General – Feminism and Religion

Ozymandias and Other Patriarchal Ego-isms by Janet Maika’i Rudolph

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, King of Kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”

Percy Bysshe Shelley 1792 – 1822

There has been discussion of what to name Trump’s ever-expanding ballroom. Some have suggested naming it after Epstein. I would suggest naming it after Ozymandias from Shelley’s poem.

There is something about building projects that feed to the patriarchal ego. The Patriarchal ego stands on permanence, largess and if that involves crushing those “below” them, that is just how it is. Pre-patriarchal pagan systems focus on the cycles of life and are based on an understanding that impermanence is what life is all about. Life works on cyclic movement. The seasons, the moon, the sun, the stars, all is in motion and all presages different aspects of the wheel of life.

Caravanserai and Other Poems by Annelinde Metzner

This set of poems reflects on ways we humans have responded creatively, expansively and artistically to the challenges of our times. Of course, two of the poems center upon music, one of the strongest themes of my own life. The first and last poems are ways that the natural world is always knocking at the door, saying, “pay attention.”

Like this

“Like this,” says the titmouse,
hanging upside down to get at the suet.
“If you really want it, there it is.”
“Like this,” says the January sun,
one day icing us to our bones,
and today like Spring,
warm enough for rides
on little boys’ new scooters.
“Like this,” say the squirrels,
entranced with each other,
whirling ’round the branches,
twining fluffy tails,
intent on making new Squirrel babies.
“Like this,” says the chickadee,
landing near my toe,
tiny and brave, ready to eat,
scolding me to get out of the way.
“You are here to live,
so live.”

The Littlest Balsam by Sara Wright

Five years ago
I dug a seedling
in protest
ki’s deep green
needles
slender trunk
and roots
yielded
to sweet
spring earth
with prayers.

I believed.

One winter night
I will celebrate
your life
the lives of
thousands
with a
candlelit
spiral
of tiny white lights.

Tonight
white flames
adorn you
old longings
and heartbreak
we share the same
root
stilled by
simple beauty
a single
reflection
of Love.

The Legacy of Carol P. Christ: “Oh For a Pair of Clean Dry Warm Socks”

This was originally posted on Jan. 15, 2018

Stories about refugees in the island of Lesbos (where I live) are no longer front page news. Yet according the United Nations Refugee Agency, 12, 742 refugees arrived here in 2017. This number is equivalent to 15% of the year-around population of the island. Though this number is huge, it does not compare to the estimated 91,506 arrivals in Lesbos in 2016. In January 2018, 7572 refugees are estimated to be stranded in the island waiting for their applications for asylum to be processed. The government-controlled reception center has a capacity of 2000, but up to three times that number are being housed there at any one time, in conditions that must be described as inhumane. It is suspected that “someone” in Greece or the European Union is slowing the asylum process in order to discourage refugees from attempting to enter the EU via Lesbos.

Recently I have begun to work with the Starfish Foundation, a local non-profit helping refugees on the island, using my skills as a writer to help with outreach. Today I share with the FAR community a blog I wrote to contextualize the desperation of the situation the refugees find themselves in.

Hanukah and Enough Already by Winifred Nathan

As I prepare for the Hanukah celebration this year, the word that resonates with me is “enough.” I will light candles for eight nights, recalling that in the beginning, there was not enough oil to rededicate the temple after the victory of the Maccabees over the Syrian Greeks, but then there was enough.

How much is enough? The dictionary tells us that enough means having as much or as many of something as required.

During the government shutdown when SNAP was at risk, we learned that one in eight Americans qualify for the program, revealing how many people are food-insecure in our country. The one in eight includes the working poor, disabled, and children. Their issue is quantitative: the amount of food they can afford does not provide adequate nourishment. On the spectrum of enough, they are on the shortage end. Just as the temple needed more oil to be rededicated, they need more food to sustain themselves.

The Perfection of Our Imperfection by Margot Van Sluytman/Raven Speaks. Heyoka

Prufrock Again

In this our divine
Comedy of delight
Of destruction
Troubled waters
Calm. Quenching
Us yet again
For in
Our penchant
For beauty
We remake
Over and over again
The tale that tries to
Tame us. Gathering
In circles of hope
Once more we remember
How we remember

A Goose Tale by Sara Wright

It’s the last day of November and small groups Canadian geese are still drifting around on patches of open water. I saw two small groups on North Pond. Although many skeins have flown south along the Atlantic flyway – they can migrate south as far as Mexico and South America -some geese spend the winter along coastal areas in Maine if food resources are available. It’s hard to know whether these groups are migrators from Canada who have stopped over to rest or a few that winter over nearby on the Kennebec or elsewhere along the southern coast of Maine. With warming temperatures Canadian Geese migratory patterns are changing.

Soon after their arrival the female disappears to lay 8 – 10 eggs in her nest that is securely hidden in the reeds while her mate stands watch. When the goslings are born both parents escort them through the water, one parent in front, the other behind. If threatened the male becomes aggressive, a totally appropriate behavior from my point of view. When the little ones are big enough these birds join other families for the rest of the summer and some will probably migrate together. These are such community oriented birds. They make it a habit to get along. Geese are omnivores that will eat almost anything and they mate for life, returning to their designated ‘home’ places to breed year after year. Even before the chicks arrive geese are drawn to some of the 400 million lawns in this country (especially those that are close to water) much to the dismay of some.

The Legacy of Carol P. Christ: THE REFUGEE CRISIS IN GREECE: A TEST OF OUR COMMON HUMANITY by Michael Bakas, translated by Carol P. Christ

This was originally posted on June 22, 2105

Note from Carol Christ: I returned home from the Goddess Pilgrimage to Crete a week ago to find my island, Lesbos, and my village, Molivos, overwhelmed with a refugee crisis of enormous proportions. We are a town of about 1000 permanent residents, and I would estimate that 10,000 or more refugees from the wars in Syria and Afghanistan have passed through our village in recent months. Local authorities and volunteers are exhausted, and there is an urgent need for help from the European Union. This week instead of my own blog, I am offering my translation of a moving plea for help from my dear friend and colleague in the Green Party, Michael Bakas, who by the way is himself a feminist.

There is nothing new about refugees fleeing from war. At the beginning of World War I, more than 50,000 people arrived in Lesbos from the nearby shores of what is now Turkey. At the end of the war many of these refugees returned to Asia Minor, but after the Greek army invaded and was driven back, the Asia Minor Catastrophe of 1922 sent nearly a million refugees to Greece.

Continue reading “The Legacy of Carol P. Christ: THE REFUGEE CRISIS IN GREECE: A TEST OF OUR COMMON HUMANITY by Michael Bakas, translated by Carol P. Christ”

Anne Brontë’s Agnes Grey: Lifting the Veil on Cruelty, part 2 by Maria Dintino

Part 1 was posted yesterday.

Here the reader further witnesses how young Tom treats his little sisters which is consistently cruel-hearted. Tom continues to describe how he will harm the helpless birds while Agnes desperately works to persuade him otherwise:

“But you shall see me fettle ’em off. My word, but I will wallop ’em? See if I don’t now. By gum! but there’s rare sport for me in that nest.”

“But, Tom,” said I, “I shall not allow you to torture those birds. They must either be killed at once or carried back to the place you took them from, that the old birds may continue to feed them.”

“But you don’t know where that is, Madam: it’s only me and uncle Robson that knows that.”

“But if you don’t tell me, I shall kill them myself—much as I hate it.”

“You daren’t. You daren’t touch them for your life! because you know papa and mamma, and uncle Robson, would be angry. Ha, ha! I’ve caught you there, Miss!”

“I shall do what I think right in a case of this sort without consulting any one. If your papa and mamma don’t happen to approve of it, I shall be sorry to offend them; but your uncle Robson’s opinions, of course, are nothing to me.”

This young charge of Agnes’s is threatening and manipulating her as he and the other children do often. Tom doesn’t realize he has hit a nerve with Agnes, where the brutal treatment of the most vulnerable is unbearable. This situation is indicative of the overall treatment she receives as a governess, as one less-worthy-than and stripped of power, yet blamed for the misbehavior of her charges.

“So saying—urged by a sense of duty—at the risk of both making myself sick and incurring the wrath of my employers—I got a large flat stone, that had been reared up for a mouse-trap by the gardener; then, having once more vainly endeavoured to persuade the little tyrant to let the birds be carried back, I asked what he intended to do with them. With fiendish glee he commenced a list of torments; and while he was busied in the relation, I dropped the stone upon his intended victims and crushed them flat beneath it. Loud were the outcries, terrible the execrations, consequent upon this daring outrage; uncle Robson had been coming up the walk with his gun, and was just then pausing to kick his dog.

“Tom flew towards him, vowing he would make him kick me instead of Juno. Mr. Robson leant upon his gun, and laughed excessively at the violence of his nephew’s passion, and the bitter maledictions and opprobrious epithets he heaped upon me. “Well, you are a good ’un!” exclaimed he, at length, taking up his weapon and proceeding towards the house. “Damme, but the lad has some spunk in him, too. Curse me, if ever I saw a nobler little scoundrel than that. He’s beyond petticoat government already: by God! he defies mother, granny, governess, and all! Ha, ha, ha! Never mind, Tom, I’ll get you another brood to-morrow.”

Uncle Robson’s appalling show of support and praise for Tom’s egregious behavior toward his governess underscores a deeply engrained and condoned misogyny. But here our usual grin-and-bear-it Agnes will not back down or be silenced.

“If you do, Mr. Robson, I shall kill them too,” said I.

“Humph!” replied he, and having honoured me with a broad stare—which, contrary to his expectations, I sustained without flinching—he turned away with an air of supreme contempt, and stalked into the house. Tom next went to tell his mamma.”

Agnes has risked her position in defense of her values, but Uncle Robson, who it is noted never pays his nieces any heed, has instilled and upholds his nephew’s cruel ways, no doubt leading him to become a person who will kick his dogs and treat all creatures deemed lesser, including girls and women, with disdain. Little Tom is “beyond petticoat government already,” encouraged and rewarded for not listening to any of the women in his life. Following the example of his father, uncle, and many of the other men in his life, Tom has already learned to disregard what women have to say.

And Tom’s mother, Mrs. Bloomfield, buys into the dysfunction wholeheartedly. The passage continues with an interaction between Agnes and lady of the house, with her defending the violent behavior of her son and blaming Agnes for interfering with his fun and games.

“It was not her [Mrs. Bloomfield’s] way to say much on any subject; but, when she next saw me, her aspect and demeanour were doubly dark and chilled. After some casual remark about the weather, she observed—“I am sorry, Miss Grey, you should think it necessary to interfere with Master Bloomfield’s amusements; he was very much distressed about your destroying the birds.”

“When Master Bloomfield’s amusements consist in injuring sentient creatures,” I answered, “I think it my duty to interfere.”

“You seemed to have forgotten,” said she, calmly, “that the creatures were all created for our convenience.”

I thought that doctrine admitted some doubt, but merely replied—“If they were, we have no right to torment them for our amusement.”

“I think,” said she, “a child’s amusement is scarcely to be weighed against the welfare of a soulless brute.”

“But, for the child’s own sake, it ought not to be encouraged to have such amusements,” answered I, as meekly as I could, to make up for such unusual pertinacity. “‘Blessed are the merciful, for they shall obtain mercy.’”

“Oh! of course; but that refers to our conduct towards each other.”

“‘The merciful man shows mercy to his beast,’” I ventured to add.

“I think you have not shown much mercy,” replied she, with a short, bitter laugh; “killing the poor birds by wholesale in that shocking manner, and putting the dear boy to such misery for a mere whim.”

“I judged it prudent to say no more. This was the nearest approach to a quarrel I ever had with Mrs. Bloomfield; as well as the greatest number of words I ever exchanged with her at one time, since the day of my first arrival.”

Agnes knows her place and if she wants to maintain her position to both assist her family and to prove she can handle the role, she must monitor herself and bite her tongue around her employers and their children. In both Agnes’s positions, the parents are portrayed as overly indulgent and uninvolved, allowing the children to misbehave and manipulate at every turn. The parents consistently take their children’s side and refuse to see any fault in them, lest it cast blame on their parenting. This creates an especially impossible arrangement for the governess to have any influence on the children, let alone get them to care about and complete their lessons.

Anne’s resting place at St. Mary’s Church in the seaside town of Scarborough, North Yorkshire.

At a certain point in the story it becomes quite clear how all will unfold, yet one cannot stop reading!

In the end, Agnes is rewarded with the love of one she has admired for some time. The icing on this happy-ending cake is that she is also reunited with the neglected dog, Snap, that one of the young women in her charge had given away, breaking Agnes’s heart. This delightful reunion takes place on the beach, a setting Anne Brontë herself cherished.

If one cannot bear the truth, don’t read Anne Brontë’s novels. Yet, it’s worth keeping in mind that if the ugly truth is kept undercover, it’s less likely to be addressed.

Anne Brontë is a Nasty Woman Writer.

Works Cited & Resources

Brontë, Anne. Agnes Grey. The Project Gutenberg eBook of Agnes Grey, 4 December 2020. https://www.gutenberg.org/files/767/767-h/767-h.htm

Ellis, Samantha. “Anne Brontë: the sister who got there first.” The Guardian. 6 January 2017. https://www.theguardian.com/books/2017/jan/06/anne-bronte-agnes-grey-jane-eyre-charlotte

Holland, Nick. “Agnes Grey: Nothing short of genius.” Anne Brontë Blog, 9 April 2017. https://www.annebronte.org/2017/04/09/agnes-grey-nothing-short-of-genius/

Anne Brontë’s Agnes Grey: Lifting the Veil on Cruelty, part 1 by Maria Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on November 19, 2024. You can see more of their posts here.

Anne, the youngest of the Brontë sisters, penned two novels in her short life. The first was Agnes Grey (1847), then The Tenant of Wildfell Hall (1848).

A sketch of Anne by her sister Charlotte.

It’s probably safe to say that Agnes Grey is the least read and appreciated of all the Brontë novels, of which there are seven. Emily’s Wuthering Heights and Charlotte’s Jane Eyre garner the most praise and attention. But Anne’s The Tenant of Wildfell Hall is not far behind, and by some accounts leads the pack.

Interestingly, all the sisters’ first novels were released in the same year, under their pen names Currer, Ellis, and Acton Bell. First was Jane Eyre in October 1847 and then Wuthering Heights and Agnes Grey together as a ‘triple decker’ in December 1847, with Wuthering Heights making up the first two parts, and Agnes Grey the third.