poetry – Page 5 – Feminism and Religion

What, Together, We Are by Annelinde Metzner

It seems that the hearts of the whole world, and especially the hearts of women, are grieving now, as war and warmongering take over more and more of the Earth. Patriarchy rages on, like a monster in its death throes, and we wonder, “will they take us all down with them?” It is my hope that these poems will help us to keep on keeping on, keep on loving Her.

My grief, my love for the world

I watch the dancer, one arm framing her face,
one hip drawing upward in the belly’s rhythm.
The dance of mature women, Raqs Sharqi
born of the sensuous music of the Middle East.
Her hips pull us into infinity,
an inward-outward shout of beauty and desire.

My Goddess by Mary Gelfand

Birth of a Galaxy, by Willow Arlena, https://www.mysticlifedesign.com/

My Goddess is unconfined
–unbound
–unlimited
–unrestricted.

My Goddess exists beyond
–the images of Her created by men
–the words describing Her written by men
–the laws coercing Her, enacted by men.

Pride Season 2023 by Marie Cartier

Here you come again

Twenty-three states banning drag, 100 bills being considered

Just when I’m about to make it work without you

F*** you GOP

You look into my eyes and lie those pretty lies

Abortion is settled law

Gay marriage is settled law

Channeling the Divine: A Creative Process by Brenda Edgar

Last year, I completed a life-changing yoga teacher training and spiritual development program at Supreme Peace Yoga and Wellness in Louisville, KY. One of its components was the creation of Soul Collage cards which were prompted by facilitator Jodie Tingle-Willis’s guided meditations.

The Soul Collage process is not only a profound way of connecting to the divine within and around us; for me, it is also a powerful vehicle for channeling poetry from this same source. My results from this multi-step creative process have led me to explore some pleasantly surprising spiritual terrain.

As an example, the card above was created after a visualization exercise around the idea of community—specifically, the small cohort of women in our training program, and the influence they had on me as we worked and learned together:

After some time had passed, I revisited the card and asked it once again to inspire me creatively. The result was this poem, which evokes an indigenous vision quest—an experience I have not had outside of this creative journey.

From the Archives: Archy and Mehitabel by Barbara Ardinger

This was originally posted on December 1, 2019

Archy the Cockroach and Mehitabel the Cat were introduced to the world in 1916 by Don Marquis, a columnist for the New York Evening Sun. Marquis was more than a mere columnist; he was a social commentator and satirist admired by nearly every famous writer of the first quarter of the 20^th century. Franklin P. Adams, for example, said Marquis was “far closer to Mark Twain than anybody I know” (see note).

Shadows on the Wall by Sara Wright

The following poems were written after making a decision to move into an apartment for the winter, and then struggling to understand what went wrong. Instead of community I met with hostility, and as we know one breeds the other, and for a time I got caught by my shadow too.

Called home out of necessity and need, the longer I stayed the harder it was to leave even when 16 feet of snow crashed down from the roof blocking the entire front of my house. ‘The Peace of the Wild Things’ is in my blood and as hard as I try, I can’t seem to make an adjustment to living in a town where crows and men rule, and birdsong is absent though migration is under way.

“O Mystery” and other poems by Annelinde Metzner

Part of what poetry does is to give us the world around us seen with a clear eye, without judgement or preconceptions. You are stating just what is, but always with a foot in both worlds, always seeing the mundane in its place in the universal. In “The Earthen Cloak,” I was blessed with the hospitality of a Quaker friend who guided me through a hidden graveyard deep in the woods, where Friends had chosen to be buried under trees and amid rhododendrons, leaving a legacy of their own love of the Earth. (It’s legal to be buried “straight into the ground” in North Carolina, without a casket but often with a shroud.)

That Old, Old, OLD Story – The Warts and Wisdom of the Ancient

My grandmother Clarine was an incredible human being. I absolutely could not be more proud to be her granddaughter. She started her first teaching position in 1927 at age 17. She met my grandfather in seminary; but despite her clear talent and call, the church apparently felt one minister was enough for the family and refused to ordain her. Undaunted, she famously wrote a one line reply to the bishop: Well, Moses got along fine without it, and Jesus got along fine without it, so I’ll be fine without it, too.