
I have been watching more television than usual. Perhaps, the reader has too. Two weeks ago, while I was rewatching Star Trek: Discovery, I thought to myself, “wouldn’t it be nice if I could write something about this series?”
After all, I want to acknowledge how grateful I am for the ways the series celebrates diversity with: women of color in leading roles; the normalization of gay relationships; and, in the latest season, the inclusion of non-binary and transgender identities. Not only that, it has strong female characters that are empowered, supported and mentored by each other and other crew members. I am also glad that it expresses ecological sustainability, the interconnectedness of life through the mycelial network, and the ethical treatment of animals. Finally, I have appreciated the way this series questions violence and war. Notably, it contends with the question: how does a united planetary organization committed to peace find itself in the midst of war? The answer: war and violence are learned behaviors. That has a very feminist ring to it, doesn’t it?
However, the show is not perfect. It contradicts itself in one major area: Starfleet’s hierarchical ranks and the corresponding requirement to follow orders. Captain Lorca in season 1 episode 3 reminds the crew that they are not part of a democracy. Yet, the Federation preaches equality and freedom and often touts itself as utopian, where hunger, wants and needs no longer exist.
Continue reading “The Religious Aspects of Star Trek: Discovery Season 1, by Ivy Helman.”



Around the age of 8, or maybe 10, I learned my aunt had had a hysterectomy. I remember visiting her house either shortly before or after the operation. I can’t remember which, and it doesn’t really matter. At the time, I don’t think I even knew what a uterus was or that I too had one.
This month more than most, I feel like I have so much to say that I don’t really know where to begin. It doesn’t help that next door they are remodelling
A few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox. In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series. Their main question was: how accurate is the portrayal of the Satmar community?
In my last
The Tanakh, Jewish scriptures, predominately call the deity king and lord and use the masculine pronoun. These images evoke a certain level of power. Just how powerful the deity is in then multiplied when “he” is addressed as “G-d of Gods,” “Lord of Lords,” judge, almighty, all-powerful, and warrior-like with vengeance, fury and flaring nostrils. Events like war, army invasion, disease, drought, and famine are often described as divine punishments for wrongs done throughout the Tanakh.