Ariadne

The Legacy of Carol P. Christ: Was Ariadne the Most Graceful Bull-leaper of All? Deconstructing and Re-visioning Greek Mythology

This was originally posted on March 3, 2014

Sometimes we think of Greek myth as a pre-patriarchal or less patriarchal alternative to the stories of the Bible. After all, Goddesses appear in Greek myths while they are nearly absent from the Bible. Right?

So far so good, but when we look more closely we can see that Greek myth enshrines patriarchal ideology just as surely as the Bible does. We are so dazzled by the stories told by the Greeks that we designate them “the origin” of culture. We also have been taught that Greek myths contain “eternal archetypes” of the psyche. I hope the brief “deconstruction” of the myth of Ariadne which follows will begin to “deconstruct” these views as well.

bull leaping ring before 2000 bc phourni

Ariadne is a pre-Greek word. The “ne” ending is not found in Greek. As the name is attributed to a princess in Greek myth, we might speculate that Ariadne could have been one of the names of the Goddess in ancient Crete. But in Greek myth Ariadne is cast in a drama in which she is a decidedly unattractive heroine.

Carol P. Christ’s Legacy: THE LABRYS: A RIVER OF BIRDS IN MIGRATION

Moderator’s Note: Carol Christ died from cancer in July, 2021. Her work continues through her non-profit foundation, the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete. This blog was originally posted July 29, 2013. You can its original comments here.

“There’s a river of birds in migration, a nation of women with wings.” —Goddess chant, Libana

On the Goddess Pilgrimage to Crete, I explain that many of the names given to “Minoan” (c. 3000-1450 BCE) Cretan artifacts and architecture are products of patriarchal and Eurocentric imaginations, and as such, are misleading. For example the name “Minoan” was given to the culture of Bronze Age Crete in honor of “King Minos,” who was said to have ruled in Crete a few generations before the Trojan War–several hundred years after the end of the culture to which his name was attached. In fact, despite his eagerness to find evidence that King Minos ruled at Knossos, the excavator Sir Arthur Evans finally had to concede that the best he could do was to produce a fresco of a “Prince of the Lilies” which he identifed as the image of the male ruler of the culture he called “Minoan.” Evans’ Prince had white skin, a fact that Evans conveniently overlooked–because according to his own interpretation of “Minoan” iconography, white skin would mark the figure as female. Mark Cameron, who reviewed Evans’ reconstruction of the fresco, suggested that the Prince is more likely to be a young woman who is perhaps leading a bull to take part in the bull-leaping games. He also stated that the “crown” belonged to another fresco altogether.

Remembering Carol P. Christ: Online Memorial Gathering, December 20, 2021

Dear FAR community,

It’s been wonderful to read so many posts remembering Carol Christ. The FAR community was so important to Carol: as has been pointed out, she not only offered her own posts each Monday, she also read and responded to every post, every day. Through the FAR ‘family’ I feel comforted by connecting with others who knew and loved her and miss her as as I do.

Online Memorial Gathering On December 20, Carol’s birthday, all friends of Carol and friends of FAR are warmly invited to an online Memorial Gathering and ritual in Carol’s honour. Many of Carol’s friends will share cherished memories (please email me if you would like to say a few words) and I will show some photographs from her personal archive. (If you have photos of Carol you would like to share, please email them to me at laura@laurashannon.net.) We’ll also talk about the future of Carol’s Goddess Pilgrimage in Crete. Please register with your email address at this link.

Was Ariadne the Most Graceful Bull-leaper of All? Deconstructing and Re-visioning Greek Mythology by Carol P. Christ

In the story told by the Greeks, Ariadne falls in love with Theseus, a handsome young man who was sent with 11 other Greek young people to be fed to a monster (who is half man, half bull) known as the Minotuar. The Minotuar is Ariadne’s half brother (see below). Because of her “love” for Theseus, Ariadne helps him to murder her brother. She then flees with Theseus on his boat.

However, this “love story” does not have a “happy ending” as Theseus abandons Ariadne on a nearby island–long before he arrives home in Athens. Theseus is ever after celebrated as a hero who killed a monster, while Ariadne is just another cast-off female. Whose story is this? Continue reading “Was Ariadne the Most Graceful Bull-leaper of All? Deconstructing and Re-visioning Greek Mythology by Carol P. Christ”

Persephone by Barbara Ardinger

Here we are, creeping up on the vernal equinox (March 21), which astronomers and weathermen on TV tell us is the start of spring. I see Imbolc (as described by Deanne Quarrie) as the true beginning of spring, however. It’s when we see the first little crocuses popping up through the snow…..oh, yeah…..well, maybe not this year, when more than half the U.S. is buried under mountains of snow. Let’s just agree that in ordinary years crocuses pop up and bloom and trees start showing us their tiny green leaves in February. The equinox is really the turning point of spring, the hinge of time when the rising energy tips over into falling energy that is flowing toward summertime, which will arrive at Beltane (May 1 or 2).

We’re probably all familiar with the story of Persephone, who under her childhood name, Kore, was out picking flowers in the meadow one day when her Uncle Hades roared up out of the earth in his mighty chariot and kidnapped her. This led her mother, Demeter, the grain goddess, to search for her and finally go on strike and let the world turn back into winter. This went on until Aunt Hecate told Demeter where her daughter was. When Persephone, now queen of the underworld, came back up with her mother—voilà! It was springtime. That’s how the vegetation myth goes. Continue reading “Persephone by Barbara Ardinger”

A New Glossary for Crete: The Power of Naming and the Study of History by Carol P. Christ

The words we use affect our thinking. In the case of ancient Crete the repetition of the terms “Palace,” “Palace of Knossos,” “King Minos,” “Minoan,” “Priest-King,” and “Prince of the Lilies” shape the way we understand history–even when we ourselves know these terms are incorrect. We must engage in “new naming.”

Ariadne. May have been a name of the Goddess of pre-patriarchal Crete. The ending “ne” signifies that Ariadne is not of Greek or Indo-European origin and thus predates the later Greek myths.

Ariadnian. The name I have given to the Old European pre-patriarchal culture of Crete, from arrival of the Neolithic settlers from Anatolia c.7000 BCE to the Mycenaean invasion c.1450 BCE. Arthur Evans named the Bronze Age (c.3000-1450 BCE) culture of Crete “Minoan” after King Minos of Greek mythology, son of Zeus and Europa, husband of Pasiphae, father of Ariadne, whose gift of the secret of the labyrinth to Theseus led to the downfall of her culture. Evans assumed that Minoan Crete was ruled by a King.

This image I call “Ariadne Dancing” could become the new “icon” of Ariadnian Crete.

It could and should replace the “icon” of the “Priest-King” Arthur Evans’ “imaginatively” reconstructed and named the “Prince of the Lilies.”

Once we remove the crown which probably belonged to a Sphinx, the figure’s white color and athletic body suggests it was intended to portray a young female bull-leaper leading a bull. Continue reading “A New Glossary for Crete: The Power of Naming and the Study of History by Carol P. Christ”

THE LABRYS: A RIVER OF BIRDS IN MIGRATION by Carol P. Christ

“There’s a river of birds in migration, a nation of women with wings.” —Goddess chant, Libana

Evans’ failure to find evidence of a King or for that matter a Queen at the complex of buildings he called “The Palace of Knossos” calls into question his idea that these structures were palaces. Nanno Marinatos argued that the “palace” was instead a ritual center for the surrounding village, as well as a community gathering place, a place for storing grain, wine, and oil in a sacred way, and a place where ritual objects were fashioned of clay, bronze, stone, and gold. Following her lead, I renamed the “Palaces” “Sacred Centers.” In this blog I will experiment with renaming the “Minoan” culture “Ariadnian,” after the pre-Greek name Ariadne, which may be one of the names of the Goddess of Bronze Age Crete.

One of the most pervasive–and many would say–most enigmatic symbols of the Ariadnian culture is the labrys. Continue reading “THE LABRYS: A RIVER OF BIRDS IN MIGRATION by Carol P. Christ”