Women’s Voices – Page 4 – Feminism and Religion

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 2 by Theresa Dintino

Part 1, appeared yesterday.

There are many women named Rose in the ledgers of unfree people in Charleston around 1850. The defining feature to find the Rose mentioned on this sack is that her daughter is named Ashley, not a common name for Black female children of the time. Miles finally locates a Rose and an Ashley in the inventory of Milberry Place Plantation, a country estate of a man named Robert Martin. When Martin died, his estate was liquidated and thus the mention of the sale of Ashley.

“Ashley is listed among one hundred unfree people in the inventory of Martin’s enslaved property taken in the year 1853. Her attributed value of $300, in comparison to that of other women listed at $500 and $600 in the cotton boom decade of the 1850’s, suggests that she may have been a younger or relatively unskilled worker”(69).

Things were bad enough for unfree people but the disruption that came like a tsunami through their lives when an enslaver died and his property was sold was a fear most carried and trembled at the thought of. Unfree families were always being torn apart in the time that slavery was legal and allowed in this country, but when estates were being divided up, it became particularly excruciating and this is what came to pass for Rose and Ashley.

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 1 by Theresa Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on November 30, 2021. You can see more of their posts here.

First she was told about a grain sack dating from around 1851 that had these words embroidered on it:

My great grandmother Rose
mother of Ashley gave her this sack when
she was sold at age 9 in South Carolina
it held a tattered dress 3 handfulls of
pecans a braid of Roses hair. Told her
It be filled with my LOVE always
she never saw her again
Ashley is my grandmother
Ruth Middleton
1921

Emergence – Miracle Birth by Sara Wright

When my ‘good neighbor’ sent me the photo yesterday morning I could see the outlines of the butterfly, so my little dog Coal and I walked up to see for ourselves. It was hot – very hot though only around 9:30 AM. The capsule was already twisted and turning though not even the lightest breeze was in evidence. The outlines of the monarch were clearly etched through the now blackened but still translucent chrysalis.

Standing under the porch overhang that the caterpillar had chosen for transforming, a miracle was in progress. Before our eyes the capsule split as the butterfly emerged head-first, feelers extended and waving from the bottom of a rapidly shrinking chrysalis that had so recently been lime green tipped in gold. The wings were still quite small, but the butterfly was already pumping fluid into them readying for first flight. As the wings expanded before our eyes I cried out like a child exclaiming in my joy and excitement – “oh a miracle, a miracle”, and of course it was, the birthing of new life.

If I am The Mother* by Rebecca Rogerson

If I am The Mother

then I am holy. Made of moonbeams and shadows, darkness and light, questioned and answered, lost and retrieved;

discovered remains

If I am The Mother

then I am a reflection, a depiction, an inflexion of a cosmos in bliss and chaos, birth and destitution; a primordial sound unleashed to form planet, life, and

you and me

If I am The Mother

then I am fermented in humanity, and sour the illusions of precipices we’re told that

we cannot cross

Cross the trinity of three’s and return to

the magic of all

Hopscotch Spells by Annelinde Metzner

In my work with the folklore and music of children’s games and circles, I’m enchanted by how many bits of magic are interwoven into everyday children’s games from many, many years ago. Our childhood closely intersects with the deep, witchy, magic world of spells, talking animals and whispering spirits.

POEM: “Hopscotch Spells”

One, two, three, O’lary,
four, five, six, O’lary….

I’m pulled like a slingshot’s band
back to those childhood, everyday spells.

Ally, ally, in-come-free!

Each day, we’d open the screen door
and hurry to our witches’ college,
pursuing a degree in the Child’s School of Magic.

One potato, two potato, three potato, four!

What drew us to each other this way?
The circle of street kids, our pals,
our fists beating out the rhythms,
our jumps and our skips conjuring powers.

Lucy’s Light by Sara Wright

12/?/ 13 – 7/21/25 written morning after her death 22ⁿ^d

Purple and scarlet
orange flames
lemon and gold
lavender blue
cobalt hues
we are
dogs,
bees, bears,
butterflies,
hummingbirds too
Innocence seeking
a place
we once knew…
Grief pulled us down
into an old familiar
place. Darkness reigned
hopelessness too.
All we had was each other
At Hecate’s Crossroad
she couldn’t let go
and either could I
Lucy was my dog
you see
A ‘familiar’
just like me.
I couldn’t read her.
Forced to make
the decision
for us both
I let her go…
When we lay together
that one last time
nestled under
a purple shroud
she breathed
Feathers of Light
a Tree circle
marks her grave
Earth took her in
roots, soil, leaves
Hemlock
holds
her body
like
I once did.
Between North and East
Bear Medicine flowed
through a crack
in the Round…
Rising
on the wings
of cool green lights
she lives …
Firefly Nights.

Offerings to the Labyrinth on Papoura Hill, excerpt from the novel by Sylvia V. Linsteadt

Sylvia’s discussion of Papoura Hill was posted yesterday; read it here.

I have so many words I want to pour out of my vessel of milk and honey upon Papoura Hill, on the big scar in Crete’s earth where the airport is being carved, on all the places slated for the construction of electricity pylons, and into so many other scars left by millennia of conquest and occupation, but for today what follows is just one song to her. These words are not full of fighting rage or defiance, but of praise, and softness, and memory. Of motherlines that cannot die, and fatherlines almost lost, but not quite. These words come from the beginning of a novel that I began writing during my first season living in Crete almost seven years ago now, a novel that has metamorphosed with me across these many years, shedding skins and growing new ones— both me, and the novel. The book is still in process, close to being born, but here is one of her many skins, laid at the center of the labyrinth on Papoura Hill with my love.

Moonrise Over Old Crete
an excerpt

The earth tilted toward dusk.
Along the shores of Crete, the Aegean turned for a moment to gold.

Women flocked down to the sea like dark birds to pour jugs of oil and wine into the water. Amphitrite of the cockle crown, they murmured, Aphrodite mother of vessels, mother of the foam and deep, bring our men home safe. The sun lowered under the edge of the world, leaving the last light along the coast. Threads of it pooled in sea-caves and in the inlets where fishermen kept their summer boats. The old storytellers said that in lost times, when the queen was called the Ariadne and her king the Bull, the women of Crete could gather up the last light from the sea onto their distaffs and take it home to spin golden thread for their skirt hems and finest vests.

Offerings to the Labyrinth on Papoura Hill by Sylvia V. Linsteadt

Rhea, mother of Demeter, is coming down upon the seven mountain ranges of her Crete. Ariadne, granddaughter of Rhea, is coming up from her ten thousand perfect caverns inside those mountains with clear water in her arms. They have been quiet a long time, but they are not quiet now. Between them comes Demeter across the wide plateaus where her stones and soil are being stripped for profit, where her bees are dying from pesticide use in their hives, where her grain and oil are sold out from under her, the farmers who grew them cheated by countries with fatter economies and shinier marketing schemes.

They are gathering on Mt. Juktas and Mt. Dikti and Mt. Ida and on Papoura Hill, on all the old holy mountain places where nereids and kouretes were born, where midwives danced, and the dead were buried, and the priests and queens held night-long vigils to take divinations from the procession of the stars. From those divinations they turned the wheel of Crete’s festivals so that they continued year by year as precisely as Earth turned around her axis, so that Earth knew that she and her gifts were respectfully received, and truly loved.

Mother Blues II: Interfaith Womanist Reflections on Nurturing a Resilient Bloom, part 2 by Chaz J

You can read part 1 here.

I remember confessing to a kindred spirit, also a therapist, heart heavy with a therapist’s sight: my daughter, a child of divorce. And I, who knew the long, shadowed roads— the substances, the destructive turns children take to bury unaddressed grief, hurt, and pain— this knowledge terrified me.

My friend, in turn, spoke of her own adopted daughter, of sudden, tearful storms for a birth family unseen. “This is her journey,” she said softly, “You cannot control the currents of her life. All you can do is stand with her, and teach her to navigate with a healthy heart.”

Until that moment, my fierce, unspoken goal was to shield my daughter from a therapist’s couch in twenty years’ time. But then, my friend’s truth cut through: “There is no perfect parent, and she will likely find her way to therapy no matter what you do. Just do your best and TRUST that she will be ok.”

This truth allowed me to soften, to release. Now, my purpose unfurls: to forge a bond with her, a healthy and vibrant connection that stretches through the wholeness of our days. I want her to know, beyond all shadow of doubt, that she can depend wholly on her mother, a steadfast harbor in every storm.

Mother Blues II: Interfaith Womanist Reflections on Nurturing a Resilient Bloom, part 1 by Chaz J

Even before her life unfurled beneath my heart, a quiet vow took root: to parent with purposeful grace. My unwavering compass points to this: to nurture an emotionally vibrant, confident, kind, compassionate, gentle, yet fiercely bold chocolate warrior queen, a child wholly devoted to her own radiant self. For in her spirit, I long to mend the broken echoes of my past, to see her soar where I once faltered, especially in the intricate landscape of the soul. She will possess a richness I only dreamed of; she will transcend.

Seven years, a fertile ground before her birth, from youth’s edge at twenty-two to twenty-nine, I dreamt of motherhood, shaping it idealistically. My spirit yearned to reweave the tapestry of mothering, to cast aside the heavy cloak of predetermined expectation: no longer would Black motherhood be synonymous with weariness, with anger’s sharp embrace, with bitterness, or a spirit held distorted and captive. I craved for her a vision unobstructed, a path where she could shatter the assigned roles that shadowed a Black girl’s journey into Black womanhood in this land. Above all, I wanted her to be FREE.