Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf

January 12, 2012

Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers.    It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtonesRoger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.”  The director draws parallels between the gospels and 21st century Africa.  According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.”  The director “captures the rhythms of African life in both rural settings and sprawling townships.”  “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”

The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood.  Judea is in flux; warlords and corruption take center stage.  Poverty, violence, and oppression affect the all of the people.  The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression.  The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.”  Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”

It is the Best of Times. It is the Worst of Times: An Athlete Looks at Her Life and Title IX By Paula McGee

I expect 2012 to be a great year. Not only do I plan on graduating in May with a Ph.D., but I will also receive one of highest honors in sports. On Sunday, February 19, 2012 in the USC Galen Center during halftime of the USC and UCLA women’s basketball game, USC will retire the jerseys of my twin sister and I.  Most people in my women’s studies and theology world do not really know that I have a twin sister, nor do they fully appreciate that about twenty-five years ago, my sister and I played on one of the most prominent teams in women’s basketball and in women’s sports. We won two back-to-back national championships in 1983 and 1984. We were also the first NCAA national champions (previous women’s teams were American Intercollegiate Association for Women (AIAW) championships). My sister and I played with Cynthia Cooper and Cheryl Miller. Our team was one the first women’s teams to get mainstream acceptance in the larger sports world. We were not just “girls” that happened to play a sport; we were “real” athletes. We received the same media attention and acceptance of any sports team during that period.

Most of my feminist friends—the preachers, scholars, and theologians—have no idea of what it means for a university to retire a jersey. In the sports world, retiring an athlete’s jersey means that no other person in that sport will ever wear that number at that university. The retired athletic jersey hangs in the rafters of the sports facility forever. This honor for an athlete is synonymous to a scholar receiving a named endowed chair in the academy. What is exciting for me is that my jersey will not only be hanging with my sister’s—that alone would be enough to celebrate. USC is one of the few institutions in the country in which the majority of the retired jerseys are the jerseys of women: Cheryl Miller, Lisa Leslie, Cynthia Cooper, and now Pam and Paula McGee. Cheryl and Cynthia are also members of the Naismith Hall of Fame, and Lisa is sure to join them  with that honor very soon. Continue reading “It is the Best of Times. It is the Worst of Times: An Athlete Looks at Her Life and Title IX By Paula McGee”

Feminist Music By Gina Messina-Dysert

Last week Caroline Kline shared the article “Feminist Films” and discussed the Bechdel Test as a way to identify whether or not a film is feminist.  It left me wondering – can we identify music as feminist in the same way?  Music generally does not offer dialogue between two women.  But there are instances where we find two women singing together about feminist issues like the 80’s classic “Sisters are Doin’ it for Themselves.”   There are also women singing about or to women, like Juliana Hatfield’s “My Sister.” And there is music that acknowledges women’s struggles as women like Ani Difranco’s “I’m No Heroine,” No Doubt’s “I’m Just a Girl,” and Pink’s “Stupid Girls”.    But is this the only way to identify feminist music?   Continue reading “Feminist Music By Gina Messina-Dysert”

Women Blogging Thealogy By Gina Messina-Dysert

In Rebirth of the Goddess: Finding Meaning in Feminist Spirituality, Carol Christ offers a thealogy that is grounded in embodied thinking and begins with personal experience. She explains that experience is “embodied, relational, communal, social, and historical” (p. 37),  and that experiences of the Goddess are shaped and inspired by the experiences of others. Consequently her thealogy, in addition to being personal, is also communal.

According to Christ, the “voices of women are a lifeline” (Rebirth of the Goddess, p. 41), a sentiment that has been loudly echoed by women in blogging communities. Although some may claim that a blog is nothing more than an online diary, it is a powerful tool that offers individuals the opportunity to express their thoughts and experiences in a public forum; blogging gives a voice to anyone who wants it. Recent statistics have Continue reading “Women Blogging Thealogy By Gina Messina-Dysert”

The Egyptian Revolution: Women, Islam And Social Change By Karen Torjesen

The following is a guest post written by Karen Torjesen, Ph.D., Margo L. Goldsmith Professor of Women’s Studies in Religion at Claremont Graduate University where she has helped establish graduate programs in Women’s Studies in Religion and Applied Women’s Studies. For ten years she served as Dean of the School of Religion, partnering with religious communities to create programs in comparative religion. She has published extensively on women, gender and sexuality within Christianity.

Originally posted at Huffington Post: http://www.huffingtonpost.com/karen-torjesen/the-egyptian-revolution-women-islam-social-change_b_978190.html

Traffic inches through the narrow streets. Sidewalks are peppered with chairs, men in gallabiyas (tunic-like garment reaching the ankles) chatting, drinking tea or smoking the hookah. Women in hijabs threading the traffic, children in tow. Shops bustle; vendors call. Normal life — but there is something in the air. What is it I wondered. What is going on in Egypt?

It is profound and it is complex, but a conversation at the Cheops pyramid with a young student worked as a single snapshot. His first question after, “Where are you from?” was, “What do Americans think of us now, after the revolution?” How can I describe his effect — it was something new. A tone? A manner? He asked with eagerness; he asked with pride, there was a confidence in his voice. He explained, straining for the English vocabulary that the regime had controlled how Egyptians thought about themselves. “When we woke up in the morning, we thought only of taking care of food and family. Now we think about ourselves differently.” Johnny West named this difference in his Journey through the Arab Spring. It became the title of his book, “Karama,” dignity. Continue reading “The Egyptian Revolution: Women, Islam And Social Change By Karen Torjesen”

Forty Years and Counting: Women and Religion in the Academy By Carol P. Christ

Carol P. Christ is a founding mother in the study of women and religion, feminist theology, women’s spirituality, and the Goddess movement.  She teaches in the Women’s Spirituality program at CIIS and through Ariadne Institute offers Goddess Pilgrimages to Crete. Her books include She Who Changes and Rebirth of the Goddess and the widely used anthologies Womanspirit Rising and Weaving the Visions.

The receipt of an invitation to the Fortieth Anniversary Celebration of the Women’s Caucus in the American Academy of Religion and the Society for Biblical Literature this week, takes me back to the summer of 1971.  At the first meeting of Women Theologians at Alverno College (which was followed up at Grailville in succeeding years), I proposed that we form a feminist caucus in the field of religion, as had already been done by feminists in several other fields.

Since I was one of the few women at Alverno who had attended the annual meetings in the field of religion, I was delegated to call Harry Buck, then director of the AAR, to ask for space on the program.  Harry, who continued to support the work of women in the field through lecture series at Wilson College and the magazine Anima which he founded, offered not only space at the meetings, but a print-out of the names and addresses of all of the members of the AAR who were not obviously male.  I invited all of them to come to a feminist meeting at the AAR in Atlanta. It is hard to imagine now, but before 1971, the women who attended the AAR in any given year could probably have been counted on one hand. Continue reading “Forty Years and Counting: Women and Religion in the Academy By Carol P. Christ”

Anita Caspery, IHM: Prophetic Icon of Renewal By Cynthia Garrity-Bond

this we were, this is how we tried to love,

and these are the forces they had ranged against us,

and these are the forces we had ranged within us,

within us and against us, against us and within us.

Adrienne Rich

Last week a colleague of mine forwarded the sad news that Anita Caspary, IHM, had died at the rich age of 95. This was the same day (October 5) that Steve Jobs passed away from his battle with pancreatic cancer.  The tension between the two figures was not lost on me.  The death of Jobs, an icon of ingenuity and leadership, wonderful husband and father, is mourned throughout the world.  The life and legacy of Anita Caspary will be remembered and mourned as well, but by comparison, on a much smaller scale. That’s unfortunate, because the life and legacy of Caspary as an instrument for change in the lives of Catholic women in general, and Women Religious in particular is what legends are made of.

As an IHM sister, Caspary was teacher, poet, author, and president of Immaculate Heart College (1958-1963), but is best known in her role as Mother General Sister Humiliata (1963-1973) of the IHM’s.  In Witness to Integrity, Caspary dramatically chronicles the painful struggles and controversies between the IHM sisters and Cardinal Archbishop of Los Angeles, James Francis McIntyre, in which 600 IHM Los Angeles nuns were released from their canonical vows in 1970.  Released because of their self-determination in remaining at the center of their religious fidelity and thought by putting into practice The Second Vatican Council’s  Decree on Up-to-Date Renewal of Religious life, or Perfectae Caritatis Addressed to priest and religious, this decree sanctioned the exodus from the middle ages for the sisters by insisting they join the modern world in both dress and discernment of vocation that best utilized each sister’s talents.  In an exert put forth from the 1967 Decrees of the Ninth Chapter, the IHM community clarify their position for renewal: Continue reading “Anita Caspery, IHM: Prophetic Icon of Renewal By Cynthia Garrity-Bond”

Finding my Voice through the Vagina Monologues By Anonymous

This post is written in conjunction with the Feminist Ethics Course Dialogue project sponsored by Claremont School of Theology in the Claremont Lincoln University Consortium,  Claremont Graduate University, and directed by Grace Yia-Hei Kao.

“Are you going to the Vagina Monologues try-outs tonight?” my friend asked me last year after class.

“I hadn’t planned on it,” I replied cautiously. Truth be told, the word ‘vagina’ made me uncomfortable. There were yearly productions of the Vagina Monologues at my undergraduate institution, but I never went. I thought it was a time when women gathered and performed monologues they had written, and I thought it demeaning to have these monologues named metonymically. I did not want to be associated with the Monologues: I was in favor of women’s equality, but I did not want to claim my sexuality in so visceral a manner. In my mind, the ‘Vagina’ of Vagina Monologues just referred to the actresses, not the content.

How wrong I was.  Continue reading “Finding my Voice through the Vagina Monologues By Anonymous”

Undermining Our Own Authority by Grace Yia-Hei Kao

“I’ll be the first to admit that it can be difficult, if not exhausting, for women professionals to discern how to be strong and assertive (and thus be taken seriously) without coming across as arrogant or b*tchy. But there is indeed room for play between over-deference and cockiness, and the ability to code-switch while in formal settings would be a good step in the right direction for many of us.”

Whatever your take is on Madonna’s feminist bona fides, she was definitely on to something in her 2001 hit “What it Feels Like For a Girl.”  Madonna sang about the tremendous pressures females of all ages face to conform to gendered norms of physical appearance and demeanor. I want to use her lyrics to discuss some ways I have seen young women in academe subtly undermine their own authority.

Continue reading “Undermining Our Own Authority by Grace Yia-Hei Kao”

Sister Wives, The Terrible Taboo, and Agency by Xochitl Alvizo

A couple of weeks ago I watched a handful of Sister Wives episodes; it was the start of the new season and the network was having a marathon. I was absolutely fascinated. It was my first time watching the show, and interestingly,  I had actually seen the family in person in Boston before I ever saw them on TV. They had been in town in September for a panel discussion that one of my friends was hosting and all I knew about the Sister Wives show was that it was about a polygamist family with three wives and one husband. I never imagined myself intrigued. But seeing the women sitting there, hearing them talk about their lifestyle and how much they love their sister wives, getting to witness their family dynamics and their different personalities, I found that my first reaction to them was not  judgment. Instead I found myself increasingly curious, particularly about the sister wives’ relationship with one another.  Continue reading “Sister Wives, The Terrible Taboo, and Agency by Xochitl Alvizo”