Postcolonialism – Page 2 – Feminism and Religion

Monthly Highlight: Emilie M. Townes

“In my teaching I want to get students excited about that notion of, you know, you’re not just here to get a Yale degree and have it on your diploma and be able to hang it on your wall…You should be here thinking about what kind of contributions can I make to society….What are you doing that helps enhance the lives of all of us, as opposed to (our) own little idiosyncratic research interests.” – – Emilie M. Townes

Emilie Townes is a pivotal person in the field of Womanist and Christian ethics as well as a foremother and pioneer in Womanist theology. Cornel West of Princeton University said:

“Emilie Townes is the towering womanist ethicist of our time….In this ice age of indifference and evasion, her powerful voice and viewpoint summon us. And we thank her for her vision and courage.”

At an opening address at the Convocation in 2005, Townes stated that there is a need to live in a “deep walking hope” that shapes lives “in ways that are not always predictable, not always safe, rarely conventional” and protests “with prophetic fury the sins of a world, and sometimes theological world views, that encourage us to separate our bodies from our spirits, our minds from our hearts, our beliefs from our actions.” Continue reading “Monthly Highlight: Emilie M. Townes”

Deepa Mehta’s “Water” and Homegrown Indian Feminism by Amy Levin

In the first scene of the Deepa Mehta’s 2005 Indian film Water, a father tells his eight year old daughter, Chuyia, “Child. Do you remember getting married? Your husband is dead. You’re a widow now.” These are some of the last words Chuyia hears from anyone familiar to her, as her condition abandons her in an ashram for Hindu widows to spend the rest of her life in renunciation. Chuyia, failing to realize her condition upon arrival, enters the ashram innocent and naive, as the elderly widows surround her and one proceeds shave her soft head. Watching Chuyia begin to understand her circumstance as she terrifyingly runs for escape screaming for her family, one can only feel a tragic catharsis watching an eight year old being sentenced to life in prison for a “crime” she did not commit. The ideas and criticisms that come to one’s mind are undoubtedly what writer and director, Deepa Mehta, aimed to evoke – injustice, patriarchy, and oppression by way of religion. Continue reading “Deepa Mehta’s “Water” and Homegrown Indian Feminism by Amy Levin”

Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf

January 12, 2012

Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers. It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtones. Roger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.” The director draws parallels between the gospels and 21^st century Africa. According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.” The director “captures the rhythms of African life in both rural settings and sprawling townships.” “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”

The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood. Judea is in flux; warlords and corruption take center stage. Poverty, violence, and oppression affect the all of the people. The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression. The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.” Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”

A Next Wave of Scholarship By Kwok Pui Lan

I came to the United States in 1984 to begin my doctoral studies at Harvard Divinity School. It was an exciting time to do feminist theology and religious studies. Womanist ethics just began to emerge, as Dr. Katie Geneva Cannon has just completed a dissertation on the subject at Union Theological Seminary in 1983. I count it as a blessing that she was teaching at the Episcopal Divinity School, just on the other side of the Cambridge Common.

The mid-1980s saw the paradigm shifts in feminist studies in religion, as womanist, mujerista/Latina, Asian and Asian American women began to articulate their own theological understanding. If Womanspirit Rising (1979) was a reference text for our field, which contained essays by white women, we had the first reader by radical women of color, This Bridge Called Our Back(1981).

We began to discuss multiple oppressions and multiple identities, and the need to integrate race, class, and gender into our analyses. We challenged white women who have universalized their middle-class, white experience as if women were all the same. Continue reading “A Next Wave of Scholarship By Kwok Pui Lan”

Well-Behaved Women Seldom Make History, But Obedient Ones are Rewarded in Heaven: An Examination of the Re-Invention of the Bengali Tradition of Sati By Michele Stopera Freyhauf

Well-Behaved Women Seldom Make History is a book authored by Laurel Thatcher Ulrich. This has become a well-known phrase used by most feminists to imply a meaning of disobedience or stance against the patriarchal structure of society. Often in error, the credit of the invention of this phrase is attributed Eleanor Roosevelt and Marilyn Monroe. Their image, and especially the image of Monroe, will often appear with the slogan on merchandise as a means of marketing and raising revenue. Ironically, reinvention or reuse is prevalent in history when it comes to tradition or ritual for the same reason – monetary gain. This practice is common and the benefit of reinventing or reinterpreting an old tradition is an automatic connection to the past giving continuity, which, according to Eric Hobsbaum, instills strong “binding social practice,” (p. 10) including loyalty and duty in the members of the group. This is especially effective in manipulating the poor and uneducated who usually display strict obedience and blind acceptance of tradition. The Bengali reinvented tradition of satî is an example of this. Continue reading “Well-Behaved Women Seldom Make History, But Obedient Ones are Rewarded in Heaven: An Examination of the Re-Invention of the Bengali Tradition of Sati By Michele Stopera Freyhauf”

Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert

Women and Redemption : A Theological History. 2nd ed. By Rosemary Radford Ruether.Minneapolis: Fortress Press. 2011.

Having been critically impacted by the work of Rosemary Radford Ruether, I was anxious for the release of the second edition of her crucial book, Women and Redemption: A Theological History. Redesigned with illustrative material, research questions, and suggested reading for further research, as well as the addition of a new chapter exploring recent developments in feminist theology, this text does not disappoint.

With this newest edition, Ruether acknowledges the ongoing journey in the field of feminist theology and emerging issues faced by women in religion and society. Examining the Christian claim of an inclusive and universal redemption in Christ, she traces paradigm shifts in understandings of gender over the last two millennia. Ruether offers an historical exploration of women and redemption in the first five chapters followed by a global survey of contemporary feminist theologies in the final four chapters, which includes a concluding section that gives attention to “Fourth World” feminisms and post-colonialism in an effort to “bring this volume up to date” (xvii). Continue reading “Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert”