Feminism and Religion

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

In recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.” We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”

The Elements Are Us by Elizabeth Cunningham

Elizabeth Cunningham headshot jpeg

My late uncle, an atheist since age twelve when well-meaning Christians told him his youngest sister was “in a better place,” is now ashes in three red cloth bags. He was the last of my mother’s siblings to die, at the age of ninety-eight, the first being their little sister who died at age four. His children and grandchildren are taking his ashes to be scattered at sea where they will mingle with the bones the pirate Blackbeard, who met a violent end in these same waters almost three centuries earlier. Though most of this memorial weekend is a series of social occasions, and the guests on the boat continue chatting, I am moved by the sight of my cousins taking up spoons and scattering their father and grandfather’s ashes on the wind.

He is returning to the elements that sustained his life: fire, earth, air, water. When we breathe, drink or eat, sweat or shed a tear, in every moment of our lives, we connect through the elements to all the life that has gone before us and all the life that is to come. No belief system is necessary to know this truth in our bones. May we learn to care for the elements—rivers and oceans, air, soil, fuel for light and heat—as we would care for our own bodies. When the elements are degraded, we are degraded; when they are vital, we are vital. The elements are our ancestors, our children. The elements are us. Continue reading “The Elements Are Us by Elizabeth Cunningham”

Cheeky Buddha by Oxana Poberejnaia

Feminism can be loud and in your face. Feminists can be unapologetic and radical in their statements. I could never bring myself to be abrupt with proponents of patriarchal views. Being a middle class Brit from a Soviet background, I withdraw from awkward situations and prefer to keep discussion within civil forms of defined discourse at conferences and letters to my MPs and to the BBC.

People who know that I practise Buddhist disciplines might say that this also plays a part in my avoiding direct confrontation. It is true but only up to a point. I do not rush into an argument mostly because of my training not to rush into anything, but to first become mindful and see where the impetus for my action is coming from: is it something worthwhile or is it some undigested trauma from childhood? It is usually the latter. Continue reading “Cheeky Buddha by Oxana Poberejnaia”

My Tribute to Joy and Vera by Esther Nelson

esther-nelson

My daughter Joy, in so many ways, is like my mother Vera–competent, feisty, determined, smart, no-nonsense, generous, gracious, and loving. Many of her mannerisms mimic Vera’s as well, yet Joy barely knew my mother. She died soon after Joy’s fifth birthday. Unlike both my mother and me, though, Joy came into the world wired with a feminist vision. Comfortable in her own skin from the “get-go,” she did not shrink from asserting her right (quietly–she’s an introvert) to participate in whatever caught her fancy “out there.” She always had a strong sense of autonomy and resists, along with other feminists, when men (or to be more accurate–the patriarchal social system that informs us) attempt to shape public policy based on (primarily) men’s experiences and political agendas.

It took some time for me to understand the structured (and toxic) nature of gender inequality within our society, and even more time to learn to “speak that truth to power.” During Joy’s formative years, I tried my best to instill into her what I had been taught–women were created primarily to be “help-meets” for their husbands and by extension, men. Joy never bought into that “truth.” I could tell by the way she lived. For example, Joy liked to cook. When she prepared a dish, she balked if (when) family members just helped themselves to the fruits of her labor. She insisted they first ask to partake of the food she prepared. She would not be taken for granted. Continue reading “My Tribute to Joy and Vera by Esther Nelson”

Oh, Yes! On a Sexual Revolution in Islam by Vanessa Rivera de la Fuente

For centuries, religions have controlled sexuality. They have defined the legitimate options with regard to gender, sexual orientation, how to make love and its purpose. The religious discourse on sex imposes patriarchy, binarism, marriage, monogamy, motherhood and heterosexuality as sine qua non conditions for a “proper” sexual life. Also, it has caused the invisibility and subordination of female pleasure and has repressed the power of women’s sexuality that allows us multiple orgasms and tireless self sexual satisfaction for a life time.

The modern mainstream Islamic discourse is the continuation of what I already knew in Catholicism about sex: its purpose is to have children, it is lawful only after marriage, the man controls the couple’s sex life and may have more than one partner while women are the exclusive property of their men.

However, it seems that it was not always this way. The biblical book, “The Song of Songs,” for example, describes a sexual encounter with beautiful metaphors and passionate declarations of sexual desire. I insist in this: declarations of sexual desire. Nowhere in this text do the lovers speak of marriage, fidelity, children they will have or who will pay the bills. The “Song of Songs” is a celebration of sexual desire and the desire to have sex just because it is good and pleasant. Pleasure for the sake of pleasure, without normative assumptions, because sexual pleasure is a divine gift and if is shared, is even more divine. Continue reading “Oh, Yes! On a Sexual Revolution in Islam by Vanessa Rivera de la Fuente”

This Be My Altar by Lori Tiron-Pandit

LTP Feb2015 My grandmother took me to church often when I was a child. It was not my favorite activity. The village church, surrounded by the graveyard, was cold and gloomy, and the priest demanded too much undue reverence, I thought. As a consequence, I used to spend whole days devising plans of sudden sickness and disappearance acts before church time.

One summer, I must have been around seven or eight, my grandmother told me that we would be going to a monastery in a neighboring village, and there was nothing I could do or say to get out of it. I felt betrayed by fate and bereft of hope.

When we reached the Vladimiresti Monastery, I found myself in front of a tall fence of thick, whitewashed walls, over which trailed heavy clematis and morning glory vines. It was a beautiful day, with a perfectly clear sky and balmy weather, and that first image of the monastery was so perfect that it seemed almost fake, like a movie set. Continue reading “This Be My Altar by Lori Tiron-Pandit”

Time for Change: What Do the Goddesses Say? by Carolyn Lee Boyd

cb2015 From our very beginnings, women have danced with time. Our bodies’ moon cycles have always been a human calendar. As the first agriculturists, we partnered with the seasons to feed our families and communities. When we served as midwives and carers for the dead, we ushered our species into and out of their Earthly lives.

Time is also embedded in the stories of goddesses worldwide. Like human gatekeepers of birth and death, goddesses are often the stewards of fate. The Greek Moirai spun the thread of life and cut it at death’s proper time. The Balkan Laima , the ancient Arabian Menat, and the Etruscan Nortia are other among many fate goddesses. Some goddesses oversee change, the physical manifestation of time, including Anna Perenna, goddess of the circle of the year as well as all the seasonal goddesses. Kali, Rhea Kronia, and other Creator/Destroyer goddesses rule over time itself.*

Now, however, time is often a weapon of oppression against women. Women overburdened with an unfair share of daily life’s tasks were never able to create millions of paintings, symphonies, and inventions, make scientific discoveries, or engage in other endeavors at great loss to themselves and the world. After just a few years of maturity, we are cast aside as being “old.” How many lives have been cut short by violence, human-made disease, poverty, and war? For how many centuries have we been told to wait for equality and freedom until another war or crisis is over or we die and go to heaven? Continue reading “Time for Change: What Do the Goddesses Say? by Carolyn Lee Boyd”

Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ

For many years I been told of the beautiful Hymn of Kassiani, sung only on Easter Tuesday night, but I had never heard it until this week. For many this song is the high point of Easter week.

Kassiani, also known as St. Kassia, was a Greek woman born into a wealthy family in Constantinople (now Istanbul) about 805 to 810 AD. According to three historians of the time, she was intelligent and beautiful and selected as a potential bride for the Emperor Theophilos. The chroniclers state that the Theophilos approached her and said: “Through woman, the worst,” referring to the sin of Eve. Clever Kassiani responded, “Through woman, the best,” referring to the birth of the Savior through Mary.

Apparently unable to accept being put in his place by a woman, Theophilos chose another bride. Kassiani founded a monastery in Constantinople becoming its first abbess. She was an outspoken theological advocate of icons during the iconoclastic crisis (for which she was flogged). One of only two women to publish under her own name during the Byzantine Middle Ages, Kassiani wrote both poetry and hymns. Up to 50 of her hymns are known today, with 23 of them being part of the Greek Orthodox liturgy. Continue reading “Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ”

Liberation Lessons for Pesach by Ivy Helman

Each year we read the story of our exodus from Egypt during the Pesach seder. The story is one of human liberation from oppression. Yet, most of the imagery we encounter, the drama of the story so to speak, involves nature: a river that saves a baby, a burning bush, the plagues, the re(e)d sea, the wilderness, lack of food and water and the promised land itself. What does this mean?

In general, it means that human liberation is intimately connected to the liberation of all of creation. In particular, the exodus story can teach us many lessons about environmental justice. I’m going to explore five of them here: do not manipulate nature, use water wisely, form a connection to the land, imagine G-d differently and treat humans, animals and the land well.

Continue reading “Liberation Lessons for Pesach by Ivy Helman”

Painting Sophia by Angela Yarber

angela Sophia was the first Holy Women Icon with a folk feminist twist I ever painted. A church gallery was hosting a Lenten triptych exhibition with the theme of “The Many Faces of Jesus.” I knew immediately that the face of Jesus I wanted to portray was Sophia wisdom. Sophia is the Greek feminine word for wisdom in the New Testament. Her characteristics are similar to the Hebrew hokhma, but expand in early Christian theology as she is understood as a divine attribute, or part of the trinity. In these ways, sophia is portrayed as a hypostasis of God’s wisdom, or a part of God’s substance. Accordingly, early Trinitarian formulas reference God the father, Jesus the son, and Sophia the spirit. A female spirit was undeniably an early part of the trinity.

It is worth noting that such an early understanding of the trinity, and of an unequivocally feminine spirit, was once normative. The Spirit was understood as and spoken of as a “she.” April DeConick highlights the difficulty of such an understanding today: “[W]hat must be realized is that Judaism and Christianity are the products of centuries of religious developments. So what might have been considered ‘orthodox’ at an early time, a few centuries later might be considered ‘heretical’ because the tradition and practices had drastically changed by then (April DeConick, Holy Misogyny, 7).” What was once orthodox—a female sophia spirit—has slowly, yet intentionally been overshadowed by patriarchal understandings of the trinity and the spirit. Continue reading “Painting Sophia by Angela Yarber”