Exploring the F-word in religion at the intersection of scholarship, activism, and community.
I have been drawn to the Goddess for a variety of reasons. Initially, as a young woman, She spoke to me of my own power, self-worth, self-determination and my/every woman’s inherent beauty. She lent Her hand to my emerging sense of independence from male domination.
Over the years my experience of Goddess deepened. At times I feel Her as manifest in me and as a symbol of my own power. At other times She is who I pray to for both personal and community help.
Barbara Ardinger (one blogger here – watch for her “twist” on this in January!) and I were discussing that an explanation of the pagan year and our Sabbats might be in order. Sometimes when we are immersed in our own spiritual practice, we forget that those who read what we have written may not have a clear understanding of what forms the basis of the holy days we speak of in our articles. These holidays are called Sabbats. The word sabbat is of obscure etymology but was understood in the Middle Ages to mean a gathering of witches and heretics. The word comes from the Hebrew Shabbath meaning a day of rest. Christians use the word Sabbath for Sunday, their traditional day of worship. It is interesting to note this was not a term originally coined by pagans, themselves. It has been borrowed or adopted for use today.
Pagans see the journey traveled in a year or a lifetime as kind of wheel. It is based on the earth’s journey around the sun. One rotation equals one year. We call it the Wheel of the Year. Since the origins of most of the traditions practiced by pagans in this country come from the Northern Hemisphere, the turning of the wheel is based on the Earth’s travel around the sun and the impact that is felt in the Northern Hemisphere. It would be exactly the opposite for those in the Southern Hemisphere. Continue reading “The Pagan Wheel of the Year by Deanne Quarrie”
The charge of “essentialism” has become equivalent to the “kiss of death” in recent feminist discussions. In this context it is taboo to speak of Mother Earth. Yet, I would argue there are good reasons for speaking of Mother Earth that do not add up to essentialism. What if the values associated with motherhood are viewed as the highest values? What if the image of Mother Earth encourages all of us to recognize the gift of life and to share the gifts we have been given with others?
For those not familiar with the “essentialism” debate in feminist theory, it might be useful to define “essentialism.” In philosophy, essentialism is the idea that every “thing” has an “essence” which defines it. In its pure form, essentialism is a by-product of Platonic “idealism” which states, for example, that the “idea” of table is prior to every actual table and that every actual table is an embodiment of the idea of table.
Aristotle disagreed with the Platonic view “way back then,” arguing that the idea of what a table is can be inferred from actual tables, and so on for every “thing.” There is no need for an idea to exist prior to the existence of anything. Rather ideas help us to name and categorize existing things. In the 20th century “existentialism” again challenged “essentialism,” asserting that “existence precedes essence.” Existentialism argued that free individuals are defined by what they do, not by what they “are” prior to or apart from their actions.
When Whitehead said that all western philosophy can be understood as a footnote to Plato, he was referring in part to disagreements among philosophers about the relationship of ideas to things and existence to essence.
In the context of feminist theory, the charge of “essentialism” is used to criticize theories which speak of woman as opposed to man or feminine as opposed to masculine. Continue reading “IS IT ESSENTIALIST TO SPEAK OF EARTH AS OUR MOTHER? by Carol P. Christ”
Layne Redmond passed away on 28 October 2013. Days before her death I received by post her signature Lotus Tambourine which Layne developed with Remo, manufacturer of world frame drums. Remo posted a tribute to her on her page as a Remo artist. Percussive Arts Society published an In Memoriam of her, along with the link to an article by Layne Redmond “Frame Drums and History”. Facebook and especially Women Frame Drumming page exploded with expressions of gratitude, sympathy and testimonials of how Layne changed people’s lives. Here is an account of Layne’s last summer by a person who supported her in her end-of-life transition.
Layne Redmond was intensely busy with two projects during this time: completing her film about drumming spiritual practices to dream awake Afro-Brazilian Gods and Goddesses, and preparing her seminal book When The Drummers Were Women for re-printing with new materials and photos. She put out appeals for both projects, including on Karen Tate’s show “The Voices of the Sacred Feminine” in June 2013, and people helped with their money and time.
Continue reading “The Quiet Voice of the Frame Drum by Oxana Poberejnaia”
“The mystery of God in feminist theological discourse” is the subtitle of Elizabeth Johnson’s widely read She Who Is. The notion that God is “a mystery” is rarely questioned in feminist theologies. But maybe it should be.
Although it is true that the finite cannot encompass the infinite, and that all knowledge is rooted in particular standpoints, I do not agree that the first and last thing to be said about the divine power is that it is “a mystery.” Indeed as I will argue here, speaking about God as “a mystery” obscures more than it “reveals.”
The notion that Goddess or God is “a mystery” is rooted in notions of “a God out there” that most spiritual feminists reject. Goddess or God “in” the world is, I suggest, not unknown, but known, not hidden, but revealed–in the beauty of the world and in ordinary acts of love and generosity.
The notion that God is “a mystery” is a well-worn trope in Roman Catholic theology. Protestants make similar claims when they speak of the hiddenness of God Continue reading ““THE DIVINE MYSTERY”? by Carol P. Christ”
Fand is a Celtic Sea Goddess whom some scholars believe originated as a Manx sea deity (the original inhabitants of the Isle of Man). With time She became the most loved of Ireland’s fairy queens, called “Queen of the Fairies. Fand, meaning “Pearl of Beauty” or “Tear” was stunningly beautiful. Though she was married to the Celtic Irish Sea God, Manannan Mac Lir, She, like other faery queens, fell in love with and then enchanted a mortal man, linking our world with Her Otherworld. Being the Goddess/Faery Queen she was, Fand fell in love not with any common man but with Cuchulainn, the greatest Irish hero.
Continue reading “Fand – Goddess of the Sea – a Shapeshifter for Samhain by Judith Shaw”
The Visit
I came here
in order to lie in the sand
on a sunny day
and feel the warmth
the way it lifted me
weightlessly
we were one
the Earth and I
seamless
she pressed her face
to mine, I ran
my hands through her
and we streamed
with timeless
happiness
I came to lie in the sand
and feel
her living warmth.
Continue reading “Three Poems by Janine Canan”
We are in the season of the Autumn Equinox. The Autumn Equinox occurs on a specific day each year, as does the Spring Equinox. While it may be a precise moment in time, it is also a season. Nothing happens quickly in time and space. Without getting scientific as an explanation of what happens at both, here is a quick one – the name ‘equinox’ comes from the Latin aequus, meaning equal and nox, meaning night. Earth’s two hemispheres are receiving the sun’s rays equally at the equinoxes. This causes night and day to be approximately equal in length. Continue reading “Balance and the Autumn Equinox by Deanne Quarrie”
September 25, 2013 is the second anniversary of the death of environmental, peace, justice, and democracy advocate and Nobel Peace Prize recipient Wangari Muta Maathai.
Wangari Muta was born in 1940 in a round hut in rural tribal Kenya. Wangari’s tribe considered the fig tree to be holy, and she was taught that one is never to cut a fig tree down or to use its branches for firewood. Wangari spent many happy childhood hours in the shade of a fig tree that grew by a nearby stream. Fig trees play an important role in the ecological system of the Rift Valley of Kenya. Their roots penetrate the hard rock surface of the mountains to find underground water, thus opening channels where the water flows upward to fill streams and rivers.
As an adult Maathai learned that the fig tree she played under had been cut down by a settler with the result that the river had dried up. This was happening all over Kenya on a massive scale to make room for cash crop plantations. Rivers were silting up and widespread erosion threatened to turn the fertile Rift Valley into a desert. Crops were failing, animals were starving, there was no wood for cooking fires, and rural people were suffering.
Maathai says that as she was thinking about this problem “It just came to me: ‘Why not plant trees?’ … This is how the Green Belt Movement began.” Continue reading “WANGARI MUTA MAATHAI AND SACRED MOUNT KENYA by Carol P. Christ”
The words we use affect our thinking. In the case of ancient Crete the repetition of the terms “Palace,” “Palace of Knossos,” “King Minos,” “Minoan,” “Priest-King,” and “Prince of the Lilies” shape the way we understand history–even when we ourselves know these terms are incorrect. We must engage in “new naming.”
Ariadne. May have been a name of the Goddess of pre-patriarchal Crete. The ending “ne” signifies that Ariadne is not of Greek or Indo-European origin and thus predates the later Greek myths.
Ariadnian. The name I have given to the Old European pre-patriarchal culture of Crete, from arrival of the Neolithic settlers from Anatolia c.7000 BCE to the Mycenaean invasion c.1450 BCE. Arthur Evans named the Bronze Age (c.3000-1450 BCE) culture of Crete “Minoan” after King Minos of Greek mythology, son of Zeus and Europa, husband of Pasiphae, father of Ariadne, whose gift of the secret of the labyrinth to Theseus led to the downfall of her culture. Evans assumed that Minoan Crete was ruled by a King.
This image I call “Ariadne Dancing” could become the new “icon” of Ariadnian Crete.
It could and should replace the “icon” of the “Priest-King” Arthur Evans’ “imaginatively” reconstructed and named the “Prince of the Lilies.”
Once we remove the crown which probably belonged to a Sphinx, the figure’s white color and athletic body suggests it was intended to portray a young female bull-leaper leading a bull. Continue reading “A New Glossary for Crete: The Power of Naming and the Study of History by Carol P. Christ”
Feminism and Religion 