Stoneflower by Molly

Molly 180

Like flower growing from rock
the world is full of tiny, perfect mysteries.
Secrets of heart and soul and landscape
guarded tenderly
taking root in hard crevices
stretching forth
in impossible silence.

Sleeping
resting
waiting
watching
knowing
that all one needs
is a crack in stone
and a seed of possibility…

One spring evening during my year-long woodspriestess experiment , I went for a walk through the woods with my husband and daughter and we discovered something that delighted and thrilled me. It was rock with a small, perfect flower growing out of it and it was a powerful symbol of what I learned from my time in the woods. Continue reading “Stoneflower by Molly”

‘Anjea’ – A Prayer in Paint for the the Protection of this Ancient Sacred Land by Jassy Watson

JassyANJEA is an Australian Aboriginal fertility Goddess. She is an animistic spirit known to the tribesman of the Pennefather River, Queensland, Australia that is located on the Western Cape York Peninsula.

 Not much is known about this Goddess or spirit. I happened to come across her when researching Australian Aboriginal Mother Earth Goddesses. I followed up with numerous inquiries including a member of our local indigenous community and spoke to a curator at an Aboriginal art gallery, and no one had heard of her. Continue reading “‘Anjea’ – A Prayer in Paint for the the Protection of this Ancient Sacred Land by Jassy Watson”

Restored in Beauty by Carol P. Christ

Carol Christ in LesbosThe path leading to the Klapados Waterfall begins at the edge of an open meadow in the pine and oak woodlands of a mountain in the island of Lesbos. After driving several miles on a very rutted dirt track, we parked under an oak tree, crossed the meadow and scrambled down a winding path. After about 20 minutes, it ended at a stream surrounded by plane trees. From there, we climbed over rocks to reach a pool created by the seasonal waterfall.

waterfall at klapados 1On the day we visited it, the waterfall was only a trickle of cascading drops that moistened its moss-covered path to the pool. The roots of a plane tree growing at the top of cliff followed the path of the water, weaving a web over the rockface all the way down to the pool.

Sitting on a rock at the edge of the pool I realized that the cliffs that embraced it on three sides were the remains of a crater formed twenty million (or so) years ago when a finger of molten lava pushed its way through the earth, exploding in clouds of dust and projectile rocks.

In Lesbos the volcanic activity came not from a single source–for example, from the highest mountain. Rather, like the plane trees in whose shade we rested, the volcano’s trunk with roots in the molten lava of the earth’s core, had many branches from which it erupted at different times. Huge boulders thrown out in the explosions can be seen in the meadows, while the trees in the forest curve their roots around them to reach the soil. The mountain was also shaped by the settling of volcanic dust that crumbles again into tiny fragments when exposed.

As I was thinking of all of this my friend Cristina climbed over the roots of the plane trees that surrounded the pool, removed her clothes, and slipped into the water. Soon I followed her. We sensed that we were in a sacred place, and as we have done rituals together many times before, our ritual emerged spontaneously: it almost seemed as if our minds and bodies were moving as one.

We renewed ourselves in beauty, submerging our bodies under the water three times, while floating in the embrace of the pool, gazing up at the rock formations, admiring trees that looked like dancing women, moss that looked like pubic hair, and blue black damselflies that all together had created a most beautiful place that called to something deep within us on that day.

Later we would sing the English version of the song of the Navajo Beautyway:

klapados waterfall 056

 

I walk with beauty before me.
I walk with beauty behind me.
I walk with beauty all around me.
As I walk the beauty way.
I walk with beauty above me.
I walk with beauty below me.
I walk with beauty inside me.
As I walk the beauty way.

We are the creative process of life.

We are restored in beauty.

Blessed be!

 

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing.

Take Only What You Need and Give Away: Fundamental Principles of Sustainability Ethics

carol mitzi sarahWhy is it so important to take only what we really need? Because everything we take harms another life. I included this Native American teaching as one of the Nine Touchstones I offered as a counterpoint to the Ten Commandments in Rebirth of the Goddess.

Recently, I have begun to realize that the concept of taking only what you need is the heart* of sustainability ethics, an ethical system that can orient us to living in harmony with others and the natural world. The practice of great generosity is its counterpoint. When you have worked for, received, or accumulated more than you need, you should give it away.

The reason these principles are important is because “taking what you need” is “taking” from the web of life. We “take” other lives (whether plants or animals) in order to eat, to clothe ourselves, to build houses, and in agricultural societies to clear land to plant, to remove unwanted plants (weeds) from cultivated land. In our industrial age, we “take” so much more to fuel our cars and to provide electricity. To take more than we need is to do unnecessary violence to the web of life. When we give away what we don’t need we help others to survive, and we also help to ensure that no more lives than necessary are taken.

On the first Goddess Pilgrimage to Crete, we decided to incorporate the give-away as part of our closing ritual. It is nice to give and receive a gift at the end of an intense two weeks spent with other pilgrims. However, I am coming to realize that in comparison with the deeper meaning and intention of the ritual, our give-away, like the practice of giving presents in our wider culture, is superficial. When we give gifts to friends we try not to give too much or too little. When we give to children we often do so without regard to what they really need. When we receive gifts, we may feel burdened with one more thing we don’t want or need.

Being raised in acquisitive and throw-away cultures, it is not surprising that few of us have any real idea what the principles of taking only what you need and giving away mean. In traditional cultures, there are constraints on accumulation. If women in your family had to weave and sew and embroider all of your clothing, and if this process was time-consuming and involved time taken from other tasks, you would not be likely to have been given or to have learned to demand more clothes than you really need. Similarly, if all of the food for a clan is produced by its own labor, people would be unlikely to grow more than they needed to eat and store for the winter.

I suspect that all of this changed when wars of conquest became integrated into social structures. When other groups were conquered, their precious goods, including ritual items and ritual clothing and jewelry, were appropriated by the victors as “the spoils of war.” Land and people too were “the spoils of war,” and with the introduction of slave labor and the acquisition of lands that belonged to others, an excess of everything could be produced for the benefit of the ruling class, or to be more accurate, the war lords. This is another story, and I have discussed it elsewhere.

To return to the question at hand, I am suggesting that if we wish to live sustainably on planet earth, we must return to the values of our ancestors, distant and not so distant, who practiced taking what you need and sharing what you don’t need. These values are not the exclusive property of Native Americans, but are the values of the ancestors of all of us, if we go back far enough. As I have discussed, these values are still practiced in rural Crete. And they are the foundation of living matriarchal cultures. Many of us who have traveled have met people in rural cultures who have little, yet seem happier than anyone we know at home.

At some level we know that accumulating things does not make us happy. At the same time, prodded by advertising, we continue to shop compulsively and to buy things we don’t need. It will not be an easy task to change our patterns of consumption. If we could do so, our economic system would collapse, because it is based on creating needs for more and more things. This is why chosen or forced “austerity” threatens the capitalist system. You and I may not need all of the things we are used to buying, but if large numbers of us stop spending, the makers and sellers of goods suffer. On the other hand, the world will not survive if we carry on as we are, because we are depleting the world’s resources.

walk in closet
Dream Closet

What would happen if each of us, like the subjects on the popular reality programs on hoarding, went through each of the rooms of our homes and designated the things we really need and gave the rest away? What if we then took a good look at our homes and asked if we really need the space we have. I presume this would be a long term process in which we would continually discover that we don’t need things we have always thought we could not live without.

Hoarding-Buried-Alive
Hoarder’s Home

What if we stopped buying what we do not need and gave a large portion of our income and savings to others? Would we discover what it means to live in harmony with others and the whole web of life? Could we learn how to flourish with others, not at the expense of others?

*I am not saying these are the only ethical touchstones we need to build an ethics of sustainability, but I do believe they are at its center.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing.

The Gift of Life by Judith Shaw

judith Shaw photoLife – a precious gift I so often take for granted.  Events of recent weeks have turned that blatant disregard into profound gratitude.

I began keeping bees about three years ago.  My first two years were unsuccessful.  But last year, bees I obtained from my bee mentor, Mike, were strong and vibrant.  They provided me with my first honey harvest, wintered well, and come spring were out and about pollinating the neighborhood.

Continue reading “The Gift of Life by Judith Shaw”

The Elements Are Us by Elizabeth Cunningham

Elizabeth Cunningham headshot jpeg

My late uncle, an atheist since age twelve when well-meaning Christians told him his youngest sister was “in a better place,” is now ashes in three red cloth bags. He was the last of my mother’s siblings to die, at the age of ninety-eight, the first being their little sister who died at age four. His children and grandchildren are taking his ashes to be scattered at sea where they will mingle with the bones the pirate Blackbeard, who met a violent end in these same waters almost three centuries earlier. Though most of this memorial weekend is a series of social occasions, and the guests on the boat continue chatting, I am moved by the sight of my cousins taking up spoons and scattering their father and grandfather’s ashes on the wind.

He is returning to the elements that sustained his life: fire, earth, air, water.  When we breathe, drink or eat, sweat or shed a tear, in every moment of our lives, we connect through the elements to all the life that has gone before us and all the life that is to come.  No belief system is necessary to know this truth in our bones.  May we learn to care for the elements—rivers and oceans, air, soil, fuel for light and heat—as we would care for our own bodies. When the elements are degraded, we are degraded; when they are vital, we are vital. The elements are our ancestors, our children. The elements are us. Continue reading “The Elements Are Us by Elizabeth Cunningham”

Forest Heritage by Molly

editMollyNov 083

Trees

To my lips
a prayer comes
thank you,
I see.

When we decided to buy some land on which to build our home, one of the deciding factors was the wonderful big rocks on the hillside behind where we imagined building our house. Over the years, we would go out and walk through the woods and stand on the rocks, and I often said that I wanted to create a sacred space down there to visit regularly. As I realized later, there was no need to “create” the sacred space, it was already there.

Following two miscarriages, I would often go to the woods to sit on a chair-shaped rock and connect with nature and my body. During my subsequent pregnancy with my daughter, I would return to this place to sit and connect with my baby and prepare for her birth. After she was born, I brought her to these rocks and these woods to “introduce” her to the planet. At some point at the end of 2010, I suddenly “heard” the words priestess rocks when I was standing out on these large flat stones that look out over the horizon. It felt like their name, I suddenly knew it. So, in July of 2012 when I became ordained as a priestess, the priestess rocks felt like the absolutely perfect place to bear witness to my ceremony of ordination. They called me. They named me priestess first. Continue reading “Forest Heritage by Molly”

Spring in the Era of Pesticides, Global Climate Change, and War by Carol P. Christ

Carol in Crete croppedThis was not a normal winter. It rained and rained and rained. It was grey, grey, grey. Gale force winds blew in from the ocean, not once but many times. Several of my shutters were shattered. An olive tree fell in my garden. I pruned the dead leaves from its branches and had it hauled away. I am still in the process of pulling out a large number of plants that did not survive an unusual number of very cold days.

The soil is so saturated that streams are running where they have never been seen before, the land gives way, and boulders come crashing down the mountainsides. I have decided to remove all of my traditional shutters rather than repair them–as it is becoming clear that no shutters will survive the winds that will blow over our island in the coming years.

They say that we used to have strong gale winds of about 50 miles per hour once a year. Now we have hurricane force winds of 70 miles per hour several times each winter. I once read that Lesbos has the largest number of sunny days of all the Greek islands. We often sit out of doors wearing light jackets in the middle of winter. This year we did not.

My response to the long winter that has only just begun to give way was to stay inside. Though I said I was mildly depressed, I think deep down I was sad and angry.

Changes in the weather are normal and natural phenomena. But it is becoming increasingly evident that the changes we now experiencing are not. Climate experts tell us that because of the carbon we have released into the atmosphere of our planet, we will experience more and more extreme weather conditions.

I have noticed a decline in bees and butterflies in my garden in recent years. So far this spring there are almost none. This is not the result of global climate change, but of our failure to heed the warnings of Rachel Carson to stop poisoning the environment with pesticides.

house martin in flightThe house martins have returned. I hear their liquid chatter as they fly above me. Freesias and irises are about to come into bloom. Pale pink, almost white petaled flowers are opening on the quince tree. Red leaves are budding on the pomegranate trees. The Judas tree burst into deep pink blossom overnight. Spring is a time of rebirth and renewal. This year is no exception.

Spring has also brought an increase in the arrival of refugees fleeing war in Syria and Afghanistan to our island. People discuss what will happen to them, but no one is talking about ending war.

Although spring is coming, it is hard for me to rejoice today. Human beings seem to be hell bent on destroying life. Right now I am holding back tears and screams because I fear that if I let them out, they will not stop.

Postscript: I will find the strength to rejoice in the regeneration of life and to redouble my commitment to save what can be saved–because we must.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter)–space available on the spring and fall 2015 tours.  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions; and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Photo of Carol by Maureen Murdock.

Buddhas In Snowflakes, Enlightenment In A Bathtub

Stuart WordPress photoThis year’s Tibet House Benefit Concert coincided with a snowstorm in Manhattan and though snow is not uncommon in Manhattan (especially this past season), it is particularly associated with Tibet and its high, perennially snow covered peaks.  The timing of the snowstorm was thus peculiarly appropriate, leading Robert Thurman, US President of the Tibet House, to muse in his opening remarks about there being Buddhas in the snowflakes.

I was lucky enough to attend that concert thanks to my wife and some of her colleagues being invited by Thurman to attend in appreciation for work they had done on a book consisting of a collection of speeches by the Dalai Lama, My Appeal to the World.  Snow had been a topic of conversation at the dinner we had before the concert not just because of the coincidence of the snowstorm and concert, but also because one person in our group had recently broken her wrist slipping on what was left from an earlier snowstorm.  She was lamenting being sidelined from her yoga practice, at which point I brought up the topic of the therapeutic benefits of bathing.  As is typical of dinner conversations, that quickly morphed into a discussion of other issues; soon it was time for the concert and off we went.

Several weeks later, while taking a bath after my own yoga practice, as I often do, it occurred to me that being in a bathtub was analogous to being in a snowflake–a very large and warmed up snowflake.  The basis for the analogy is that ‘buddha’ is not a name but commonly interpreted to be the past participle of a verb, the primary meaning of which is to awaken.  The roots of Indo-European (IE) verbs only refer to bare existence or an action and as such can ‘belong’ to any noun (person, place or thing) of any gender (female, male or neuter).  Any person of any gender can be ‘awake.’  As a participle ‘buddha’ is a hybrid–part verb and part noun–and thus specifies gender (masculine), but that is an artifact of grammar, a way of speaking, that manifests its interdependence with other elements of language and how that language is used at any particular point in time.

There are a number of fascinating implications in analyzing language in this way (what used to be called ‘speculative grammar’ in Medieval times), but the single most important is that by itself language is not particularly enlightening, but rather quite dependent upon the context in which it is used.  It helps explain why the tradition of rejecting textual authority in favor of direct enlightenment, the ‘moment of zen,’ became particularly prominent in Chinese, Korean and Japanese Buddhism.  The grammatical differences between Sanskrit and Chinese are relatively substantial compared, for example, to those between any one IE language and another IE language.  Grappling with translating and interpreting first Sanskrit and then Chinese and then Korean or Japanese, seems to have heightened the sensitivity to the limitations of language, especially with respect to spiritual beliefs and practices.

This aspect of Buddhism can be readily demonstrated to share roots in an equally ancient tradition of Greek poetic culture.  It seems, however, that the guardians of the text based religious traditions emanating primarily from regions controlled directly or indirectly, at one time or another, by Roman emperors, are more than happy to let that aspect of the Western heritage go unnoticed.  Instead these guardians seem to emulate the command and control tactics of Roman emperors with what can be fairly characterized as intellectual imperialism.

Because of its importance to all such traditions, Song of Songs (Songs) is a useful example to cite.  Only by walling off a substantial amount of evidence is it possible to prevent Songs from being seen to be in part or whole a product of female spirituality that celebrates sexuality in a manner a Buddhist would identify as tantric.  Proof that is exactly what the guardians of the text based religious traditions have been doing is not hard to find, for the fact that few women have authoritative positions within any organization associated with such traditions is an artifact of just such a wall.

Such tactics ironically expose the vulnerability of these traditions to decline and fall.  One way that might happen can be discerned in what happened to Buddhism as it spread east.  It was creatively interpreted in harmony with a far more ancient tradition of nature worship associated with early Taoism, a tradition that privileges individual artistic expression, such as poetry, over textual study or ritualized recitation.  That tradition is comparable to the Western philosophy of nature evidenced, for example, in the poetry of the ancient mystic Greek of Sicily, Empedocles.

Though I have referred to this philosophy in previous posts, I hope to discuss it in more detail in upcoming ones as it relates both to ancient traditions such as Taoism and Buddhism as well as to how spirituality might evolve in the future.  Suffice it for now to say that what is essential is appreciating that experience itself is the ultimate, authoritative a priori of all spirituality.  That can mean doing yoga, meditating upon snowflakes or sloshing about in a tub of water.

Eventually, though, it leads within, to what the poet Holderlin calls ‘Innigkeit,’ a state of inwardness that is itself speechless, but which is the source of poetic/artistic inspiration.  That is in an essay on Empedocles, but given what was then known about him, Holderlin was largely projecting onto Empedocles his own beliefs (shared with his friend Schelling) about nature, with “all her melodies,” as the ultimate source of inspiration.  Decades after that essay was written, Schelling used Innigkeit in a lecture on mythology to translate a key term from the Bhagavad Gita: yoga, a term that as used there many scholars today think betrays Buddhist influence.  Several other translations were then available and it seems likely Schelling’s unprecedented choice of Innigkeit was an homage to Holderlin.

As it happens, substantial new fragments of Empedocles’s poetry were discovered in the 1990s.  In 2004, after piecing together those fragments with many of the other previously discovered ones, Richard Janko suggested Empedocles should be thought of as the Greek equivalent of Buddha.  Be that as it may, there is no question who Empedocles would say is in snowflakes: Aphrodite.

Stuart Dean has a B.A. (Tulane, 1976) and J.D. (Cornell, 1995) and is currently an independent researcher and writer living in New York City.  Previously he worked in a variety of other capacities, including 15 years as a corporate attorney.

The Power of Female Friendship: Remembering Karen McCarthy Brown by Carol P. Christ

Karen Brown 1985

News of Karen Brown’s recent death came via email from a mutual friend of ours, Christine Downing.

There are many things that can be said about Karen’s life and career, including that she won prizes for her life’s work Mama Lola in scholarly associations in the fields of religion and anthropology, that her work has been influential in bringing the study of Vodou into the scholarly mainstream, and that it has been inspiring to women of color.

Here I will focus on the years when our friendship provided crucial support for our audacious scholarly work. I first met Karen through the New York Feminist Scholars in Religion, a group Anne Barstow and I organized in 1974 that nurtured work on women and religion for many of us, including besides me and Karen, Judith Plaskow, Naomi Goldenberg, Ellen Umansky, Lynn Gottlieb, Beverly Harrison, Nelle Morton, Elisabeth Schussler Fiorenza.

My friendship with Karen was sparked by the explosion that occurred in the New York feminist scholars group when Anne Barstow and I spoke in the fall of 1976 about our attractions to the Goddess. Our presentations evoked a great conflagration, which I remember as coalescing around Beverly Harrison’s authoritative and authoritarian statement that there can be no ethics in Goddess religion because ethics comes from a transcendent source—not from nature. Karen was among those who responded tentatively that she was not so sure Beverly was right.

In the discussions that continued over the academic year, Karen and I exchanged meaningful glances, supported each others’ comments, and finally met for a few longer conversations shortly before I left New York to take up a new teaching position in California. Karen was then in the process of leaving her husband and moving into the magnificently quirky loft apartment that she would decorate with Haitian art in Tribeca on the lower west side of New York City.

I offered to do a house blessing for Karen’s new apartment, and she agreed. We blessed the thresholds and the corners of each room with salt and water and incense, and Karen spoke of the new life she hoped to begin in her new home. Later Karen told me that Alourdres (Mama Lola) insisted on blessing the house again and that the rituals were nearly the same.

During the years Karen lived in the Lower West Side from 1977 to 2001 or 2002, I stayed with her several times a year when conferences and lectures brought me to and through New York and on my way back and forth from teaching in Greece in the summers. During that time we had many long and intimate conversations in which the details of our lives were interwoven with the details of our work.

Carol Christ & Karen Brown 1985
Carol Christ & Karen Brown 1985

Our friendship was important to both of us, not only because we were pioneers in the study of women and religion, but also because within it we were becoming a minority within a minority as our work took us outside an  increasingly Christian-dominated field. Our conversations ranged fluidly around many subjects including: leaving Christianity; the importance of female symbolism for divinity; whether we need male Gods of war or not; religions that focus on the divine and human connection to nature; similarities and differences between Goddess and Vodou rituals and altars; healing; female leadership styles; the experience of living between cultures; and our common struggles to find a voice in which to write about what we were discovering.

Karen and I were in the process of rejecting the dispassionate voice of scholarly objectivity and searching for a way to write that combined scholarly research with the passion to know the world more deeply and to think about it clearly that inspired our work. Our conversations with each other were a lifeline, as we had no role models for the personal paths we were exploring or for the new ways of writing our scholarship with which we were experimenting. We quite literally “heard each other into speech” to quote the phrase Nelle Morton used to name the importance of our female conversations.

I happened to visit Karen shortly after she underwent her initiation into Vodou, which was at about the same time that I experienced what felt to me like revelation at the temple of Aphrodite in Lesbos. We both felt that we must incorporate these moments into our writings, but we also were afraid to do so because we feared that others would call us heretics and dismiss our writing as unscholarly. Karen and I spoke publicly of these experiences on a panel organized by Rita Gross at the American Academy of Religion in 1985 that was published in Journal of Feminist Studies in Religion 3/1 (1987).

Karen received more scholarly recognition for her transgressions than I have. This is in part due to a greater interest in difference among anthropologists than among theologians. However, Karen often told me that scholarly recognition is not the only way to judge the importance of feminist contributions and reminded me that my work has had a major impact within and outside the academy.

One day Karen and I were discussing whether she could fully embrace Haitian culture and whether I would become Greek. Invoking the Vodou concept of living “between the worlds” of the spirit and ordinary reality, she said that this was how she understood herself: she could never be nor would she want to be Haitian, but neither would she ever be fully American or Christian again. She added that one of the reasons she felt comfortable living between worlds was that she had never felt comfortable in her own culture.

In the intervening years, I have thought about this conversation many times. While there was once a time when I wanted to become Greek and leave my American culture behind, I have come to realize that this is not possible. Like Karen, I live between worlds and find my greatest comfort in belonging to two worlds and to neither. This insight is only one of the many gifts I gained though my friendship with Karen McCarthy Brown.

Remembering Karen, let us bless the Source of Life, and the cycles of birth, death, and regeneration.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter)–space available on the spring and fall 2015 tours.  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions; and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Photos by Martha Ackelsberg.