Feminism and Religion

From the Archives: Artio, Celtic Goddess of Wild Life, Transformation and Abundance by Judith Shaw

This blog was originally posted August 26, 2015. You can read the original comments here.

Artio, Celtic Goddess of Wild Life, Transformation, and Abundance, is one of the more obscure goddesses in the Celtic pantheon. She is often shown with baskets of plenty and surrounded by animals. Artio is frequently depicted as a bear. Her name comes from the old Celtic word for bear, arth(e), which the Romans Latinized to artos.

Artio arrived in western Europe with the Helvetii a Celtic tribe who migrated to Switzerland around 450 BC. They worshiped Her as the “She-Bear”.

But Her origins could be even older than that. Some feel that the bear is the oldest European deity as bones and skulls of bears have been found lovingly arranged on niches found in caves across Europe. In 1840 in Ireland, during the restoration of Armagh Cathedral, ancient, small stone carvings of bears were found.

“For I know the plans I have for you:” The coming out story of a queer Catholic raised in the Purity Culture Movement part 2 by Emma Cieslik

You can read part 1 here.

Growing up, I sat through lessons about how my body was inherently evil, that my thoughts and attractions were sinful and unhealthy. I grew up in the age of the Purity Culture Movement, the height of purity culture dated between the 1990s and early 2000s, amid the flush of “modest is hottest” theologies. I grew up surrounded by language codified around victim-blaming, slut-shaming and heteronormativity. I had attended retreats where we were told to pray for our future husbands, where we placed white roses on the altar as an homage to our purity in veneration of the Virgin Mary. I did not wear a purity ring or sign a purity pledge, but the expectations placed on me reinforced the ideas embedded in these objects none the less. I learned over and over to keep my candle unlit until marriage.

I had repressed my sexuality so far that it felt non-existent. I had shamed and punished myself for years whenever I felt any sexual attraction. If I felt ashamed of my attraction to men, my response to my feelings towards women was far worse, avoiding the eyeline of Victoria Secret models and magazine covers. I didn’t know who to talk to about these feelings—I was conditioned that my thoughts about men were sinful but forgivable. Everyone struggles with attraction prior to marriage. But who could I ask or talk to about my attraction to women? I was worried that what I told a priest in confession would somehow make its way back to my parents or friends. Despite their unconditional love, I worried that this would be the line in the sand, a sin so ugly and unnatural that I wouldn’t be welcome back in our Church.

“For I know the plans I have for you:” The coming out story of a queer Catholic raised in the Purity Culture Movement part 1 by Emma Cieslik

It was my last interview for the Muncie LGBTQ+ History Project. I was a senior in college, and I was about to complete my tenth interview focused on the intersections of Christian religion and queer identity. I was slated to conduct an oral history interview with Rachel Replogle, a nonbinary lesbian who runs Indiana’s only queer-affirming wedding videography business. I had expected to explore elements of her work in churches and religious spaces—and I had encountered experiences of trauma, both familial and religious, through the project—but Replogle’s story touched a nerve about my own experiences and made my question the project’s impact on the people conducting it.

Since 2018, the Muncie LGBTQ+ History Project has been collecting the stories of queer people who grew up in and around Muncie. I worked with the project for over a year as a research associate, conducting ten long-form oral history interviews with members of the Muncie LGBTQ+ community about their experiences growing up in Muncie, a small town in East-Central Indiana in the heart of the Rust Belt. Spearheaded by Dr. Emily Johnson [1] the project seeks to uplift and celebrate queer experience in the Midwest. I entered the project with an interest in how queer individuals engage with religious identity, especially in spaces that deny their personhood and/or invalidate their relationships.

I’m Not “Fit” to Judge Another Woman’s “Fit”ness by Liz Cooledge Jenkins

In recent conversations around abortion rights—spurred by a leaked draft of a Supreme Court decision that would overturn Roe v. Wade—everyone has opinions. The financially comfortable, often-white, often-evangelical women in my circles have opinions. And these opinions often involve the lives and choices of materially poor women and women of color.

In her recent book The Trouble with White Women: A Counterhistory of Feminism, Rutgers University professor Kyla Schuller profiles seven pairs of feminist activists over the last two hundred years. Each pair includes one woman who operated from a framework of white feminism—a framework that, according to Schuller, “consistently…wins more rights and opportunities for white women through further dispossessing the most marginalized.” And each pair includes a woman who embodied intersectional feminism—a feminism that “expose[s] sexism to be a powerful structure of systemic inequality and attempt[s] to untangle its deep threads with other forms of domination, while also building new practices of care, coalition, faith, and solidarity.”^[1] This is not just history but a live tension in the present day.

May: A Reflection on Time and Trillium by Sara Wright

With May coming to a close in a few days, I am feeling nostalgia. This month is both elusive and dramatic – from bare trees to lime green, and now lilacs so heavily laden with blooms that some are bowed as if in prayer. Wood frogs and peepers bring in the night and the first toads are hopping around my overgrown flower garden; in the forests I surprise them when peering closely at small flowers. Gray tree frogs trill at dusk. Violets of every hue grace the earth outside my door along with robust dandelions, forget – nots, rafts of deep blue ajuga, delicate bells of solomons seal, mayapple umbrellas, false solomon’s seal, wild columbine and golden celandine all nestled in long grasses and moss. No mowing happens here!

On my woodland paths starflowers and Canada mayflowers are now so thick I fear treading on even one, as if one foot could destroy the whole. Down by the brook white trillium bloom on, both painted and purple are setting seed, while bloodroot, arbutus trumpets and delicate anemones have transformed into leafy memory. Ostrich and hay ferns are unfurling, creeping blue phlox and dames rocket are budded or blooming; pink and white lady slippers are beckoning both here and in the woods. June is in the air.

Carol P. Christ’s Legacy: Are Most of Us Abused Children? And is Child Abuse the Root of Evil?

This was originally posted on July 16, 2012

Child abuse does not have to be physical or sexual. The most widespread forms of child abuse are psychological, and therefore harder to see, acknowledge, and eradicate. As abused children, we unconsciously pass on patterns of abuse visited on us to children, and to others we have power over including students, employees, and even friends and lovers.

The recent visit of a friend who is suffering greatly in a “battle” with her own “demons” reminded me of the important work of Alice Miller. My friend’s “demons” take the form of a persistent self-criticism laced with the feeling that “if only” she did or didn’t do certain things, her world would fall into place. My “demons” generally take a different form, telling me that I am helpless and that there is nothing I can do to ease my suffering.

Such “demons” were not implanted in my friend and me by the devil. They took root in interactions with our own parents, who were not themselves any different from most of the parents of their time and place. Recognizing that our parents were not “bad” people should not blind us to the great harm they did to us. However, when abused children speak of their abuse, the statement that their parents did not intend to harm them usually functions to deflect attention away from child abuse that really did occur. What happened to my friend and me was something like this. In many small and perhaps also a few traumatic interactions, we learned that our feelings do not count. “Don’t talk now, your father is tired.” “Stop making so much noise, your father has a headache.” “Don’t ask your mother for attention, can’t you see that she has more than enough to do with your younger brother.” Harmless in themselves, such messages, when repeated over and over, lead the child to believe that there must be something wrong with the feelings she has.

From the Archives: Answering the Call by Joyce Zonana

This was originally posted on April 30, 2020

Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.

So begins a deeply internal quest narrative, an initiatory journey that forces Mégremut to come to terms with himself and with the elements–earth, water, wind, and fire–that are ever-present, sometimes terrifyingly so, on the island. For once he arrives, he learns that he must remain there alone for a full three months if he wishes to obtain the inheritance. Torn about whether to stay or leave, he finds that the decision to stay is made of its “own accord,” unconsciously.

photo essay, part 2: bans off our bodies rally by Marie Cartier

photos from bans off our bodies rally, long beach ca may 14, 2022

all photos by: marie cartier

BIO: Marie Cartier is a teacher, poet, writer, healer, artist, and scholar. She holds a BA in Communications from the University of New Hampshire; an MA in English/Poetry from Colorado State University; an MFA in Theatre Arts (Playwriting) from UCLA; an MFA in Film and TV (Screenwriting) from UCLA; an MFA in Visual Art (Painting/Sculpture) from Claremont Graduate University; and a Ph.D. in Religion with an emphasis on Women and Religion from Claremont Graduate University.

Moderator’s note: This is the 2nd of the two part series. Part 1 was posted yesterday.

photo essay, part 1: bans off our bodies rally by Marie Cartier

photos from bans off our bodies rally, long beach ca may 14, 2022

all photos by: marie cartier

moderator’s note: There are so many powerful photos that they will be posted in two parts, today and tomorrow.

Hearing Grief by Xochitl Alvizo

I was writing this blog post on the same day that Rosemary Radford Ruether died, receiving the news during my writing process. The timing of that still has me feeling something I cannot yet express…

One of the most meaningful concepts I learned very early on from my education in feminist theology was “hearing to speech,” from Nelle Morton. I have written about this before, sharing that at times when I have struggled with my academic writing, I try to imagine that I am writing to my peer group, which helps open the path because not only are they a trusted circle of friends that I know loves me deeply, but they are friends who hear me into speech (and in that way, to writing, as well).

Nelle Morton coined this feminist principle of “hearing to speech.” [1] Morton’s new understanding of hearing and speaking came to her while she was with a group of women who gathered to tell their stories. As one woman shared her story – a story which at times reached points of excruciating pain – no one moved or interrupted, everyone seemed to be holding their breath. At the end, when the woman finally finished, she said, “You heard me. You heard me all the way – I have the strange feeling you heard me before I started. You heard me to my own story.”