Like many in the FAR community, I participated in the world-wide 2017 Women’s March. So did Madge, the bodacious cartoon character who took me by surprise in 1990 and went on to become the narrative character of The Maeve Chronicles. Her life in print, as the first century Celtic Magdalen, satisfied her until….November 8th, 2016 when Madge returned, mouthy as ever, to rejoin us in our own times.
On the first anniversary of the historic march, I’d like to share a little of Madge’s millennia-spanning story and a few images from her two books of cartoons, now published in one volume.
Madge first appeared to me in 1990 as a line drawing of an ample woman sitting naked at a kitchen table drinking coffee. I had recently finished writing a novel, The Return of the Goddess, A Divine Comedy, and felt I had nothing more to say. I decided to play with magic markers for a while. Madge, as the naked woman introduced herself, was far from done with words. Fleshed out with peach magic marker, Madge told me she wanted “fiery neon orange” for her hair color. She also required speech balloons for her theological queries. (For example: If we are all members of the body of Christ, who is the twelve-year molar, the kneecap, the colon?) Enchanted with her sass, I invited her to be in my next novel. I pitched ideas to her. She rejected them all as too dull and said, “I want my own book of cartoons first.” Continue reading “Happy Anniversary, Women’s March, with love from Madge by Elizabeth Cunningham”
Throughout my life I refrained from hard core cursing and substituted certain four letter words with modified publicly suitable words. I just didn’t think it was becoming of me to curse, but if and when I did do it it was about something pretty major, and I would softly let it out.
I needed to check out a camera for an assignment. I was in the small equipment room looking at equipment I clearly did not know how to use yet. But, I was required to check out a camera and start. I was excited to begin.
last night’s raindrops continuing to drip from the overfull gutters on the roof. The insistent stab of a single-note bird song in the air. His head nestles in the crook of my arm the way it has done every morning for three years. Blond hair against my nose, breathing in the slightly baby smell of him. “This is the last time,” I whisper softly. “We are all done after this. This is the last time we will have nonnies.”
“You need to take a step back. You need to take a pause, relax, reassess. Two steps back, you can see more clearly, then you can move forward.” That’s 
Just the other day, I realized that discussion of my housekeeping has been a fairly regular conversation throughout my life. One of my earliest memories is being about four years old in my yellow bedroom on Ruth Avenue in North Canton, Ohio, sitting amidst what seemed like a mountain of stuff. I was trying to organize and put it away at my mother’s behest. I had a red bandana tied across the top of my hair, and I was pressed up against a large cardboard box decorated with Disney’s slapstick hero, Donald Duck. I was young and apparently had not learned how to differentiate all my consonants, because, as the story goes, I complained that all I ever did was “cwean, cwean, cwean!”
This summer I traveled quite a lot domestically. While I was in airports, on trains, waiting in lines, and going about my summer I kept coming across certain patterns and experiences which were becoming all too common and too significant to ignore; a mixture of overt and subtle sexism.
