Guest Contributor

The Grimm Brothers’ “The White Snake”: A Feminist’s “Adam & Eve”? by Jeri Studebaker

Me, 2013 I was trying not to fidget as I sat on the hard, unforgiving walnut pew. It was a gorgeous summer day out, and I was locked inside breathing stale air and with nothing to look at but the dreary speaker, and, behind him, a life-sized, picture of a sweet-looking man about to be hung from nails driven through his hands. I was visiting my parents, who love to take me to church, and I just wasn’t able to say no.

As I sat I daydreamed about our indigenous European ancestors. They did “church” outdoors, in fragrant, airy forests with wild bluebells, warbling birds, and gentle breezes caressing their skin, ears and eyes. Instead of doing hard time on walnut benches, they got to dance, chant, hold hands and jump through fires.

Continue reading “The Grimm Brothers’ “The White Snake”: A Feminist’s “Adam & Eve”? by Jeri Studebaker”

Traumatic Narrative on the Screen: Is there a Grey Area? by Stephanie Arel

Arel - AAUW Headshot On May 8, Fifty Shades of Grey became available in DVD format. Marking its release, this post reflects on the mass consumer consumption of this provocative film and the abuse inherent in its script previously discussed here by Michele Stopera Freyhauf. Grossing $500 million dollars at the box office, Fifty Shades will most certainly sell as an unedited DVD. While some self-proclaimed feminists like Emilie Spiegel commend the story, feminists and conservatives slam it, often pressing viewers to reject the film and deny it financial support. Nonetheless, The Fifty Shade of Grey franchise will most probably have a sequel in 2016, continuing to amass hundreds of millions of dollars.

Concerns about the book and film include how the storyline presents a romantic ideal for women wrapped surreptitiously in abuse. Peering deeper at the narrative reveals the potential for conflicted emotional responses including feelings of guilt and shame, revulsion and interest, disgust and seduction. Confronted with the writing of this post, I responded in turn, torn between whether to watch the film or not. While wanting to deny the franchise any monetary gain, I also wanted to both know what I was rejecting and what, if any, value existed in viewing. Continue reading “Traumatic Narrative on the Screen: Is there a Grey Area? by Stephanie Arel”

Feminism, Friends, and Faith by Michele Buscher

Michele Buscher Almost a year ago, I contributed my first post to this blog. I wrote about the struggles I had encountered mostly during my time pursuing my PhD in Religious Studies. Reflecting on my experiences helped me realize the impact women have had on my successes and how their support during my failures meant everything.

Now, I’m reflecting on a similar theme but with particular attention to my friendships with women. Certain events that have taken place over the past few days have helped shed light on these friendships and how the dynamic I have with two women, in particular, has shaped my personhood, helped my continued pursuit to define what feminism means to me, resulting in a spiritual, faithful experience. Continue reading “Feminism, Friends, and Faith by Michele Buscher”

The Religion of My Rape by Jennifer Zobair

painted hands, Jennifer Zobair — Photo Credit: Brian Ziska

Whenever the epidemic of rape in Egypt makes the news, I am destined to think of Joyce Carol Oates.

Last summer, the author took to twitter to question whether Islam was responsible for the widespread incidence of sexual assault in Egypt, an argument people continue to make today. As a Muslim woman, I desperately wanted to respond to Ms. Oates’ tweets. I held my cursor over the “reply” button countless times. But I’ve been silent about the things I would have said, about why I follow Dennis Rodman on twitter, and why Pearl Jam is my favorite band, and how my heart shattered for women in Syria who felt like they had to be silent, too.

I have been silent. Continue reading “The Religion of My Rape by Jennifer Zobair”

This Be My Altar by Lori Tiron-Pandit

LTP Feb2015 My grandmother took me to church often when I was a child. It was not my favorite activity. The village church, surrounded by the graveyard, was cold and gloomy, and the priest demanded too much undue reverence, I thought. As a consequence, I used to spend whole days devising plans of sudden sickness and disappearance acts before church time.

One summer, I must have been around seven or eight, my grandmother told me that we would be going to a monastery in a neighboring village, and there was nothing I could do or say to get out of it. I felt betrayed by fate and bereft of hope.

When we reached the Vladimiresti Monastery, I found myself in front of a tall fence of thick, whitewashed walls, over which trailed heavy clematis and morning glory vines. It was a beautiful day, with a perfectly clear sky and balmy weather, and that first image of the monastery was so perfect that it seemed almost fake, like a movie set. Continue reading “This Be My Altar by Lori Tiron-Pandit”

Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas

Reading the story of the Levite’s pîlegeš – found in the Hebrew Bible, Judges 19:1-20:7 – is unlike any other scholastic endeavor I have undertaken.¹ The narrative is of a woman who leaves her husband’s house, only to be retrieved by her husband, gang raped on her way to his home, and dismembered upon arrival. This intense violence then escalates to the abduction and rape of more than 400 virgins and the death of many more (Judges 20-21).

The first time I encountered this narrative was while reading Phyllis Trible’s Texts of Terror as an undergrad student. While at the time I did not fully understand the textual nuances Trible points out, I did understand this story was sacred in a way I could not articulate. It was not until years later that I realized I was not truly listening to the story because I had not read it from the pîlegeš’ perspective and was yet to be affected by the horror of it.

An explanation is needed when one calls a story of violence sacred. To clarify, it is the telling of the story that makes it sacred, not the violence. In much of the world today, violence done to women is taboo.² Not only are the violent acts ignored, but the victim and her retelling of the acts are also often ignored. Perhaps this is because our society is biased towards the perpetrator. Perhaps it is because our faith communities have self-identified as loving and to acknowledge violence is to acknowledge failure. But perhaps it is mostly because violence is hard to process, especially when the violent act is committed against a loved one, and we prefer not to struggle with the presence of violence all around us. Continue reading “Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas”

Give Me That “New” Time Religion! by Susan Gifford

Susan Gifford I want a new religion. I have changed to the point that I cannot be a part of a patriarchal religion and I feel that all of the major organized religions fall into that category. It has taken me a long time, but I can now see that these organized religions were created largely to support the patriarchal culture that most humans have lived in for at least the past 5,000 years.

I started reading Mary Daly, Riane Eisler, Merlin Stone, Carol Christ, Marija Gimbutus and other similar authors in recent years. I was amazed at how much I did not know about life before patriarchy. I was never taught in school that there were cultures – civilized cultures – for tens of thousands of years prior to patriarchy. These pre-historical civilizations were largely matrilineal although not matriarchal.

Women had power in such cultures, but not “power over” others. These cultures were organized as partnership societies, not hierarchical societies. The Divine Presence worshiped was feminine which, of course, makes perfect sense since the female sex is the one that gives birth. As far as I can tell, there is little known about the specific religious beliefs and rituals of these civilizations. However, from the art work that has been discovered, there appears to be a theme of a Great Mother Goddess who gave birth to the world and all that is in it. Although we can’t go backwards to this ancient goddess religion, knowing more about it may open our eyes to other ways of conceiving a Divine Presence. Continue reading “Give Me That “New” Time Religion! by Susan Gifford”

Painting Women from Judges – Part 2: The Woman from Timnah Reframed by Melinda Bielas

Melinda Bielas The story of the woman from Timnah, Samson’s first wife – found in the Hebrew Bible, Judges 14:1-15:6 – is often interpreted as yet another wickedly seductive woman who distracts and confuses the heroic judge, preventing him from enacting the deity’s will. I remember the first time I questioned this interpretation: I was an undergraduate student teaching a youth bible study.I asked the high school students in the room what they thought about the Timnah woman and how we might understand the story differently if we read it from her perspective. Neither the students nor I had any idea how to answer these questions because we did not know how to see Samson as anything but a hero.

In her groundbreaking work, Trauma and Recovery, Judith Herman points out that it is impossible for bystanders to remain morally neutral in cases of traumatic events. However, especially in cases of violence against women, our society is biased towards the perpetrator, requiring the victims to not only explain their painful experiences but also to refute the silence, denial, and rationalization of the perpetrators. In addition, the victim asks much more from bystanders than does the perpetrator. Whereas victims ask for action, engagement, and remembrance, the perpetrator requires that the bystander do nothing. Herman’s work is significant in this context because our societal norms affect how we understand narratives and determine which morals we take from the biblical text.

While it is a prevalent view in the academy and church, I think the interpretation of Samson as the victim in this narrative is wrong. This becomes clearer when one assesses Samson’s actions when women are absent and considers the text from the woman’s perspective. Some of Samson’s actions in Judges 14 that do not occur when the Timnah woman is around to “lure” him from his divine path include: walking through vineyards, touching unclean carcasses, and participating in non-Israelite cultural traditions (i.e. drinking parties). As a Nazirite, Samson was not supposed to interact with impure things like wine, grapes, and dead bodies (Num. 6:1-21). It is odd that someone who should not be eating grapes would be walking through a vineyard (Judg. 14:5); that someone who was supposed to stay away from dead bodies would scoop honey from a carcass (Judg.14:9); and that someone who is supposed to refrain from intoxicants would participate in a drinking party (Judg. 14:10). It is clear that Samson was not an upright judge, and that loose women were not the primary cause of his unrighteous behavior. Continue reading “Painting Women from Judges – Part 2: The Woman from Timnah Reframed by Melinda Bielas”

The Difficult Truth: “Terrorists” are also Human by Hanadi Riyad

Hanadi Riyad cropped

This past month Jordan has witnessed a lot of grief, as well as a certain shift in politics and popular opinion regarding Da’esh and the government’s position towards it. On 3 Feb, Da’esh released a video of the immolation of the Jordanian air force pilot Muath al-Kasasbeh.

The ensuing shock, grief, and outrage have only just started to ebb. Immediately after the video release, government officials started issuing statements promising “revenge,” appealing to a largely tribal society where values of revenge and “honor” are defining traits. In a matter of a few hours, a mostly male mass hysteria took hold and demands for “revenge” dominated the streets and the local media.

Chants and slogans about the Jordanian people being “all men” could be heard and seen everywhere including on social media. The only “emotion” present was rage, the only masculine emotion. Hardly any women were present in any of the rallies on that day or after. On social media, Da’esh combatants were called “women” for trying to intimidate the Jordanian forces so as not to have to confront them as “men” would and, conversely, “monsters” and “animals.” Some statements called for the killing of Da’esh “women and children” as well.

Continue reading “The Difficult Truth: “Terrorists” are also Human by Hanadi Riyad”

Holy Well and Sacred Thread by Nancy Vedder-Shults

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I usually share this myth as a storyteller and singer. After introducing each of the goddesses, I sing a verse pertaining to that goddess from Starhawk’s chant, “No End to the Circle.” When I’ve finished the tale, I sing the chorus one more time: “There is no end to the circle, no end. There is no end to life, there is no end.”

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Before the very beginning were the Norns. Older than the oldest gods, they sat from the very beginning of time and even before at the root of the World Tree Yggdrasill. There they spun the web of life and watered the World Tree from their holy spring, the Urdarbrunnr.

This story, like all good stories, has a beginning, a middle and an end. But unlike most stories, the ending is not the end of the story, but a new beginning. The beginning, of course, is Urth, the first Norn, She who started the spindle turning and who spins the thread of life to this very day. You might guess from the sound of Her name that Urth was the Earth Mother. As the Earth Mother, She knew no temperance. She was a creator, so She created. She spun the thread of life, and spun and spun and spun some more. Soon there was thread everywhere. As far as the eye could see thread curled and tangled, twisted and twined, criss-crossed and matted itself into little balls. Thread coiled around Her feet, becoming knotted and dirty, then wound around the tree Yggdrasill, looping through its branches and getting caught in its leaves and on its tiniest twigs. Finally the thread began to clog the Urdarbrunnr, the holy well at the foot of the ash tree. Continue reading “Holy Well and Sacred Thread by Nancy Vedder-Shults”