Women and the Media – Feminism and Religion

Me and the All American Girls Baseball League by Winifred Nathan

During my grade school years, I was a passionate fan of the Belles, the Racine, Wisconsin team in the All-American Girls Baseball League. My aunt and I would travel across town to Horlick Field to cheer them on—an experience that took place during the challenging times of World War II. Racine proudly carried the nickname “Belle of the Lake.” I don’t remember the players fitting the conventional idea of “Belles”; what stood out was their competitiveness and the exciting baseball they played.

Later in life, the movie *A League of Their Own* became a cultural touchstone for me, although I formed my connection to it years after its first showing. I first watched it during a twelve-hour flight across the Pacific Ocean in 2023. Expecting only nostalgia, I was surprised to uncover a profound connection to my past as I watched it two or three times during the journey.

The scenes reminded me of the evening games played just a few blocks from Lake Michigan. The cool breezes from the lake enveloped me, and I recalled how the ballpark served as an oasis, providing a blissful escape from the harsh realities of the war effort. There were no distractions—just baseball—a stark contrast to the Brewers games I attended later with my grandson, which were filled with Jumbotrons and entertainment gimmicks. Back then, the focus was solely on the game itself, although I must admit I secretly looked forward to the Brewers’ sausage race.

From the Archives: In Memory of Margot Adler (1946-2014) Priestess, Journalist, Skeptic, Mystic by Elizabeth Cunningham

This was originally posted on October 22, 2014

“Ritual has the power to end our alienation from the earth and from each other. It allows us to enter a world where we are at home with the trees and the stars and other beings, and even with the carefully hidden and protected parts of ourselves that we sometime contact in dreams or in art.” –Margot Adler

Margot Adler died of cancer on July 28, 2014. A Pagan priestess, she asked for memorial events to be held in the season of Samhain, also known as Halloween. At this time of year, the rituals of many religious traditions remind us that we are all connected, the living, the dead, and those to come, one continuous communion. In this spirit, I offer a tribute to the late Margot Adler.

The Case for Women’s Visionary Films by Freia Serafina

Power in the woods.
Creation of artist Jym Davis.

As a film history professor, I am intimately aware that women’s representation on screen is historically lacking. While preparing to teach a new course, I found myself hard-pressed to uncover significant academic discourse that highlights the divine feminine that doesn’t solely live in the realm of a Christian worldview. Indeed, film scholar Tenzen Eaghll points out that much of the existing scholarship from the past 100 years “all tend to equate religion with Christian theology in some manner, and … focus[es] narrowly upon Christian themes such as Jesus, salvation, faith, etc.” He states that scholars of religion and film essentialize all religion as Christianity, and that many scholars of cinema additionally speak of religion as an all-encompassing umbrella organization giving us a condensed notion of a shared theological worldview, devoid of nuance and alternate meaning. Eaghll goes on to argue, as I do, for a more critical approach to the study of film that requires us to pay closer attention to how “representations of religion in film conceal issues of race, class, gender, colonialism, secularism, and capitalism – common themes in ideological critique – as well as notions of origin, authenticity, narrative, violence, and identity.” I believe the solution lays in the inclusion of women’s visionary films.

Is “Barbie” Feminist Media?

Is Barbie a kind of counter-apocalyptic feminism? I am quick to embrace liminal violence in my own theories. Why not liminal joy or fun? Or, is Barbie just product placement?

Lately I’ve been thinking a lot about the idea of feminist media in light of all the hype around the Barbie movie and the backlash over the fact that neither director Greta Gerwig nor Margot Robbie (Barbie) received Oscar nominations. And while America Ferrera did receive a nomination for best supporting actress, a lot of critical attention has gone to the fact that Ryan Gosling (Ken) received a nomination for best supporting actor. I see the point. I understand the feminist critique here: female power is given an “atta girl,” but her creative contribution and leadership is overlooked. All that said: I didn’t really love the movie and the performance of the “I’m Just Ken,” song was my favorite part. Ferrera’s “iconic” monologue fell flat for me. Haven’t I read those words before, all over social media? The Barbie movie leaves me wondering, not for the first time, just what is feminist media?

When Game of Thrones was at its height of popularity, I saw so many online posts about the amazing female power (read feminism) of the show. But, having read the books, I took great issue with this characterization of the HBO blockbuster. Book five of The Song of Ice and Fire features, from what I recall, a double-digit number of sexual assaults against women. Every strong female in the story uses power as violence and dominance, and then of course, they are punished for it (as I wrote about in another blog). HBO’s Girls received similar feminist (and/or “post-feminist”) cred, featuring women who were supposedly friends but clearly seemed to disdain or ignore one another. Carter Hayward’s concept of “alienated power,” runs rampant in these two shows, and we enjoy it, because, as she explains, we have a hard time seeing power as anything else in a patriarchal system.

Invisible Connections: The Hidden Web of Women Writers, part 2 by Theresa C. Dintino

You can read part 1 here.

The erasure of this web is to make women feel alone and disconnected. Maybe it would make them want to give up.

Angela Davis and Toni Morrison

This may sound extreme but imagine this scenario: You are a young woman starting out and you are told that the path you wish to follow is one of pain, loneliness and lacks any kind of support or network with other women that came before you. There are plenty of men but you are left out of that network.

Why would you want to do it? Because in your soul of souls you are a writer, or an artist or a scientist . . . So you decide to do it anyway. But instead of expecting support and connection you have already decided, based on what you have been told, that there won’t be any and so you start to not expect it.

Prophetic Publishing, Feminist Publishing: 2024 Goals by Dr. Angela Yarber

Queer Chicana feminist author, Gloria Anzaldúa, once claimed, “The world I create in my writing compensates for what the real world does not give me.” I’ve long connected with the revolutionary Anzaldúa, believing in the prophetic power of the written word to create new worlds, worlds big and wide and just and beautiful enough for all people. Worlds where the perspectives of the marginalized are brought to the center.

This is what I aim to do as a publisher and writer myself. It was a meandering path to get here, but on the cusp of a new year, I find myself finally in place with my calling and vocation where all my skills as an activist, writer, professor, artist, and pastoral presence are coming together.

Women’s March in CA 1/22/23 by Marie Cartier

WOMENS MARCH, Long Beach, California on the 50th anniversary of the passing of Roe v Wade,
January 22, 2023

A Bombshell, Bogotá style – Part 1 by Laura Montoya

Last weekend I watched the 2019 movie Bombshell. I had not heard about it, and I ended up seeing it for the suggestion of Prime’s “you might enjoy this” algorithm. I had no idea about the story of Gretchen Carlson and Megyn Kelly’s legal battle for sexual harassment against Fox News’ master Roger Ailes. The movie was not very long, but it was intense. It portrayed really well the misogyny expected to be found in such a workplace led by a mighty, egotistic man like Roger Ailes.

A good part of the movie, we join Kayla Pospisil, Margot Robbie’s fictional character, in her quest to become a host in the news. So we go with her into Roger’s office and witness what an interview with that man was. It was about “loyalty” and intended to “prove” that she had what it took to earn a place in one of the most competitive work environments. **Content warning: description of workplace sexual harassment to follow** Obviously, it meant that she had to sleep with him because how else could a woman with a hot body prove she is competent? Immediately she was forced to show him her legs because legs sell good on T.V., and then we get to see her underwear because he was too turned on and couldn’t stop himself. **End Content Warning** Thanks to Robbie, we also feel the panic, surprise, and horror of a naïve girl trying to get a dream job in the real world.

A Problem of Design by Laura Casasbuenas

When I was invited to create this post, a number of topics came to mind. But I decided to start our conversation with my response to the question: why do I write?

I am a Colombian woman designer who promotes venture projects in a region in which it is difficult to grow a business. In my daily work life, I ask entrepreneurs why they do what they do; why do they take the risk of possible failure? Usually, once we know the why, finding the how is much easier.

TikTok, the Pandemic platform for community, resistance, and activism by Anjeanette LeBoeuf

It’s July which means we have collectively endured 7 months of uncertainty, turmoil, darkness, and light. America, we are still battling all aspects of the virus: rising numbers of infected, those that deny its existence, those refusing to wear masks to help to stop the spread, and everyone else doing their duty by staying at home, washing their hands, and wearing masks. Yet, something else has added to the mix and the COVID19 pandemic; social media. Social media has taken on a whole new level for activism and resistance.