Arianrhod; Postnatal Trauma and the Rejecting of Patriarchy by Kelle BanDea

Mothers and sons. The stories that make up the Four Branches of the Mabinogi, a Welsh medieval collection of Celtic legends, are in large part about mothers and sons. Mostly about their separation. Mabon is stolen from Modron. Rhiannon’s son Pryderi is twice captured. Branwen’s baby is murdered. In Arianrhod’s tale, the Fourth Branch, it is she, the mother, who rejects her son.

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Unknown History Is My Sweet Spot by Michelle Cameron

“I never knew that,” is a comment I often hear from my readers. “Why don’t I know that?”

Finding what I call my “sweet spot” in historical fiction – writing stories of Jewish history that are relatively unknown to my Jewish and non-Jewish readers alike – was a total fluke.

I had completed my first published book – a verse novel about William Shakespeare and the Globe Theatre, called In the Shadow of the Globe – and was considering my next project. I thought perhaps I could write about the woman I was named for – my great-aunt Masha, who, with her red hair and fiery personality, seemed like a promising subject to base a novel around. My mother had told me stories of how her family had become wealthy with huge forests in an estate on the Russia-Poland border. Mom spoke wistfully about her, recounting the second-hand tale of the diamonds that used to flash in Masha’s hair and how my grandmother had adored her.

But Mom had passed on and I had only one source to call upon – a genealogy that a distant cousin of mine had compiled of the various branches of my extensive maternal family.

And as I opened the genealogy, I stopped short at the first passage.

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The Future of Sorjuanista Studies in the Americas: Challenges and Possibilities by Theresa A. Yugar

I had nearly resolved to leave the matter in silence;
yet although silence explains much by the emphasis of leaving all unexplained, because it is a negative thing, one must name the silence,
so that what it signifies may be understood.
Failing that, silence will say nothing,
for that is its proper function, to say nothing.[i]
La Respuesta/The Answer (al Soldado, or The Soldier)
Sor (Sr.) Juana Inés de la Cruz
(November 12, 1651 – April 18, 1695)

Today, I honor the legacy of mid-17th century Mexican Catholic nun, scholar, and poet Sor Juana Inés de la Cruz. She was born in the central valley of Mexico in the Viceroyalty of New Spain, now in modern-day Mexico. She was the daughter of Doña Isabel Ramírez de Santillana and Don Pedro Manuel de Asbaje. They had three daughters: María, Juana, and Josefa. Doña Isabel also had three other children – Antonia, Inés, and Diego – with Diego Ruiz Lozano. Sor Juana Inés was raised with her siblings on their family’s hacienda of Nepantla which was managed by their strong-willed mother Doña Isabel.

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How Will Catholics Vote?

Will Catholics be “salt” and “light” in the 2024 election? Cardinal Dolan fails to show the way.

Dawn Morais Webster, the Pope off to his summer palace, Castel Gandolfo. He tells the world he will now become just a “humble pilgrim.”

Donald Trump’s parade of vulgarity, racism, misogyny and grift is always on display. He is proud of it. His outrageous lies are his version of “truth,” or as his running mate JD Vance would say, they come “from the heart.” It’s easy to condemn Donald Trump but the more urgent question is how will our vote stack up against our professed values, and for believers, how does it square with our faith?

I am deeply ashamed that Catholics were enablers of Trump’s rise to power. And that Catholics, by a slim but crucial margin, still support Trump over Kamala Harris in seven battleground states, according to a National Catholic Reporter survey of self-identified Catholics.

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Filigreed by Diane Finkle Perazzo

Dressed in filigreed art deco daffodils,
dainty and tucked among tailored leaves
held proudly — almost defensively.
Elegant and demure;
your shapely neck flares with grace.

You are such a small and lovely thing:
light as a feather and yet
you carry the weight
of an American woman’s silver-plated dreams.

Like her, you were designed to be admired –
fashioned to be lifted lightly.
Pretty and proper at the table and
placed just so.

Comfortable in your simple life of service.
Polished until your delicate silver skin
wore thin and the truth
within your copper heart could be revealed.

********

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Apaḥ and the Nāga: Water and the Snake by Lenore Lowe

Image © 2024 Compilation of Lenore Lowe and Freepik.com

As I write this, water has slowly leaked in my front yard for a day. It has already turned what was dry and brown to moist and green. It seems fitting on the day of Nāga Pañcamī (worship on this particular 5th day of the half moon). It’s fitting that water—apaḥ—has gently made its way to the surface. It has wound around pipes, rocks and roots like a cobra—nāga—to come up to show itself. Though, there are financial challenges in fixing the leak, I can’t help celebrate it as a blessed omen of goodness to come.

            After all, it’s arrived for this extra auspicious day in the most favourable month of the vedic calendar. I admit some of my frivolity may be from feeling better on my 5th day of covid. (The significance of the number 5 is not going unnoticed: linked to Patañjali and the great Yoga Sutras.) My mind too feels like it’s been making its way back to the surface. The seepage also keeps bringing me back to thoughts about the watery world of emotions, and new depths of emotions seem to be rising up in me. They feel deeply personal and universal at the same time. The celebration is devotional, the auspiciousness of having this extra time off of work to bring roses to the Mother.

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Book Review by Kristen Holt-Browning: Sweet Hunter: The Complete Poems of St. Theresa of Ávila (Bilingual Edition), translated and with commentary by Dana Delibovi

The Catholic mystic women of the medieval and early modern era—such as Hildegard of Bingen, Julian of Norwich, and Theresa of Ávila—can seem unknowable to us now. How did they nurture their fiery love of Christ within the rigid patriarchal (indeed, misogynistic) structure of medieval and early modern European Christianity? How did they find the strength and bravery to write about Jesus as husband, mother, lover? The writing of these mystic women can strike us even now as shocking, given that they often described Christ as their husband, their lover, or even their mother.

In Sweet Hunter: The Complete Poems of St. Theresa of Ávila (Bilingual Edition), poet and professor Dana Delibovi gives us the words of the sixteenth-century proto-feminist in a timbre close enough to our own to help close this gap. As Delibovi notes in her perceptive and illuminating Introduction, she centers Theresa’s balance of the mystical and the practical in her translations. Indeed, Delibovi admits that, “I had to fight the temptation to pretty-up her words and make them seem, well, more saintly.” And yet, it is this precisely this direct language that, paradoxically, heightens the divine fervor behind the writing, as when a shepherd speaks of Mary in “It’s Dawn Already”:

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REMEMBERING THE MAGIC OF MAMA DONNA HENES: 1945-2024 by Diane Saarinen

For those who don’t know who Donna Henes was, her official bio:

Donna Henes is an internationally renowned urban shaman, spiritual teacher, award-winning author, popular speaker and workshop leader whose joyful celebrations of celestial events have introduced ancient traditional rituals and contemporary ceremonies to millions since 1972. More at her Wikipedia page here.

Donna, known affectionately to many as Mama Donna, was so in tune with the seasons (even putting out a quarterly publication for a time called Always in Season), that when her time came to leave this sparkling, stunning incarnation of hers, she left on Autumn Equinox Eve 2024, just two days after her 79th birthday.

Sad news to those she left behind and sad news to the planet. But as we approach Samhain, Halloween and Day of the Dead, what wonderful memories my friend Donna Henes left me with! And “what is remembered, lives.”  So live on, Mama Donna!

                                                                                      *******

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Ariadne and Me – The .5% by Arianne MacBean

When I travelled to Crete on a Goddess Pilgrimage last year, we were asked to introduce ourselves by our matrilineal lines. I am Arianne, daughter of Bernadette, granddaughter of Helen and a long line of women, known and unknown, stretching back to Africa. Many of the women in the group were able to intone long lists of names in their matrilineal lines. I was not able to go further than my Grandmother, Helen. No one in my mother’s large Polish family could remember my Great Grandmother’s name.

My journey toward Ariadne has been as circuitous as the labyrinth itself. In many ways, I have been searching for her since those first bedtime stories my father used to tell me as a child, when Theseus was the main character and Ariadne, merely a stop on his road. I longed for her, even then, to have her own heroine’s journey. I tried to imagine what that might look like but, without models, could not conjure anything beyond holding the red thread so others could triumph. Later, I began a more conscious search for Ariadne as I became curious about the connections between her choices, feelings, expressions and my own longings, betrayals, and outbursts. Since then, there have been moments when I let myself fantasize about being connected to her in some real way, beyond being named after her, or feeling and acting as she may have. In these fleeting moments when I imagine we are bonded, I am awash in an intense sense of belonging, something I never felt as an only child of divorced parents. But then in a flash, my mind takes a sharp turn, as in a labyrinth, and I negate those feelings with logic. You want to be connected to Her, so you are finding ways to make it true.

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Why Celebrating the 9th Anniversary of the Goddess Feminist Activist Spirituality Movement? (Part 2) by Helen Hye-Sook Hwang

As I noted in Part 1, this year marks the 9th anniversary of the first volume of She Rises trilogy, a collective writing project, which was first published in 2015 by Mago Books. Entitled Why Goddess Feminism, Activism and Spirituality?, the 93 contributors trumpeted the onset of the Goddess Feminist Activist Spirituality. It was followed by the second volume​, How… Goddess Feminism, Activism, and Spirituality?, with 96 contributors, in the following year, and the third one, What… Goddess Feminism, Activism, and Spirituality?, in 2019.​ The 9th anniversary of the first volume provided a new momentum for all contributors of the trilogy to come together as a virtual group, which we named “She Rises…” This group allows the authors of all three volumes to gather together for the first time, while inviting newcomers from outside the She Rises trilogy.

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