Gendered Imagery of God (Part 1) by Elise M. Edwards

Elise Edwards

I have been doing a lot of thinking about gendered imagery and language for God over the past few months. Honestly, a lot of this reflection was provoked by hostile comments I got from my college students at the end of the fall semester because I require gender-neutral language for God and gender-inclusive language when referring to people. The policy in my syllabus is this:

For academic discourse, spoken and written, students are expected to use gender-inclusive language for human beings, and gender-neutral language for God. (e.g. “God” instead of “He;” “God’s” instead of “His;” etc.) This is to prepare students to communicate to the world beyond the Christian university setting. I want to equip you to succeed in graduate school, in the corporate world, and in public communication, all settings in which gender inclusive language for is increasingly expected.

I provide links to websites that discuss the issue, and we talk about it more when we discuss 20th century feminist issues in my course on the Christian Heritage and when we discuss prejudice and sexism in my ethics class.  Some students have thanked me for the policy. But many students are perplexed by it, and I’m perplexed by their confusion. It shocks my system when I hear people refer to “man” for all people; I first became aware of the issue when I was in 2nd or 3rd grade and the Girl Scouts changed their pledge because it referred to “mankind.” That was over 30 years ago!

While I’m confused as to why replacing “man” with “people” is such a difficult task, I am more empathetic to the reorientation required to replace “He” with “God.”  (And I also acknowledge that the term “God” is not completely genderless either.) I recognize that for many of my students, I might be the first one to challenge their gendered conceptions of God.  So I am empathetic, but insistent.

The way discussions about the “gender” of God and Savior are often dismissed as irrelevant, unimportant, silly, or the remote concern of “those feminists” bothers me. Traditional Christian theology asserts that God is a different kind of being than humans are.  Therefore, God (the first person of the Trinity) and the Holy Spirit do not have a sex or gender, as sex is a characteristic associated with physical creature-ness and gender is (to simplify) a social construction related to sex. The second person of the Trinity, Jesus, is thought to be male.  In the Incarnation, the eternal God became human while also divine, and therefore has a sex and gender in the person of Jesus.  But the Trinity as a whole is without sex and has characteristics that we would associate with femininity, masculinity, and genders in between.  According to this logic, references to the maleness of God should only be understood metaphoricall,y not literally, and therefore replacing that language with genderless/sexless language should not be inherently problematic.

I’m not saying that the use of any language in reference to God is appropriate or acceptable within the bounds of traditional theology.  We (traditionals and non-traditionals alike) should be concerned with how we refer to God, because as Sallie McFague and others remind us, these metaphors/models of God have consequences in the world beyond language.  Maleness becomes deified or closer to godliness than femaleness, maleness becomes the model for the priesthood, maleness is the true form of authority, etc.  I believe that many of the concerns about feminine imagery for God are based in this same concern: that by associating God with one sex or gender, we claim God’s preference for that sex or gender.  In a patriarchal system, this correlation between God and the feminine simply will not do.  Feminists who assert feminine qualities of God are merely making projections of themselves, critics claim.

How we conceptualize the being we worship matters. It matters to me, at least. While I acknowledge that there is a danger of simply projecting an image of myself as a deity that I worship, I also think there is great harm in loving and worshiping the divine imaged as those who are at times hostile to me, and historically have been so to my ancestors and kin. So although I know and have good relationships with older, white males, I see no reason why I should image and worship God “the Father” who looks like an old white man. How would that benefit my spiritual practice?

Thank you Carol Christ, for asking me to state my views about this in the comments to my last post. I look forward to more discussions with you and the members of this community.  When I read your work years ago, I was convinced about the validity and rightness of affirming feminine forms of divinity. Although the Christian (patriarchal) tradition does not have much room for Goddess language, I am comfortable with it, at least for the first and third persons of the Trinity. In my next post, I’ll talk more about the ways I am considering the gender of the Christ.

Elise M. Edwards, PhD is a Lecturer in Christian Ethics at Baylor University and a graduate of Claremont Graduate University. She is also a registered architect in the State of Florida. Her interdisciplinary work examines issues of civic engagement and how beliefs and commitments are expressed publicly. As a black feminist, she primarily focuses on cultural expressions by, for, and about women and marginalized communities. Follow her on twitter, google+ or academia.edu.

“Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ

carol-christIn recent years monotheism has been attacked as a “totalizing discourse” that justifies the domination of others in the name of a universal truth. In addition, from the Bible to the present day some have used their own definitions of “exclusive monotheism” to disparage the religions of others. Moreover, feminists have come to recognize that monotheism as we know it has been a “male monotheism” that for the most part excludes female symbols and metaphors for God.  With all of this going against monotheism, who would want to affirm it?

In response to some or all of the above critiques, many modern pagans define themselves as polytheists, affirming at minimum, the Goddess and the God, and at maximum a vast pantheon of individual deities, both female and male, from a single culture or from many, including divinities with animal characteristics.  Other pagans define themselves as animists, affirming a plurality of spirits in the natural world. A group of Christian feminists have argued that the Christian Trinity, the notion of God Three-in-One, provides a multiple and relational understanding of divinity.

While also rejecting exclusive monotheism and male monotheism, Jewish poet, ritualist, and theologian Marcia Falk provided a definition of inclusive monotheism that I find compelling.

Monotheism means that, with all our differences, I am more like you than unlike you. It means that we all share the same source, and that one principle of justice must govern us equally.  . . Continue reading ““Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ”

Gaia by Jassy Watson

JassyWe have come to a point in the history of our civilisation where our relationship to nature seems to be more of one of destruction than of nurturance and respect. Humankind has steadily distanced itself from nature, our homes are filled with dead things, plastics, metals and chemicals. Everything around us is synthetic and manufactured in factories. Some people live their lives never touching nature – the soil, the plants, the grass. I have even met people who have a deep fear of being in nature.  This distancing from nature is a reflection of distancing from our Divine Earth mother, not just as the outside world, but also as the energy of the archetypal Earth Mother within our own psyche.

Many cultures and traditions herald a Great mother, Mother Earth or Mother Nature but our connection to her, especially recently in the Western world, has been severed. In the Greek mysteries, Gaia or Gaea, the Divine Mother, was one of the primal elements who first emerged from cosmic chaos at the dawn of creation.  All the later Pantheon of Gods and Goddesses are said to have descended from her initial union with Ouranos (the sky) and Pontos (the sea). Her geneology and her presence in Greek myth is full of complexities, conflicts and contrasts. Her worship in Ancient Greece did in fact decline, for her role was supplanted by the Gods of Olympus. Some scholars such as Harris and Platzner (Greek Mythology: Images & Insights, 2011), maintain that the decline in her worship and the demonizing and slaying of the snake or serpent – one of Gaia’s primordial symbols and a symbol of archetypal feminine energy, represents the death of the sacred feminine brought about by the insidious reign of a patriarchal pantheon of male gods.

Gaia is not only a figure in Greek myth however. In the 1960s, James Lovelock (2000) formulated the Gaia hypothesis. Lovelock states that all life, and all living things on this planet, are part of a single, all-encompassing global self-regulating system (he avoided the word consciousness) which he named Gaia. It is this global system of interconnection that makes our planet capable of supporting life. Further, he believes, if you live in balance with Mother Nature, health and healing are yours; violate Her laws and tip the balance, you pay the price in suffering and disease. Thus Gaia does not only represent the Ancient Greek Mother Earth and the physical planet, she also represents the forces of nature: laws and intelligences that function on every level of the cosmos. She is the very fabric of existence. Glenys Livingstone says it beautifully:  “She is the eternal pulse, in which each one of us flows. Gaia is Earth, is Universe, is Ultimate Mystery, is you, is me – She is multivalent.” (from her Essay ‘Gaia as a Cosmic Name‘, 2014)

I recently taught two workshops for women ‘Painting Gaia – Exploring our Connection to the Earth’  based in my belief that disconnection and distancing from nature is an issue that needs attention. We need more than ever, at this time in history to re-connect deeply with the earth and with the feminine –  regardless of faith of tradition.  This re-connection that will aid in deep ways in the healing of the planet and of the self. If we are not connected, how can we care about the plight of the planet and all sentient beings? And if we are not caring, how can we take action to make a difference?

I am dedicated to taking action, raising awareness and making a difference in the ways that I know how. The intention for these workshops is to connect to Gaia through the process of visioning, painting and inquiry. Our Gaias were birthed from the cosmos and as we brought her into being we deepened our connection to Her, within and without. We also strengthened our commitment to healing the earth in a capacity that is manageable. Some, including myself, expressed feelings of being overwhelmed by all the atrocities we are flooded with on the news and in social media forums.  In this context, our goal was to become more mindful of our actions and choices. The workshop also called us to a deep, primal remembering of Her eternal presence, from the cosmos to the core.

It was apparent in our discussions is that Gaia represents paradox – life/death, chaos/order, creation/destruction, beauty/ugliness, peace/fury. Connecting deeply with Gaia is ultimately about living in paradox; we must accept both life and death to truly know her nature. Marion Woodman (Dancing in the Flames, 1996) states that “paradox is the core of wisdom and the core of the goddess”. The balance of both must be held.

In Greek art Gaia was often represented “tamed,” presented as a beautiful voluptuous woman, half risen from the Earth as can be seen here:

img_gaia
Gaia rising from the earth, Athenian Red-figure Kylix, 5th c BCE – image from http://www.theoi.com

Following are two of my recent paintings of Gaia in all her elemental power.  I hope you feel and appreciate the difference!
Continue reading “Gaia by Jassy Watson”

Celtic Goddesses – a Personal Journey by Judith Shaw

Judith ShawWhen I first discovered the Goddess as a young woman, I was drawn to the Goddess of prehistory. I felt Her power and importance through the statues, figurines and shrines that were uncovered, as Her names and stories have been lost to us.

Later I discovered, in the first written tablets found, the story of Inanna, the Sumerian Goddess. Her story covers all the aspects of a woman’s life – the maiden, the lover, the queen, the mother.  She brought the gifts of civilization to Her people.  She descended into the underworld and was reborn.  As Queen of Heaven and Earth, She ruled all.  I worked with images of Her for many years.

Continue reading “Celtic Goddesses – a Personal Journey by Judith Shaw”

MATRIARCHY: DARING TO USE THE “M” WORD by Carol P. Christ

carol-christFor me the word “matriarchy” expresses the certainty that “another world” can exist—a world not based in domination and hierarchy or violence and war. 

The word “matriarchy” makes people’s hair stand on end as they imagine the mirror-image of patriarchy: societies in which women dominate men, beat men, rape men, hold men as slaves, and demand obedience from men.  Some who do not protest very loudly or at all against patriarchy are horrified by the very idea of matriarchy. To be fair, most feminists have also been schooled not to use the “m” word.

Early in my academic career, I read “The Myth of Matriarchy” by Joan Bamberger and learned that the idea of matriarchy gone wrong has been used by men to justify patriarchy. From other academics I learned that in matrilineal societies, uncles have a great deal of power—so therefore there never was a matriarchy.  I was also aware that Jungian and other proponents of a “matriarchal stage” in the development of culture have argued that matriarchy had to be succeeded by patriarchy in order for societies to evolve to a “higher” stage. Unlike many of my colleagues I stubbornly held onto the belief that there must have been “a better way” prior to patriarchy. Continue reading “MATRIARCHY: DARING TO USE THE “M” WORD by Carol P. Christ”

Heart of the Matter by Oxana Poberejnaia

oxanaMy friend whom I teach frame drumming teaches us shamanic journeying. There was an episode in one of my journeys, when, unable to see the way forward, I put the palm of my hand on the ground and went down a hole I was creating to the core of the earth. Since then, this scene came into my mind several times when I was talking to friends about inner truth. Also, the posture itself bears uncanny resemblance to the iconic Buddha posture of touching earth with his right hand.

Touch the Earth Mudra
Touch the Earth Mudra

According to a Buddhist legend, on the night of Enlightenment Prince Siddhartha encountered Mara, the Lord of Death, who threw various hindrances the Buddha’s way to prevent him from attaining Supreme Enlightenment.  The final challenge was Mara’s claim that the Buddha had no right to be in the seat of Enlightenment. The Buddha then touched the earth with his right hand to call Her as a witness of his past spiritual achievements and his right to gain Enlightenment.

Continue reading “Heart of the Matter by Oxana Poberejnaia”

WOMEN AND WEEDING, THE FIRST 10,000 YEARS* by Carol P. Christ

carol-christMary, Mary, quite contrary, how does your garden grow? With silver bells and cockle shells, and pretty little maids all in a row.

From the beginning of horticulture about 8000 BCE or earlier to the present day, weeding has been women’s work. Women, who were the gatherers and preparers of food in traditional nomadic societies, no doubt were the first to discover that seeds dropped at a campsite one year sometimes sprung up as plants the next year. When this discovery was systematized, agriculture was invented, and human beings began to settle down in the first villages and towns.

In the early days of horticulture (the name for the earliest stage of agriculture before the plow was developed), the cycles of planting and harvest and all the stages in between were understood to have been given to mothers by the Great Mother, the Source of Life.  The secrets of planting, seed collection, harvest, and food preparation and preservation were all perceived to be “mysteries” connected to the ongoing cycles of birth, death, and regeneration in the universe.

My grandmother Lena Marie Searing who was born on a farm in Michigan must have learned agricultural secrets from her mother, for she not only created a beautiful garden, she also farmed an orchard and preserved its fruits in glass jars that lined her pantry.  It was she who taught me and my brothers and cousins to love nature.  My mother learned to garden from her mother, but she did not harvest food crops. I think of both of them whenever I work in my garden.

The past few days I have been weeding my garden after heavy rains that left the soil clumpy and moist.  I have weeded before, but I have never enjoyed it so much.  My garden has matured over the past seven years, and now the weeds are more “under control.”  There aren’t so many of them, and as I have now been weeding them out over the years, their roots are shallow.

As I slide a trowel into the earth the weeds lift up and with my fingers I gently pull the plants with their roots from the soil.  The weeds are familiar, though I don’t know all of their names. The “sticky weed” has many tough roots, the clover has many fine ones—both are hard to eradicate. Other weeds are easy to pull up and do not reappear again until the next year.

wild chamomile blooming among "weeds"
wild chamomile blooming among “weeds”

I am discovering that weeding is a delicate process. Sometimes the roots of plants I want in the garden are entangled with those of the weeds. I work carefully choosing the ones to save and the ones to discard.** I leave poppies, chamomile, yellow daisies, and marigolds where I find them, as I consider them to be wildflowers that will provide beauty in my garden when they bloom in spring. I also take care to “keep the soil in good heart” by not discarding too much of it along with the weeds.

As I weed, I think of the women in my village who harvest greens from the fields, feeling certain that some of the weeds I discard are edible.  I marvel at all of the knowledge women have shared and passed down over the past 10,000 years and more, as I realize how little of it I know. My suspicion that some of my weeds could be food is validated when a friend and I order boiled “greens from the mountains” for lunch at a local taverna and are served one of the plants I had thrown into the garbage can.

As I weed, I am reminded of an essay called “Keeping the Soil in Good Heart: Women Weeders, the Environment, and Ecofeminism” by Candice Bradley which was published in Karen J. Warren’s EcofeminismBradley writes that weeding is women’s work in almost all cultures.  As I work, I understand that this is so because weeding is delicate work that requires concentration and patience and that must be repeated. Bradley says that in many cultures men disparage weeding as they disparage housework—not considering either to be “real” work.

Horticulture is the most environmentally friendly form of farming, according to Bradley, because it does the least harm to the soil, and because the weeds that are not eaten are burned or composted and turned back into the earth to replenish it.

While weeding by hand has been considered work for women and children, men have generally controlled the plow and its recent successor, the tractor. However, as Bradly states, the plow and the tractor do not eliminate the need for hand-weeding.  In many cases they encourage the weeds to regenerate. Women and children still weed.

The chemical gardening and farming industry (“round it up”) is based on the premise that weeds can and must be eradicated. Rachel Carson warned us of the danger this approach to agriculture presents to human and all other forms of life.  A by-product of chemical agriculture is that the careful work of women weeders is further discounted.

I do not use chemicals or pesticides in my garden, and I will be out there weeding on a regular basis in the next months.  As I put my hands in the earth, I will think of all the women before me who have weeded and planted, weeded and harvested, and weeded again. Blessed be.

*The title of this essay is an homage to Elizabeth Wayland Barber’s Women’s Work: The First 20,000 Years which discusses and celebrates women and weaving.

**I am aware that no plant was born a “weed” and that the designation of some plants as weeds is a by-product of human digestive systems, human taste, agriculture, and the creation of gardens for the celebration of beauty.

Carol P. Christ created a newly released new website for the Goddess Pilgrimage to Crete which she leads through Ariadne Institute.  Early bird special for the spring pilgrimage available until February 15.  Carol can be heard on a WATER Teleconference.  Carol’s books include She Who Changes and Rebirth of the Goddess and the widely-used anthologies Womanspirit Rising and Weaving the Visions

The Great Commandment for Women: Love and Care for Yourself as You Love and Care for Others by Carol P. Christ

carol-christA rabbi known as Jesus of Nazareth taught that you should  “love God with all your heart and your neighbor as yourself.”  Charles Hartshorne, philosopher of relationship and a twentieth century advocate of the “two great commandments,” added that it should be understood that this means that God wants you to love yourself too.

I quote Hartshorne’s midrash on the great teaching often because, sadly, too many women—and some men too–have been taught to love their neighbors at the expense of themselves, to care for others, but not to care as much for themselves.  Continue reading “The Great Commandment for Women: Love and Care for Yourself as You Love and Care for Others by Carol P. Christ”

Yes me! Creating a Website for the Goddess Pilgrimage to Crete by Carol P. Christ

I am grcarol-christateful to the founders of Feminism and Religion for creating a community of which I am part. I am also grateful to them for introducing me to web skills, including how to create a hyperlink, add photographs to a text, choose search terms, and design a web page.  These skills served me well when it came time to design a new website for the Goddess Pilgrimage to Crete.

When I mentioned to a friend that I was looking for someone to design our new website, she responded, “If you want it to represent your vision, you need to do it yourself.”  Later, when one of my colleagues suggested an idea for the website that was definitely not part of my vision, I realized that I could not give the job to anyone else. Still, I didn’t think I had the skills to create a website myself. Continue reading “Yes me! Creating a Website for the Goddess Pilgrimage to Crete by Carol P. Christ”

How is it That God Speaks? by Kelly Brown Douglas

Rev.-Dr.-Kelly-Brown-Douglas - Version 2A few weeks ago, after delivering a sermon, a young woman approached me and said she had a question about my sermon.  I of course braced myself for the question as I ran my sermon back over in my head trying to remember what I could have said that might have troubled her in some way. As it turned out, hers was a rather thoughtful question, reflective of an insightful theological observation. She said she noticed as I preached that I never used a pronoun for God. She asked if this was intentional. She went on to say that by not using a pronoun for god I forced her to try to image “the way god is, not the way god looks.” I complemented the young woman for her keen observation and astute theological insight. I responded that my avoidance of pronouns when speaking about god was in fact intentional. I explained to her that given the limitations of our finite language in trying to speak of a god who is infinite, that not only are we better served, but perhaps god is also better served when we avoid pronouns, or even nouns when speaking about god.  Why, because we should try to speak about god the way in which god speaks to us.  And so this begs the question: How it is that god speaks?

The god in which I have faith does not speak to us as a static being. Rather, god speaks to us as a dynamic, restless force in our world. This, for me, is what god’s revelation in Jesus is all about.  The gospel of John tells us that in the beginning was the word and the word was with god, the word was god and the word became flesh. Inasmuch as Jesus is the incarnate word of god speaking to us, then for us to speak about god the way in which god speaks is for us to enflesh that very word that became flesh for us.  What then does this mean? How are we to speak about god? Continue reading “How is it That God Speaks? by Kelly Brown Douglas”