize Moretum. That is because Moretum, through a variety of clues, encourages allegorical interpretations, one of which is that it celebrates the sexual intercourse of a single white farmer and his sole companion, his black female slave. Such an interpretation requires ignoring the clues that the author thinks of such sex as rape (as anyone other than a male slave owner would); those clues lead me to think the author may have been a woman.