“The Grace of Sophia is an openly ‘syncretistic’ work.”
Continue reading “The Boldness of Grace Ji-Sun Kim by Grace Yia-Hei Kao”
“The Grace of Sophia is an openly ‘syncretistic’ work.”
Continue reading “The Boldness of Grace Ji-Sun Kim by Grace Yia-Hei Kao”
Maundy Thursday – the imitation of Jesus’ act of service and submission is re-created. Controversy surrounds the “disciples” – must they be all men? Are women allowed? Who steps into Jesus’ role? Men, women, or both? Why, when it comes to imitating the act of humility and priestly service (rooted in our baptismal call), does a distinction of gender need to made at all?
As I progressed towards the intersection, I looked up to witness a grand procession of men dressed in white albs with stoles that often contained subtle hints of gold, worn in a manner to distinguish their role as priests and deacons. They moved slowly down the sidewalk entering the Cathedral to begin their celebration of the Chrism Mass – a celebration of priesthood and priestly service within the Diocese where all priests and deacons gather to celebrate and re-affirm their commitment to ministry and service to the Church. It is also during this Mass that the oils used in sacramental celebrations, used by each church, are blessed by the Bishop.
As I continued to watch, I could not help but search the processional line for those with a hair color other than gray. I wanted to see how many young priests were in that processional line. What I found was no surprise – an aging group of men with the sporadic appearance of younger priests. The numbers stood as a staunch reminder that we, as a Church, may be faced with a severe shortage of priests in the future. Something already known and planned for by the Diocese in its campaign to consolidate and close parishes.
Another sad observation was put on public display – the absolute absence of women. Continue reading “Do Man-Made Laws Trump the Authority of Jesus? Reflecting on the Meaning of Humility, Priestly Service, and the Issue of Women’s Ordination by Michele Stopera Freyhauf”
Being passive spectators of violence and injustice, even if mournfully so, is not just a thing of Panem, it is our everyday reality.
In The Hunger Games Suzanne Collins takes the reality of an unjust society and gives it an imaginative makeover. In Panem, most people are kept at such extreme levels of hunger that even when they do eat they cannot fill the hollowness that has settled in their stomachs, while others are deciding on the next cosmetic alteration they will undertake – whiskers, jewel implants, or green-tone skin color? The disparate conditions between the rich and the poor, the few and the many are absurdly and starkly portrayed but done so in a way that we can still recognize our world in theirs. And at the center of this world is the state imposed ritual of punishment and control, the yearly Hunger Games – a nationally televised competition that all the people of Panem are required to watch. The 12 districts watch mournfully as two kids from each of their districts compete to the death, and the wealthy watch gleefully, for the games are the height of their excesses and entertainment. The yearly Games conclude when one kid, the lone ‘victor’, is left standing. All while the nation watches. Continue reading “The Hunger Games, Holy Week, and Re-imaging Ritual by Xochitl Alvizo”
Quite a number of years ago I had a conversation with one of my professors, a feminist theologian, who posed the question “Why do I need a man to purify my baby with the waters of baptism? Is there something wrong or impure about the blood and water from a mother’s womb – my womb?” Before you jump and shout the words Sacrament or removal of original sin, this question bears merit in exploring, especially in today’s world where women are taking a serious beating religiously, politically, and socially. In today’s world, violations and rants are causing women to stand up and say STOP! This is MY Body. This outcry was provoked by chants of ethical slurs against women– Slut! Prostitute! Whore! The cry got
even louder when the issue of religion and government was raised in the fight of healthcare coverage of contraception. The cry got even louder with the enactment of the laws in Virginia and Texas (and many other states to follow suit) that forces women to undergo transvaginal ultrasounds in early stage abortions. The mandatory insertion of a wand into a woman’s vagina (mandated by the government, mind you), is a violation and has women crying RAPE!
The memory of this conversation did not re-appear by chance, it was prompted by a book I read for my History of Sexuality Class – Imperial Leather: Race, Gender, and Sexuality in the Colonial Context by
Anne McClintock who addresses the notion of baptism through origins, property, and power. So many things are currently being taken away from women and reading McClintock’s assertion regarding male baptism is perplexing. She believes that male baptism or baptism by a man takes women’s role in child bearing and diminishes it. These are the same men who historically treated and regarded women as vessels. She further asserts that this act is a proactive removal of creative agency with respect to a woman’s ability to have the power to name. That is, the last name of the child belongs to the husband. A point that supports the notion that patrimony marks the denial of women. Anyone doing genealogy encounters a perplexing struggle to identify mothers because their names are essentially erased from memory and rarely attached to a child’s name. Continue reading “Is Baptism a Male Birthing Ritual? By Michele Stopera Freyhauf”
It is our moral responsibility, whether we identify as Christians or not, to pray for not prey on the victims of tragedies.
Over the last month, dare I say years, society has witnessed or been subjected to an all out war from radical Christians across America deploying the wrath of God and reveling in the tragedy of others to perpetuate their apocalyptic message of rhetoric and terror. As I hear the news over the last few months, an old Billy Joel song starts to play in my head “We didn’t start the fire.” Whether we started the fire or not, we should not feed the flames of hatred but figure out a way to extinguish it.
Here is a brief synopsis of current events that reflect this hatred and radicalism perpetuated in the name of God – examples of Christianity terrorizing or preying on victims through their actions.
The Westboro Southern Baptist Church: Preying on Victims at Funerals and Thanking God for their Tragic Deaths

Their web address says it all: www.godhatesfags.com. This group, which one cannot call Christian but rather “hate-mongers,” threatened to burn the Qur’an, was banned from Facebook for spreading hatred against homosexuals, and recently had the audacity to picket funerals of Americans killed in natural disasters, most recently, a teen-age shooting victim, Daniel Parmertor (age 16), from Chardon, Ohio. Thankfully, volunteers across Ohio and a local group of bikers formed a human barricade to keep these people away from the funeral and grieving family and community.
This group preys on tragedy. They “praise God for sending a shooter to a High School in Ohio.” They “praise God for killing a coast guard member.’ They praise God for killing UK Singer Davy Jones.” They also picketed the funerals of the Arizona shooting victims where Congresswomen Gabrielle Giffords was shot and six others, including federal Judge John M. Roll was killed stating, “God sent the shooter to shoot you! And He’s sitting in Heaven laughing at you!” The article goes on into quite graphic detail, which you can read for yourself but concludes with the statement “Thank God for his Righteous Judgments!” This group picketed over 47,500 funerals and events to date. One has to wonder what bible they are reading and what God they are praying to. Continue reading “Preying on Victims: Radical Christianity and Exploitation of Tragedy in the Name of God By Michele Stopera Freyhauf”
January 12, 2012
Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers. It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtones. Roger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.” The director draws parallels between the gospels and 21st century Africa. According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.” The director “captures the rhythms of African life in both rural settings and sprawling townships.” “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”
The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood. Judea is in flux; warlords and corruption take center stage. Poverty, violence, and oppression affect the all of the people. The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression. The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.” Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”