The leaves have finally begun to turn. I’ve been longing for the trees to reveal their true beauty in all their colorful array, and am glad for this beginning. Soon the woods will be filled with the golden, amber, scarlet, and orange glow of the maples, aspen, birch, and oaks of the northern forest.
Hawk Ridge
It is the time of year I would take my Women and Spirituality students to a sacred spot on a ridge high above Lake Superior to explore their spiritual connections with the earth. They would share a particular way they felt a connection to the natural world – often a lake, or a place from their childhood, a tree they loved to climb, their dog, or a stone they carried. We would circle the large pine and invoke Starhawk’s “Open-Eyed Grounding” practice.[i] They would read and comment on their favorite passages from the readings – selections from Susan Griffin’s Woman and Nature and Carol Christ’s “Rethinking Theology and Nature.”[ii] Then they would disperse across the ridge for their solo encounters with nature, before gathering together again, each returning with something they had discovered during that time. Then we would talk about the changing colors of the leaves surrounding us and talk about how these were the true colors of the leaves, finally emerging now that the chlorophyll that had disguised them in green was beginning to wane. Taking our cue from the leaves, we would talk about authenticity – about their coming into their own true colors. For that is the work of spiritual growth and transformation — to emerge as our own true selves. Yet, how often our unique and precious beings are taught to mask our true color, blend in — be “green” like everyone else. What a vivid and beautiful world when we come into our own and share our unique gifts and being with the world.
Twelve years ago, I published my novel Daughters of the Witching Hill, drawn from the true story of the Pendle Witches of 1612. The story of these wisewomen and healers still haunts and enchants me to this day.
This post started as a comment to Annie Finch’s part 1 of Abortion As A Sacrament post. Realizing it was a story that was getting too long, I’m sharing it here as a reiteration of the practical significance of ritual, and finding our way through the no-longer-charted territories of being a female human — in the sense that if we were a female of any other animal form, we would still know exactly how to navigate all the challenges.
I had a years-long pregnancy-related experience in which ritual was the only thing to finally bringing closure, though the real issue was more the other being’s feelings or intent than mine. About a year after the birth of my only child, still nursing full time and using what should have been sufficient birth control, I became pregnant and aborted at Planned Parenthood. I had been well along, not having suspected anything because my menses hadn’t yet returned.
At the time, there was no debate in my mind, if I had added another responsibility to my already excessive load, I would have failed at everything, the most important being my daughter.
My book Sitting on the Hag Seat carries the blue cover I designed. Buried in the blue, riding the spiral Wheel of Return, stands a small Sheela-na-gig. The Sheela’ s origins remain unknown and controversial. It sometimes seem to me that the less explanation exists for a mysterious object or occasion, the more emotional attachment accrues to the opinions of diverging theorists. However, no matter what symbolism is ascribed to Sheela-na gig, her frequent placement above church doors or in the walls of cities, castles and watch towers, does seem to support a protective aspect not necessarily at odds with other attributions.
Part 1 was posted yesterday. You can read it here. The Norns were explaining the mess they had made when they got drunk at a Valhalla party.
The Norns looked at me with sadness. “We knocked over one of our looms/templates/arrangements”
Their tone changed, they looked at each other and I thought I could see emotion churning. They were arguing and then they stopped. They turned toward me and looked sheepish, that is if divinities can look sheepish. “It was a disaster/calamity/debacle.”
“Tell me then,” I was growing impatient.
Verdandi: “Well you see the loom we knocked over was . . .”
“What?” I almost shouted at them.
Urd: “It was the loom holding the pattern from Salim/Jerusalem.”
After a spring semester-long sabbatical this year, I am back to campus and to teaching. I was effectively off from January to August and the timing could not have been better. After my dad’s death last July (2021), my world was turned upside down. One of the things that happened with his death was a deep realization that he had a lot to do with my sense of grounding. I wrote about this in a previous post, but I hadn’t quite realized how much he was a source of affirmation and grounding for me, an external one—his death was a catalyst for me to learn how to access that grounding more fully for myself, from within.
Having been on sabbatical, then, was helpful in terms of regaining my brain for research and writing, which was its objective, but also for giving me the time and mental space to work on the grounding aspect of my internal life. A few things came together for me during this time. Leading up to the sabbatical and overlapping with it, I got to participate in the Latinas in Leadership (LIL) program with the Hispanic Theological Initiative – a program designed to strengthen the professional development of the Latina women participants.
Old woman (witch or fairy) spinning. Woodcut attributed to Holbein from Boethius, De consolatione philosophiae 1547
The Pendle Witches
As a spiritual person, I am fascinated with women’s experience of the sacred. We women, for the past five-thousand years of patriarchy, have been side-lined and marginalized by every established religion in the world. But in every age, there have been women who have heroically rebelled against this patriarchal stranglehold to claim their authentic spiritual experience. Often it has involved looking within rather than without for spiritual guidance.
Thus far in my essay series, A Visionary History of Women, I’ve discussed Hildegard of Bingen and Margery Kempe who carved out their own woman-centered paths as mystics.
But what about women whose mystical experiences fell outside of the parameters of any organized religion?
One of the most important texts I have ever read was J. Kelly Gadol’s essay, “Did Women Have a Renaissance?” She points out that while elite European men were experiencing a Renaissance, women’s rights and lifestyle choices were becoming increasingly constricted during this period. The Renaissance was a very dangerous time to be female–women were the primary targets of the mass witch-hunting hysteria sweeping across Europe. Witchcraft persecutions were not a phenomenon of medieval superstition, as is commonly believed, but of the Renaissance and the Reformation, stretching up to the dawn of the Age of Enlightenment.
Anton Woensam’s idea of the perfect Renaissance woman: silent and obedient
The pre-Reformation Catholic Church, for all its problems and abuses, at least offered a space for female mystical and visionary experience. However, the hard-line Protestantism that followed the Reformation offered no space at all. If you saw visions or whispered prayer charms or left offerings at a holy well or lit a fire on midsummer eve to protect your cattle, you were suddenly seen as a witch, in league with the devil.
In winter 2002, I moved to Lancashire, in northern England. The back of my house looked out on Pendle Hill, famous for its legends of the Pendle Witches of 1612, the amazing real women at the heart of my novel Daughters of the Witching Hill.
In 1612, in one of the most meticulously documented witch trials in English history, seven women and two men from Pendle Forest were hanged as witches, based on testimony given by a nine-year-old girl.
The most notorious of the accused was Elizabeth Southerns, alias Old Demdike. Allow me to introduce you to a woman of power who changed my life forever.
This is how Thomas Potts describes her in The Wonderfull Discoverie of Witches in the Countie of Lancaster, the official trial transcripts.
She was a very old woman, about the age of Foure-score yeares, and had
been a Witch for fiftie yeares. Shee dwelt in the Forrest of Pendle, a vast
place, fitte for her profession: What shee committed in her time, no man
knows. . . . Shee was a generall agent for the Devill in all these partes: no
man escaped her, or her Furies.
Bess Southerns was a wisewoman of longstanding repute. What fascinated me was not that she had been arrested on witchcraft charges, but that she practiced her craft for decades before anyone dared to interfere with her or stand in her way. Cunning craft, the art of using charms to heal both humans and livestock was her family trade. When interrogated by her magistrate, she freely admitted to being a wisewoman and healer, even bragged about her familiar spirit Tibb, who appeared to her in the likeness of a beautiful young man.
At the time of her arrest, she lived in a place called Malkin Tower. Widow and matriarch of her clan, she lived with her widowed daughter and her three grandchildren, the most promising one being Alizon, a teenager who showed every promise of becoming a wisewoman as mighty of her grandmother.
In England, as opposed to Scotland and Continental Europe, witchcraft persecutions had been rare. Bess had been able to practice her craft in peace. This all changed when the Scottish King James I ascended to the English throne. King James was obsessed with the occult and had even written a book called Daemonologie—a witchhunter’s handbook—that his magistrates were expected to read.
The tide was turning for Bess and her family.
When a pedlar suffered a stroke after exchanging harsh words with Bess’s granddaughter Alizon, the local magistrate, eager to make his name as a witchfinder, played neighbors and family members against each other until suspicion and paranoia reached frenzied heights.
Alizon, first to be arrested, was the last to be tried at Lancaster in August, 1612. Her final recorded words on the day before she was hanged for witchcraft are a passionate tribute to her grandmother’s power as a healer. John Law, the pedlar Alizon had supposedly lamed, appeared before her. John Law, perhaps pitying the condemned young woman, said that if she had the power to lame him, she must also have the power to cure him. Alizon sadly told him that she lacked the powers to do so, but that if her grandmother, Old Mother Demdike, had lived, she could and would have healed him and restored him to full health.
Other novels have been written about the Pendle Witches, but mine is the only one to tell the story from Bess and Alizon’s point of view. I longed to give these women what their own world denied them—their own voice, their own story.
May the voices and visions of our motherline guide us to claim our own voice, our own story, our own vision, our own power. May we all be wisewomen walking forward.
Mary Sharratt is committed to telling women’s stories. If you enjoyed this article, you might want to check out her novel Daughters of the Witching Hilland visit her website.
Nature and dance are my gateways to the mystery, where I can bring my worries, exhaustion, prayers, celebrations and gratitude. These gateways open to places deep within and far beyond my perception and imagination. They create an impromptu sacred space that emerges, flexes, stretches, and nurtures, and always ‘meets’ me regardless of my emotional state.
In this post I reflect on the possibilities of danced spirituality in relation to the overarching theme of Feminism and Religion. How does dance relate to our sense of personal expression, freedom and take on life as gender-aware people, and our experience of spiritual intimacy?
Dance is a versatile practice to move through life in an empowered way and to strengthen our connection with the numinous. I truly believe that everyone can dance, and one of my roles as a ceremonial dance facilitator is to help people re-connect with the dancer inside them.
Greetings Feminism and Religion family! It has been soooo long and I have missed you so much!!
I have been working on a few projects that were rudely interrupted by a heartbreaking divorce, decisions of survival, and the subsequent recovery that followed this period. I have spent the past at least 6 months healing from the shame, guilt, pain, and blame that was placed in my lap for the collapse of the marriage. Needless to say, that shit is heavy and it kept me in an endless and perpetual night- not the beautiful mysterious, infinite, expansive darkness that I have come to know but the night that I was afraid of when I was young. No one could save me from the ways that I tormented myself or questioned my womanhood, motherhood in particular. Even more, no one could save me from being an emotional punching bag from my ex-spouse, who also torments himself.
That being said, I am on the mend and am settled in my own apartment furnished with peace, wholeness, and healing for myself and my daughter. As an earth sign, stable ground and a comfortable home in which I can be myself means the world to me. I am a spiritual advisor at a recovery center in Massachusetts and therefore have studied the art of recovery in many ways. Recovery from loss and recovery of self are two procedures that I address in my upcoming book, Black Gold: The Road to Black Infinity!!
Because I don’t have the money to fly somewhere else other than …here
Where I can’t get one
I need an abortion and I can’t get one
Because the kid, or the cells of a maybe kid, were put in here by the guy that raped me and if I have to have it, I will kill myself
I need an abortion and I can’t get one
Because I have four kids already and I can’t feed another one
I need an abortion and I can’t get one
Because it’s my dad’s…did you hear me say that? I have never said that. I have never said what he does to me…and now I have to show everyone… if I can’t get this out of me I will…