Are These Three Novels Prophetic? Part 1: Gibbon’s Decline and Fall by Sheri S. Tepper by Barbara Ardinger

Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new, dystopic society. It’s very sad and very scary.

I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk. Continue reading “Are These Three Novels Prophetic? Part 1: Gibbon’s Decline and Fall by Sheri S. Tepper by Barbara Ardinger”

Who is She? an excerpt (edited for brevity) from the 25th anniversary edition of The Return of the Goddess, A Divine Comedy by Elizabeth Cunningham

Introduction by Maeve: Elizabeth’s July post usually features an excerpt from my Chronicles in honor of my feast day, July 22.  This year the excerpt comes from the novel that opened the way for my story.  Ever since a playdough figure took shape spontaneously in her hands, Esther, a minister’s wife,  has been on a quest to find out Who She Is! Here she encounters the Lady as the Virgin Mary. (For my take on the BVM, aka Ma, the scene stealer, see The Passion of Mary Magdalen and Bright Dark Madonna.)

A kitchen, yes. That’s what a sacristy was: a sacred kitchen, Esther mused as she stood in St. Paul’s sacristy, the light strong but thickened by the plain, stained-glass, lead-fitted windows over the sink—the piscina, if you were high church. The walls, an ancient, graying yellow, did what they could to reflect the filtered light in a gallant effort to create an atmosphere intended to be cheery. Continue reading “Who is She? an excerpt (edited for brevity) from the 25th anniversary edition of The Return of the Goddess, A Divine Comedy by Elizabeth Cunningham”

Wickeder and Wickeder by Barbara Ardinger

The raven was standing on the little table in the wicked witch’s private room. Expecting a new kind of feast, he dipped his beak into a bowl of wiggly white worms. And spat them clear across the room. “Great Suffering Succotash!” he exclaimed. “What is this stuff?’

“It’s ramen noodles,” the witch replied calmly. ”They’re cheap. And you know we need to save money. El Presidente’s got men cruising around the country doing whatever they want to obstruct justice. We’re all trying to save money and build up the resistance.” Continue reading “Wickeder and Wickeder by Barbara Ardinger”

Writing Through the Body: Betty Smith’s A TREE GROWS IN BROOKLYN by Joyce Zonana

 TreeGrowsInBrooklynIn her 1975 manifesto, “The Laugh of the Medusa,” French feminist Hélène Cixous urges women to write: “Writing is for you, you are for you; your body is yours, take it. . . . Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes . . .”

“The Laugh of the Medusa” remains a thrilling essay, challenging and inspiring women to “return to the body” and to language.  “Woman must write woman,” Cixous insists, “for, with a few rare exceptions there has not yet been any writing that inscribes femininity.”

Although Cixous may not have been aware of it, Betty Smith’s beloved, perennially popular 1943 novel, A Tree Grows in Brooklyn is one of those “rare exceptions” that “inscribes femininity” in precisely the way she advocates. This autobiographical novel, so often dismissed as sentimental or as a children’s book, is actually written through the female body—which may explain its lasting popularity and power. Continue reading “Writing Through the Body: Betty Smith’s A TREE GROWS IN BROOKLYN by Joyce Zonana”

The Last Man on Earth, Noah, and the Fantasy of Humanity’s Destruction by Elisabeth Schilling

blue fleurThere are quite a few post-apocalyptic shows out these days. The Last Man on Earth is one example, a television series that is set in 2020, a year after a deadly virus has wiped (almost) everyone out. A handful of people have natural immunity, which the main character, Phil (Will Forte) soon discovers after spray painting billboards across the U.S. with the message “Alive in Tuscon.” It seems to be a lonely life for Phil before he realizes he isn’t really the only person left alive, but he can choose any mansion to live in, drive any car on the empty, open roads, and the grocery stores are abandoned for his taking (only non-perishables are really edible though). There are downsides such as no electricity, no running water, and an end to all of the other modern-day conveniences that an urbanite would be used to, which were, in the past, handled by “someone else.” It would be much better if a farmer or botanist were left behind, but I guess it is supposed to be relatable to most of us.

Watching this show has compelled me to think about other apocalypses in sacred literature, mainly Noah and the global flood. I always have thought it was rather chilling that gods were created to be such harsh punishers of humankind. In the Qur’an, this story is used as one of many examples of the communities that were sent a messenger but disobeyed and so endured the promised wipe-out. It always seemed strange to me that God would be discussed to be so violent when the immediate messages in these literatures were that human beings should be kind, charitable, and moderate with each other. Continue reading “The Last Man on Earth, Noah, and the Fantasy of Humanity’s Destruction by Elisabeth Schilling”

Finding Quantum Magic with the Wicked Witch by Barbara Ardinger

When El Presidente decided his war against his people was insufficient, his toadies began throwing very, very tremendous bombs at the university. When one of those very, very tremendous bombs blew up the university library, pages from exploded books floated far out into the country. Some of them spiraled down and landed on the wicked witch’s farm. Among the refugees driven away by this attack upon learning and knowledge were Professor Schroedinger, who had once owned a cat, and Professor Heisenberg, who had proposed that one could know either where a cat was going or how fast it was traveling, but not both. The two physicists and many other new refugees were welcomed by those who had escaped earlier, among whom were displaced performance artists, philosophers, musicians, and scientists.

The wicked witch and the senior refugees called a meeting the next day. As people from other farms arrived, the two ravens, Kahlil and Hamilton, also flew in to attend. Everyone gathered in the field where they had magicked the scarecrow.

“My friends,” said the witch to the crowd of newcomers, “you’re welcome here,” she looked around, “though I have no idea where you can sleep. It’s already too crowded. All the farms, indeed, all the small towns past the woods and the river are also overcrowded. Is the capital city empty?”

“It’s nearly empty of people,” said Professor Schroedinger. “It’s just ruins and rubble.”

Kahlil the prophetic raven had been walking around the circle looking for handouts. “Yo, folks,” he said, “like I been sayin’, you’re all in a world a hurt. Yer El Presidente’s got most a th’ army, but since he decided to destroy learning, what else has he got? Nada.” He plucked up a tiny scrap of something that might be edible, then dropped it again. “He’s gonna come to a bad end. An’ that’s my prophecy fer today.” He bowed as everyone applauded, then dived on an eyeball. No. It was a cat’s eye marble. “Phooey.”

“A  bad end,” said one of the professors, “is devoutly to be hoped. Ignorance is a dangerous weapon.” He turned to the wicked witch. “Madame, what can we do to ensure that the bad end is ultimately his and not ours?”

By this time, of course, all the refugees both old and new were becoming enraged at El Presidente and his endless war. A muttering was arising among the gathered people, and pretty soon, someone shouted out, “Hey—you professors know how to build bombs, doncha?” “Isn’t that what physicists do?” someone else shouted. “So hows about we build a big ol’ bomb and give El Presidente a taste of his own medicine?” At which nearly everyone raised their fists and began cheering.

The witch raised her hand to try to stop the cheering. “Wait!” she cried out. “If we start hurling bombs, then we become as bad as he is. Do we want that?”

Some of the refugees cried yes, it’s the only way to get back at him, the only way we can go home, while others stopped cheering and considered her question. “No,” some called back, “no, we don’t want to be like him. But what else can we do?”

One of the older refugees tapped Professor Schroedinger on the shoulder. “You did that experiment with your cat,” he said. “How about you just build a bigger box and put El Presidente in it? Then release that fatal gas! Who cares what other universe he goes to as long as he’s not here anymore?”

The professor shook his head. “That was a thought experiment,” he said. “And Sweetums, my cat, lived to a fine old age. I have no definitive proof that the thought experiment would work on the macro level in what we call ‘real’ life.” “And,” said Professor Heisenberg, “we have no more scientific equipment.”

While everyone was thinking about this, one of the louder refugees pushed his way through the crowd. When he reached the center, he approached the witch. “You keep saying you’re a wicked witch. Well, prove it! Be wicked! Invent quantum magic! Find a way to send El Presidente to some other universe. Or chop him up into quantums and send parts of him to multiple universes.”

This set everyone to whispering and muttering again. The idea of quantum magic even got the two professors thinking. After a brief conversation, they nodded at each other and turned to the witch. “We may be renowned theoreticians, but you’re the witch. How would this work? Can thoughts become things?”

And so the wicked witch let herself be persuaded. “Build another scarecrow and we’ll see what we can do. Professors, will you assist?”

A few days later, on the spring equinox when light and dark are equally present, refugees from far around returned to the field and took their places in a huge circle that was many layers of people deep. A new scarecrow (wearing a nice red tie) stood in the center, and the two ravens were dancing on its shoulders. As the wicked witch took her place at the north and cast the magical circle, the ravens flew around the circle nine times.

“Let us begin our magic,” said the witch. “Our honored professors worked on the subatomic level, with particles and waves. One thing they learned is that the particles and waves like to change form and become wavicles. I don’t know what a wavicle looks like…but we have our imaginations! What do you think a wavicle might look like?” She was silent for several minutes as the people built images of wavicles in their minds. “And now we attempt our quantum magic,” she said. “Throw your wavicles at the scarecrow and visualize them going to El Presidente to punish him for his crimes by being dissolved and his parts sent to multiple universes.” A few minutes later, the scarecrow disappeared.

 

Barbara Ardinger, Ph.D. (www.barbaraardinger.com), is a published author and freelance editor. Her newest book is Secret Lives, a novel about grandmothers who do magic.  Her earlier nonfiction books include the daybook Pagan Every Day, Finding New Goddesses (a pun-filled parody of goddess encyclopedias), and Goddess Meditations.  When she can get away from the computer, she goes to the theater as often as possible—she loves musical theater and movies in which people sing and dance. She is also an active CERT (Community Emergency Rescue Team) volunteer and a member (and occasional secretary pro-tem) of a neighborhood organization that focuses on code enforcement and safety for citizens. She has been an AIDS emotional support volunteer and a literacy volunteer. She is an active member of the Neopagan community and is well known for the rituals she creates and leads.

In Honor of Spring: A Novel about our Blue Planet by Marie Cartier

I have written segments of a novel before for the FAR community several times—starting here. What follows are the beginning pages of a new novel (not the one I’ve published segments with FAR before—that one is on hold). I’m sharing this story—of the last surviving mermaid and her fight to save the planet– in honor of spring. You may see more pages in the future—but for now–  happy spring equinox and blessings on you and our planet as the wheel turns. Continue reading “In Honor of Spring: A Novel about our Blue Planet by Marie Cartier”

Springing Forward with the Wicked Witch by Barbara Ardinger

Barbara ArdingerEl Presidente was enlarging his war against his citizens. This meant the roads were more crowded than before with refugees fleeing the capital city for safety among the farmers on the plains and up in the hills. Some of these refugees arrived, of course, at the farm of the wicked witch.

Refugees

Whenever a family arrived, the witch would put on her wickedest face and voice (she’d been practicing) and tell the children she was going to roast them and eat them with mashed potatoes and baby gravy. The children believed her for about a minute and a half, whereas their parents just smiled as each family was taken in hand by the senior refugees and led to rooms where there were new beds. The tenured refugees had (with the witch’s permission) taken charge and somehow found enough lumber to build two new rooms (lean-tos) at the side of the house. They were also working the farm and doing whatever they could with other providers of shelter to make newcomers as comfortable as possible. All the farms across the plains and in the hills had nearly run out of food to feed their guests, but with the coming of spring and tiny green shoots already showing, many of the people were hopeful. Continue reading “Springing Forward with the Wicked Witch by Barbara Ardinger”

A Light Story by Barbara Ardinger

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

raven—first there was a dark eye at the window. Then a tap-tap-tapping. Then a long black beak came around the edge of the slightly open window. Then the raven hopped inside. “Oh, goody,” said a gravelly voice. “Eyeballs! I dearly love a tender, juicy eyeball.”

The wicked witch looked up from the quaint and curious volume she was perusing. “Oh, Kahlil,” she said, “those are grapes. And,” she added, “do come in.”

Already in, the raven speared a grape. “Pfui! I hate grapes! Back in the city,” he added, “there’s so many dead bodies lying in the streets all the scavengers think it’s a feast day everyday.” He paused and dropped the grape on the floor of the tiny room. “It’s awful in the city. It’s awful everywhere. No sign of yer husband, either. Witchie-pooh, how ya doin’ out here in the country?”

She sighed and pushed the book aside. “Not well. Not well at all. There’s no more room in my house for refugees, and yet they keep coming. The storehouse is nearly empty, and we need to find new seed to plant. I’ve put some of the men in charge of the farming. They’re waiting for the season to change.” She waved one hand over the table. “And I’ve still trying to learn how to be properly wicked. I’ve got all the books I can find. I’m looking for a spell that works. One that will bind el presidente. And his army. Kahlil, has it ever been this dark?”

oil-lampThe raven looked around. The tiny room at the top of the tiny wooden house was filled with books and papers written in a dozen ancient languages, which the wicked witch was reading by the light of a sputtering oil lamp with a nearly empty reservoir. “Well,” he told her, “we’re only six weeks past the solstice. Yeah. It’s dark all over. Girlfriend, you could do with a little more light—” Continue reading “A Light Story by Barbara Ardinger”

Murder at the Rummage Sale: Book Review by Judith Shaw

Judith Shaw photoMurder at the Rummage Sale (Albany, NY: Imagination Fury Arts, 2016) by Elizabeth Cunningham is a mystery novel with a style and depth of thought that offers not only the fun of figuring out “Who Dun It”  but also gorgeous prose and poetic phrasing which is not so commonly found in the mystery genre.

Set in 1960 small town America, the book transports us back to that era with a fine eye to detail. It 9781944190019takes place over a few days in the life of the Church of the Regeneration as the women prepare for their annual rummage sale. Charlotte Crowley, an over bearing kleptomaniac who wraps men around her little finger while antagonizing most of the women, has always led the effort. But with only a few days to go before the sale begins, Charlotte is found dead in the basement, smothered by a plastic dry cleaning bag full of coats.

Though the police declared the death to be accidental, Lucy Way, an older woman with a bit of faery blood and white curls she is very proud of, has her suspicions. Lucy sets out to solve the crime with the help of a cast of characters associated with the church: the Reverend Gerald Bradley, the church minister with a love of drink; Anne Bradley, his wife who doubts the existence of God; Katherine Bradley, their fanciful seven year old daughter; and Katherine’s sworn blood brother, Frankie Lomangino Jr., son of Frankie Lomangino an ex-con who becomes the prime suspect. Continue reading “Murder at the Rummage Sale: Book Review by Judith Shaw”