Power and Wealth in The Hunger Games by Lisa Galek

Unless you have been living in grim, dystopian world for the past few months, you’ve no doubt seen or heard something about The Hunger Games. The movie, which is based on the first in a best-selling trilogy of novels by Suzanne Collins, debuted several weeks ago to mass acclaim. It has already had the biggest opening weekend ever for a non-sequel and its advanced ticket sales eclipsed that of the most recent installment in the Twilight Saga.

Feminists can rejoice a little in the fact that this movie, which tells the story of strong, female protagonist, Katniss Everdeen, has surpassed the Twilight movies in ticket sales. Unlike the Twilight movies, the plot of The Hunger Games does not revolve entirely around a romantic love triangle. Though two suitors do vie for Katniss’s attentions, the heroine has much more pressing concerns – like whether or not she will be able to survive until morning.

But, aside from the good news that tough, well-drawn female characters can perform well at the box office, the movie has also spawned some interesting discussions about government and politics. In fact, both liberal and conservative commentators have claimed The Hunger Games supports their personal viewpoints (See “Liberal, conservatives embrace ‘Hunger Games’ for very different reasons”). For me, the books and movie fall more squarely onto the liberal side of the fence for one reason – they call into question wealth and power and those who are unwilling to change existing structures of oppression. Continue reading “Power and Wealth in The Hunger Games by Lisa Galek”

No One Is Safe from the Parodist (Part 4) by Barbara Ardinger

Now you can learn the secrets of the New Alchemy and make your life free from all outside government  interference! Tornado or hurricane in the neighborhood? Don’t call FEMA. Take care of it yourself! Finances unstable where you live? Listen to Old-Phashioned Phinancial Philosophers and print more money yourself!

D’alchimie nouvelle;

Or, The New Alchemy

Friends and bons amis, imagine facing the day free from pain and woe. Imagine living your life free from mendacity. Frater Romulus Augustulus (Reborn), Doctor of Philologorrhea, Founder of The Academy of Rhetorical Terpsichory, the World’s Greatest Expert and Author of the No. 1 Best-Seller, invites you to join him and other seekers of truth and freedom for a Weekend of Transition, Transcendence, and Trance Dancing. For a small monthly fee—just $33 a month for 72 months—you can mix and meet with others who claim libertarian liberty and complete independence.  Continue reading “No One Is Safe from the Parodist (Part 4) by Barbara Ardinger”

In memory of Adrienne Rich, Lesbian Poet (1929-2012) by Kittredge Cherry

 

I light a memorial candle for lesbian feminist poet and essayist Adrienne Rich, who died March 27, 2012 at age 82.

Rich was one of the most influential poets of the 20th century. Her writing was a guiding light to me and countless others, both people of faith and secular readers. The following lines from her poem “Natural Resources” (from The Dream of a Common Language: Poems 1974-1977) became like a creed for many of us:

Continue reading “In memory of Adrienne Rich, Lesbian Poet (1929-2012) by Kittredge Cherry”

The First Casualty Of War by Daniel Cohen

This is the tale of the first death in the Trojan War.

The Greek army was gathered in Aulis. Its men had come from many towns and islands. Some were there with dreams of glory, some with dreams of gold. Others were there because their chief had demanded their presence, and either loyalty to the chief or fear of him had brought them.

The fleet was waiting and the soldiers were ready to embark. But for weeks now the wind had been blowing from the wrong direction, and the men were getting restless at waiting so long. They were beginning to think of the harvest – they had expected that the war would be won long before harvest time – but that was now so close that many men were making ready to go home, and some had already gone.

Agamemnon, the leader of the Greek army, was fearful that the conquest and glory he sought would escape him if the winds continued contrary. And so he consulted the seer Calchas. After much searching the seer replied, “The goddess Artemis sends you a warning. If you wish to make war against Troy, you will have to kill your daughter.”

So Agamemnon sent for his daughter Iphigenia, pretending to her and her mother that he planned to marry her to the hero Achilles. Continue reading “The First Casualty Of War by Daniel Cohen”

No One Is Safe from the Parodist (Part 3) by Barbara Ardinger

Vader has lost the helmet and is now old and fat and speaks in a tenor voice. He’s obviously the smartest guy in the room.

I am not the first to mess with Shakespeare. In 1680, a hack named Nahum Tate rewrote King Lear to give it a happy ending (Cordelia marries Edgar and they assume the throne), and in 1699, Colley Cibber “adapted” Richard III. In the 19th and 20th centuries, Shakespeare’s plays were operacized, balletized, and Broadwayized (The Boys from Syracuse, West Side Story) In 1868, French operatic composer Ambroise Thomas wrote a Hamlet in which Ophelia sings a long aria and dies. After wild applause, she gets up and sings some more. I’ve seen this opera. I’ve also seen the Reduced Shakespeare Company in person and on DVD—they do the complete works in an hour and a half—and there’s also The Troubadour Theater Company that does Fleetwood Macbeth, which I’ve seen. They wear kilts and Hobbit feet, Duncan does standup comedy before they kill him, and Lady Macbeth sings Stevie Nicks songs. I have also seen Pulp Shakespeare (“If Shakespeare Wrote Pulp Fiction”), which is based on one of Quentin Tarantino’s hyper-violent—and in this case, hyper-conversational—movies, which I quit watching after about 20 minutes. The rest of the audience got it, though. They laughed a lot. It’s good to have fun with Shakespeare.  Continue reading “No One Is Safe from the Parodist (Part 3) by Barbara Ardinger”

No One Is Safe from the Parodist (Part 2) by Barbara Ardinger

I suppose I should be ashamed to admit this, but I once worked as a freelance copywriter for a multi-level marketing company.

I suppose I should be ashamed to admit this, but I once worked as a freelance copywriter for a multi-level marketing company. (Okay—I needed the money. It was a job.) I wrote the following piece one day when I was supposed to be writing real advertising copy. They were not amused. A few years later, when I was writing Finding New Goddesses (ECW Press, 2003), I pulled it out of my three-ring binder, renamed it Dr. Lucre’s Whoopee Pack, and Found (i.e., made up) Panglossolalia, the Found Goddess of Infomercials. Today, if we want to be politically correct, we recycle and reuse, so here we go again. I’ve changed the names in this infomercial and brought it up to date. When November comes, be sure to vote for the candidate of your choice.

Dr. Mittens’s Whoopee Pack

Good evening, friends, and welcome to my secret garden. I’m your friendly political commentator. I’m so glad you could visit me tonight as we take a short break from biased documentaries and endless negative commercials. Friends, tonight’s movie, Attack of the Jobless Economist, will begin in a minute. But first, this.  Continue reading “No One Is Safe from the Parodist (Part 2) by Barbara Ardinger”

Football Is a Bad Religion by Barbara Ardinger

As soon as I read Carol Christ’s comments on football, I said, “Yeah! She’s totally right.” I keep asking people I know who watch football games what is enjoyable about watching large millionaires giving each other concussions. I understand that some sports demand skills I don’t possess, but football? What skills? It’s a mystery to me.

The characters in my new novel, Secret Lives, agree with Carol and me about the Super Bowl. The following excerpt comes from Chapter 21, “A World at War.” The Norns, in disguise as the Wintergreen Sisters, have come to town with the intention of taking power over the heras of the novel, the grandmothers who live in Long Beach, CA, and do magic. Our crones, however, have no intention of being taken over, or even seduced by promises of power, but when they meet on Super Bowl Sunday, 1990, they don’t yet know that the war on TV will be only a tiny fragment of the larger war that the Norns will soon wage against them using gigantic ravens and thunderstorms as their weapons.

Let’s listen in on “the girls.” (Madame Blavatsky is the circle’s familiar, a talking cat.) Continue reading “Football Is a Bad Religion by Barbara Ardinger”

The Heart of the Labyrinth by Daniel Cohen

This is how they tell the story.

They tell that the Minotaur was a monster, half man, half bull, who dwelt in the labyrinth. They tell that Theseus was a brave youth who determined to kill the Minotaur. They tell that Ariadne was a princess who fell in love with Theseus and gave him a thread to guide him. They tell that Theseus marched unfearingly into the labyrinth, braving the bellowing monster at its heart, and that he met the Minotaur and slew it. They tell that he emerged a great man who in later years won the love of many women and gloriously conquered many lands.

This is what they do not tell us. Continue reading “The Heart of the Labyrinth by Daniel Cohen”

The Harlot Shall Be Burned with Fire: Biblical Literalism in The Girl with the Dragon Tattoo by Sarah Sentilles

(spoiler alert)

Against my better judgment, this past weekend I went to see The Girl with the Dragon Tattoo, directed by David Fincher who’s best known for Fight Club and The Social Network. I didn’t like the book; it unsettled me that a novel filled with sexual violence against women—a novel that seems to take pleasure in the violence, to offer it up for readers to consume—became such a sensation. But I’m a sucker for a trailer and a good soundtrack, and I was curious, so I bought a ticket.

The plot revolves around a missing girl and the serial killer believed to have murdered her who uses the Bible like a handbook. He takes passages from Leviticus—21:9 for example: The daughter of any priest, if she profanes herself by playing the harlot, she profanes her father. She shall be burned with fire—and enacts them on women’s bodies. On Jewish women’s bodies.

Please click here to continue reading this article at Religion Dispatches.

Sarah Sentilles is a scholar of religion, an award-winning speaker, and the author of three books including A Church of Her Own: What Happens When a Woman Takes the Pulpit (Harcourt, 2008) and Breaking Up with God (HarperOne, 2011). She earned a bachelor’s degree from Yale and a master’s of divinity and a doctorate in theology from Harvard, where she was awarded the Billings Preaching Prize and was the managing editor of the Journal of Feminist Studies in Religion. At the core of her scholarship, writing, and activism is a commitment to investigating the roles religious language, images, and practices play in oppression, violence, social transformation, and justice movements. She is currently at work on a novel and an edited volume that investigates the intersections of torture and Christianity.