Women’s Spirituality – Page 20 – Feminism and Religion

Asherah, Blessed, Asherah by Janet Maika’i Rudolph

Once upon a time, the Great Goddess was the spiritual focal point of ancient culture. Her worship included honoring women, living in harmony with the earth, and cherishing the processes of the cycles of nature. Asherah was one of those Goddesses. When the Patriarchs moved in and worked to suppress the old goddess religions, Asherah and her fellow Goddesses were diminished, and in a propaganda coup we might recognize today, defined Her as evil. I imagine that some brave people fought to hold onto the Goddess in Her glory but when they saw they were losing the battle, they encoded Her and Her Sister Goddesses into their cultural mythology. Hidden in this manner, She found Her way into the bible. If we can uncover those codes, we can reclaim Her, others and their Earth-based spirituality.

Avian Friendship by Sara Wright

The other night I had a dream about a strange green hooded figure that was guarding a green gate underground. She wasn’t human; she had a hooked bird’s beak (like many of Marija Gimbutas’s goddess figures). Something about the strange face reminded me of an American Indian. This creature was not friendly but she was not hostile either. Just really intent upon making it clear that you did not pass through the gate without her permission. The word Root kept reverberating out loud in this place… Root Woman? Strange that she was also a bird. Anyway, thinking about bird women prompted the following poem and brief reflection on my relationship with one kind of bird…

Farewell to Carol Christ at the Kamilari tholos tomb, Crete by Laura Shannon

September 7, 2021

1. At the gate

On a hilltop between the horned peak of Mount Psiloritis and the wide blue expanse of the Libyan Sea, Ellen Boneparth, Tina Nevans and I prepare to enter the Kamilari tholos tomb. This round vaulted structure served as a communal and egalitarian burial site for thousands of years, from Neolithic through late Minoan times, and Carol brought more than 40 groups of Goddess Pilgrims here to honour those who have gone before. This is where Carol asked the three of us to perform a farewell ritual for her; she wanted no other ceremony. We each don a scarf and necklace which belonged to Carol and enter the sacred space. Kostantis stays behind to guard the gate, in case any other visitors arrive during our ritual.

2. Invocation

On this spot, hundreds of women have honoured thousands of ancestors. We ask for the benevolent presence and the blessing of all those who knew and loved Carol, living and dead. We ask permission of the spirits of the place to enter for this ceremony. We ask Carol’s own ancestors, and the Minoan ancestors of this place, to bless and welcome Carol as a beloved daughter and granddaughter of both lineages.

Happy Birthday, to a Woman Who Used a Crisis to Benefit Humanity by Cheryl Petersen

Born two-hundred years ago in 1821, Mary Baker was raised by a doting mother and strict father. By the age of twenty-eight, she endured personal crises typical to privileged white girls. Lost lovers and unfulfilled dreams. Mary wed her second husband, Daniel Patterson, in 1853, fancying he would make things better. But in 1857, while ill in bed a few weeks, forlornly pining her dead mother, Mary noted in her scrapbook, “My dear dear…Mother waits for me in the far beyond and through the discipline, the darkness and the trials of life, I am walking unto her.”

In 1861, Daniel urged Mary to investigate mind-cure and wrote a letter to practitioner, Dr. Phineas Quimby, to request treatment for Mary’s periodic spinal and emotional challenges.

But the plan was interrupted by another crisis. The American Civil War (1861-1865).

Vigil by Sara Wright

The third day
dawns under a cloud.
Mourning doves
spread their wings
across leaden skies.
I am walking on air.
Two restless
nights – a huge
truck in the yard –
Blocked,
my stomach lurches.
I read Tributes
in a daze.
Fierce Little Flower
Warrior Woman
fights
a torrent of waves.
She is bridging
raging waters
forging a New Story.

“Weaving the Visions.”
Oh, now I remember
where it all
began.

She hugged a tree.
I plant a seed.
Listening to rounds of
“light and darkness”
I let my body lead.

A serpentine path
guides me
back to
Her Garden.
Cradled by Ancestors
Rooted in Body
I shed another
patriarchal skin.

Leonora Carrington’s THE HEARING TRUMPET – Book Review by Sally Abbott

Long a fan of Surrealist artist Leonora Carrington, I was initially hesitant when the New York Review of Books reissued her 1974 novel, The Hearing Trumpet. I didn’t know what to expect when this extraordinary painter picked up a pen.

To my delight and surprise, Carrington shows the same artistry and whimsy in her writing that she does in her painting. She also reveals herself to be an astute feminist and aficionado of the Goddess, well-versed in arcane lore, with which she accents her fantastical world. The Hearing Trumpet is full of British humor and eccentricity, set in a finely spun, other-worldly landscape.

Her heroine Marian Leatherby is a 92-year-old, who lacks teeth, is hard of hearing, and sports a beard–a whimsical, endearing character who loves cats. She has been given a hearing trumpet by her great friend Carmella, and thereby learns that her son and his wife plan to send her away to an old folks’ home run by a Dr. Gambit and the Well of Light Brotherhood.

Occult Adventures with Walter Troll – A Truly True Story Part 2 by Barbara Ardinger

Read Part 1 of this story here

We want you as our earth slave.

I put the pendulum away. I went into Charles’s bedroom and watched TV with him.

But I was addicted. First thing Saturday morning—back to the pendulum. We want you as our earth slave. I prayed over my paper Ouija Board. I cupped the crystal pendulum in my hands and prayed again. I visualized white light on the paper, around the pendulum, around my hands, around my pen and notebook, around my whole body, filling my living room. White light everywhere. I called upon angels and spirit guides to protect me.

We want you as our earth slave.

Loving Venus, a poem by Marie Cartier

Dedicated to Carol Christ, 1945-2021, who taught so many of us how to love the Goddess

She is called “Nude Woman” and currently lives
in her natural museum house in Vienna.
Nude woman. She is art, but she is not in an art museum.
And there are questions:
why was she originally painted red? Why are her breasts so large?
Why is her stomach so large?
Why does she fit in a human hand?
What was her purpose?
Was it to entice men, or to comfort women?
Historians disagree.
Is her hair woven? Or is it a hat?
Why does she have no eyes? No feet? Why is she there?

Of Women and Wildflowers by Sara Wright

Women and plants have been in relationship since the dawn of humankind. Women were the Seed keepers. Women created agriculture. Women learned what herbs to use for healing. Women noticed wildflowers, loved them, grew them and painted them, created poems about them. Some women and plants still share a deep bond, and as an herbalist I am one of these women. My relationship with wildflowers stretches back to the first word I ever spoke – “cups” for the wild buttercups I loved and gathered as a toddler.

Recently, I joined a wildflower identification site online because wild flowers are so dear to my heart. Every spring I am drawn into the forest glades to meet my diminutive friends that burst unbidden, unfurling from moisture laden rotting leaves. So many are fragrant!

With the summer solstice on the horizon and abnormally high temperatures, we are living a withering drought, and my intrepid little wildflowers are fading, their annual cycle completed earlier than usual. Even in a good year this wildflower season is never long enough for me.

The Pear Tree by Sara Wright

She was more
than a sapling,
so robust.
One summer she
bowed
her tear shaped body,
offering
a hundred sweet pears
to any creature
that sought her gifts.
Did the deer remember?
Fruit that fermented became
fertilizer for hungry plants.

When they
girded her slender trunk
that winter
I felt betrayed
by the herd of graceful creatures
I fed…

She was dead.
Her sweet cambium
stripped away
under rough bark.
Unable to carry
nitrogen, water, nutrients
from trunk to twig