I have a poster on my wall: UPPITY WOMEN UNITE. In big, red, capital letters. I don’t remember where I got this poster, but I know I’ve had it since the late 70s or early 80s. I’m sure it comes from the raggedy late 60s, when second-wave feminism got up a head of steam and uppity women began getting our attention. That’s when Betty Friedan said being a proper 50s housewife was like having a mental illness. It’s when Gloria Steinem founded Ms. Magazine, which (oh, horrors!) did not give us recipes or home-making tips and did not tell us how to dress to lure our men into bed. It’s when Mary Daly started giving us a whole new, original take on the English language. Ahhh, yes, those were the good ol’ days. And the bad ol’ days, too, when the Equal Rights Amendment was not ratified.
“Uppity” can be a troublesome word. In the olden days, if someone called you uppity, it means you were inferior to them and weren’t staying in what they thought was your proper place. If you were a black person, for example, and if you didn’t step off the sidewalk when white men were coming, you were uppity. If you were a woman who wanted equal pay for doing the same work a man did, you were uppity. Those women in the 1980 movie, 9 to 5, were majorly uppity. And they won the battle.
What if Daedalus had not been imprisoned and forced to build a labyrinth to hold a monster-bull that would eat everyone who dared to enter its domain? (Is it true that that monster-bull was named Donald?) What if the three Mother Goddesses took off their aprons and went out into the world to survey its peoples and its troubles and to bring aid and comfort (much more useful than thoughts and prayers) to everyone in distress?
“Well,” says Queen Bettycrocker, “the first thing we can do is look at all these walls. They’re all over the place. They separate people. That’s not good.”
“You’re right,” agrees Queen Saralee. “People should be neighbors, and neighborhoods should be areas where children can safely play and safely go to their schools. And eat good lunches, too.”
Scene: A comfy lecture hall in the temple on the summit of Mount Olympus. The feminist historians have taken their seats. The eldest Olympians rise to speak. Let us attend to their words.
I am Hera, Queen of All, Daughter of Gaia, Daughter of the Great Mother, whose body is our holy earth, whose bodily fluids are our springs and oceans, whose mind is our precious air and holy fire. I am Mother of the Fates, Sister of Hestia, protector of homes, and sister of Memory, whose daughters are the Muses, sponsors of our culture. I live in contentment with my wife, Zeusina.
Originally posted on February 7, 2021. You read the original comments here.
Here’s a simple spiritual practice that I’ve been doing for longer than I can remember. During the regime of the Orange T. Rex, I started doing it at bedtime to calm my mind so I could go to sleep. We’re hopefully living in a more optimistic and peaceable time now, but that’s no reason not to add a new spiritual practice to our lives. I hope you’ll like this one and will try it for yourself.
We’re accustomed to seeing people praying with rosaries or reciting mantras and counting repetitions with strings of beads. We can do that, too. But how about using a simpler “tool” to keep track of our mantras and affirmations—our own hands?
This was originally posts on October 4, 2020. You can see the original comments here.
The quality of mercy is not strained; It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blest; It blesseth him that gives and him that takes…
This speech (Act IV, scene 1) from The Merchant of Venice, given by Portia in disguise as a boy lawyer (and Bassanio doesn’t even recognize her!), may be one of Shakespeare’s most famous. In the play, as we know, Shylock, a Jewish moneylender, and Antonio, a merchant waiting for his ships to come in, make a bargain, one part of which is that if Antonio doesn’t pay on time, Shylock gets to collect one pound of his flesh. Antonio’s ships don’t come in, the case is taken before the Duke of Venice, and Portia appears in disguise to solve the legal issues. She goes immediately to Shylock and speaks this speech to him.
When I first wrote this post in 2014, I said the news was getting me down. A terrorist gang in Nigeria had kidnapped, raped, and “married” two hundred schoolgirls. Kids were even then taking guns to school. What’s better as I rewrite this in March 2022? Not much. The pandemic and idiots still refusing to be vaccinated. Putin’s invasion of a former soviet satellite country. (I think Putin thinks he’s the tsar and wants to rebuilt “his” empire.) Road rage, hate crimes, kids still taking guns to school. I think we can all agree that the news is still awful. The following is what I wrote in 2014.
A couple Saturdays ago, I heard an enormous noise of cawing and shrieking and wings flapping outside my window. It went on for several minutes, so I finally set my book aside (I was trying to ignore Eyewitless News), got up, and looked out into the courtyard. Two huge, noisy crows were chasing a smaller bird. I think it might have been a scrub jay. I have no idea what the jay’s crime had been in the crows’ eyes, but they were chasing it back and forth and up and down until one of them finally speared it with its beak. The jay fell. The crows landed on the roof of the building across the courtyard and strutted back and forth for several minutes. One of them went down for a closer look at the fallen jay. Then they flew away.
Let’s go back 100 years today and watch a silent movie. As you may know, most silent films had orchestral accompaniment. While you’re reading this, therefore, you can be the orchestra. Hum along as you read. Selections from Wagner (like the Ring Cycle) would probably be best unless you want to dive deep into irony, in which case you can hum selections from Gilbert and Sullivan.
The film begins. It’s a dark and stormy night. The ocean is crashing against a narrow beach overlooked by steep cliffs. There is a deep, dark forest nearby. Out of the forest comes a small figure bearing a large burden upon its back. As the figure comes forward, we see a curly-haired young girl wearing ragged clothing.
Intertitle: O me, O my. I seem to be carrying the burdens of the world upon my back. I am so weary!
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 5, 2018. You can visit the original post here to see the comments.
Candide, ou l’Optimisme (in English, Candide, or Optimism) is a satirical, picaresque novel published in 1759 by François-Marie Arouet, better known as Voltaire, who was possibly the smartest author of the Age of Enlightenment…but he annoyed so many courtiers and public officials that he was forever traveling around Europe to get away from their threats of arrest and bodily harm. A picaresque novel is an adventure novel with a clever, tricky hero who somehow survives and makes us like him. Voltaire wrote his novel primarily to criticize the optimism of the German writer Gottfried Wilhelm Leibniz, who said that because God is always benevolent, everything that happens is always for the best. This presumably includes the bloody Seven Years War (Protestant vs. Catholic, fought mostly in Germany and France) and the Lisbon earthquake of 1755, which occurs both in Lisbon and in the novel. Even though Voltaire was accused of blasphemy and heresy, among his other sins and crimes, Candide was enormously popular throughout Europe, a popularity that continues to this day.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted July 1, 2018. You can visit the original post here to see the comments.
I bet almost no one knows this secret: the United States is being watched over by two goddesses! One of them stands on top of the Capitol dome in Washington, D.C. The other stands on an island in New York harbor.
The goddess standing above our congressional building is named Libertas, or Freedom. She’s a Roman civic goddess whose sisters are Concordia and Pax. Although the Romans hardly ever experienced freedom, civic harmony, or peace, they always kept their eyes on the possibilities. Libertas was sometimes merged with Jupiter, sometimes with Feronia, who was originally an Etruscan or Sabine goddess of agriculture or fire. In Rome, Feronia became the goddess of freed slaves. Libertas is shown on Roman coins as a matron in flowing dress and wearing either a wreath of laurel leaves or a tall pilleus, which is called a “liberty cap” and looks like a witch hat without the brim. And there’s also a bird—is it a raven?? She holds either a liberty pole (vindicta) or a spear, and in some paintings of her (she was a popular subject in the 19th century) there is a cat at her feet.
Because the late 18th century is sometimes referred to as the Augustan Age (for classicism in architecture, literature, and art and named after the first Roman emperor, Caesar Augustus), the Roman Libertas became Lady Liberty during the American Revolution. To celebrate the repeal of the Stamp Act in 1766, Paul Revere created an obelisk with an image of Lady Liberty on it, and a short time later, Tom Paine addressed her in his poem, “The Liberty Tree.” An enormous bronze statue of Lady Liberty was commissioned in 1855 for the top of the Capitol building, and she was hoisted up there in 1863, where she stands, hardly visible, to this day.
Here’s my idea. This FAR community has lots of power. We—and at least two thirds of the U.S. population—are very unhappy with the antics of the Lyin’ King and his court…excuse me, the executive and legislative branches of our national government. So let’s visualize Libertas coming to life. Watch her stomp her heavy bronze feet so hard she breaks a hole in the top of the dome. Watch her fly down into the main lobby of the Capitol. Now she turns in one direction and stalks into the Senate. “Gentlemen and Ladies,” she begins, “you were sent here to do a job. You’re not doing your jobs. Work together! Learn to compromise. Stop talking so much. Get to work!” And then she marches into the House. “Why are you here?” she asks. “And why are you here only three or four days a week, and why aren’t you working for the benefit of all the citizens of the United States?” I suspect that Libertas, who is 19 feet 6 inches tall and weighs approximately 15,000 pounds, could indeed put a scare into Congress, not to mention all the lobbyists. Remember, she also carries that spear. And she no doubt knows how to use it.
Our second national goddess? “Liberty Enlightening the World,” whom we call the Statue of Liberty, was a gift from France to the U.S. circa 1886 on the occasion of our centennial. Designed by Frederic-Auguste Bartoldi and Alexandre Eiffel (who also built a famous tower in Paris), Lady Liberty holds a tabula ansata (a tablet evoking the law) in one arm and with her other hand raises a torch, a common symbol of truth and purification through illumination. She wears a crown of solar rays similar to the crown worn by the Colossus of Rhodes, one of the seven wonders of the ancient world.
For almost a century and a half, Liberty has welcomed immigrants to our Atlantic shore. Those immigrants were the grandparents and great grandparents of nearly all of us. Now let’s visualize Liberty taking action. Goddesses can perform magic; let’s visualize Liberty multiplying herself into 10,000 Liberties, and then let them travel to Texas, New Mexico, Arizona, and California and—you guessed it—let them stand facing south. Let these 10,000 goddesses with torches of purification replace the Xenophobe-in-Chief’s wall/fence/border army. Let’s ask Liberty to welcome people into the U.S. Because she’s smart (and the flames of that torch can reveal a lot) and there are indeed drug smugglers traveling in addition to men, women, and children who are coming for sanctuary or safety or work, let her use her torch to reveal the small proportion of criminals trying to sneak in. And let her welcome and protect everyone else and keep families together. (Maybe she could send all the ICE agents off hunting coyotes, who are no doubt smarter and more humane than they are.)
Here is the full text of “The New Colossus” the poem by Emma Lazarus that Lady Liberty proclaims to the world. Maybe our senators and representatives should read it—for the first time, I bet. They should pay attention to what it says and obey the words and principles of this goddess.
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. “Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!”
Let us visualize both of these American goddesses doing their work and protecting the hard-won rights of everyone who lives in the United States.
BIO:BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted October 1, 2017. You can visit it here to see the original comments.This post is the 3rd and final of a series which has been posted for the past 2 days. They were curated by Barbara Ardinger to stand together for their relevancy, now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new dystopia. It’s very sad and very scary.
I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
Starhawk (Miriam Simos) was probably the most famous “out” witch in the last quarter of the 20th century. Her book The Spiral Dance (1979) introduced uncountable numbers of people to the Goddess, Paganism, and Witchcraft. Nowadays, she’s teaching “Regenerative Culture, Earth-based spirituality, and Permaculture.” She is no doubt working up to the Uprising described in The Fifth Sacred Thing that separated northern and southern California—a generally bucolic San Francisco filled with Pagans and an eclectic mix of every other religion with free healthcare for all and a City of Angels (Los Angeles) filled with Stewards, ruins, and sex slaves.
The Fifth Sacred Thing opens in 2048 with Maya, a 98-year-old Orthodox (sic.!) Pagan climbing a mountain. At the Lammas (August 1) ritual, she tells how the Uprising began. Global warming has happened, and during the drought of 2028, four old women (remember Tepper’s bag ladies?) went with pickaxes to a major thoroughfare in San Francisco, dug up the pavement, and planted seeds in the earth. The Uprising was led by people who had participated in the Summer of Love (1967) and demonstrated against the Vietnam War.
In the next chapter we begin to meet the Stewards, who in 2028 canceled the elections and took control. Now “the Corporation,” which banished women from every profession but the oldest one, owns the Southlands and apparently most of the U.S. Although Starhawk wrote this novel in 1993, the Stewards look like Trump’s cabinet and true believers exponentially multiplied. The Steward are allied with the Millennialists, who have suppressed every religion but their own and whose Creed reads in part, “…we abhor the earth, the Devil’s playground, and the flesh, Satan’s instrument. We abhor the false…gods…who tempt us to wallow in the worship of demons, whether they be called Goddesses, Saints, Lucifer, or the so-called Virgin Mary. For we know that Our Lord never lowered Himself to take on loathly flesh….” Maya’s grandson, Bird, has been their prisoner for ten years. He’s been drugged (like Connie), but now he’s beginning to feel his magical powers returning.
Another protagonist is Madrone, a healer and midwife. As we read through a long Council meeting (they’ve got Councils for everything), we see the similarities between San Francisco is 2048 and Piercy’s free future of 2137. The values are much the same, although Starhawk’s future is determinedly Pagan and Witchy (and very PC). Madrone has lost a patient to a mysterious fever that morning. In the council meeting, one character says they’re still living in the “toxic stew” of pollution in the Bay. Is this fever becoming an epidemic? Is it biological warfare?
Bird summons the best magic he can and escapes with two other prisoners. As he travels up the California coast, sometimes along what was once the Pacific Coast Highway, sometimes along what was Interstate 5, he learns what happened to him ten years ago. When he and some other Witches destroyed an atomic reactor (probably in Santa Barbara County), his friends were killed by the Stewards and he was captured. Now he’s regaining his memory and his powers as he’s meeting other outlaws.
When Bird arrives in San Francisco, not much has changed: there’s still a lot of free love and arguing and they all still work collectively. Madrone recently went into “the ch’i worlds” to search for the virus, caught it, and almost died, but now she’s mostly recovered. They hold a meeting in which they discuss nonviolent resistance. After much argument about how best to resist, Madrone finally decides to travel south to find out if the Stewards are really planning an invasion. As she retraces Bird’s trail and meets the people who helped him, she gives them free healings and teaches them Witchy powers. The book thus turns into what is essentially a handbook of resistance and Witchy powers. When Madrone goes to Hollywood to take part in raid on a drug warehouse, we learn that in the Southlands only the rich have water, medicine, fresh vegetables, cars, access to education, healthcare, and any kind of technology (which is mostly built by prisoners).
Yes, there is a war in this novel. Just think of any superhero-action-adventure movie and add Nazis, and you’re seeing it. The Stewards’ army invades San Francisco, and nonviolent resistance seems to wither under bullets. Although she finds pockets of rebellion and resistance, Madrone nearly dies in Los Angeles. She finally gets home and learns that Bird has been captured again. But the Witches are also learning how to get soldiers to desert.
The novel has a sort of happy ending. Is it prophetic? I hope not! I live in the Southlands. But anyone who is paying attention to the daily news sees that we’re already on the path to a world run by the Stewards and the Millennialists. Starhawk has written a sequel, City of Refuge (2015), around the three major characters to tell what happens next in the North and the Southlands. I have not read the new novel.
But I know that Witches can prophesy. And so can writers, and so we have in these three novels four protagonists—Carolyn Crespin, Consuelo Ramos, and Maya and Madrona—who can teach us a great deal about resistance. The four sacred things are earth, air, fire, and water. The fifth is spirit. Blessed be.
BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Feminism and Religion 