Sara Wright – Page 6 – Feminism and Religion

Cats Tales by Sara Wright

Awakening to an image
cattails in the marsh?
When I drive by
curled brown rushes
crush stiffened
seed swords
a few gray puffs rising
under sail
dull brown capsules
cracked by winter cold
opalescent ice crystals
mirror solid gray sheets
stretch across the horizon
Why then
cattails in my dreams?

Two days later
Lynx strides by the window
self-possessed, tufted ears
erect fine points,
  feathery furred
paws sliding
over frozen snow
striped buff and coal
rounding
the corner a
  sinewy vision
   of serpentine grace
purpose unveiled
she picks up the trail
avian hieroglyphics
lead her on
my wild turkeys
freeze
perch high
in the trees
a forest of eyes
peer down through
evergreen boughs

Cats can climb.

The Grandfathers, part 2 by Sara Wright

Yesterday’s post which you can read here, ended with this line from the Grandfather, “The young people will become confused and when all is finally lost then the Creator will return to restore not just the Tewa but all tribal peoples to the land.”

I experienced wild hope surfacing… I had heard words to this effect before but assumed that the people needed that story to go on. Suddenly I wasn’t so sure… something about the way this man talked to me made me believe him. He exuded a complex sense of deep humility, knowledge and authority. I thought about the ravages of Climate Change and the disgusting cross-cultural belief that the Earth’s job was to serve humanity. My rational brain went on overload giving me a thousand reasons why what he predicted couldn’t be true, almost as if it needed to win this round (ah, Patriarchy exposes itself – if you don’t win you lose). Yes, it was true that we were in a state of breakdown… he didn’t deny it but he also made it clear that this was not the end. First we had to survive the breakdown, and living through it is a challenge that some like me live with every day. These are dark times.

The Grandfathers, part 1 by Sara Wright

Moderator’s Note: Sara wrote this in 2019. This is its first publication and has grown all the more pertinent now.

Sapawe is an ancestral Tewa Pueblo located outside of El Rito. Until this weekend I had never been to the ruin. I didn’t know, for example, that it was the largest ruin in New Mexico, and perhaps the entire Southwest or that during the period it was built and occupied (1300- 1500’s) that ten thousand people lived there. Estimates suggest that there were at least 1,800 ground rooms and twenty – three kivas. Walking around the huge compound is something I have yet to do. It was too hot for me to do more than take in the astonishing view or traverse a small part of the plateau, briefly. I did note that there were artifacts and planned to come back another time – soon.

Early yesterday morning I met with four other people to see the shrine that was located outside the pueblo. This was the place that secret ceremonies were held on behalf of all the people in the pueblo. On the surface all that could be seen was a large raised stone circle, but there was a sense of presencethere that felt both powerful and peaceful probably because few people knew about this shrine and the natural power of place had not had a chance to dissipate. After having explored a couple of other Tewa ruins, I learned that it was very important to allow place to speak in its own time, and to allow that to happen I had to return again and again with an open heart, eyes that could see beyond the obvious, and an active inner ear … The land speaks to those that can listen.

Heart Drum by Sara Wright

I listened to
my heart
murmuring
softly
her voice
a viscous fluid
slow moving river
changing course
from right
to left
pumping molten minerals
over bones
tunneling around limbs
amazement
overcomes me
Whole Earth
holds heart songs
my dogs and me
whistling turkeys
scolding nuthatch
twittering titmouse
cheeping chickadee
browsing deer
astonishment lingers
I am treasuring the
sweet sounds
of this heart
thrumming through
heartbreak
submerged
in a flow
of wonder…
the kind of
awe that moves
mountains of stone
a raging body
waterlogged
by grief
– how can it be
this heart
continues
to pulse
drumming
to Nature’s rhythm
while a
crimson soul
breaks open
over and over
keens
drowning
in losses
too deep?
Twin chambers
pulse in my breast
expanding contracting
as they continue
thrumming
Life’s Drum.
Trees, birds
dear friend
(you know who you are)
My Beloved
Healer
Thank You
All
With every heartbeat
my gift to you is
the promise of
Embodied Love.

Evergreen – Part 2 by Sara Wright

[Part 1 of Evergreen]

This year while submerged in this process of creating my winter story, I remembered…

When the vision occurred that frigid winter solstice dawning in 2019, I was traversing the Bosque (a wetland) in Abiquiu NM. I had slipped into a light trance as I walked with my hands tucked into my pockets around the junipers, cottonwoods, thorny olives in a repetitive circle. The geese and cranes were wheeling overhead, welcoming in the dawn. The sound of the river in the background was a soothing murmur.

Suddenly I stopped. I was looking down at my cupped hands, entranced. A perfect miniature marbled earth had appeared in my hands. Inside the clear plastic film, the whole earth was visible and pulsing with light. Lush green trees, fields, plains, mountains, deserts, oceans, and clear waters flowed through the pristine planet. I saw a tiny wooden boat with all manner of creatures streaming out of the vessel all at once. What? An Ark?

Evergreen – Part 1 by Sara Wright

I forgot the
‘Original Instructions’
until She nudged me
Black Bear
Chloe
Green Shoot
alive or dead
She lives on
like the Evergreens
she evolved
with, climbed
to safety
from those
who would harm.

Reweaving the Great Round: A Winter Solstice Story by Sara Wright

The scent of balsam wafts through the room as I cut the boughs to make my annual wreath to honor all trees, those that still stand, those who are slaughtered. My intention each year is twofold – acknowledge my love for these sentient beings and to participate in the unfolding of the Great Round. Other intentions vary from year to year until recently when a prayer for protection from the dark forces that permeate the psyches of so many peoples of this earth becomes a yearly part of this winter ceremony, even as a multitude of others suffer intolerable losses.

Today’s American culture creates endless non-religious festivals to celebrate the entrance into this winter season that are totally devoid of meaning beyond consumerism – buy more ‘stuff’ – chop down more trees. These devourers can never be satiated because the chasm is too wide and deep.

From the Archives: Winter Solstice: Celebration of the Powers of Fire by Sara Wright

This was originally posted on Dec. 12, 2023

I have a problem with the belief that Winter Solstice is primarily about celebrating ‘the coming of the light.’ This one – sided thinking negates the cross-cultural reality that this is a festival during which candles are lit to light up the night and roaring fires blaze inside and out bringing warmth to all. Winter Solstice is above all else a Festival of Fire.

Fire is an ambiguous element (as all the elements are) carrying both a positive and negative charge. On one level fire brings warmth and light on cold winter nights. On the other hand, fire also incinerates, destroying everything it touches. Approaching a Festival that celebrates the Element of Fire should be done with consciousness and caution.

The Story of Changing Woman, part 2 by Sara Wright

Part 1 was posted December 7th. You can read it here.

Commentary:

I love this story because it demonstrates the evolutionary and eternal nature of Woman; her intimate relationship to Nature, her ability to give birth, to mother, to let go, her ability to endure, her need for animals and plants as companions and her willingness to stand her ground until she is able to get what she needs. Changing Woman matures from a passive figure who is acted upon by the forces of Nature into a self-directed female power who knows what she wants, and one who finds peace in choosing relationships with animals, plants and humans on her own terms.

Initially, Changing Woman is impregnated by the wind – the power of the spirit moving across the land – and not through sexual intercourse. Spirit and the Body of the Earth are the two equally creative aspects involved in her birth. The same holds true for her children, who are male, but conceived and birthed in a similar manner without the need for male insemination (no room for Patriarchy to enter here), suggesting to me that all three are parts of one spiritual/bodily whole that cannot be separated. As creative principles (beyond gender stereotypes) they work together as a triad to rid the world of monsters, to make the Navajo world a safe place, and to secure the matrilineal line. According to Navajo mythology securing the matrilineal line is primarily how Changing Woman saves the world.

The Story of Changing Woman, part 1 by Sara Wright

Moderator’s comment: Sara wrote this in April, 2019. It has even more resonance today.

Changing Woman – who grows old and then young again. Navajo Sand Painting.

I want to begin by recounting the story of how Changing Woman came to be and why she was so important to Navajo mythology. In these dark and tumultuous times I think Changing Woman’s story has a deep resonance for all of humanity. We seem to have forgotten who we are and are in desperate need of guidance that will help shift our current paradigm.

The Navajo word Diné means the People (every Indigenous group defines its inhabitants by using the same word in their own language).