General – Page 255 – Feminism and Religion

I Am Queen by Vibha Shetiya

Vibah I started this post just after getting back from an India trip, always very challenging because of memories that haunt me not only through their high negative recall value, but also in that I often find myself reverting to the diffident, fearful person I used to be while living there. In fact, palpitation is the first to greet me at Bombay airport even now after nearly seventeen years of being an expat. But with every trip, I also find myself evolving as a person, as a woman. And of course, it is always fun to meet up with family and old friends, all of whom I hold very dear. But the highlight of this trip was Queen.

Queen is a Bollywood movie unlike any other I’ve seen. As mentioned in a previous post, B-wood cinema if you can call it that, is made mostly of predictable, formulaic themes centering on impossible flights of fancy, not-so-subtle patriarchy, and gendered stereotypes. The good news is that in recent years, film makers have been trying to push boundaries in their own small ways, no doubt a laudable attempt in an industry where success still depends on mass consumption; box office success over critical acclaim. Queen, however, stands out in its portrayal of the protagonist Rani Mehra, a middle class young lady from Delhi (“rani” is “queen” in Hindi). Even more remarkable is that it portrays Rani’s female friends – “scantily” dressed women and prostitutes – without judgment, as human beings who are far from detrimental to Rani or the plot. Continue reading “I Am Queen by Vibha Shetiya”

“Light and Darkness” of the Goddess by Carol P. Christ

Carol Molivos by Andrea Sarris 2 “Light and Darkness” is a song written and arranged to one of the oldest known European melodies by Ariadne Institute founding Co-Director Jana Ruble, following her first Goddess Pilgrimage to Crete. Every year since then, we have sung it in the caves of Crete during our rituals. A pilgrim told us that she learned it at the (Christian) Re-Imagining Conference. Last spring another pilgrim said that she knew it because her choral group sings it. You can listen to “Light and Darkness” and see pictures of an altar in a cave on a new video created by Goddess pilgrim PJ Livingstone after the 2015 spring tour.

In our culture we have been taught to fear the dark. We have been told that monsters come out in the dark, and that they will eat us. Such fears have not always been part of cultural memory. Continue reading ““Light and Darkness” of the Goddess by Carol P. Christ”

More Than Just an Image by Jassy Watson

I spent 2015 teaching an Intentional Creativity program ‘Wisdom of the Goddess” to an intimate tribe of women creatives from our local community. In December we held an end of Year Art Gala displaying a portion of the work which saw over 100 paintings of Goddesses created over a 10-moon period.

The program was divided into the cycles of Creation, Transformation and Celebration, as inspired by Hallie Inglehard’s book “The Heart of the Goddess”. Each month, through ritual, visioning and painting, we explored a Goddess that represented these cycles; Eve, Anjea, Demeter, Cerridwen, Kali, Persephone, Aphrodite, Ochun and finally, our Inner Goddess.

It took great courage for the artists to display their paintings in public. It is often hard to explain this work because it requires such deep and thoughtful exploration of one’s inner world along with a commitment to a creative practice that favours personal growth and discovery over outcome. It can be difficult finding the language to elucidate on this process that is not just about the act of painting.

It is painting to grow and heal.

It is sacred.

It honours and empowers women.

It inspires authentic creative expression.

It unites one with self.

It connects one back to the earth.

It transforms.

It reveals.

The show was a great success. A gallery full of Goddesses was surely a sight to behold! It was a humbling experience to be out and proud about our creative work in our regional, agricultural, largely conservative community. I feel it is imperative for the restoration of female empowerment to be remembering and re-imagining the Goddess by way of image and it was through Her that these astounding women artists found the courage to put their heart and soul on the wall for all to see.

The influence that image has is far-reaching and cannot be under-estimated. Image is a universal language that evokes emotion and can go as far as mobilising the masses and even change the course of history. The famous photo of ‘Phan Thi Kim Phuc’ running naked down a road after a napalm attack during the Vietnam War is but one outstanding example.

As I reflected on the years work however, I was reminded that while these paintings carry with them incredible insights and powerful messages of change, growth, discovery and transformation, the Goddess is so much more than just an image; and certainly more than just an image to mass-produce and sell. While “the strength and independence of female power can be intuited by contemplating ancient and modern images of the Goddess” (Carol P. Christ in ‘Why Women Need the Goddess’), it cannot be forgotten that She is the sacred made immanent in the natural world, expressed in the diversity of all forms of life and death. We seek Her, sometimes even travelling to the ends of the earth to find Her, forgetting that She is everywhere. She is you and me and Her sacred sites are found in our own backyards.

With this in mind I recently returned to some creative investigations I had begun a few years ago exploring woman in nature and the Goddess as the body of the earth through paint. The earth speaks and I am listening to Her stories and bringing them to the canvas to re-affirm my sense of wonder and respect for nature. My aim is to awaken an ancient memory of the sacred relationship between human and nature, for now, more than ever, it is critical that this relationship be restored. In doing so, the earth may once again be seen and valued as a living, breathing body that sustains and nourishes all life rather than being merely a commodity to be devastated and destroyed in the name of capitalism and greed. Further, these images are reminders of the interconnectedness of all life; we are not separate from the earth, but part of its’ intricate web.

The following image was inspired in part by Terry Tempest Williams ‘When Women Were Birds’ but is also an image born from a revelation I had many, many years ago when I first starting seeing woman in nature, especially in the body of trees.

When women were birds FINAL

“We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak.

But we hear.”

― Susan Griffin, Woman and Nature: The Roaring Inside Her

Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary Artist, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden Studio & Gallery; a small school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally, internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Her latest SOULSCAPES (TM) exploring woman in nature will be on show at ‘Dreaming Into Being’, Percolator Gallery, Paddington, Brisbane April 5th-11th. You can see her work at http://www.goddessesgardenandstudio.co

La Virgen de Guadalupe: New Feminist Portrayals by Jose Duran

Jose Duran She appeared on a hill on December 9, 1531. She spoke to Juan Diego in his native tongue of Nahuatl; the language of the Aztecas. She asked for a church to be built at that very site in honor of her, the Virgin Mary. Juan Diego took the request to the local priest, but his story was not believed. On December 12, following further instructions from La Virgen, Juan Diego was able to find and pick roses not native to Mexico. He rolled them up in his tilma and returned to the priest. When he unrolled his tilma to present the roses, there on the tilma was the image of La Virgen de Guadalupe; she was as dark as the natives themselves.

Natives across Mexico and throughout the Americas endured the brutal realities of conquest, and experienced the relegation to second class citizens during the colonial period in Mexico. In particular, native women experienced oppression two-fold. This is evident in the fact that native men had privileges and opportunities within the public sphere of society which were denied to women, such as holding particular types of public service positions.

So how is it that millions of natives across the continent converted to Catholicism, the religion used by their oppressors to justify the horrors and atrocities inflicted upon them? The appearance of La Virgen to Juan Diego. She is seen as the blending of the Indigenous and European cultures. A Huffington Post article, Everything You Need to Know About La Virgen de Guadalupe, explains, “Her image has been used throughout Mexican history, not only as a religious icon but also as a sign of patriotism.” Indeed, she has appeared as a symbol even in the most pivotal of moments, such as the fight for Mexican independence and the Mexican Revolution. The authors of the study The Evolving Genre of ‘Our Lady of Guadalupe’: A Feminist Analysis, also note that she has become “. . .the ideal model for womanhood and motherhood.” Continue reading “La Virgen de Guadalupe: New Feminist Portrayals by Jose Duran”

Breastfeeding and the Abject? by Sara Frykenberg

The trappings of motherhood are all too powerful reminders that, as Catherine Keller reminds us in her book From a Broken Web, mother goddesses have to be continually slain for patriarchal heroes to be born. Indeed, she suggests that conceptions of Western selfhood are based upon this symbolic matricide—so it is no wonder that breast milk might be considered abject…

Once upon time formula companies and complicit medical experts launched a serious campaign to sell more formula, telling a generation of mothers that this product was both superior to breast milk and far better for baby and mother. Some were convinced, others found formula a good alternative to breast milk given their employment status, hormonal changes, their particular baby’s needs,personal choice, difficulty producing their own milk, or the like; and still others chose to breastfeed despite criticism, like my mother-in-law, who received scorn and derision from medical personnel as the only breastfeeding mother in the hospital in which she gave birth in 1970.

Despite this effort, science has finally “proven” that breast milk, when it is possible to give it, is better for your child than synthesized alternatives. Wow. Well, the politics of believability aside, women in the U.S. are now encouraged to trust their own bodies to feed their babies and give the breast a try. In fact, every new book, article, website and internet forum, birthing class teacher and hospital nurse will tell you that “breast is best,” repeatedly, for months, asking you about your breastfeeding plan, and urging you to keep trying until you and baby get it right. A counter-campaign, this vigorous encouragement is working to undo the attitudinal changes within popular culture that placed a stigma on the breastfeeding woman. Continue reading “Breastfeeding and the Abject? by Sara Frykenberg”

“God is Not a Man, God Is Not a White Man” by Carol P. Christ

“The pictures that line the halls speak volumes about the history of racism and sexism and they shape the future in powerful ways.”–Simon Timm

The author of these words recently posted a short video on Youtube entitled “Mirror Mirror on the Wall: The Legacies of Sexism and White Supremacy at Yale Divinity School.”* The video begins with a catchy little ditty with the words, “God is not a man, God is not a white man.” It tracks paintings and photographs of professors and other luminaries in the field of theology on the walls of the Yale Divinity School. By Timm’s count: 99 white males, 6 women, and 3 blacks. The single black woman is counted in both categories.

Continue reading ““God is Not a Man, God Is Not a White Man” by Carol P. Christ”

The German Diotima by Stuart Dean

The title of the essay Über die Diotima (hereafter, the ‘Essay’ (translation here (pp400-419))) by Friedrich Schlegel (hereafter, ‘Friedrich’) suggests it is focused on Plato’s portrayal of Diotima in the Symposium. That portrayal, though, is but a starting point for Friedrich, who attempts to demonstrate that Diotima was a particular type of woman he associates with other ancient Greek women, including Sappho. The Essay is ostensibly of little relevance today, largely because knowledge of ancient Greece has evolved substantially since Friedrich’s time. In particular, a compelling case has been made that far from being related to ancient Greek women, Diotima is a fictional figure used by Plato “to vanquish Sappho” (Jantzen, Foundations of Violence, p193).

Yet, the Diotima Friedrich principally had in mind was not the one in Plato’s Symposium, but rather Caroline Schelling (hereafter ‘Caroline’), who was–for a time–his sister in law. On the third anniversary of his meeting Caroline he wrote a letter to her, reminding her of that anniversary and thanking her “for everything you have done for me and my development” (Caroline was almost a decade older than Friedrich, who was then in his early 20s, and yet to establish a name for himself as a scholar). Towards the end of his letter he asks her to read the Essay “once more and mark in pencil those passages in which you believe a small change might be necessary.” While his ‘once more’ suggests Caroline had previously given him input, the fact that in a letter to her from almost a year earlier Frederick refers to her, somewhat flirtatiously, as the “independent Diotima” relative to her ‘god’ (Frederick’s brother, August) confirms his identification of her with the subject of the Essay. Continue reading “The German Diotima by Stuart Dean”

Blindness, Lethargy, and White Supremacy by Marcia Mount Shoop

With Black History Month fast approaching, it is fitting to investigate the latest call to get rid of it.

This investigation may seem futile to some feminists/womanists since we know denials of racism are part of life in white supremacy patriarchy. As a feminist theologian, however, I’ve got nothing in my tool kit if I lose my hope for redemption and transformation. The following is my attempt to not give up on the possibility that white supremacy culture can be dismantled.

White patriarchy has all kinds of messengers of its narrative—not just white men of privilege, but anyone who has internalized the muscle twitches of white supremacy. This time, the messenger is Stacey Dash, an African-American actress and contributor to Fox. Ms. Dash chastised Spike Lee and Jada Pinkett Smith for saying they will boycott the Oscar awards because of the all-white list of nominees. She called their protest “ludicrous.” She added that if we want to end segregation, we need to “get rid of BET and Black History Month.” oscars image

Having a person of color deny the existence of systemic racism is a big win for white supremacy patriarchy. A person of color as the carrier of white supremacy culture is a Trojan Horse full of social capital for those in power—enough to fool scores of people into thinking they are justified in their misconceptions about race. Dash’s protest of the protest comforts everyone who is tired of all the “whining” and “anti-white” rhetoric they hear in the #blacklivesmatter movement.

A brief scroll down through #OscarsStillSoWhite encapsulates white supremacy apologetics rhetoric. Actress Charlotte Rampling suggests that Black actors just weren’t good enough to make it. Actor Michael Caine asks Black actors to “be patient.” Others say that since Denzel Washington won two Academy Awards the Oscars can’t be racist. And there are several using the tired old accusation of “reverse racism.”

All the bases of white defensiveness are covered: asserting the inferiority of people of color, the benevolent call to be patient, the case in point of the person of color who “made it,” and the accusation of Black on white “racism.” The tenacity of this defensiveness is remarkable. And it is time for its demise.

Why can’t the race discussion in the United States break through this moral inertia? I believe it is because of the two archenemies of healing and justice: moral lethargy and willful blindness.

No matter how many times white patriarchy’s apologists want to accuse people of color of “reverse racism,” they cannot alter the very nature of racism itself. Racism is only racism when it comes with the power of systems, institutions, cultures, and a societal pay off. Racism is a system of privilege based on race in which there is power to create disadvantage with things like access to power, social capital, and accumulation of resources.

If people of color think too many white people and not enough Black people have access to the social capital of the Academy Awards, that is not racism. That is an observation. There is no payoff to this observation. There is no power imbalance solidified. There is no oppression created. If people of color even just don’t like white people, that is not racism. That may be a racialized bias, but it is not racism.

All biases based on race do not equal racism. Some of those biases are a result of racism. But not all of them are expressions of racism. Racism is, at its core, about power: the power to create and entrench advantage and disadvantage. And many of the subtleties of systemic racism and racialized biases carry with them the power to entrench disadvantage for people of color and advantage for people who are identified as white.

It is moral lethargy and willful blindness that keep so much of American culture from seeing the contours of racism and its resulting racialized disadvantage.

Moral lethargy is failing to listen to the cues of our conscience when racism is pointed out. Defensiveness is the way moral lethargy gets its way. If you push back against the narrative you don’t want to hear with enough denial, then you don’t have to change. Moral inertia is like eating too much sugar—at first, you are hyped up on indignation, and then you slump back into a poorly nourished fog of familiar ethical fatigue.

Willfull blindness takes more effort to maintain itself. It requires a counter narrative to the one we choose not to see. And so, it gets filled up with rights and wrongs, shaming and blaming, and all sorts of other value judgments and norms that are seen as “right,” “good,” and “common sense.” This willful blindness then can actively NOT see racism, because it sees all the ways people of color are, themselves, the problem. And every day, this willful blindness is infused with more reasons not to see what we need to see because of what we think we see all around us.

If it sounds circular, it is because it is.

Willful blindness is a tightly wound system of millions of tiny little choices not to see what is right in front of our eyes because of what we’ve trained our eyes to see.

Racism depends on moral lethargy and willful blindness from all kinds of well-meaning people. These habits are racism’s lifeblood. Overt racism is just the gravy. The everydayness of moral lethargy and willful blindness do the heavy lifting to keep the systems of racism working smoothly.

These should be two maladies that the academy and the church could cure. Both of these institutions claim to be all about giving sight and light and cultivating moral courage and fortitude in human beings. But unfortunately these institutions embody the same habits we so desperately need them to disrupt.

Would that 2016 be a year for consciences to be elevated and eyes to be opened. And maybe it could be the year of white defensiveness’s demise.

Black History Month can’t get here soon enough.

Marcia Mount Shoop is an author, theologian, and minister. Her newest book, released from Cascade Books in October 2015, is A Body Broken, A Body Betrayed: Race, Memory, and Eucharist in White-Dominant Churches, co-authored with Mary McClintock Fulkerson. Marcia is also the author of Let the Bones Dance: Embodiment and the Body of Christ (WJKP, 2010) and Touchdowns for Jesus and Other Signs of Apocalypse: Lifting the Veil on Big-Time Sports (Cascade, 2014). Find out more at www.marciamountshoop.com

The Great Mother Calls Us to Action by Carolyn Lee Boyd

carolynlboyd When Flint, Michigan’s water supply was poisoned by lead through a policy decision— as has been widely reported, especially by Rachel Maddow — LeeAnne Walters and Melissa Mays started an organization called Water You Fighting For in protest, emphasizing their roles as mothers of children suffering from lead poisoning. Despite continual ridicule from state and local officials, Walters, Mays and others, including Flint’s new mayor, a woman, refused to give up until their voices were heard.

According to Ms. Magazine, it is largely due to Walters and Mays’s efforts that the source of the water, which had been changed to save money from fresh lake water to river water that corroded the city’s pipes, was switched back. Unfortunately, it is too late for the 100,000 residents of Flint, including babies and small children, who have already been exposed to the lead that can cause permanent and irreversible brain damage and other health problems. Lead poisoning is continuing because the pipes have suffered irreparable damage.

“Mother’s movements” have proven to be extremely powerful agents of change for decades. Mothers Against Drunk Drivers and Moms Demand Action for Gun Sense in America in the US and Mothers of the Plaza de Mayo in Argentina are just some of the many movements organized by women who relate their activism to being mothers. While the instinct to protect children is deeply ingrained in the human soul, could it be that another important reason that these mother’s movements are so powerful is because they tap into a sense of the sacredness of the Great Mother, the Creatrix of the universe who has been envisioned as a mother since the beginning of human history? Continue reading “The Great Mother Calls Us to Action by Carolyn Lee Boyd”

Forgiveness is a choice by Vibha Shetiya

Vibah Someone I dearly love recently lent me a very sensible piece of advice: “You should forgive.” I know he resorted to these words out of love because he didn’t like seeing me in pain, a sentiment for which I was and remain grateful. I also know he wasn’t judging me when he brought it up, nor was he pressuring me into doing something I wasn’t ready for.

I truly understand how forgiving someone who has deeply hurt you can set you on the path to freedom. In the sense that forgiveness can loosen the chains that bind you to the past, the anger, the deep sense of betrayal, helping you learn to live again; that forgiveness is not so much about the other person but about the self. I have watched shows in which victims of horrific crimes or their family members have chosen to forgive, not always out of a sense of human bonding towards the aggressor, but because they could not live with the debilitating anger and hatred festering inside, and so chose to forgive to set themselves free. Continue reading “Forgiveness is a *choice* by Vibha Shetiya”