Song of the Sea

29662350_10155723099993089_8391051315166448776_o The parshah for next week is Beshalach (Exodus 13:17 – 17:16). There are a lot of very important events happening in just four chapters. In fact, one could write a blog on any one of the following topics: the Israelite escape from Egypt; the parting of the Red Sea (literally the sea of Reeds); the Israelites being pursued by the Pharaoh and his army; the death of Pharaoh and his army in the sea; the incessant complaints of the Israelites in the desert; and the first descriptions of Shabbat observance.

Yet, this post will not focus on any of those topics. Rather, I want to examine chapter 15, the Song of the Sea. It is one of the oldest sections of the Torah and contains some of the most iconic images of the divine.

Yet, the Song of the Sea is a patriarchal text if ever there was one. G-d is a strong and vengeful (ver. 2) warrior (ver. 3), who has fury or is wrathful (ver. 7), and wields a mighty arm that kills enemies (ver. 6 &12). This in-your-face power of the deity inspires fear in those who threaten the deity’s chosen people (ver. 14-15), and the Israelites are grateful for it (ver. 11). Because of the power of this deity, one can rest assured that this warrior deity will rule (be the King) forever (ver. 18). Continue reading “Beshalach and Liberating Models of G-d by Ivy Helman”

The prophetess Miriam, Aaron’s sister, took a tambourine in her hand, while all the women went out after her with tambourines, dancing; and she led them in the refrain: Sing to the LORD, for he is gloriously triumphant; horse and chariot he has cast into the sea.”(NAB, Exodus 15:20-21)

The Song of Miriam is not a story of death and destruction, but rather liberation. It is a poetic celebration of God’s liberation of the Israelites from the oppressive Egyptians, which, according to Bernhard W. Anderson in “The Song of Miriam Poetically and Theologically Considered,” marks the beginning of the Israelite tradition (292). Phyllis Trible in “Bringing Miriam out of the Shadows” states that this act marks the end of the Exodus, which was started by Miriam, not Moses (169, 172). The act of liberation reveals God’s action in humanity. Gerald Janzen in Exodus believes this act also moved the Israelites “to fear the LORD and believe in the LORD and in his servant Moses” (109). The uniqueness of this passage is that the most unlikely person leads – this person is not a man but rather a woman.

This brief passage in the Hebrew Scriptures is revelatory – Miriam is revealed for the first time. She is a prophetess, Aaron’s sister, and the role of leader of the victory dance to honor the Divine Warrior.

Continue reading “Silencing Miriam: Prophetess, Liberator, and Leader By Michele Stopera Freyhauf”