Abuse of Power – Page 15 – Feminism and Religion

Recognizing Abuse by Karen Tate

I’ve been thinking a lot about abuse. Of course, most of us know about the domination, exploitation and need for control meted out by patriarchy, but I wonder if we have actually normalized many abuses? Abuse in the home, in the workplace, in our culture. Perhaps we accepted it unconsciously because so many of us are conditioned by religions that tell us to make noble sacrifice and tolerate suffering silently. I wonder if we’re calling it out when we see it – often and loudly – or if we’ve become conditioned to quietly accept the abuse with little push back.

My intent is not to offend anyone with this. I want to find common ground and defeat the polarization we find around us, but our President is the poster child for abusive behavior. Do we recognize his lies and fear-mongering and so many of the ideas he gives credence and license to as abuse? Not only is he eroding our democratic institutions but he poisons the political, social and cultural arena with negativity, fear and hate, rather than uplifting us and encouraging us to evolve and be the best version of ourselves. I equate him to poison in a well from which we must all drink. Continue reading “Recognizing Abuse by Karen Tate”

Meeting the Windigo by Carol P. Christ

Towards the end of Braiding Sweetgrass, mother, biologist, and member of the Citizen Potawami Nation Robin Wall Kimmerer sets out at the end of winter to visit a forest area near her home that she considers hers not in name but in virtue of her love and care for it. On arriving, she discovers that the forest is no more, having been clear-cut by the owner. The wildflowers and the plants she has harvested over the years have sprouted up, but Kimmerer knows that without the forest cover they will be burned by the sun and their places taken by brambles. Continue reading “Meeting the Windigo by Carol P. Christ”

Find Your Warrior Archetype, Sisters: We are in the Fight of our Lives by Trelawney Grenfell-Muir

I read a news story this week about dozens of children sex trafficked at an auto show in Detroit. I read about a young man getting no jail time for sexually assaulting a six year old girl… sex traffickers targeting and grooming girls through internet apps for children… white women still earn $0.80 for every dollar men earn, and women of color even less… the Supreme Court may kill Roe v. Wade this week… five women executed in a bank, and the media ignored it… many men used the government shutdown to coerce (rape) poor, desperate mothers into trading sex for money or food… yet another gunman shot his ex-girlfriend and four other people…

There’s plenty more bad news. We live in a collapsing, apocalyptic dystopian misogynistic nightmare. Misogynist violence floods to us in a toxic deluge from billboards, magazines, movies, TV shows, ads, games, and most interactions with family, friends, and our culture.

How do we survive in this holocaust? How do we keep sane? How do we protect that which we hold most dear?

Continue reading “Find Your Warrior Archetype, Sisters: We are in the Fight of our Lives by Trelawney Grenfell-Muir”

Dissent by Gina Messina

71517_10200316462096891_2039548303_n I often share that what I’ve learned about strength, perseverance, and responsibility, I learned from my grandmother and namesake, Gina. In November we celebrated her life and said goodbye to the pioneering woman who overcame the greatest of obstacles to lead a life of dissent.

Gina Sr. was born in Camaiore, Italy in 1926. She lived through WWII, was captured and escaped from Nazi soldiers three times, and walked 200 miles to find safety. Following the war she found herself on a boat filled with war brides headed to the U.S. and never saw her family again. She divorced in the early 60’s becoming a single mother and social pariah, and survived the loss of three of her children. Continue reading “Dissent by Gina Messina”

When Violence is Normal and Normalized by Carol P. Christ

Warning: this blog discusses spanking and bodily violence

“No Whips, No Punishments, No Threats: Women’s Control of Social Life” is the title of one of the chapters in Iroquoian Women, Barbara Alice Mann’s stunning reconstruction of female power in a matrilineal society. According to Mann, the European settlers were “unsettled” by the lack of strict punishment systems for children in Indian societies. “Spare the rod and spoil the child” was the backbone of European child-rearing practices. The settlers viewed Indian children as naughty, disobedient, disrespectful, and horror of horrors: self-possessed.

It is perhaps no coincidence that after reading this chapter, bodily memories of violence inflicted on me as a child began to resurface. My strongest bodily memory is of being hit repeatedly on my left upper arm by my younger brother’s fist. It is as if my arm is still stinging in that particular place. My mother wanted us to play together, but when we did, we usually ended up fighting. My brother, who was two and a half years younger, was later diagnosed with dyslexia and given “little red pills” to help him control his temper. I was a quiet child (there must have been reasons for that too), and though I soon realized that if I hit back I would only be hurt more, I learned to use my tongue against my brother. This too was a form of violence and my brother remembers my cruelty to this day. Once when I asked my mother what she wanted for her birthday, she responded, “Two children who do not fight.” I didn’t even try to give her that because I didn’t know another way. Continue reading “When Violence is Normal and Normalized by Carol P. Christ”

All Are Welcome – Including Tom by Esther Nelson

It’s between semesters so am back in Las Cruces, New Mexico, but just for two weeks. Due to circumstances out of my control, I’m not able to spend my usual month—mid-December to mid-January—here in the high desert. When I am here, though, I usually visit the Unitarian Universalist Church (UUC) of Las Cruces and so drove over there last Sunday to attend the 10:30 a.m. service. Some of the faces were familiar. There were many folks I did not recognize. The place was packed—standing-room only.

One of the familiar faces belonged to Tom Packard, a retired pediatrician, from New Hampshire. I remember Tom from a couple of years ago when he stood up during the “Joys and Sorrows” portion of the service to adamantly deny “charges of aggravated felonious sexual assault” that had been brought against him by several young girls. During “Joys and Sorrows,” people are free to tell their own stories in a supportive environment. I remember last year as well when Tom reported to the congregation regarding his upcoming trial—all the while claiming his innocence. Continue reading “All Are Welcome – Including Tom by Esther Nelson”

This Is What Rape Culture Looks Like: Part 3 by Carol P. Christ

Warning contains images of rape in the history of art portrayed through the pornographic male gaze

According to the myth, Danae was the only child of the King of Argos who longed for a male heir. After an oracle declared that Danae would indeed bear a son, but that he would kill his grandfather, the King locked his daughter in a tower. Hearing the story, Zeus decided to breach the tower. Transforming himself into a shower of gold, he entered the tower through its roof and raped Danae. When Danae gave birth to Perseus, the King locked them both in a chest and dumped it into the sea. Zeus rescued them, and Perseus went on to behead Medusa, but that is another story.

The myth of the rape of Danae has been a popular subject for male artists from classical times up to the present. It is unclear whether, when they dreamed of “golden showers,” the artists had in mind degrading activities involving pee or whether they thought of sperm as inherently golden, perhaps as the mirror image of golden treasures stolen as the spoils of war. In any case, they were fascinated with the image of golden sperm. In their works, Danae is portrayed as beautiful and rape is normalized. The brutality of the facts–that Danae was locked in a tower by her father, that she was raped while imprisoned, and that her father tried to murder her and her infant son–are overlooked.

I was little more than a child myself when I began to study images like this in the history of art. I spent countless hours gazing at them in the museums of Europe before I was twenty. I am not sure I even knew what sperm was at the time. Nor had anyone explained to me that rape is always a violent act. Like Danae, I accepted rape: the rape of my innocence, the rape of my mind, the rape of my psyche.

#JustSayNo

Do not accept what you are taught. Do not accept that rape is beautiful. Do not accept that paintings of rape are beautiful. Do not accept rape culture. Do not let anyone tell you that Greek myths are beautiful. Do not let anyone tell you Greek myths are archetypes of the psyche. Question. Question everything.

Also see: https://feminismandreligion.com/2018/12/03/this-is-what-rape-culture-looks-like-then-and-now-by-carol-p-christ/ and https://feminismandreligion.com/2018/12/10/this-is-what-rape-culture-looks-like-in-great-art-by-carol-p-christ/.

Carol P. Christ is an internationally known feminist writer, activist, and educator living in Crete. Carol’s recent book written with Judith Plaskow, Goddess and God in the World: Conversations in Embodied Theology, is on Amazon. A Serpentine Path: Mysteries of the Goddess is on sale for $9.99 on Amazon. Carol has been leading Goddess Pilgrimage to Crete for over twenty years: join her in Crete. Carol’s photo by Michael Honneger.

Listen to Carol’sa-mazing interview with Mary Hynes on CBC’s Tapestry recorded in conjunction with her keynote address to the Parilament of World’s Religions.

A Moment of Change in Our Church by Janice Poss

On September 12, 2018, Roman Catholic Bishop David O’Connell helped move the Episcopate into a new day. A healing Mass at Our Lady of the Assumption Church in Claremont, California was celebrated for the victims of clergy sex abuse. They were humanized, spoken about reverently, prayed about to heal, to sacredly be acknowledged in their pain, to be known how priests and bishops were guilty and had their direct part in the hurtful abuse of children. This Mass was said in the hope of healing our collective wounds, I believe it has helped turn a new chapter in our church.

The service did not stop at the end of the mass: Bishop O’Donnell had an open Q&A with the people in the pews who came, many attending had been abused, not all by priests, but others. Among them were a man abused by a woman when he was four years old, a woman whose sister was abused by a priest, a woman abused from six years old until twelve by a male. The victims were all a part of the prayers said for this healing mass dedicated to the victims of clergy sexual abuse, particularly from the recent revelations of sex abuse by the Grand Jury in the Pennsylvania dioceses. Continue reading “A Moment of Change in Our Church by Janice Poss”

This Is What Rape Culture Looks Like in “Great” Art by Carol P. Christ

Warning: contains images of rape portrayed through the lens of the objectifying pornographic male gaze

When I reflected on the discovery of a rape fresco from ancient Pompeii that depicted Leda and the swan, I did not mention that the image of the rape of Leda by Zeus along with related images of Zeus raping Europa as a bull and raping Danae as a shower of gold are favorite themes in the history of western art up to the present day. Myths of rape not only give artists permission to paint or sculpt naked women but also to normalize rape as an aspect of culture. In the imagination of western artists, noble or immortal women are portrayed as passively accepting and even enjoying being raped. The fact that these women are understood to be icons of female beauty delivers the message that female beauty invites rape.

I am beginning to understand my university education as brain-washing. I was 17 years old and in my first semester of college when I was shown images of Zeus raping women on a large screen in a darkened auditorium while being told that I should pay attention to perspective, brush-work, and detail. I understood that in learning to appreciate great works of art I would be considered intelligent and sensitive by other intelligent and sensitive people whose ranks I hoped to join. I learned what I was being taught. I was not told was that my “education” was grooming me to accept rape as part of high culture and as beautiful. Continue reading “This Is What Rape Culture Looks Like in “Great” Art by Carol P. Christ”

This Is What Rape Culture Looks Like: Then and Now by Carol P. Christ

I was not paying full attention when I heard a news report on CNN saying that archaeologists had uncovered an “ancient erotic fresco” in Pompeii. Hmm, I thought to myself, this story deserves further investigation.

I had heard whispers about frescoes that only men were allowed to see when I visited Pompeii as a student years ago. I now know that these were idealized pornographic wall paintings in brothels of handsome young men engaging with beautiful prostitutes in variety of sexual positions. In real life prostitutes in Pompeii were slaves who worked in appalling conditions in dark, dank, windowless cells. No doubt many of their customers were unwashed toothless dirty old men.

The fresco in the news turned out to be an image of the rape of the Spartan queen Leda by Zeus disguised as a swan; it was found in a bedroom of a house or villa in Pompeii. Continue reading “This Is What Rape Culture Looks Like: Then and Now by Carol P. Christ”