The spiritual life need not be divorced from the physical. It is with our hands that we make magic It is with our breaths that we offer prayers. It is with our eyes that we see beauty. It is with our hearts that we know love. It is with our ears that we hear birdsong and ballads. It is with these bodies that we reach out to touch the holy every day.
This morning, I watched the baby woodpeckers. Still nestled safe within their tree they stab wildly at their brave parents who cautiously poke snacks into the trunk and then dive away again, narrowly evading the enthusiasm of their progeny. I peek at the baby phoebes too, heads nearly full-feathered, no more room for a parent in the nest against the wall of our house. They peer back at me, black eyes solemn, while the hummingbirds dodge and weave and battle it out between branches. I hear the thin and persistent cry of a broad-winged hawk from somewhere in the oaks just outside my vision. Summer is settling into the woods, though spring seems just barely to have arrived. The woods are becoming heavy and green and closing to exploration as the bugs and brambles stake their claim and exact their blood prices for entry. The blackberries are in bloom, wild and riotous, their white flowers open gratefully to both rain and sun. The wild raspberries have already begun to set their fruits, hard knobs of green clustered hopefully on each cane. The mulberries were brave enough to try again after frost crisped their efforts to black, now re-leafed, small green flowers and starts of berries once more emerge to hang with delicate promise next to their ruined brethren. As I finish writing my poem and offer my prayers, I look up to see a bald eagle making great wide circles above the house. The sky is clear and blue and the air is sweet and fresh and full of promise. I sit, as I do, in this cocoon of green, my heart wide, my mind soothed, and my soul replenished by the magic of place and all it manages to hold and teach each day.
By breath, by blood, by body, by spirit, we are all one.
The air that is my breath . . .is the air that you are breathing. And the air that is your breath . . . is the air that I am breathing. The wind rising in my breast . . .is the wind, from the east, from the west, From the north . . . from the south; Breathing in, breathing out.
So begins singer-songwriter Sara Thomsen’s song, “By Breath,” bringing together many elements I’ve been pondering in the last several days – breath, air, wind, spirit.
Just for right now, let the swirling soften. Exhale into the day, wherever you are, whatever is happening. Allow a cloak of comfort to settle across your shoulders and enfold you with peace and restoration. Draw up strength from the earth beneath your feet. Settle one hand on your belly and one hand on your heart. Feel the pulse of the sacred you always carry within. Breathe in and know you are loved. Breathe out and know you are free. Trust that you are carried and enfolded as you go along your way.
A chill is in the air and Winter’s Queen has spread her gray cloak across the land. She has stilled the leaves and frosted the hills, has quieted the scurrying, and placed her fingers firmly on the pause. In this waiting place, hushed and chilled, we remember the preciousness of the light of renewal, we remember how essential the warmth of connection. Just as the earth does, let us, too, lay aside what is unnecessary and draw close to one another once more, rekindling the fire of community, offering one another what nourishment we can. Let us enter a time of deep restoration with intention. Let us listen to the call of contemplation that twinkles in these dusky hours of replenishment and renewal. Let us pause and wait with grace.
A Modern Pilgrimage to the Isle of Lewis & Harris, Part 2
In the previous post of October 14th, I introduced my recent pilgrimage to meet the Goddess, honour the physical and psychological changes that have happened inside me recently. I described the different mountain ranges that resembles the bodies of sleeping women, and an ancient well dedicated to the Celtic goddess Brighde.
If I was traveling over the body of the goddess, the Callanish Standing Stones would be her navel. It seems as if energy is flowing out from there to all edges of the island. The shape of the site resembles a Celtic cross. Unusual is that the site consists of one large, central standing stone, surrounded by 13 stones, and with stone avenues to the cardinal directions. With its solar alignment, paraphrasing Jill Smith, the configuration looks like a cosmic dancer who juggles the sun from east to west. The “arms” are aligned exactly with the sunrise and sunset at this time of year.
Model of the Standing Stones as seen from above, in Callanish Visitor Centre
Callanish 1, the main stone circle, is connected to 11 other sites across the island, some circles, some solitary standing stones. Together they are called the Callanish Complex. I visited Callanish 1 many times that week, and I was lucky to spend the Autumn Equinox there.
I’ve never come across stones that were so alive and expressive. Light would bounce off differently at different times of the day, accentuating irregularities, dulling, or sharpening edges, emphasising different aspects. I saw lion and wolf heads, young maidens, hooded wanders, gargoyle and dragon-like creatures, dolphins and even a Horned Dancer… Most importantly, it felt like in each of the stone circles in the area (Callanish 1, 2, 3, 4, and 8), there was at least one stone resembling a woman’s body, and I came to think of them as the Grandmother Guardians. They had a real living presence, that became even stronger as the day-visitors disappeared.
Usually there were 2-5 people there, sometimes I found myself alone. The sunset of the Equinox, however, drew many more people. There were about twenty tourists, who were taking snapshots of this magnificent light show, leaning, or pushing against the stones, talking, and giggling. Several professional photographers tried to capture a magical moment. And there were 5-7 fellow pilgrims, whom, like me, would stay long into the night. Everyone was so focused on the sunset, was I the only one who noted the rainbow in the east?
The below images were literally taken a minute apart – rainbow to the east, sunset and silhouettes to the west.
Rainbow during the Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022
Eventually the tourists and photographers disappeared, and the rest of us gathered at the heart of the circle, in the remains of an ancient burial mound. With African and shamanic drums, a whistle, a singing bowl, an old man tapping his walking stick to the bottom of his tin mug, and some rattles, we improvised a rhythmic invocation to the spirits of the stones. With the rain becoming heavier, I soon found myself alone with the stones. Now I could finally sing, dance, weave between the stones without disrupting anyone, lean into the stones, close my eyes, and pray.
I felt very aware of the ‘balance’ in the year, the point of equally long days and nights. I asked for guidance on balance in my own life: between work and leisure, between doing and resting, between the first and second half of my life, between gathering wood for the fire and sharing it, between birth and death, and how I can better look after my body and energy living with an invisible auto-immune condition in these fast and demanding times.
After the rain departed, the clouds tore open, revealing the clearest and most brilliant night sky I’ve ever seen. The silhouettes of the stones reaching up into the night was truly magnificent. Moving, weaving, pausing, I made my way clockwise around all the 13 stones in the circle. I stood at either side of the stones, outer and inner, and took my place in between them, as if I was a moving stone myself. I reflected on centre and circumference, on axis, on direction, on the wheel of life, turning, turning, turning, turning… and felt connected to similar circles across Europe lighting up in the darkness, as a radiant hub of energy-places.
Photo Collage: Impression of Night Sky, by Eline Kieft October 1, 2022
After having completed my weaving of the circle, by which time I had enjoyed half of my ginger tea for a warm kick, I decided to return to our cottage – also an act of balance. Having a cold already, I did not quite have the proper gear to stay out in the windy and rainy night. My lovely bed was calling! On my way home I saw three deer next to the road. I stopped the car and could be with them for several moments before they wandered off.
I had been so attuned to the rhythms that I woke up well before the alarm. I laid in the comfortable darkness, until it was time to return to the stones to witness the sunrise. My mom came along this time. Again, there were several photographers ready for ‘the moment’ (no tourists at this hour!). I just HAD to dance, and chose my spot at the far western end, out of line of any cameras. A dance of ground, earth, mountain, honouring the mother and my mother, weaving the light, the turn of seasons, changing, praying, calling, giving thanks, celebrating, welcoming, and letting go. Strong, soft, vibrant, still…
Both Images of Sunrise at Callanish 1, on the Autumn Equinox, September 23, 2022
Standing against the central menhir, looking east, we finished the last of the ginger tea. So special to be able to share this together. Mother and daughter in a circle of ancient Grandmother Guardians, witnessing the sun rise on a new day. Sacred land, ongoing cycles of time, and a modern-ancient pilgrimage…
It will take many moons to fully digest and integrate the richness of this journey, but I already know this precious experience seeped deep into my bones.
May the magic of the land touch you too, wherever you are.
Mother and Daughter – this photo was in fact taken at another moment, against another stone, mid-afternoon on 22nd…
I’d love to invite you for my series of Embodied Spirituality Masterclasses that are going to start today, 21st October! Have a look if you’re interested in reconnecting body and spirit, re-anointing the body as sacred, nature as a temple, contemporary ceremony and much more… You can still join until Christmas, so don’t worry if you can’t make the first session live, it will be available in replay!
Jill Smith is a deep well of goddess lore on Lewis:
Mother of the Isles (2003)
The Callanish Dance (2000)
Bio
Eline Kieft danced from a young age, including rigorous classical and contemporary training to become a professional dancer. She then studied anthropology, deepening her fascination with worldwide similarities between indigenous traditions regarding intangible aspects of reality and other ways of knowing, including embodied epistemologies and shamanic techniques.
She completed her PhD in dance anthropology at Roehampton University, trained in depth with the Scandinavian Centre for Shamanic Studies and the School of Movement Medicine. Eline worked at the Centre for Dance Research (C-DaRE) at Coventry University for five years, where she created a Somatics Toolkit for Ethnographers, and pioneered soulful academic pedagogy. Her recent book Dancing in the Muddy Temple: A Moving Spirituality of Land and Body was well received as a unique blend of theory and practice and a medicine for our times.
She is now a full-time change-maker and facilitates deep transformation through coaching and courses both online and in person. Her approach The Way of the Wild Soul offers a set of embodied, creative, and spiritual tools to re-connect with inner strength and navigate life’s challenges with confidence.
“Sometimes there is small magic
and scraps of enchantment.
Sometimes we push for more
and sometimes we yield,
joining hands
to welcome the sweet what is
as we witness the wheel’s turn…”
Each year fall waltzes in, slow and supple, her golden light illuminating the pines, her slowed rhythm tugging at our hearts and bodies, her red and brown cloak settling over the land. We are invited to yield to grace, offering up our gratitude and celebration, releasing our stored up worries and concerns into her capable hands, remembering how to let things go, how to scatter our offerings and our troubles into the winds. Now is the time to sit in the stillpoint, to call ourselves back home, to accept her invitation to sit in the center of our very own lives and choose, to recall our strength and to be held. Extend your hands into autumn.
If I squint, I can almost see steam lifting from a cauldron in the forest and smell change drifting through the air. I am looking at the shards of the year, some new-broken, some re-collected, some shining with possibility, and I feel the call, the urge, the promise, to tip them all into that bubbling vat and see what She will steep me into next.
Each year, in August, I honor what I call a “Cauldron Month” for myself. This is a month in which I “take it all to the cauldron” and let it bubble and brew and stew and percolate. I pull my energy further inward to let myself listen and be and to see what wants to emerge. It is a month in which I delete my social media apps and mindfully, intentionally draw my scattered attention inward in order to listen to my inner wisdom, to take all of my bubbling ideas to the metaphorical cauldron of my own being and see what is brewing, what is stewing, and what is ready to be dished up. I clarify goals for the remainder of the year, my next word of the year usually finds me, and I take time to consciously “steep” in my own flavor. It is a time of clarity and renewal for me, a time when I withdraw from outer life and re-collect my energy in order to determine where to put my focus for the remainder of the year.
It may seem strange to withdraw energetically at such a ripe and burgeoning time of the year, when life is bursting with things to harvest and ideas to share, but that is exactly why I do it—because when life feels the most full, is when I known I most need some dedicated time of discernment. August, I find, is always a crucible of change and choice for me. It is when big projects are birthed, when new doors open, and when I reach metaphorical crossroads of change—crossroads in which I decide what to harvest, see what has withered, and come to understand what to sacrifice.
We are held between summer’s fatigue and summer’s fire, there has been a blooming and a ripening, and now a harvesting and a fading, as the time comes to turn the page.
Cauldron Month dates back to 2016, a year in which my pace of living became unsustainable and I experienced a persistent and inexplicable cough that lasted for six full months. After this experience, I came to clearly see a pattern in myself, of speeding up and revving harder and harder through the spring and summer, until I reach an annual point of having taken on too much, in which I must make choices about what to let go of and what to pursue. It helps to know it, to name it, to say to myself: oh, yes, this. Cauldron time is here again. The understanding of this pattern has helped me to prepare for it, when I feel the familiar tension, the drive to push and speed, I step back instead. I sit down. I shut things off. I get still and I listen.
That first year, feeling overwhelmed by commitments and at my physical and temporal limits. I did a guided meditation called the Moon Goddess Ally Journey. During the meditation, in the temple in which I met the moon goddess, right as the meditation was coming to a close, the Cauldron from the Womanrunes oracle card system appeared quite clearly etched on the floor of the temple–it was very large, covering the whole floor, and felt like a dramatic and powerful wake-up call. I knew in this moment: I need to take my life into the Cauldron. I need to see what is brewing. I need to steep in my own magic. August has never been the same since.
Future Cauldron Months after have held varying experiences—some rich and powerful and some painful and challenging, what they all hold in common is that they illuminate the next steps and invite me into the next chapter. Some years I’ve joked with friends have been “Slow Cooker Months” instead and some years—like 2020—have felt like Cauldron Years, in that the whole year is a process of transformation and re-emergence. I have written some more about these experiences in a past post for FAR here.
Each year, I do what I can to honor the call of the Cauldron—persistent and insistent—and in so doing I remember that it is often in the mess that the story lives. What sometimes bubbles up from the Cauldron during this period of incubation isn’t particularly pretty, it can even be hard to confront, and yet, we continue to let it bubble, we continue to breathe and bear witness to our own interior lives, beyond the clamor and confusion of so many other voices that may fill our lives and days.
The Cauldron is a rune of alchemy and change, but also of centering of containment and contemplation—a marrying of what might seem like opposites, but that which really co-exist. During this month or another one that feels right to you (a lot of people choose December or January), consider taking it all to the metaphorical Cauldron of your life…what are you cooking? What flavors do you want to add? What do you want to create? What needs time and focus to bubble and brew? Can you allow yourself to steep in your own flavors? The Cauldron asks us what we’re cooking, but it also offer boundaries, containment, a safe space in which to stew up our truest magic.
May you be inspired by some time in cauldron, may you be inspired by time with yourself, may you be inspired by that which surrounds you, connected to Goddess, connected to the earth, connected to the animals, plants, the wisdom of the wind, the song of branches, and the symphony of river, stone, leaf, and breath.
Take it to the Cauldron and listen to the deep within.
Sending you all love. Glad to share some of the miracle of being here with you.
There are days when the sky holds its breath and dreams seep up from the skin of the world and into my feet.
Molly Remer, MSW, D.Min, is a priestess, mystic, and poet facilitating sacred circles, seasonal rituals, and family ceremonies in central Missouri. Molly and her husband Mark co-create Story Goddesses at Brigid’s Grove. Molly is the author of nine books, including Walking with Persephone, Whole and Holy, Womanrunes, and the Goddess Devotional. She is the creator of the devotional experience #30DaysofGoddess and she loves savoring small magic and everyday enchantment.
It is important that we share these rituals of celebration and affirmation with our sons as well as our daughters. Men, too, should know the power of joined hands in a circle, voices lifted in song, and sweet words of connection surrounding one another on a bright spring day…
I rose early seeking Beltane dewdrops with which to anoint my brow. the cupped violet stems and clover were dry and I found no dewdrops in the chickweed stars. Instead, I put out oranges for the orioles, ran my fingers through the dandelions, and pressed my nose into the lilacs. I spotted green flowers on the mulberry trees, found the first wild pink geraniums and tender bells of columbine and came face to face with the quiet black eyes of solemn deer in the raspberry bushes. These things their own kind of anointing, their own small and significant rites of May Magic.
As a family, we traditionally celebrate the May by making a Green Man face in our field, using natural items that we find that day. As a goddess-focused person who walks an almost exclusively goddess-centered/nature-based path, this is one of our few family rituals that centers around more masculine sacred imagery. It is a favorite for my kids—rituals involving multi-age groups should always be as highly participatory as possible. I have written several times for FAR about how my hearth-priestessing has evolved over the years, letting go of more and more control, doing less and less planning, and being more freeform, spontaneous, flexible, and playful. My four children now range in age from 7-18. We have celebrating the turning of the Wheel of the Year for their entire lives. I love how our memories of past rituals inform the present—for example this year’s Green Man had the same rock for a nose that we used for last year’s Green Man.
This year, May Day was bright and sunny with a wild wind. We circled near the driveway, building our Man on the gravel, where his features would stand out against the brown rocks. We gave him antlers formed from cedar branch and white-tailed deer and a crown of a split stump of gray oak. My oldest son trimmed off cedar branches for his beard, my husband pruned the hydrangeas of last year’s dead growth to frame his face, my sixteen year old gathered golden stalks of dry bluestem grass for a mustache, and my 11 and 7 year olds gathered pieces of grass and cinquefoil to trim his hair and beard.
We stood around him in admiration for a few minutes and then I spoke of the bounty, growth, and renewal of this time of year. We stood hand in hand and read the following blessing together (me calling a line and then all repeating it):
A sweet blessing of the singing sky to us.
A slow blessing of the shining flame to us.
A strong blessing of the crashing wave to us.
A soft blessing of the pulsing earth to us.
We then offered a wish to one another in turn with a spritz of “Valiant Heart” spray (from Honey and Sage Co). For example, I spritzed my daughter (11) and wished her curiosity and creativity and then she turned to her father and spritzed him wishing him health and prosperity.
I gave everyone four rose petals (whole flowers would have worked well, but I was working on the fly!) and invited everyone to kiss each petal in turn and then offer it to the Green Man (the wind whirled most of our petals away as we released them, which was pleasant as well—our wishes, accepted), based on this past poem:
Find four flowers and bring them to your lips one at a time. One for wonder. One for joy. One for love. One for magic. Make your promise invite them in, one by one the spell is done.
We sang a few lines together, laughing, from one of Tom Bombadil’s ditties in The Fellowship of the Ring and shouted out, “Happy May!” after finishing our raucous rendition:
Now let the song begin! Let us sing together! Of sun, stars, moon and mist, rain and cloudy weather, Light on the budding leaf, dew on the feather, Wind on the open hill, bells on the heather, Reeds by the shady pool, lilies on the water…
We then each took a handful of wildflower seeds and sang “Call Down a Blessing” over them, each of us plugging in a blessing word in our turn.
Call down a blessing Call down a blessing Call down a blessing Call down __________before you __________behind you __________within you and around you.
This song is based on Cathy Parton and Dave Para’s song, but is sung collaboratively with each person choosing a blessing to sing together in the blank space. (A recording of our women’s circle singing this together during a ritual is available here.) We then scattered to plant our handfuls of seeds in whichever place we wished to do so.
This whole ceremony took less than thirty minutes and we closed our largely spontaneous ritual by joining hands and offering our family’s usual closing prayer (learned from our own dear Carol Christ): May Goddess bless and keep us, may wisdom dwell within us, may we create peace.
It is important that we share these rituals of celebration and affirmation with our sons as well as our daughters. Men, too, should know the power of joined hands in a circle, voices lifted in song, and sweet words of connection surrounding one another on a bright spring day.
My oldest son is graduating from high school this month and this week I took him to register for his first college classes. At this threshold moment in parenting, I feel the odd psychological sensation of overlapping generational “timelines,” sometimes feeling like I, myself, have become my parents, while at the same time, feeling like I am a college student myself. But, for now, at this moment, we stand here together under a Beltane sun, laughing together around a Green Man in the stones.
Molly Remer, MSW, D.Min, is a priestess, teacher, and poet facilitating sacred circles, seasonal rituals, and family ceremonies in central Missouri. Molly and her husband Mark co-create Story Goddesses at Brigid’s Grove (brigidsgrove.etsy.com). Molly is the author of nine books, including Walking with Persephone, Whole and Holy, Womanrunes, and the Goddess Devotional. She is the creator of the devotional experience #30DaysofGoddess and she loves savoring small magic and everyday enchantment.
In the past months, Luiza has been generous enough to introduce me to some local folk festivals that celebrate key moments in the wheel of the solar and agricultural year. With their deep Earth-based roots, these festivals have endured under an overlay of Catholic observance and are integrated into the calendar of saints’ feast days in the liturgical year. Underlying established religious observance, there is an unbroken stream of syncretized folk religion and folk practices that connect the people to the heartbeat of the numinous Earth on which they live.
Unfortunately, since I moved to the Oeste region of Portugal in July 2020, the Covid pandemic has seen many of the local festas temporarily canceled, but as 98% of the local population is now triple-vaccinated, we’re seeing a slow resurgence of these gatherings.
Usseira, the farming and fruit-growing village where I live, has an annual festival of Santa Luzia, held between December 7 to 13 in most normal years. During the height of Covid, the festivities were canceled, but in December 2021 the festa was celebrated, although it was a much smaller, more low-key affair than before the pandemic.
Celebrating Santa Luzia in 2019, before the pandemic.
We gathered at night in front of our small chapel dedicated to Santa Luzia, our village’s patron saint. An enormous bonfire was lit and people gathered around to share grilled meat and sardines, prepared on site. Much local wine was passed around. Nobody officially charged money for anything. You just donated what seemed fair.
Gathering in the light and warmth of the enormous bonfire with my Portuguese neighbors and trying my best to communicate with my limited Portuguese was a challenge, but the universal language we all spoke was happiness and goodwill. The bonfire blazing on the dark winter night seemed symbolic of a sense of community life returning after the constrictions of lockdown and social isolation.
The root of Luzia’s name is luz, which means light. Across Europe, from Scandinavia to Sicily, Saint Lucia is honored as a bringer of light to the midwinter darkness. Luiza Frazão explained that before the Gregorian calendar reform altered the old Julian calendar, Luzia’s feast fell directly upon the Winter Solstice. John Donne’s 1627 poem “A Nocturnal upon St. Lucia’s Day, being the shortest day” bears witness to this fact—the Gregorian calendar wasn’t adopted in Britain until the 18th century!
Celebrating Santa Lucia in Sweden
Meanwhile, back in Portugal, Luiza and I met again around one month later, on January 17 for the Festa of Santo Antão, traditionally celebrated in an old hermit’s chapel on a hill outside the medieval town of Óbidos. This festa is traditionally a very large gathering, attracting thousands of people from far and wide in what the newspaper Caldas Gazeta describes as a pilgrimage for Christians and Pagans.
The Festa of Santo Antão in January 2020, before lockdown and all the rest
This festa, which is celebrated in the daylight, comes around the time of Imbolc in the old Julian calendar, Luiza explained. It celebrates the steadily increasing daylight and the promise of spring and new growth. It is also a feast focused on healing and blessing the animals that are so important in rural communities.
Santo Antão was a hermit who lived in the Egyptian desert. He is the patron saint and protector of animals. In the old days, farmers would bring their livestock to be blessed at this festa. But nowadays people are offered special blessed ribbons to take home to their animals. Traditionally a Mass is held in the chapel and there’s a market on the hilltop. However, in January 2022, the festa was officially canceled due to a spike in Covid infections. But that didn’t stop people hiking up the hill in small groups.
Our small group shared a picnic of the traditional grilled sausage along with halloumi, since I’m vegetarian. We lit candles outside the locked chapel and then raced down to Óbidos to get our blessed ribbons from the Church of Saint Peter before they closed at 5pm. As we left the hilltop, other people were hiking up with their picnic baskets and wine bottles. In previous years, the celebrations continued until early the following morning.
When we reached the church in Óbidos, five minutes before closing, I took two ribbons for my horses in exchange for a small donation. Back at home, I tied the pink ribbons in the horses’ manes, but the beasts had other ideas and rolled in the mud. So I rescued the ribbons and tied them to the field shelter instead.
Protected!!!
As the Spring Equinox approaches, I look forward to discovering more local festas.
Mary Sharratt is committed to telling women’s stories. Please check out her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, and her new novelRevelations, about the mystical pilgrim Margery Kempe and her friendship with Julian of Norwich. Visit her website.
For many years, I suffered from Seasonal Affective Disorder. As soon as the clocks went back in autumn and the nights grew dark, I’d fall into a contracted space. The days seemed too impossibly short to get things done. Even though I still had the same 24 hours as I had in summer, the encroaching darkness seemed to make everything shrink and dwindle into a tiny dark point.
In autumn and winter, my energy levels are lower. I seem to need more sleep and I can’t pack as many things into a day as I can in summer. I came to dread winter as some kind of energy-sucking blackhole I fell into every year.
Katherine May’s luminous memoir Wintering addresses this whole conundrum with deep wisdom. She points out that the fallow seasons of winter and autumn are when nature rests and repairs itself. If we force ourselves to go against nature, we cause endless suffering to ourselves and others. So when the nights darken early, why not just go with the seasonal flow and accept the divine invitation to rest, reflect, and slow down?
Humans, like other living beings, evolved as cyclical creatures. The monthly cycles of menstruation synch female bodies with the cycles of the moon and the tides. Similarly, the arc of a woman’s life from menarche to possible pregnancy and birth-giving to menopause and the post menopausal years contains its own seasons of growth, ripening, and resting in our hard-won wisdom. Deep in our psyches, we long to surrender to the ancient rhythms of planting, growth, ripening, and lying fallow.
But our dominant culture teaches us to suppress our cyclical rhythms. We’re programmed to live our lives as though it were spring and summer all the time. We are expected to always be in the productive mode of being, bringing forth the blossoms and the fruit. Always doing and accomplishing. But being in summer mode all the time is exhausting. To be healthy and functioning, we need the energies of autumn and winter. The energies of releasing, quieting, and letting go.
As well as the outer seasons, we have inner seasons that play out in our psyches, regardless of what stage of life we’re in. For example, after the death of a loved one, you might be experiencing an inner winter. This long pandemic has plunged us into a deep collective winter.
When we go through an inner autumn or winter, sometimes we feel that there’s something wrong with us. Why can’t we just snap out of it, get over it, and move on? We might feel mired in grief or simply “stuck” and burdened with the sense that nothing is happening. Our culture trains us to believe that something should be happening all the time.
But our times of descent and inner darkness are filled with profound potential. They take us into the fertile darkness of replenishment and restoration. If we surrender to the velvet darkness, it heals us inside out. What if we allowed ourselves to just rest in the sweet dark mystery?
Western culture views time as a very linear construct, but the seasons are cyclical. We might think that the season we’re in is going to last forever. But the wheel keeps turning, no matter what. We can learn to trust that everything comes full circle in the fullness of time.
What happens if we learn to pay reverent attention to the rhythms of our day, our week, and the moon and sun cycles? Trusting the great cycles of the seasons opens us to recognize every moment as a divine invitation, a doorway into the timeless and eternal.
Mary Sharratt is on a mission to write women back into history. Her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, is published by Mariner.Her new novelRevelations, about the mystical pilgrim Margery Kempe and her friendship with Julian of Norwich, is now available wherever books and ebooks are sold. Visit her website.
We take a slice of honey cake and a pottery cup of grape juice and leave it by the rose bush as an offering, arrayed on a bed of petals and topped with a single daisy and a ring of wild raspberries. We make some wishes in the dusty air, kneel down with our palms upon the warm earth and sing for rain. We walk under a half-moon sky beside a blood-red sun, the sound of coyotes rising into the night as a silent deer watches us, head a triangle of alertness, black eyes staring across the heat-weary field. We catch fireflies, winking above the wildflowers sparks of yellow-green, and find a plump brown toad waiting in the path. Then, we stand quietly together, mosquitoes beginning to cluster around our legs, our heads tilted back watching carefully for fairy silhouettes against the deepening gray of the midsummer sky.
It is summer here in the Northern Hemisphere. Deep summer. Dusty summer. Thirsty summer. Humid summer. In central Missouri, it is the type of thick, wet heat that soaks into you and saps your strength and enthusiasm about life. Life can feel faded, dull, and magic hard to see. The woods, where I find such solace, renewal, and enchantment, become closed to me as poison ivy, thorns, ticks and chiggers, resolutely bar my way. So, I walk on the road these days, in the mornings and at sunset, seeing what I can see from my vantage point on a dusty gravel road. Deep summer I find offers an opportunity to look around to see what flourishes of its own accord, to see what grows without tending, to see what rises wild and unfettered from the natural conditions in which they thrive.
Sometimes as humans we become used to controlling as much of the world as we can control and as much of ourselves as we can control. Sometimes we get focused on what we can cultivate and grow and intentionally tend. So focused on this conscious tending may we be, that we may even rip up or destroy or change what is naturally growing in our own little ecosystem, our own little biome, what is growing right where we are. We may even pull it up and put something else in its place that we think is prettier, or nicer, or even more beneficial or useful. I encourage us to consider summer as a time in which to pause with, appreciate and look at, savor and explore, learn about and discover, what really grows right where you are, what thrives right where you stand, without the need for you to manipulate or control or change it. And, I invite you to also consider how this might apply to the growing and thriving in your own personal life? How or what are you perhaps trying to manipulate or change or control in yourself or with the people in your life? Perhaps it is time to take a step back, to sit back, and to see what is already growing. What is already there? What is thriving in your world? What is thriving for you that doesn’t require wrestling with or changing or trying to make it fit in a certain way? I encourage you to soften and see. Perhaps the mulberry trees are green and spreading in your world. Perhaps the clover is in bloom. Perhaps there are daisies. Perhaps there are monarch butterflies still bravely persistent on the milkweed in the field. Perhaps there are wild onion scapes, with their little purple heads. Perhaps there is yarrow, white, and waiting, and interwoven in its own curious way with the health of your own blood and body. Perhaps that book you want to write is bubbling right behind your fingertips, waiting for your pen to be set against the page. Perhaps that project that sings your name is waiting for you to pause to see it.
We doubt sometimes our place in the natural world. And, yet these plants that surround us, that spring up around us, that grow right where we are, are here and growing, just like we, ourselves, are growing where we are. These plants are intertwined with the health of our own bodies. That is amazing and enchanting and wondrous to me.
My youngest son, Tanner, is six and we are working together on an earth science class, studying planets and the earth and geology and the universe. He came to me saying: “Mom, did you know, there’s real iron in us! There’s real ironin us.” And I replied, “there’s real iron at the core of the Earth too. Isn’t that amazing? The earth has iron in it and so do we.” He looked at me and asked then, “is magic real?” And I replied, “yes, honey, we walk around inside of it every day.” I pause here in the hot exhaustion of summer to marvel that so it is. In truth, it is not only that we walk around inside of it every day. We walk on top of it every day. We walk with it every day. It beats in our veins every day. We live with it every day. If we carry an awareness of this embodied magic with us, then every day becomes enchantment. Every day becomes sacred space in motion. Every day becomes the opportunity to fully inhabit our own living magic as we literally walk around within it each and every day.
So, what is growing for you? What is blooming for you? What is flourishing and healthy, just of its own accord, asking nothing else from you, but witnessing?
The earth is made of days beyond count and roots beyond question. The fire in your belly is that which whirls worlds into being. There is iron in your blood, iron at the planet’s core, iron in the stars, iron in beak of hawk and eye of crow, and iron in the red rocks beneath your feet. This air you breathe is river woven, lightning laced, tear salted, iron eyed, earth kissed, raven winged. Wait, let this breath expand your chest and know: here you are, today, in-dependence with all things.
Molly Remer, MSW, D.Min, is a priestess, writer, and teacher facilitating ritual, making art, and weaving words together in central Missouri. Molly and her husband Mark co-create Story Goddesses at Brigid’s Grove. Molly is the author of nine books, including Walking with Persephone, Whole and Holy, Womanrunes, and the Goddess Devotional. She is the creator of the devotional experience #30DaysofGoddess and she loves savoring small magic and everyday enchantment.
Feminism and Religion 