Anne Brontë’s Agnes Grey: Lifting the Veil on Cruelty, part 2 by Maria Dintino

Part 1 was posted yesterday.

Here the reader further witnesses how young Tom treats his little sisters which is consistently cruel-hearted. Tom continues to describe how he will harm the helpless birds while Agnes desperately works to persuade him otherwise:

“But you shall see me fettle ’em off. My word, but I will wallop ’em? See if I don’t now. By gum! but there’s rare sport for me in that nest.”

“But, Tom,” said I, “I shall not allow you to torture those birds. They must either be killed at once or carried back to the place you took them from, that the old birds may continue to feed them.”

“But you don’t know where that is, Madam: it’s only me and uncle Robson that knows that.”

“But if you don’t tell me, I shall kill them myself—much as I hate it.”

“You daren’t. You daren’t touch them for your life! because you know papa and mamma, and uncle Robson, would be angry. Ha, ha! I’ve caught you there, Miss!”

“I shall do what I think right in a case of this sort without consulting any one. If your papa and mamma don’t happen to approve of it, I shall be sorry to offend them; but your uncle Robson’s opinions, of course, are nothing to me.”

This young charge of Agnes’s is threatening and manipulating her as he and the other children do often. Tom doesn’t realize he has hit a nerve with Agnes, where the brutal treatment of the most vulnerable is unbearable. This situation is indicative of the overall treatment she receives as a governess, as one less-worthy-than and stripped of power, yet blamed for the misbehavior of her charges.

“So saying—urged by a sense of duty—at the risk of both making myself sick and incurring the wrath of my employers—I got a large flat stone, that had been reared up for a mouse-trap by the gardener; then, having once more vainly endeavoured to persuade the little tyrant to let the birds be carried back, I asked what he intended to do with them. With fiendish glee he commenced a list of torments; and while he was busied in the relation, I dropped the stone upon his intended victims and crushed them flat beneath it. Loud were the outcries, terrible the execrations, consequent upon this daring outrage; uncle Robson had been coming up the walk with his gun, and was just then pausing to kick his dog.

“Tom flew towards him, vowing he would make him kick me instead of Juno. Mr. Robson leant upon his gun, and laughed excessively at the violence of his nephew’s passion, and the bitter maledictions and opprobrious epithets he heaped upon me. “Well, you are a good ’un!” exclaimed he, at length, taking up his weapon and proceeding towards the house. “Damme, but the lad has some spunk in him, too. Curse me, if ever I saw a nobler little scoundrel than that. He’s beyond petticoat government already: by God! he defies mother, granny, governess, and all! Ha, ha, ha! Never mind, Tom, I’ll get you another brood to-morrow.”

Uncle Robson’s appalling show of support and praise for Tom’s egregious behavior toward his governess underscores a deeply engrained and condoned misogyny. But here our usual grin-and-bear-it Agnes will not back down or be silenced.

“If you do, Mr. Robson, I shall kill them too,” said I.

“Humph!” replied he, and having honoured me with a broad stare—which, contrary to his expectations, I sustained without flinching—he turned away with an air of supreme contempt, and stalked into the house. Tom next went to tell his mamma.”

Agnes has risked her position in defense of her values, but Uncle Robson, who it is noted never pays his nieces any heed, has instilled and upholds his nephew’s cruel ways, no doubt leading him to become a person who will kick his dogs and treat all creatures deemed lesser, including girls and women, with disdain. Little Tom is “beyond petticoat government already,” encouraged and rewarded for not listening to any of the women in his life. Following the example of his father, uncle, and many of the other men in his life, Tom has already learned to disregard what women have to say.

And Tom’s mother, Mrs. Bloomfield, buys into the dysfunction wholeheartedly. The passage continues with an interaction between Agnes and lady of the house, with her defending the violent behavior of her son and blaming Agnes for interfering with his fun and games.

“It was not her [Mrs. Bloomfield’s] way to say much on any subject; but, when she next saw me, her aspect and demeanour were doubly dark and chilled. After some casual remark about the weather, she observed—“I am sorry, Miss Grey, you should think it necessary to interfere with Master Bloomfield’s amusements; he was very much distressed about your destroying the birds.”

“When Master Bloomfield’s amusements consist in injuring sentient creatures,” I answered, “I think it my duty to interfere.”

“You seemed to have forgotten,” said she, calmly, “that the creatures were all created for our convenience.”

I thought that doctrine admitted some doubt, but merely replied—“If they were, we have no right to torment them for our amusement.”

“I think,” said she, “a child’s amusement is scarcely to be weighed against the welfare of a soulless brute.”

“But, for the child’s own sake, it ought not to be encouraged to have such amusements,” answered I, as meekly as I could, to make up for such unusual pertinacity. “‘Blessed are the merciful, for they shall obtain mercy.’”

“Oh! of course; but that refers to our conduct towards each other.”

“‘The merciful man shows mercy to his beast,’” I ventured to add.

“I think you have not shown much mercy,” replied she, with a short, bitter laugh; “killing the poor birds by wholesale in that shocking manner, and putting the dear boy to such misery for a mere whim.”

“I judged it prudent to say no more. This was the nearest approach to a quarrel I ever had with Mrs. Bloomfield; as well as the greatest number of words I ever exchanged with her at one time, since the day of my first arrival.”

Agnes knows her place and if she wants to maintain her position to both assist her family and to prove she can handle the role, she must monitor herself and bite her tongue around her employers and their children. In both Agnes’s positions, the parents are portrayed as overly indulgent and uninvolved, allowing the children to misbehave and manipulate at every turn. The parents consistently take their children’s side and refuse to see any fault in them, lest it cast blame on their parenting. This creates an especially impossible arrangement for the governess to have any influence on the children, let alone get them to care about and complete their lessons.

Anne’s resting place at St. Mary’s Church in the seaside town of Scarborough, North Yorkshire.

At a certain point in the story it becomes quite clear how all will unfold, yet one cannot stop reading!

In the end, Agnes is rewarded with the love of one she has admired for some time. The icing on this happy-ending cake is that she is also reunited with the neglected dog, Snap, that one of the young women in her charge had given away, breaking Agnes’s heart. This delightful reunion takes place on the beach, a setting Anne Brontë herself cherished.

If one cannot bear the truth, don’t read Anne Brontë’s novels. Yet, it’s worth keeping in mind that if the ugly truth is kept undercover, it’s less likely to be addressed.

Anne Brontë is a Nasty Woman Writer.

© Maria Dintino 2024

Works Cited & Resources

Brontë, Anne. Agnes Grey. The Project Gutenberg eBook of Agnes Grey, 4 December 2020. https://www.gutenberg.org/files/767/767-h/767-h.htm

Ellis, Samantha. “Anne Brontë: the sister who got there first.” The Guardian. 6 January 2017.  https://www.theguardian.com/books/2017/jan/06/anne-bronte-agnes-grey-jane-eyre-charlotte

Holland, Nick. “Agnes Grey: Nothing short of genius.” Anne Brontë Blog, 9 April 2017.  https://www.annebronte.org/2017/04/09/agnes-grey-nothing-short-of-genius/

Requiem? by Sara Wright

A requiem for the seasons is an act of living remembrance for what is vanishing, be that long-cherished seasonal moments, forms of celebration that once tied us to nature’s cycles, and to more than human species – some that are going extinct.

Cheeping twittering birds awakened me at dawn. The first snow of the season cast a spell over the landscape last night and this  generous dusting brought in the wild turkeys… I wished all good morning as I scattered seed under the crabapple. A couple of very friendly individuals followed me back to the door. My little dog Coalie is spellbound. She loves these birds.

I noted turkey hieroglyphics on the doormat as I came in but otherwise took no pleasure from the white shrouded landscape. I used to love snow but because each of the seasons is warming, we are getting mixed precipitation on a regular basis beginning in mid – November. The first snow opens an icy door to winters that are dominated by continuous freeze thaws. Last year I considered myself fortunate to have been able to snowshoe as long as I did.

Continue reading “Requiem? by Sara Wright”

The Gendered Dimensions of the Water Crisis in Iran: Impacts on Women’s Health, Livelihoods, and Security

Moderator’s Note: This post has been brought to you in cooperation with the NCRI women’s committee. NCRI stands for the National Council of Resistance of Iran. You can learn more information as well as see this original article by clicking this link. A description of their Council can be found at the end of this post.

The water crisis in Iran has moved far beyond a simple environmental issue — it has become a humanitarian, ecological, and economic disaster.

While at first the problem seemed to be the result of drought and declining rainfall, its true causes ran much deeper: entrenched corruption and mismanagement at the heart of the ruling establishment. Until these systemic roots are addressed and removed, Iran’s present — and its future — will only become more precarious.

A significant number of researchers and international observers emphasize that 70 to 80 percent of the current crisis stems from mismanagement, unsustainable policies, lack of transparency, and corruption. As one report notes, “Iran’s water crisis is not a crisis of resources; it is a crisis of decisions—decisions that have made the land thirstier and the future darker. This crisis, alongside the erosion of public trust in governance, is a symptom of structural and managerial failure.” (Newsweek, August 1, 2025; The Times, December 8, 2022; Reuters, April 27, 2021)

Continue reading “The Gendered Dimensions of the Water Crisis in Iran: Impacts on Women’s Health, Livelihoods, and Security”

Holding Our Brokenness by Elizabeth Cunningham

Dear FAR readers, here is a selection from my new collection Holding Our Brokenness, a gathering of poems. I chose these particular poems for their connection to feminism and/or religion. I hope you will enjoy them.

The Old One Speaks 

You must be unmade here
inside my grey cloak
inside my cold womb
here where the ice forms
and breaks
at the river’s edge.

What Kali Tells Me  

It’s all in the rhythm.
Falseness throws you off beat.
Rhythm renews your strength
with every step. That’s how time
becomes timelessness.

Continue reading “Holding Our Brokenness by Elizabeth Cunningham”

Sex Radical. A new film by Andy Kirshner; film discussion by Janet Rudolph

At the bottom of this post you will find information for a free streaming of the film. 

Sex Radical, Title Image

We are witnessing now in real time what happens when the full weight of the Federal Government turns its attentions and goes after individuals and even companies with the intent to squash dissent, intimidate and punish dissenters. This is perhaps most prominent among the immigrant population and those who the administration have been targeted with the legal system. But before there was Mahmoud Khalil, CBS, The Washington Post, UC Berkeley and all the others who have been hounded by government, there was Ida Craddock who faced the full weight of a government that turned its sights on her.

Continue reading “Sex Radical. A new film by Andy Kirshner; film discussion by Janet Rudolph”

FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 2

Part 1 was posted yesterday.

MARRIAGE

“He looked at me without judgment.  With him, I didn’t feel the need to perform.”  Both her future husband (first year medical resident) and she (now studying applied linguistics) disliked fundamentalism’s legalism, but they were still committed to Christianity.  Both were “devoted to [sexual] abstinence.”  Sex did not even happen on their wedding night, but when it did, it hurt.  For years, the pain continued.  Vaginismus.  “I didn’t know there was a name for it.  I didn’t know that…it was twice as common for those who had grown up in religiously conservative households.”  It took years to get through the pain.  “It’s not until we can believe that our bodies are inherently good and worthy of pleasure and joy that we can begin to heal.”

A new pastor arrived at Rollins’ church armed with Christian nationalist ideas and fervor.  It didn’t set right with her.  She was moving toward progressive positions beginning with “my body, my choice.”  She adds, “If there’s anything someone who’s struggled with an eating disorder understands, it’s the concept of bodily autonomy.”  She began to research the Reformers beginning with Martin Luther who said this about women:  “If women become tired, even die, it does not matter.  Let them die in childbirth.  That’s what they are there for.”  Rollins’ husband pushes back, though, quoting Scripture—“there is no male or female…we are all unified in Christ.” Why then, Rollins wonders, does sexism run rampant in the church?

Continue reading “FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 2”

FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 1

In her Preface, Rollins writes, “Hypercontrolling my food and using exercise compulsively had always been how I coped with life, stress, expectations, and fear.”  Many people (usually women) use this coping technique in their day-to-day lives.  Controlling your body’s needs and desires allows you to feel powerful.  I know.  I am one of those people. 

Powerful or being in control was not something the author felt able to achieve in any “normal” way given her upbringing “in an Appalachian [West Virginia] church that fully embraced purity culture [sexual abstinence before marriage] and rigid gender roles.”  Rollins continues, “…I’d bought into the scripts offered to me by both diet culture [controlling food intake to achieve a better-looking body] and purity culture [controlling your sex drive] … [knowing] that if I controlled my appetites, I could control my world.  That if I made myself smaller, I would be better, safer.”

Rollins interviewed scholars, psychologists, and an array of women while writing FAMISHED.  She states, “When women worked to heal from body shame, their relationship to religion was intricately involved.”

The author divides her work into three sections:  Girlhood, Marriage, and Motherhood.

Continue reading “FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 1”

Feminism – the small and the large of it by Xochitl Alvizo

Feminism’s critical principle is the affirmation and promotion of the full humanity of women; an assertion that must be made in light of a world that diminishes women’s dignity and autonomy thereby authorizing their subjugation. Sexism is the word we use to name the attitudes, prejudices, and actions that work to diminish women’s dignity and autonomy for their subjugation. Patriarchy is the resultant ossified system of those attitudes, prejudices, and actions as they become the norm. 

Continue reading “Feminism – the small and the large of it by Xochitl Alvizo”

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 2 by Theresa Dintino

Part 1, appeared yesterday.

There are many women named Rose in the ledgers of unfree people in Charleston around 1850. The defining feature to find the Rose mentioned on this sack is that her daughter is named Ashley, not a common name for Black female children of the time. Miles finally locates a Rose and an Ashley in the inventory of Milberry Place Plantation, a country estate of a man named Robert Martin. When Martin died, his estate was liquidated and thus the mention of the sale of Ashley. 

“Ashley is listed among one hundred unfree people in the inventory of Martin’s enslaved property taken in the year 1853. Her attributed value of $300, in comparison to that of other women listed at $500 and $600 in the cotton boom decade of the 1850’s, suggests that she may have been a younger or relatively unskilled worker”(69).

Things were bad enough for unfree people but the disruption that came like a tsunami through their lives when an enslaver died and his property was sold was a fear most carried and trembled at the thought of. Unfree families were always being torn apart in the time that slavery was legal and allowed in this country, but when estates were being divided up, it became particularly excruciating and this is what came to pass for Rose and Ashley. 

Continue reading “All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 2 by Theresa Dintino”

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 1 by Theresa Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on November 30, 2021. You can see more of their posts here. 

First she was told about a grain sack dating from around 1851 that had these words  embroidered on it:

My great grandmother Rose
mother of Ashley gave her this sack when
she was sold at age 9 in South Carolina
it held a tattered dress 3 handfulls of
pecans a braid of Roses hair. Told her
It be filled with my LOVE always
she never saw her again
Ashley is my grandmother
Ruth Middleton
1921

Continue reading “All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 1 by Theresa Dintino”