Life – a precious gift I so often take for granted. Events of recent weeks have turned that blatant disregard into profound gratitude.
I began keeping bees about three years ago. My first two years were unsuccessful. But last year, bees I obtained from my bee mentor, Mike, were strong and vibrant. They provided me with my first honey harvest, wintered well, and come spring were out and about pollinating the neighborhood.
Dawn Mandala, ink and watercolor on paper, by Judith Shaw
Can geometry open our hearts and minds to spirit? Throughout time people around the world have thought so. Mandalas and Sacred Geometry symbols are found in many cultures both ancient and modern.
Mandala is a Sanskrit word which means “sacred circle.” In Buddhism, Hinduism and other ancient wisdom traditions of the East, the mandala has been used as a tool to facilitate contemplation and meditation. Through the process of studying and/or creating a mandala one can reach one’s center, one’s connection to Source. The circle, the first closed shape of Sacred Geometry, thus becomes a doorway to Oneness.
Traditional Hindu mandalas follow a strict form. Every mandala is created following the precise design of that form. One sees a further development of other Sacred Geometries within these traditional forms. First there is the squaring of the circle also known as “The Marriage of Heaven and Earth”, with the circle representing Heaven and the square representing Earth.
In the Hindu tradition, each design within this “Marriage of Heaven and Earth” is called a yantra mandala and functions as a symbol which reveals cosmic truths. Thus yantra mandalas become sacred geometric symbols of a particular Hindu deity.
One of the most famous yantra mandalas is the Shri Yantra, a symbol of Tripurasundari, a supreme Hindu Tantric Goddess. It depicts a series of precisely interlocking triangles, half pointing downward and half pointing upward. It forms a state of perfect balance and harmony and represents the union of the female and male principles. Also known as the Yantra of Creation or the Cosmic Yantra it is the most honored of all the Hindu yantras. The Shri Yantra becomes a door which can lead to the experience of Oneness.
Another goddess whose divine truths are revealed through the mandala is Lakshmi, Hindu Goddess of fortune, light, luck, and beauty. Meditating on the Lakshmi Yantra encourages spiritual progress and helps to overcome internal blocks.
Christianity has also used the mandala to represent Divine Oneness and to teach the wisdom of its tradition. The magnificent rose windows of the Gothic cathedrals are luminous examples of western mandalas. Complex sacred geometries were used in the architectural designs of the buildings themselves and of the rose windows.
The rose windows are a western representation of our human aspiration towards wholeness and balance. The rose windows operate on various levels; spiritual, emotional and intellectual. The instructional aspect of the rose windows is clearly seen by the subject matter – biblical stories, lives of the saints, astrological calendars, and morality stories to name a few.
In much the same way that the Hindu yantras symbolize the aspects of a particular deity, the rose windows typically show Christ or the Virgin or some other combination in the central rosette of the window. The gates at the cardinal points of the yantras depict the many paths available to reach the divine. In a similar fashion, the saints shown in the petals of a rose window can be seen as paths to Christ.
More than likely, mandalas were reintroduced into western thought through the Carl Jung’s pioneering work on the unconscious. Jung wrote: “I sketched every morning in a notebook a small circular drawing,…which seemed to correspond to my inner situation at the time….Only gradually did I discover what the mandala really is:…the Self, the wholeness of the personality, which if all goes well is harmonious.”
Lotus Mandala 1, oil on canvas, by Judith Shaw
Continuing in this tradition, artists and spiritual practitioners today have been exploring a more free-form style of the mandala. Within the basic foundation of the “squaring of the circle”, the artist then creates a personal, spontaneous design based on the concepts of balance, wholeness and oneness.
A quick google search reveals a multitude of mandala workshops being offered all around the world. Exploration of the mandala through these workshops offers a connection to your true self, an experience of sacred love, an opportunity to improve your life with intention, a deepening of your connection to nature, healing of emotional, mental, or physical pain, and a chance to be truly in the moment.
The mandala is a form that I have used in my own art since before I discovered the existence of Sacred Geometry. Even when not directly exploring the mandala, I find that often I want to draw a circle around the main image in my painting – seeking that experience of wholeness in the process of painting.
In future posts I will explore other elements of Sacred Geometry, all of which grow out of the mandala, the sacred circle.
Judith’s deck of Celtic Goddess Oracle Cards is available now. You can order your deck on Judith’s website. Experience the wisdom of the Celtic Goddesses!
Judith Shaw, a graduate of the San Francisco Art Institute, has been interested in myth, culture and mystical studies all her life. Not long after graduating from SFAI, while living in Greece, Judith began exploring the Goddess in her artwork. She continues to be inspired by the Divine Feminine in all of Her manifestations. Originally from New Orleans, Judith now makes her home in New Mexico where she paints and teaches part-time. She is currently hard at work on a deck of Goddess cards. Her work, which expresses her belief in the interconnectedness of all life, can be seen on her website.
Caer Ibormeith, Celtic Goddess of Dreams and Prophecy, is a pan-Celtic goddess who was worshipped in Ireland, Scotland and Wales. In Scotland and Wales Her name was used to name places such as Caer Edin (Edinburgh). In Ireland Her name identified the homes of Goddesses and Gods, such as Caer Arianrhod, home to the Goddess Arianrhod. Continue reading “Caer Ibormeith, Celtic Goddess of Dreams and Prophecy by Judith Shaw”
Morrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them. In the Ulster cycle stories she also appears as a cow, a wolf and an eel. This indicates Her connection to prosperity, sovereignty and the land. Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.
The beauty and the power of the Earth are all around us. Even in the poorest and most blighted urban environments trees, hollyhocks, sunflowers and other sturdy plants grow up through the concrete. We are children of the Earth, of the Goddess, who in Her many forms, is the manifest symbol of the sacred Earth.
Most of us love the space we find ourselves in when spending time with nature – hiking, walking, camping, birdwatching, swimming in the sea, riding a bike, working in our gardens – all activities that help us feel connected to this Earth we walk upon; that help us find an inner peaceful place.
Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge is best known as the mother of Taliesen, the greatest of all the Welsh poets. But Her story is much older and Her powers run deep.
Cerridwen (“White Sow”, or “White Crafty One”) has many other names: Dark Moon Goddess, Great Mother, White Lady of Inspiration and Death, Goddess of Nature, and Grain Goddess. She rules the realms of death, fertility, regeneration, inspiration, magic, enchantment and knowledge. Her ritual pursuit of Gwion Bach symbolizes the changing of the seasons, nature’s yearly cycle of death and rebirth.
Medb, Celtic Sovereignty Goddess of Connacht, the wilderness in the Irish west, ruled war, fertility and the earth. A man became king of Connacht only by participating in a ritual of intoxication and entering into sacred marriage with Medb at Connacht’s mystical center, Tara. She had an insatiable sexual appetite, taking men as she pleased and marrying at least four, who became King of Connacht in their turn. Her first husband was probably King Conchobar of Ulster, with whom she had seven sons and later became her mortal enemy. With Aillil she had three daughters.
Branwen, Goddess of Love and Beauty, daughter of Penardim and Llyr, sister of Bran the Blessed, King over all the Island of the Mighty, was loved by her people for her gentleness, compassion and beauty. As Mother of the king to come in the tradition of the Old Tribes of the British Isles, she is the embodiment of Sovereignty. She is the Center from which all life emerges. She rules over the Land, both its spirit and its manifestation. Her vision is long, seeing the whole, the greater scheme of things. Sometimes this knowledge can be too much to bear.
Branwen (“white raven”), is most likely an ancient Goddess whose sacred spot is Cadair Bronwen (Branwen’s Seat), a mountain peak in the Berwyn range of Wales. Cadair Bronwen is topped with a cairn that resembles a nipple from afar.
Reincarnation is a spiritual belief that our souls are reborn many times to this physical Earth plane. These many lives give us the opportunity to experience a variety of circumstances and create karma, the law of cause and effect. Through these experiences one grows, until ultimately one’s soul reaches a level in which it transcends to another dimension. Once in these other dimensions our souls continue their evolution toward oneness with Source.
I have always believed in reincarnation myself and have explored the idea in various paintings. This painting, Many Lives, illustrates that belief. The far left figure is my present self and the other figures represent selves I might have been in past lives. But the concept of reincarnation is not as ancient as I thought it was.
It is difficult to known exact beliefs of peoples who lived before written history began but some scholars feel that ancient cultures who practiced shamanistic Earth-based religions had a concept of reincarnation. But other scholars believe that these tribes taught only of the preexistence of the soul before birth or its independent survival after death in an Otherworld. Continue reading “Reincarnation – A Belief Found Worldwide by Judith Shaw”
Danu, of the flowing waters, Queen of the fertile land – Danu, the Great Mother Goddess of the Irish Celts, known as Don by the Welsh Celts, is the Creator Goddess of the Tuatha De Danann, the first wave of Celtic tribes to invade Ireland. She is also known as Danann, Ana, and Anann. She gave birth to all life in the land of the Celts.
No stories of Her survive but Her power remains strong. She is the most ancient of all the Celtic deities. In a silver flash of iridescence she appears in my mind’s eye.
As the “Flowing One” She is associated with the seas, wells, springs and the Danube River, gifting Her children the magic of transformation, inspiration, and wisdom. As an Earth Goddess, She bestows abundance and earth mysteries. She embodies the wisdom of living in balance with the Earth. She is sometimes associated with Flidais of the cattle and deer. She is also connected with Brigid, Goddess of Healing, Poetry and Smithcraft, who the original Neolithic people of Ireland worshiped long before the Celts arrived. Continue reading “Danu, Celtic Mother Goddess by Judith Shaw”