Big Mama by Arianne MacBean

Big Mama at sunset

I used to tell my dance students that the dance floor was like a Big Mama, aways there to catch them, always there to sink into, always there to press back. This was my way of teaching them to trust the floor, that it was not a place where they needed to fear crashing into, but a place that wanted to take them in, hug them, love them. As dancers, we spend much time focused on the floor, how to release into it with control, how to push off it, even how to defy it and manipulate it. It becomes our partner in all dances, this blanket beneath us. But I haven’t been in a dance studio for a few years and so I have found myself looking up, instead of down.

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The Tree in my Front Yard by Marie Cartier

I have not been in this room for three years- except to run in and out -the pandemic made me claustrophobic and anyway I usually need a coffee shop environment to write and we were in lock down so my wife and I transformed our living room to a coffeeshop, Fig and Hillary’s- so named for the huge Hillary poster on the wall and the fig trees in the backyard. My office became a storage room piled high with—what? Stuff.

Then, finally… it seemed the pandemic –at least in terms of dire death prediction—was perhaps over. It took most of this post pandemic year to get up out of the living room where I had encamped to come back to here—my actual office. To put the bookshelves back and—to turn my desk around so I am  not facing the door but facing the window.

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Floods and Flexibility: Another Rainy Day Reflection by Sara Wright

As soon as I awakened, I set off for my predawn walk in light rain, a habit that I am re -forming after having lived in NM that one summer when the days were too hot, too windy, the air too polluted for me to stand being outdoors except in the predawn hours. It was even too damn hot to sleep at night…even my beloved wild lizards hid out during the fierce heat of the day.

 I am adjusting to living in the tropics by becoming more and more flexible. I make no plans. I stay home when I need to, allowing the day to guide me. I will not walk in polluted air even at 4:30 AM. Fortunately, I love my simple cabin that is mercifully empty of ‘stuff’. I have evolved into a minimalist. Except for plants, dogs, and Lily b my bird, my closest friends and relatives not much has change here since I built this house except that I have less!

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Aging and the Ancestral Dark? by Sara Wright

Unfortunately, an inner darkness has been with me all fall hiding in the corners of my mind and disturbing my body creating headaches and stomach troubles during the day. Although I attempt to protect myself from a culture that I cannot control by not listening to news, watching television, movies or perusing social media I am painfully aware of the fact that politicians on an international level cannot even agree to discuss what to do about climate change – this after 30 years of doing absolutely nothing – creating in me a mindless fury that leaves me in black despair. The time of acting locally and thinking globally is long past. Thinking and doing must occur on a global level. Novelist Richard Powers states the obvious: “People can better imagine the end of the end of the world before the end of Capitalism”. Then we can move to the moon.

I have also been forced to acknowledge how difficult this year has been on a personal level. Aging is affecting my energy level, increasing the severity of depressed states, my sense of inner and outer balance. I am vulnerable and know it although I do my best to begin each day with gratitude as I first peer out at my beloved trees, a little nuthatch or chickadee, gaze at a silver crescent, or celebrate a pale pink dawning.

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Hemlock Haunting by Sara Wright

When I stand under

one of these giants

I sink into the dark

 spiraling into

Deep Time.

 If Hemlock

does not succumb

to insects

 a poisoned sky

 this tree might 

live out a natural life…

 800 years is eight to

ten times longer

than this piercing pain

of mine –

So why is

anguish

stretching me

into ‘forever’

mourning trees

without hope?

One difference

is that Hemlock

lives in community

with others that care

the kindness of kin

both young and old

Roots entwine, support…

communicate.

Comfort seeds the air.

Hemlocks can tolerate

the darkest forest

gloom, the sparse

spongy needle strewn

floor stores

 a multitude of seeds…

for hundreds of years…

Witch hobble thrives

above, golden

beech composts

 future…

400 million years

of Life

buried a few

feet deep….

If nature’s patterns

wed to genes

story a future

when Earth

is ready to birth,

these trees

might rise again

as Blessed

Green Beings

once despised

and rejected

insect infected

Now thriving

in Balance

with All That Is…

___________________________________________________________________

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Biblical Poetry – Trees by Janet Maika’i Rudolph

Image from an Egyptian tomb ca. 1314-1200 BCE. Isis is giving nourishment in the form of fruit and drink,

In many cultures of the world, including our own, trees are considered the ancestors of humanity – own our ancestors.

Trees are connected with great goddesses throughout antiquity. We see this in the bible where, as I’ve noted before, the Tree of Life is Eve’s tree for the word Eve means life. It is, in essence, the Tree of Eve. Goddesses in trees feeding humans were common themes in ancient Middle Eastern art. The tree was Hers to give freely of as she wished.  

Anthropologist and religious scholar, Mircea Eliade writes extensively about the associations of trees ancestral connection to humans. He calls them both mystical and mythical.[1] His examples include the Miao groups of Southern China and Southeast Asia who “worship the bamboo as their ancestor.” He also notes Australian tribes who view the mimosa as their progenitor. And there is a tribe from Madagascar, called Antaivandrika which means “people of the tree,” who considered themselves descended from the banana tree.

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Upon Rising: Poems Call Out by Margot Van Sluytman

Moderator’s Note: Margot reads each of her poems aloud. They can be heard through the links in the titles.

“And what then is poetry?” We ask this time and time and time again. And poetry HERself answers. SHE needs no descriptor. Mimetic sagacity spells HER clarity.
~~~
Dreams be Fed

I am a body that remembers

The joys of falling into hues of

Brilliant blues and greens.

I am a soul that trades in
Cinnamon and spices.

Elevating chance.
Caressing mystery.
I am a will that conceives fat
Ebullient Moon as
Golden Goddess. Divine.

SHE who feeds our dreams.
SHE who teaches us

To tend our fires.
©Margot Van Sluytman

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Waxing Moon at Refuge by Sara Wright

Waxing moon
pierces
fringed Hemlocks
Starbursts
blink in and out
Owls converse
from Needled Crowns
bathed in
Air and Light.
Refuge Tree
soothed by
Familiar calls
sighs deeply,
soaking
In the Night.


Refuge incarnates as Aphrodite… 

In the forest I slip into a lime green skin with the help of one hemlock, under whose feathery wings this transformation takes place. I breathe her sweet scent through my supple membrane.  Standing beneath Refuge, whose roots claw the edge of a steep slope that bows to the river, I can barely see the crown of the tree, maybe 150 feet in the air. This hemlock towers over the rest. Moss and lichen adorn her limbs and the tree’s deeply ribbed reddish brown bark is an invitation to touch that I can never resist. Scrambling down the slope with care I lean against the tree and listen, always hoping… sometimes I think I hear a low hum if the wind is still. Perhaps I’m imagining.

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From the Archives: Child of the Earth by Elizabeth Cunningham

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted October 18, 2020. You can visit the original post here to see the comments.

I have a vivid childhood memory of being sick with the stomach flu and standing in the doorway of my parents’ bedroom looking for my mother. Her care for sick children was tender and thorough. She would bring us ginger ale and toast with jelly. When she had time, she read us stories. I can remember her steering me, heavy with fever, back to a bed that she had magically smoothed and cooled. But that day my mother lay in her own bed in an old nightgown, not stirring. She had the flu, too, and could not get up to care for the rest of us. It was a shocking and sobering moment.

As I grew older, I transferred my need for comfort, reliability, and continuity from my mother to the earth, the sure turning of the seasons, beloved trees, waters, and rocks.  As a young mother, I looked forward to sharing my own childhood joys with my children, among them jumping into autumn leaf piles. The first time my children leaped into a leaf pile, they came up covered with the ticks that have now made my region the epicenter of Lyme and other tick-borne diseases. Nor was I able to share with my children the joy of drinking water straight from a stream.

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Spruce at Dawn by Sara Wright

Spruce towers
over weeping hemlock
balsam and pine.
Pale peach clouds
paint the sky circling
fringed spires.
Trees
our first cathedrals…
Some still gather
under these boughs.
Her Voice
is being Silenced.
The Spirit of
the Forest
Departs…

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