The Flesh Made Word: Colm Toibin’s “The Testament of Mary” on stage and in print By Joyce Zonana

Colm Toibin Fiona Shaw Testament of Mary Ephesus Artemis House of the VirginBefore the play begins, the audience is invited on stage; we walk around, not quite knowing what to do, gazing at the props, uncertain.  A few chairs, scattered jars of honey, jugs of water beside a free-standing waist-high faucet, a tall ladder, a long table, a stripped tree trunk with a wooden wheel at the top suspended from the rafters, a menacing roll of barbed wire, and a live turkey vulture occasionally spreading wide its iridescent blue-black wings: such is the set for Deborah Warner’s searing production of Colm Toibin’s The Testament of Mary, a one-woman show currently in previews at the Walter Kerr Theater in New York.  In a large open-sided box, stage left, the actress Fiona Shaw, draped in blue from head to toe, arranges herself, then sits perfectly still, holding a lily and an apple.  We know this woman.  The Virgin Mary.  The Icon.  Incarnate.

Fiona Shaw rehearses for her role as the Virgin Mary in The Testament of Mary. Irish novelist Colm Toibin's one-woman play opens April 22 at Broadway's Walter Kerr Theater.
Shaw in rehearsal. Photo by Hugo Glendinning

But when we are all back in our seats, Mary casts off her robe to stand before us in a simple black shift, flowing easily over narrow brown pants. Her hair is cropped, her face haunted; wearing short leather boots, she fumbles as she searches for a hand-rolled cigarette to steady herself.   “I remember everything.  Memory fills my body as much as blood and bones.”  No longer an icon, hardly a virgin, this Mary addresses us with the piercing directness of the passion she has suffered: to have seen her only son crucified despite her efforts to save him. Now, interrogated by two unnamed apostles (John and Luke?) who want to fix the story of her son’s life and death and resurrection, Mary insists on reporting only what she knows:  “I was there.  I fled before it was over but if you want witnesses then I am one and I can tell you now, when you say that he redeemed the world, I will say that it was not worth it.  It was not worth it.”

Continue reading “The Flesh Made Word: Colm Toibin’s “The Testament of Mary” on stage and in print By Joyce Zonana”

Gender in Kabbalah by Judith Laura

Judith LauraI first started delving into both Jewish Kabbalah and Hermetic Qabalah in the 1990s, after friends told me these forms of mysticism included both female and male representations of divinity and therefore were gender equitable. They were right about the first part: Kabbalah/Qabalah contain both divine masculine and feminine imaging and male and female images.  But as far as gender equity goes, to use today’s slang, not so much!

tree of life kabbalah

Though they are both transliterations of the same Hebrew word, as is common I use “Kabbalah” for the Jewish versions, and “Qabalah” for the Hermetic version, best known through its association with the British Hermetic Order of the Golden Dawn, which began in the 19th Century. The word means “that which is received,” with the understanding that it was “received” from ancient times. Though there is one tradition that says Adam was given Kabbalah in the Garden of Eden, the first written material for Kabbalah, Sefir Yetsirah (Book of Creation), is dated to between 200 and 500 C.E. Kabbalistic concepts changed over the centuries, with writings becoming more significant in the 13th century and even more popular in the 16th and 17th centuries.

Beginning with the Sefir Bahir (Bright Book) in late 12th century France, Kabbalah is represented by the Tree of Life, which has round areas transliterated sefirot (Heb. pl.; sing. sefirah) that I think of as fruit and others call “spheres,” but which in the Bahir, are more accurately translated “sapphires.”*  These “divine emanations,” as they are often called in English, are gendered. How equal is the gender representation? Continue reading “Gender in Kabbalah by Judith Laura”

“Am I Crazy?” Loving Laura Dern by Carol P. Christ

carol p. christ 2002 color“Am I crazy?”

“No, just full of hope. You got more hope than most people do. It’s a beautiful thing to have a little hope for the world, you know.”

This question was posed by Amy Jellicoe, played by Laura Dern, at the end of the HBO television series Enlightened.  Unemployed, single, and in debt after she was fired for “whistle-blowing” on the corrupt activities of the corporation where she worked, Amy wondered if she had done the right thing.  The answer of her ex-husband Levi  brought tears to my eyes.

In many ways, I am Amy.

Let’s begin with the obvious.  When I was young, I was slender and pretty and exceedingly tall, with long blonde hair—I imagine I looked like Amy.  I couldn’t take my eyes off Laura Dern. There just aren’t many women in the world as tall as I am. Because of that I don’t know what I look like to others.  In the series, Laura Dern is taller than just about everyone else, including the men, and she seems not to care, because she often wears high heels.  Continue reading ““Am I Crazy?” Loving Laura Dern by Carol P. Christ”

Where Were the Women? by Kat Robb

Kat Robb, BunniHoTep, goddess

Where were the women? I grew up in the Presbyterian Church, and it wasn’t until I was in my late teens that I ever saw a woman offer a prayer in church. That was when they hired a woman with a Masters of Divinity to be an Associate Pastor in charge of Christian Education, meaning they had hired another woman to be in charge of Sunday School and this one had a higher degree. I, very early on in my Sunday School career used to ask, why can’t women pray in front of the church? Why can’t women give the sermon? Why is the only place girls are allowed to be in the front of the church, the choir loft? Why do we only mention Mary at Christmas? Why was Eve bad and not Adam? Why is it all right for Mary to be an unwed mother but not me? My Sunday School teachers loved me.

The answer for prayer was that you can pray anywhere you are because it’s your conversation with God–but I would ask if that is true, then why aren’t  we allowed up front? No one ever had a good answer  for that.  Continue reading “Where Were the Women? by Kat Robb”

What Might It Be Like To Live In A Matriarchal Society Of Peace? Can You Imagine? by Carol P. Christ

carol p. christ 2002 colorThere are many reasons for women, slaves, and the poor to rebel against domination and unjust authorities in patriarchal societies. But we should not assume that there are any reasons to rebel against domination where no domination exists or to rebel against unjust authority in societies where there are no unjust authorities.

In response to my recent series of blogs on patriarchy as a system of male dominance created at the intersection of the control of female sexuality, private property, and war (Part 1, Part 2, Part 3), I was asked if there is an injustice inherent in matriarchal societies that caused men to rebel and create patriarchy.

The assumption behind this question is that if women are dominated by men in patriarchal societies, then men must have been dominated by women pre-patriarchal societies. Lurking behind the question is the further assumption that there must have been “a good reason” for the development of patriarchy. The idea that there is “no good reason” for patriarchy to exist–if “good” means fair and just–is just too painful for many of us to want to consider it.

The missing link is our inability to imagine societies without domination.

According to Heidi Goettner-Abendroth “matriarchal societies” are “societies of peace” in which neither sex dominates the other.

Continue reading “What Might It Be Like To Live In A Matriarchal Society Of Peace? Can You Imagine? by Carol P. Christ”

Our Mother Whose Body Is The Earth by Carol P. Christ

carol p. christ 2002 colorThis prayer came to me recently in waking sleep:

Our Mother whose body is the Earth,

Blessed are you,

And blessed are all the fruits of your womb.

You give us this day our daily bread,

And we share it with others.

Our Mother whose body is the Earth,

We love you with all our hearts,

And our neighbors as ourselves.

Continue reading “Our Mother Whose Body Is The Earth by Carol P. Christ”

Patriarchy As An Integral System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 3 by Carol P. Christ

carol p. christ 2002 colorPatriarchy is a system of male dominance, rooted in the ethos of war which legitimates violence, sanctified by religious symbols, in which men dominate women through the control of female sexuality, with the intent of passing property to male heirs, and in which men who are heroes of war are told to kill men, and are permitted to rape women, to seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.

As the discussion of patriarchy* I began last week and the week before shows, patriarchy is not simply the domination of women by men. Patriarchy is an integral system in which men’s control of women’s sexuality, private property, and war (including violence, conquest, rape, and slavery) each play a part. These different elements are so intertwined that it is impossible to separate one as the cause of the others.  Patriarchy is an integral system of interlocking oppressions, enforced through violence, and legitimated by religions.

The model of patriarchy I have proposed argues that the control of female sexuality is fundamental to the patriarchal system.  This explains why there is so much controversy about the “simple matter” of access to birth control and abortion in the US today. It also explains why so much vicious anger is directed at single mothers by politicians and commentators.  Any woman who dares to control her own sexuality is questioning the foundations of the patriarchal system. Continue reading “Patriarchy As An Integral System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 3 by Carol P. Christ”

Gendercide: Words and Poem by Bernedette Muthien

engender, Bernedette Muthien, gendercide, poetry, violence against women, patriarchy,

gendercide  

 it took a full week

of straitjacketing generations

of genocidal femicidal trauma

for the clay dam wall to explode

and flood me in torrents

of collective grief

a poet with no words

a lifelong activist struck dumb

i choke on love for the dead

thousands of beautiful women and children a year

i puke for my incested cancerous country

and gag grappling for compassion of

perpetrators and the morally blind

in this breathtaking country

so brutally drenched in the blood

of ordinary women and children

i discover anew

that i fail to

swim

my spiritual cadaver

is dragged under by the concrete limbs

of victims perpetrators witnesses

majority blinkered burdens

too busy scrabbling for survival

to fight for justice

as i contemplate the imminent refreshment

of my childhood starvation

my hunger for food agency adventure

leads me to stare the dragon in its ambered eyes

like a mirror of my ever-present shadows

Demon! Patriarchy…

how can I love you to death…?

— Bernedette Muthien (15 feb 2013)

for the billion women martyrs around the world… Continue reading “Gendercide: Words and Poem by Bernedette Muthien”

Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 2 by Carol P. Christ

carol p. christ 2002 colorPatriarchy is a system of male dominance, rooted in the ethos of war which legitimates violence, sanctified by religious symbols, in which men dominate women through the control of female sexuality, with the intent of passing property to male heirs, and in which men who are heroes of war are told to kill men, and are permitted to rape women, to seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.*

In last week’s blog, I explained patriarchy as a system in which men dominate women through the control of female sexuality with the intent of passing property to male heirs. How did a system that identifies a man’s essence with his property and the ability to pass it on to sons come about? I suggest that the answer to this question is war and the confiscation of “property” by warriors in war. Patriarchy is rooted in the ethos of war which legitimates violence, and in which men who are heroes of war are told to kill men, and are permitted to rape women, seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.

My argument is that the origin of “private” property, defined as property owned by a single (male) individual, and as that which defines the “essence” of that individual, is the “spoils” of war, which are divided up by victorious warriors.  The “spoils” of war are the tangible treasures “looted” or taken by the victors from the conquered, such as jewelry and sacred objects.  The “spoils” of war include land “taken” as the result of warfare, along with the right to exploit resources, directly or through taxes and levies. The “spoils” of war also includes the right to “take” the women of the defeated enemy and to confirm ownership of them (and humiliate their fathers or husbands) by raping them.  The “spoils” of war also include the right to “take” these raped women and their young children home to serve as slaves and concubines. Continue reading “Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 2 by Carol P. Christ”

What It’s Like To Be A Woman In The Academy: Mentoring Edition by Linn Marie Tonstad

Linn Marie TonstadIn my first post, I promised to return to the topic of mentoring. Mentoring is a survival strategy for feminists inside hostile or difficult-to-navigate environments; in its best possibilities, mentoring is a strategy for flourishing, not just surviving. But when a mentoring relationship goes wrong, it is so destructive an experience that it may even be characterized as traumatic. Mentoring is also a practice rife with possibilities for abuse: the recent Yale study of gender bias in the sciences shows the extent to which gender alone serves as a significant variable for scientists assessing the possible rewards of mentoring a student.

I have given a lot of thought to mentoring in recent months – as I transition into new mentoring roles in a new institution, as I negotiate changing relationships with current and former mentors, as I reflect on successful and unsuccessful mentoring relationships I’ve been involved in, and as I seek to develop policies and practices that will serve me (and more importantly, my mentees) well.  Continue reading “What It’s Like To Be A Woman In The Academy: Mentoring Edition by Linn Marie Tonstad”