Triple Goddess – Feminism and Religion

From the Archives: The Full Spirited Four-Fold Goddess: The Maiden, the Mother, The Queen and the Crone by Mama Donna Henes

Moderator’s Note: This was originally posted on February 24, 2013. Sadly Mama Donna died on Sept. 21, 2024. You can read FAR’s post that honored her life here.

The Queen paradigm promotes a new understanding of what it might mean to be a middle-aged woman today who accepts complete responsibility for and to her self, and it celebrates the physical, emotional, and spiritual rewards of doing so.

Although I have been passionately devoted to the Many Splendored Goddess in Her complex multiplicity for more than thirty years now, I am not a believer in the Triple Goddess paradigm. It has never resonated with me because it belies what I believe to be the true nature of nature. The Triple Goddess in Her tripartite phases is widely understood to represent the complete cyclical wholeness of life. She who is Three is likened to the moon, the tides and the seasons, whose mutability She mirrors. And therein, lies the rub.

I am sorry, but forty years of researching, teaching, and writing about Celestially Auspicious Occasions — the cycles of the cosmos and the earthly seasons, and the multi-cultural ritual expressions that they inspire — I can state unequivocally that the moon has four quarters, not three, and that there are, as well, four seasons in the year. Continue reading “From the Archives: The Full Spirited Four-Fold Goddess: The Maiden, the Mother, The Queen and the Crone by Mama Donna Henes”

From the Archives: Triple Goddesses in the Celtic World by Judith Shaw

Many neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that the Triple Goddesses were known as Maiden, Mother and Crone.

From the Great Unknown, oil on canvas, 34″x36″ by Judith Shaw

A Thealogy of Land and Roots by Kelle ban Dea

I am my Mothers
My Mothers are me
I am the Goddess
the Goddess is within me
As blood
as bone
as the spirals
of nuclei
as ova
as tears
as breath
I carry my Mothers
as my Daughters will carry me

And the Goddess carries us all

From the Archives: The Found Goddesses of Good Eats by Barbara Ardinger

This was originally posted on August 1, 2013. We usually do Carol Christ’s legacy posts on Mondays. Given the closeness of Lughnasadh, it felt appropriate to share the work of one of our other long-time writers today. Carol’s legacy posts will be back next week.

Lughnasadh (pronounced LOON-us-uh) or Lammas—is the first of the three traditional harvest festivals of the traditional Celtic calendar that most pagans follow today. And what naturally follows harvest? Feasting, fairs, and festivals. To help us celebrate the season, here are two Found Goddesses of good eating. The term “found goddesses” was created in 1987 by Morgan Grey and Julia Penelope, authors of a hilarious book titled Found Goddesses. After reading this book and having never met a pun I didn’t instantly love and being of a naturally satirical state of mind, I started Finding—i.e., inventing—my own goddesses shortly before the turn of the century. After I found a hundred of them, they were published in 2003 in my book, Finding New Goddesses.

From the Archives: Grainne – Sun Goddess/Winter Queen by Judith Shaw

This was originally posted on June 24, 2015. You can see the original comments here.

In the ancient Celtic world the Goddess was the One who expressed Herself through the many. Grainne is such a one. She is both Winter Queen/Dark Goddess, nurturing seeds through winter, and Solar Sun Goddess, welcoming the rebirth of spring. She is Aine’s sister or another aspect of Aine. She, like Aine, was honored at the summer solstice and the first grain harvest of early August with bonfires and torchlit processions on top of her sacred hill at Leinster, Ireland. Remnants of these festivals are still found in folk ritual today.

From the Archives: Brigid, Archetype of Inspiration and Activation by Stephanie Anderson Ladd

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted February 1, 2014. You can visit it here to see the original comments.

Brigid, Goddess of the Fire, greets us on Brigid’s Day, February 1. She is a Celtic sun goddess whose light burns brightly, illuminating the darkness of the land, of a heavy heart, and the dark night of our soul. With her shining light to guide us, we are lifted out of the Underworld darkness where we tend to descend in Winter, to the light of the World above, teeming with life as Spring begins to unfold her wet wings.

Brigid is a beloved goddess throughout the British Isles, particularly Ireland, where she is seen as the Mother of the Land and Her people. As a feminine archetype, she activates our solar, active nature. Much like the sun rising from below the Earth’s horizon, she urges us to come out of hiding and shine our light on the world. This may be done in a quiet manner, such as sitting by the hearthfire and doing needlework, finding inspiration by a walk in nature and writing a poem, moving about the kitchen making soup, getting busy with an art or craft project, or in big ways by taking on new roles as healers, artists, and leaders and calling others to join us.

Happy Thanksgiving by Barbara Ardinger

Will our families gather for Thanksgiving feasts this year? Will aunts and uncles and cousins come from near and far to sit around our dining room tables? Does anyone have a table that’s big enough for social distancing? As I write this before November actually arrives, it seems unlikely that we’ll have few traditional holiday events in our homes (or anywhere else) this year. Well, my friend, who cares? Let’s pretend our feasts will be just like they’ve always been.

Back before the turn of the century, I belonged to a group that met every month in my friend Sandy’s family room for companionship, study (we worked our way through two excellent books by Julia Cameron: The Artist’s Way and The Vein of Gold), celebrations of birthdays and other special events, and rituals honoring various goddesses. We also had potluck suppers. (That was when I found out I can’t even be in the same room with jalapeño chili peppers.) It was a friendly, caring group of about twenty-five women and a few men. Alas, many of these people have moved away, a few have died, and a couple have just disappeared. I miss this group. Continue reading “Happy Thanksgiving by Barbara Ardinger”

Mamma Mia and the Mother-Daughter Connection by Katie M. Deaver

A couple of weeks ago I went to see the new Mamma Mia: Here We Go Again! movie. In addition to being a fan of movies inspired by musicals I also loved the emphasis that was placed on the mother/daughter relationship in the first Mamma Mia and had heard that this new installment would continue to focus on that relationship. It definitely didn’t disappoint!

This second movie takes place five years after the original Mamma Mia, and roughly a year after the death of Donna Sheridan, with Donna’s daughter Sophie preparing for the grand reopening of the Hotel Bella Donna. This second movie also features lots of flashbacks where we are able to see a young Donna arrive at the island of Kalokairi as well as see how she first meets Sam, Bill, and Harry, her daughter Sophie’s three possible fathers.

As one might imagine, even if you aren’t familiar with the movie there is a lot going on, but the part that I found most intriguing was the very end of the movie. At this point Sophie has given birth to her own baby and is bringing the child to the church to be baptized. During the ceremony Donna’s spirit is there at the font with her daughter and new grandchild and you could feel this amazing sense of connection and love between not only three generations but across the lines of physical and spiritual presence and space.

Continue reading “Mamma Mia and the Mother-Daughter Connection by Katie M. Deaver”

Triple Goddesses in the Celtic World by Judith Shaw

Judith Shaw photo Many neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that they were known as Maiden, Mother and Crone.

Continue reading “Triple Goddesses in the Celtic World by Judith Shaw”

Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis? by Carol P. Christ

Carol P. Christ by Michael Bakas high resoultion The image of the Goddess as Maiden, Mother, Crone is widespread in contemporary Goddess Spirituality. The Triple Goddess honors three ages of women, in contrast to the wider culture that: affirms young women as sex objects while shaming them as sluts; celebrates mothers on Mother’s Day, while providing few legal and economic protections for mothers; and ignores older women.

Though Goddess feminists have created rituals for menstruation and birth, I suspect that a greater number of rituals have celebrated “croning.” The reasons for this are twofold. One is that women have time and space to reflect on the meaning of life in middle age. The other is that aging women are not honored and respected in the wider culture–creating a need for rituals that do just that. Many women I know have spoken of the empowerment they felt in their croning rituals.

On the other hand, many women I know have not been particularly interested in a croning ritual. Continue reading “Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis? by Carol P. Christ”