All Are Welcome – Including Tom by Esther Nelson

It’s between semesters so am back in Las Cruces, New Mexico, but just for two weeks.  Due to circumstances out of my control, I’m not able to spend my usual month—mid-December to mid-January—here in the high desert.   When I am here, though, I usually visit the Unitarian Universalist Church (UUC) of Las Cruces and so drove over there last Sunday to attend the 10:30 a.m. service.  Some of the faces were familiar. There were many folks I did not recognize. The place was packed—standing-room only.

One of the familiar faces belonged to Tom Packard, a retired pediatrician, from New Hampshire.  I remember Tom from a couple of years ago when he stood up during the “Joys and Sorrows” portion of the service to adamantly deny “charges of aggravated felonious sexual assault” that had been brought against him by several young girls.  During “Joys and Sorrows,” people are free to tell their own stories in a supportive environment. I remember last year as well when Tom reported to the congregation regarding his upcoming trial—all the while claiming his innocence. Continue reading “All Are Welcome – Including Tom by Esther Nelson”

This Is What Rape Culture Looks Like: Part 3 by Carol P. Christ

Warning contains images of rape in the history of art portrayed through the pornographic male gaze

According to the myth, Danae was the only child of the King of Argos who longed for a male heir. After an oracle declared that Danae would indeed bear a son, but that he would kill his grandfather, the King locked his daughter in a tower. Hearing the story, Zeus decided to breach the tower. Transforming himself into a shower of gold, he entered the tower through its roof and raped Danae. When Danae gave birth to Perseus, the King locked them both in a chest and dumped it into the sea. Zeus rescued them, and Perseus went on to behead Medusa, but that is another story.

The myth of the rape of Danae has been a popular subject for male artists from classical times up to the present. It is unclear whether, when they dreamed of “golden showers,” the artists had in mind degrading activities involving pee or whether they thought of sperm as inherently golden, perhaps as the mirror image of golden treasures stolen as the spoils of war. In any case, they were fascinated with the image of golden sperm. In their works, Danae is portrayed as beautiful and rape is normalized. The brutality of the facts–that Danae was locked in a tower by her father, that she was raped while imprisoned, and that her father tried to murder her and her infant son–are overlooked.

Classical Greece

 

Correggio

 

Titian

 

Rembrandt

 

Franz von Stuck

 

Gustav Klimt

I was little more than a child myself when I began to study images like this in the history of art. I spent countless hours gazing at them in the museums of Europe before I was twenty. I am not sure I even knew what sperm was at the time. Nor had anyone explained to me that rape is always a violent act. Like Danae, I accepted rape: the rape of my innocence, the rape of my mind, the rape of my psyche.

#JustSayNo

Do not accept what you are taught. Do not accept that rape is beautiful. Do not accept that paintings of rape are beautiful. Do not accept rape culture. Do not let anyone tell you that Greek myths are beautiful. Do not let anyone tell you Greek myths are archetypes of the psyche. Question. Question everything.

Also see: https://feminismandreligion.com/2018/12/03/this-is-what-rape-culture-looks-like-then-and-now-by-carol-p-christ/ and https://feminismandreligion.com/2018/12/10/this-is-what-rape-culture-looks-like-in-great-art-by-carol-p-christ/.

 

Carol P. Christ is an internationally known feminist writer, activist, and educator living in Crete. Carol’s recent book written with Judith Plaskow, Goddess and God in the World: Conversations in Embodied Theology, is on Amazon. A Serpentine Path: Mysteries of the Goddess is on sale for $9.99 on Amazon. Carol  has been leading Goddess Pilgrimage to Crete for over twenty years: join her in Crete. Carol’s photo by Michael Honneger.

Listen to Carol’sa-mazing interview with Mary Hynes on CBC’s Tapestry recorded in conjunction with her keynote address to the Parilament of World’s Religions.

A Moment of Change in Our Church by Janice Poss

On September 12, 2018, Roman Catholic Bishop David O’Connell helped move the Episcopate into a new day. A healing Mass at Our Lady of the Assumption Church in Claremont, California was celebrated for the victims of clergy sex abuse. They were humanized, spoken about reverently, prayed about to heal, to sacredly be acknowledged in their pain, to be known how priests and bishops were guilty and had their direct part in the hurtful abuse of children. This Mass was said in the hope of healing our collective wounds, I believe it has helped turn a new chapter in our church.

The service did not stop at the end of the mass: Bishop O’Donnell had an open Q&A with the people in the pews who came, many attending had been abused, not all by priests, but others. Among them were a man abused by a woman when he was four years old, a woman whose sister was abused by a priest, a woman abused from six years old until twelve by a male.  The victims were all a part of the prayers said for this healing mass dedicated to the victims of clergy sexual abuse, particularly from the recent revelations of sex abuse by the Grand Jury in the Pennsylvania dioceses. Continue reading “A Moment of Change in Our Church by Janice Poss”

This Is What Rape Culture Looks Like in “Great” Art by Carol P. Christ

Warning: contains images of rape portrayed through the lens of the objectifying pornographic male gaze

When I reflected on the discovery of a rape fresco from ancient Pompeii that depicted Leda and the swan, I did not mention that the image of the rape of Leda by Zeus along with related images of Zeus raping Europa as a bull and raping Danae as a shower of gold are favorite themes in the history of western art up to the present day. Myths of rape not only give artists permission to paint or sculpt naked women but also to normalize rape as an aspect of culture. In the imagination of western artists, noble or immortal women are portrayed as passively accepting and even enjoying being raped. The fact that these women are understood to be icons of female beauty delivers the message that female beauty invites rape.

I am beginning to understand my university education as brain-washing. I was 17 years old and in my first semester of college when I was shown images of Zeus raping women on a large screen in a darkened auditorium while being told that I should pay attention to perspective, brush-work, and detail. I understood that in learning to appreciate great works of art I would be considered intelligent and sensitive by other intelligent and sensitive people whose ranks I hoped to join. I learned what I was being taught. I was not told was that my “education” was grooming me to accept rape as part of high culture and as beautiful. Continue reading “This Is What Rape Culture Looks Like in “Great” Art by Carol P. Christ”

This Is What Rape Culture Looks Like: Then and Now by Carol P. Christ

I was not paying full attention when I heard a news report on CNN saying that archaeologists had uncovered an “ancient erotic fresco” in Pompeii. Hmm, I thought to myself, this story deserves further investigation.

I had heard whispers about frescoes that only men were allowed to see when I visited Pompeii as a student years ago. I now know that these were idealized pornographic wall paintings in brothels of handsome young men engaging with beautiful prostitutes in variety of sexual positions. In real life prostitutes in Pompeii were slaves who worked in appalling conditions in dark, dank, windowless cells. No doubt many of their customers were unwashed toothless dirty old men.

The fresco in the news turned out to be an image of the rape of the Spartan queen Leda by Zeus disguised as a swan; it was found in a bedroom of a house or villa in Pompeii. Continue reading “This Is What Rape Culture Looks Like: Then and Now by Carol P. Christ”

Religions and the Abuse of Women and Girls: God Is the Problem by Carol P. Christ

At the 2009 meeting of the Parliament of World Religions, former US President Jimmy Carter called the worldwide abuse of girls and women the greatest unaddressed human rights crisis of our time. In the book that followed the speech, he compared sexism to the racism he witnessed in the US South, stating:

There is a similar system of discrimination, extending far beyond a small geographical region to the entire globe; it touches every nation, perpetuating and expanding the trafficking in human slaves, body mutilation, and even legitimized murder on a massive scale. This system is based on the presumption that men and boys are superior to women and girls.

He stated further that this problem is:

largely caused by a false interpretation of carefully selected religious texts and a growing tolerance of violence and warfare, unfortunately following the example set during my lifetime by the United States.

Carter also said:

There’s one more basic cause that I need not mention, and that is that in general, men don’t give a damn.

As a feminist theologian I was thrilled to learn that Carter joined us in recognizing religion as one of the primary causes of the abuse of women and girls. I am grateful to him for using his position as former President and Elder statesman to call attention to the roles played by religions in justifying the oppression of one half of the human race. And I am very happy that he gives a damn. At the same time, I have questions about Carter’s understanding of the problem of sexism in religions.

I agree with Carter that warfare is one of the main causes of the abuse of women and girls. War plays an important part in the oppression of women and girls because rape and slavery have been and continue to be “an ordinary part of war.” As wars continue and increase, the rape of women and girls, in many cases the brutal gang rape of women until they die, continues. Moreover, the sexual slavery known as trafficking of women and girls, flourishes in the wake of war, as women fleeing war torn homelands are targeted, tricked, and sold into forced prostitution.

If the idea that rape and slavery have always been part of war sounds strange to you, I call your attention to the founding work of western culture, the Iliad: set during the Trojan War, its plot turns on the dispute between Agamemnon and Achilles about which of them has the right to hold a woman from Lesbos named Briseis as his “spear captive,” a scholarly euphemism for rape victim and sexual slave. In their conquests of Canaan, the Hebrew people reportedly killed the men and took the women and children as slaves, raping the women as the right of the victors to “the spoils of war.”

Some were astonished to learn a few decades ago that Serbian soldiers routinely raped Bosnian women, but they should not have been, because rape in war had already been widely reported in Africa. One of the little known crimes of the Second World War is the widespread rape of German women fleeing Russian armies occupying territories that became part of the Soviet Union. As horrible as it is, rape in war is not the only reason to call warfare one of the major causes of the abuse of women. Soldiers bring the violence of war with them when they return home and thus a climate is created in which men understand that is their right to dominate women, using violence if necessary.

Jimmy Carter’s view that religions justify the abuse of women by “false interpretation of carefully selected religious texts” requires further scrutiny. Carter appears to view the Bible as a primarily liberating text with a few unfortunate exceptions that are cited by religious leaders to support patriarchy. Regarding his decision to leave the Southern Baptist Convention, Carter wrote:

So my decision to sever my ties with the Southern Baptist Convention, after six decades, was painful and difficult. It was, however, an unavoidable decision when the convention’s leaders, quoting a few carefully selected Bible verses and claiming that Eve was created second to Adam and was responsible for original sin, ordained that women must be “subservient” to their husbands and prohibited from serving as deacons, pastors or chaplains in the military service.

I suspect Carter knew Phyllis Trible’s essay “Eve and Adam: Genesis 2-3 Reread,” in which she argues that Genesis 2 teaches the equality of Adam and Eve. Surely he also understands that original sin is a Christian doctrine that could not have been anticipated by the authors of Genesis 2, though it is often justified by interpretations of it. Carter and Trible believe that their interpretations of Genesis 2 are correct and that interpretations supporting patriarchy are incorrect.

I, on the other hand, would say that Merlin Stone’s interpretation of the text as a “tale with a point of view” intended to disparage the woman, the snake, and the tree, all of which were symbols of the sacred in earlier and competing religions, is the correct one. St. Augustine, if he could, would probably still argue for his view. So how do we resolve this dispute?

Judith Plaskow and I say that we cannot. Rather we must accept that all interpretations of scripture are based in the standpoints of individuals and communities. While some interpretations seem less plausible when we take account of the original language and context of Biblical texts, we can never be certain that our interpretation is the correct one. On these grounds, Carter’s assertion that only “false interpretations” of Genesis support male domination must be rejected.

In addition, Carter states that only “carefully selected” texts can be used to support male dominance. If he has read feminist theology at all, Carter must be aware that some feminists assert that the Bible as a whole supports male dominance through the pervasive and almost exclusive use of language that portrays God as a male, most often as a dominant male, as Lord, King, Warrior, and Father.

Counting texts that portray God as male as justifying the idea that the male is God and the female is something less than God and males, Mary Daly opined that the texts in the Bible that do not support male dominance might be collected in a small pamphlet. In Goddess and God in the World Judith Plaskow admitted that when she read the Jewish Bible from cover to cover, she was appalled at the number of times the texts justified violence. She asks Jews and Christians to wrestle with the images of God as a dominating other in the Bible, rather than trying to explain them away.

Once again we are faced with a question of interpretation. Is the use of male dominator language for God irrelevant or at the root of the problem? I say that it is one of the main justifications for the abuse of women and girls.

*This is an excerpt from the speech I delivered at the Parliament of World’s Religions on November 5, 2018. My interview with Mary Hynes on CBC’s Tapestry recorded during the conference will be airing soon.

Carol P. Christ is an internationally known feminist writer, activist, and educator living in Greece. Carol’s recent book written with Judith Plaskow, Goddess and God in the World: Conversations in Embodied Theology, is on Amazon. A Serpentine Path: Mysteries of the Goddess is on sale for $9.99 on Amazon. Carol  has been leading Goddess Pilgrimage to Crete for over twenty years: join her in Crete. Carol’s photo by Michael Honneger.

 

Second Class Citizen by Sara Wright

Second Class Citizen

 

When he backed me

up against the tree

inching towards me

menacingly

with his big powerful car

I couldn’t believe

what was happening.

I was holding the space

for a car full of dogs

waiting to park

just behind him.

 

He got out of the car

And I said

You can’t do this

this spot is taken.

Six feet tall, he sneered

You can’t save spaces

in a parking lot.

Continue reading “Second Class Citizen by Sara Wright”

Hear Me by Winifred Nathan

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I found the confirmation hearings of now Justice Kavanaugh deeply disturbing. I have ideas for preventing a replay.

First, secret keeping doesn’t work. For too long girls/women have suffered in silence with their secret while boys/men move along often without any sense of guilt about  their “fun”. When the victim/survivor keeps her secret, the perpetrator remains in control.  An important  step for the victim to regain control is to tell her story.  Then the next step … she needs to be heard.   Dr. Blasey Ford spoke, but her distracters did not hear her.  They questioned her credibility. She was criticized for her years of silence, and her lack of memory of details.  What I learned from this is that the victim/survivor must be prepared to speak, and that this preparation must start well before it occurs.

Continue reading “Hear Me by Winifred Nathan”

Not Yet the Death Rattle by Marcia Mount Shoop

Marcia Mount ShoopI have had the honor of sitting vigil with dying people. And I have prayed through the coming of the death rattle. It can be painful to witness, especially for those witnessing death for the first time. Sometimes the person can hang on, seemingly fighting the inevitable final step of their transition into death.

In those times, I have encouraged families to share affirming words with their loved one, to tell them that it’s ok for them to go, that they are going to miss them, but that they will be ok.

I have listened as wives tell husbands thank you for all the years, for all the love, for the life they have lived together. I have been there with parents forcing themselves to say the excruciating goodbye to a child passing too soon, so the child won’t have to suffer anymore—telling them it is ok to rest, it’s ok to stop fighting. And I have listened as adult children find the courage to release the parent who has so deeply formed them.  “I love you, dad. You have taken good care of me. Thank you for loving me. It’s ok for you to go now.”

It is a sacred passage. These are Holy moments.

Continue reading “Not Yet the Death Rattle by Marcia Mount Shoop”

A Tribute to Viktoria Maroniva by Judith Shaw

judith shaw photoIt’s been a very tough month for women. The “Me Too” movement started in 2006, when Tarana Burke coined the phrase “Me Too” as a way to help women who had survived sexual violence. Then on October 15, 2017 it was turned into a huge movement with a tweet by Alyssa Milano, “If you’ve been sexually harassed or assaulted write ‘me too’ as a reply to this tweet.” The tweets and the speaking out have not stopped – they continue to grow –  but the Patriarchy’s defense of a man’s right to sexually assault and abuse women continues. 

Continue reading “A Tribute to Viktoria Maroniva by Judith Shaw”