Feminist Theology – Page 16 – Feminism and Religion

Does God have Cleavage? The Avengers and Why the Sheroe We Need is Goddess by Trista Hendren

trista_bkgr_green Most days I am not certain that anyone really cares about what happens to girls. As a mother of a soon-9-year-old daughter, this burns me.

Because I also have a 12-year-old son, I often end up watching movies I wouldn’t chose on my own. Last Friday, we went to see The Avengers sequel, and I left feeling angry. There were two sheroes shadowed by testosterone; both were highly sexualized. After all the hype over Joss Whedon and his “strong female characters” I began to wonder if the Sheroe we really need is Goddess.

Saturday night we had a lively discussion after dinner with my son’s best friend. I shared my observations on the movie and asked for feedback. They told me the only girl heroes they could think of had “huge boobs.” I asked them why they thought there was not equal amounts of sheroes in movies like this and whether they could think of any movies that were comparable in budget to the Superman, Batman, and Spiderman movies that continue to come out year after year. Continue reading “Does God have Cleavage? The Avengers and Why the Sheroe We Need is Goddess by Trista Hendren”

Ireland’s Same-Sex Referendum & The Necessity for Reconstructing Sexual Ethics in the Catholic Church by Cynthia Garrity-Bond

IMG_5296 - cat At this writing, Ireland successfully passed the same-sex marriage referendum which reads, “Marriage may be contracted in accordance with law by two persons without distinction as to their sex.” It has been 22 years since homosexual acts were decriminalized in Ireland. Even more astounding is the rapid two-year process from inception to constitutional law for same-sex marriage in Ireland. This coming from a country where 84% identify as Roman Catholic but less than one-third attend weekly Mass.

While the US Catholic Bishops are vocal about their opposition to same-sex marriage, the Irish magisterium’s strategy, in this case, was less pronounced. Which is not to say there was no movement by the Irish hierarchy to oppose same-sex marriage. In a pastoral letter to be read at Sunday Mass, Bishop Denis Brennan urged a no-vote on the same-sex referendum saying it would forever change how the institution of marriage is understood. A number of those in attendance walked out during the reading in protest of the official church teaching. Archbishop Diarmuid Martin took a more pragmatic stance on the outcome. With the success of the referendum, Martin stated the church is in need of a “reality check” in response to what he identifies as a “social revolution” at least in Catholic Ireland. Argues Martin: Continue reading “Ireland’s Same-Sex Referendum & The Necessity for Reconstructing Sexual Ethics in the Catholic Church by Cynthia Garrity-Bond”

The Reason to Hope by Carol P. Christ

Recently, Valentina Khan touched many of us when she wrote a blog entitled The Powers of Evil are Well at Work and I’ve Lost My Spirit. Valentina spoke of the weariness and despair many of us feel when we think about the problems the world is facing today. She said that “right now it just seems like my voice of peace is lost to the voice of fanatics who get more media attention than I ever will.”

Last week I met a young man who has recently begun to try to save a large wetland pool on the island of Lesbos. He told me he feels frustrated that “no one else” is doing anything to save the important and fragile ecosystem of our island. I explained to him that there are many of us who have been working to save the wetlands of Lesbos for fifteen years, but with few or no results.

Refugees awaiting transport in Molivos, Lesbos

In the past month—since the weather turned to spring—thousands of refugees have arrived on the shores of Lesbos. Most of them are fleeing war Continue reading “The Reason to Hope by Carol P. Christ”

What if Divine Feminine and Divine Masculine Are Not Oppositional Categories? by Carol P. Christ

A friend who is a spiritual teacher speaks often “bringing back the values associated with the Divine Feminine.” For her this has to do with helping women to understand the beauty of our bodies and the importance of ways of being such as giving and caring for others that have been associated with the undervalued so-called “feminine” side of the masculine-feminine polarity. Though she also speaks about the Goddess, I think she prefers the term “the Divine Feminine” because of the implication that men too have their “Divine Masculine.”

This friend has a wonderful husband who is a teacher in his own right and who often ends up spending a lot of his time among powerful women who enjoy talking about the Goddess. In these conversations he sometimes speaks of the need for men to “recover the Divine Masculine” if they are to become whole.

I was reminded of these conversations when a two other friends, in different contexts, recently voiced their concern that Goddess imagery is problematic if it repeats sex role stereotypes. My response to them was that in the West, the feminist association of femaleness with power and value in Goddess symbolism automatically shatters the most important sex role stereotype: the notion that women are less powerful and less valuable than men. But, I said, after that, problems may arise.

I added that (for me) the categories of Divine Feminine and Divine Masculine are problematic because (it seems to me) that at their core these concepts are rooted in the notion that males and females are fundamentally different, and that the so-called “feminine” is relational, loving, giving, while the so-called “masculine” is independent, rational, aggressive, and sometimes violent and warlike. Those who speak of the Divine Feminine and Divine Masculine as oppositional categories usually try to avoid categorizing men and women by stating that “we all have our masculine and feminine sides.” Still it is hard to avoid the implication that men are more masculine and women are more feminine.

Though I agree that men need new images of what it means to be men as much as women need new images of what it means to be women, I hesitate to speak of these as new images of the Divine Feminine and Divine Masculine for two reasons. Although I recognize that others are inspired by images of the Sacred Marriage, for me it has been more important–and more possible–to find power within myself and in a wide variety of relationships, than to find it in a male-female heterosexual couple relationship in which the opposites are “joined.”

More importantly, I find that images of Divine Feminine and Divine Masculine often do justify patriarchal sex-role stereotypes. An internet search for “Divine Masculine” validated this fear. The first (and therefore most popular) website defined the Divine Masculine through six archetypes: God, King, Priest, Warrior, Lover, Sage.

The site’s author seems to want to help men learn new ways to interact with powerful women—as neither dominant over them nor submissive to them. The author writes: “The Divine Masculine represents an archetypal ideal, the best and most inspiring, elevating, and restorative aspects of masculine expression and manifestation in the universe. For those seeking an expanded understanding of the Self, the Divine Masculine is not a distant, detached, jealous and vengeful male deity. The Divine Masculine (along with the Divine Feminine) acts as a shining mirror of the Self, revealing aspects that need compassionate attention and support to become one’s highest potential.”

Following this insight, he redefines the God archetype as “unconditionally loving, inclusive, open, welcoming, heart-centered, spiritually focused, supportive and inspirational.” For him, the King archetype is “benevolent, evenhanded, calm, caring and thoughtfully present.” And the Warrior “finds his place in collaborative projects, being fulfilled and contented with the collaboration and not by ambition or competition.”

While I appreciate the ways in which this man redefines masculinity and male strength in terms that in the past have been associated with “the feminine,” I am concerned that he continues to view the six “archetypes” that include the King and Warrior as universal. He does not explicitly name patriarchy as a system of male dominance enforced through violence as the reason for redefining the meaning of the “archetypes.” I also worry that a good king is still a king, and that a warrior who fights for the good of others is still a warrior. From a feminist perspective, these archetypes are not universal, but rather are the product of patriarchy. Perhaps instead of redefining them, we should discard them.

peak shrine figurines 3 — Male and female figures from ancient Crete are not strongly differentiated.

New research suggests that in matriarchies, there is no divine masculine per se, because though men have their own important roles, both males and females are encouraged to embody the values associated with mothers and mothering—in other words to be loving, giving, caring, and generous. In this context there is no opposition or sharp contrast between the divine masculine, the divine feminine, and any other divine gender or transgender.

I believe that that we need a multiplicity of images for divine power that express the diversity and differences of our bodies and all bodies in the web of life. We also need new images of how to be strong and powerful, yet loving and caring above all, in male, female, and other bodies.

However, if the “highest” values are the same for both—and all–genders, then perhaps it is time to retire the oppositional binary of Divine Feminine and Divine Masculine and to speak instead of images of divinity in male, female, and other bodies.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter). Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing. Photo of Carol by Maureen Murdock.

Guanyin Revisited: Queer, Pacifist, Vegan Icon by Angela Yarber

Each month, I delight in writing about a revolutionary woman. Whether she is from history or mythology, sharing the stories of my Holy Women Icons with a folk feminist twist is one of my favorite things to do as a feminist, artist, scholar, and clergywoman. Yet, no matter how much research I’ve done, or how many times I’ve taught about an icon, new discoveries are made, revelations within my own heart and mind cracked open, so that there is sometimes the need to revisit a particular holy woman afresh. Such is the case this month with Guanyin. Though I wrote about her nearly two years ago, published a book including her story, and have taught a course with one session focused on her compassion and mercy, I realized that much about her has gone unsaid. Namely, she is an icon for queers, pacifists, and vegans. Before explaining why, let’s have a quick review…

Guanyin is the Buddhist Goddess of Mercy and Compassion. In the Lotus Sutras, she originates from a bodhisattva named Avalokitesyara. Avalokitesyara is identified as male in the Lotus Sutras. Overtime, however, Avalokitesyara transitions from being identified as a male to becoming Guanyin, most often portrayed in feminine terms and referred to as “she.” Many scholars assert that Guanyin is androgynous and can take on the form of any sentient being. And this is how I’ve always written about Guanyin, as the divinely androgynous one who is most often portrayed in feminine form. Continue reading “Guanyin Revisited: Queer, Pacifist, Vegan Icon by Angela Yarber”

What “I Believe” and Found Worth Sharing by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became flesh The end of my Ph.D. program is in sight. Originally, in 2004, I came to Boston University School of Theology (BU STH) from Los Angeles for a two-year masters program. Along the way I switched to a three-year masters program, after which I ended up staying for the Ph.D. Now, eleven years later, the end is actually in sight.

Last week I successfully defended my dissertation, “A Feminist Analysis of the Emerging Church: Toward Radical Participation in the Organic, Relational, and Inclusive Body of Christ.” Two days ago I had the last class section that I will ever teach as TA (teaching assistant) – next time I teach I will be doing so as a professor of religious studies at Cal State Northridge. Finally, because I am one of the students who will be graduating this year, I was invited to participate in the last chapel service of the year and be a speaker for the “This I Believe” service – themed after the NPR series by the same name. Yesterday, I was one of six students who were given three minutes each to share what we believe – which, let me tell you, is not a small task! Continue reading “What “I Believe” and Found Worth Sharing by Xochitl Alvizo”

Experiencing Divinity in the World by Carol P. Christ

As I work on revisions of the new book, Goddess and God in the World, that Judith Plaskow and I are writing, I am thinking again about John Cobb’s notion of the “two ultimates” as two different ways of thinking about divinity. Cobb suggested that religions have defined the nature of ultimate reality as personal and as impersonal, as God and as the ground of being. The ground of being is the impersonal ultimate: the metaphysical principles that structure all of life, principles that he described as creativity or the creative process.

Judith describes God as the impersonal creative process and views personal language for divinity as metaphoric or symbolic. I define Goddess as personal, yet also view the impersonal ultimate, the creative process, as sacred. For me, this raises the question of the relationship between Goddess and the creative process.

In Cobb’s view, the two ultimates are co-eternal: the personal God did not “create” the creative process, nor was the personal God “created” by the creative process. Rather, for Cobb, God as the personal ultimate, like all other individuals, participates in the creative process. What then is the creative process? Although the term “creativity” has multiple meanings, in process philosophy it has a specific one.

Whitehead’s description of the creative process is rooted in the insight of modern science that the most basic components of our universe are particles of atoms that defy being categorized as either matter or energy, but seem to move and change, depending on their relationships. It is from the relationships of these tiny individuals that the evolutionary process of our universe began. This insight led Whitehead to recognize that the nature of reality (or being) is not fixed and static (as Western philosophers before him had concluded) but is always moving, changing, or “in process.” Whitehead’s understanding of the creative process is summed up in his much-quoted phrase, “the many become one, and are increased by one.”

The creative moment in the creative process (which is in fact every moment in the life of an individual) is the moment when the individual (whether particle of an atom, cell, animal, human, or divinity) in an act of creative freedom unifies the world (the many) into a new synthesis (the one): this new synthesis adds a new fact to the world (the many is increased by one). This is an abstract description of the creative process in its most basic form. In fact, however, we do not experience the world in the abstract, but in the concrete.

In this moment I (Carol) remember my past (many different Carols situated in many different worlds and some of the books I have read) as I shape this sentence (with my hands on my computer acting in concert with the feelings of my body and the thoughts that are flowing in my mind) and unite myself and my world in a new synthesis (which is this sentence). As I do so, I add a new fact to the world (the many are increased by one), a sentence that may be read by others in the future, therefore influencing their lives.

The reader who reads my words (you) reflects on them in relation to her or his memory (your memories of your past selves in your past) and asks if what I am saying makes sense: in the moment that she or he (you) decides if it does or it doesn’t, a new fact is added to the world (the many are increased by one), an opinion that in turn may be expressed to someone else (the many is again increased by one) who in turn responds to it (the many is increased by one more).

Though this description of the creative process focuses on mental actions, our mental processes are not divorced from our bodies and feelings, and the relations of mind, body and feeling are complex. In some creative moments, feelings are primary, while in others the body leads. This second richer description of the creative process is still an abstraction. We do not generally experience life as a series of moments but as a flow in which one moment is indistinguishable from the others; nonetheless, we can recognize that our lives are made up of a series of moments in which we along with others create the world anew.

Sometimes we take a longer and broader view of the creative process, recognizing patterns and cycles within the world that we share with other than human life. Traditional peoples, for example, often speak of or invoke the creative processes of birth, death, and regeneration that are the basis of life on this earth. This is also an important way of describing the ground of being because it situates human creativity within the creativity of the web of life. In our time we might also speak about the evolution of life. Taking a long view, we experience the sacrality of the web of life.

I experience—feel and sense—the personal ultimate, the presence of Goddess as intelligent love in my body, mind, and spirit and in all bodies, minds, and spirits, as I go about my everyday life. She is always there: feeling the love and joy I feel; supporting and understanding me when things are difficult; inspiring me to share the grace of life with everyone and everything. I also feel the power of the impersonal ultimate, the creative process that supports the creativity or freedom of all individuals who interact with each other in the web of life. For me the two ultimates—Goddess and the web of life—are both real.

Though the two ultimates are separate in the abstract, in the concrete experience of those of us who affirm a personal divinity, they are intertwined because the personal divinity is experienced through the creative process that is the basis of life. Thus, at one and the same time, I experience myself and divinity within me, other individuals and the divinity with in them, the creative process and the divinity within it.

I celebrate the creative process and its fruits, the powers of birth, death, and regeneration and the evolutionary process as a whole, as the ground of all being as well as the Goddess I experience as a personal, intelligent, loving, compassionate presence who cares about me, all other individuals in the world.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter). Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions; and forthcoming in 2016, Goddess and God in the World: Conversations in Embodied Theology.

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

In recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.” We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”

Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ

For many years I been told of the beautiful Hymn of Kassiani, sung only on Easter Tuesday night, but I had never heard it until this week. For many this song is the high point of Easter week.

Kassiani, also known as St. Kassia, was a Greek woman born into a wealthy family in Constantinople (now Istanbul) about 805 to 810 AD. According to three historians of the time, she was intelligent and beautiful and selected as a potential bride for the Emperor Theophilos. The chroniclers state that the Theophilos approached her and said: “Through woman, the worst,” referring to the sin of Eve. Clever Kassiani responded, “Through woman, the best,” referring to the birth of the Savior through Mary.

Apparently unable to accept being put in his place by a woman, Theophilos chose another bride. Kassiani founded a monastery in Constantinople becoming its first abbess. She was an outspoken theological advocate of icons during the iconoclastic crisis (for which she was flogged). One of only two women to publish under her own name during the Byzantine Middle Ages, Kassiani wrote both poetry and hymns. Up to 50 of her hymns are known today, with 23 of them being part of the Greek Orthodox liturgy. Continue reading “Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ”

Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf

Last week, Supreme Court Justice Ruth Bader Ginsburg was in the news again, but not for reasons you would expect. She, along with Rabbi Lauren Holtzblatt, penned a feminist essay about the Exodus title “The Heroic and Visionary Women of Passover.” Finding this story was exciting, especially because I am so drawn to the Exodus story (the intrigue and curiosity of which caused me to return to school and study, as one of my main areas of focus, Hebrew Scriptures – along with Archaeology and Ancient Near Eastern History). Now women’s roles in this story are being elevated thanks to Justice Ruth Bader Ginsburg and Rabbi Holtzblatt.

Before I discuss the message and the importance this message brings, I think it is important to know an important fact about Justice Ginsburg. Ginsburg is not observant, but does embrace her Jewish identity. When her mother died, she was excluded from the mourner’s minyan because she was a woman; an event in Judaism that is meant to comfort the mourner, brings a sense of community, and is considered obligatory – a means of honoring our mother/father. This important event left an impression and sent a loud message that inspired and influenced her career path – she did not count – she had no voice – she had no authority to speak. No wonder her life and career focuses so much on women’s rights and equality.

As many of us know, the story of Exodus is focused on two things 1) Moses and 2) liberation from the bonds of servitude and enslavement; women are rarely discussed. In the essay co-authored by Ginsberg, women are described as playing a crucial role in defying the orders of Pharaoh and helping to bring light to a world in darkness. In the Exodus event, God had partners – five brave women are the first among them, according to Ginsburg and Holtzblatt. These women are: Continue reading “Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf”