Art – Page 27 – Feminism and Religion

Jesus, Mary and Joseph: Who Are Our Saints? by Marie Cartier

Tomorrow I will be going to a friend’s 7^th grade classroom presentation of “famous people in history.” She has 120 students who will be dressing up as someone in history and doing a presentation board about this person—as well as dressing in costume. She asked me to come in costume as Frida Kahlo. As many of you know, I admire/adore Frida Kahlo and wrote a blog last year extolling her praises; actually it was a “valentine towards an ethics of loving women and art.” (And every year I dress as Frida and help a friend do a lively lotería game at an LGBT celebration of Cinco de Mayo at our Church.)

My friend told me that while there would not be a Diego Rivera in her crowd of costumed living historians—there would be Frida’s lover Josephine Baker (someone saw the movie Frida and knew Josephine and Frida were “friends”), and there would be several Guadalupes.

This got me thinking that for children/teens – especially children brought up in religious households (and especially Catholic households, of which I was such a child) – saints and real people are often conflated. And famous real people one admires often are given “sainthood” in one’s imaginary church. Continue reading “Jesus, Mary and Joseph: Who Are Our Saints? by Marie Cartier”

Writing Holy Women Icons by Angela Yarber

For two years I have had the great privilege of writing a monthly article about one of my Holy Women Icons with a folk feminist twist for Feminism and Religion. Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, Dorothy Day, Sappho, Jephthah’s daughter, Anna Julia Cooper, the Holy Woman Icon archetype, Maya Angelou, and many others that will follow in the months and years ahead have guided, empowered, and inspired me as an artist, activist, feminist, scholar, and preacher.

I knew from that outset that writing about them would deepen my relationship with each of these amazing women. I also knew that their power and efficacy monumentally increases when they join together. This colorful cloud of witnesses has filled myriad galleries, reminding viewers of the powerful women who have paved the way for us today. Many have left the group, finding a resting place in the homes, offices, and galleries of friends, colleagues, and strangers who have purchased or commissioned an icon along the way. And those that remain erupt the hallways of my home with a cavalcade of color, daily reminders of who I am called to be and become.

Between researching their stories, painting them, hanging them in galleries, and selling them, I knew that one day I would bind their stories together in a book. So, it is with tremendous joy that this dream has become a reality. Parson’s Porch Publishing, a non-profit publishing house whose mission is to “turn books to bread” by giving their profits to feed the poor, has lifted up the stories and images of nearly fifty of my beloved Holy Women Icons in a book. So, along with originals, commissions, and prints, Holy Women Icons are now available as a book and as individual greeting cards. It is my sincere hope that by binding the stories of these holy women together, they may provide inspiration and empowerment for all readers, binding all our diverse stories together in a collective cry for beautiful, unabashed, prophetic justice for all. Continue reading “Writing Holy Women Icons by Angela Yarber”

Painting Maya Angelou by Angela Yarber

Author. Performer. Activist. Poet. Actress. Playwright. There are few others whose accomplishments are as prestigious, prolific, or expansive as Maya Angelou’s. I initially encountered her work in a ninth grade literature class. The first of her seven autobiographies was our assigned reading. I voraciously consumed every word of I Know Why the Caged Bird Sings, my heart filled with grief, my eyes filled with tears, my mind filled with questions. It is no wonder this book is the most acclaimed of all her autobiographies, books of poetry, and essays. As a fourteen year-old, my mind was opened to the power of stories, particularly the stories of those vastly different from oneself, and to the oppression black women like Angelou experienced in the United States. As a native white Southerner, I Know Why the Caged Bird Sings was my first foray into grappling with the nuances of white privilege.

In college, my creative writing professor packed all ten of the creative writing minors into a van to drive to a neighboring college where Angelou was lecturing. I sat in awe, riveted by every word. And upon the completion of my Ph.D., I moved to Winston-Salem, the place Angelou calls home. I have yet to meet her. If I could, I’d surely hand her the icon I painted in her honor, knowing that my words would fail to express how profound my gratitude is for the work she has done in our world. Continue reading “Painting Maya Angelou by Angela Yarber”

Women’s Ritual Dances: The Dancing Priestess of the Living Goddess by Laura Shannon

Kyria Loulouda calls to her sister to help her wind the yards of woven girdle around and around my waist. Kyria Stella’s aged fingers, still strong, tuck the sash ends in tightly, smoothing down the fabric she and Loulouda wove themselves. The snug embrace of the sash supports my back and encourages me to stand proudly upright. As they help me with the intricate tucks and pleats of the festival dress, and the careful tying of the flowered headscarf, I see their tired, careworn faces come alight with joy and expectation. When they are satisfied, they turn me towards the mirror, smiling.

We gaze at ourselves, a row of three women, dressed alike. Like the butterflies embroidered in bright silks on the dark cloth of the bodice, we too are transformed. The food is prepared, the housework is done, the animals taken care of for the night; the other women await us in the square where, by tradition, they will open the dance with their own singing as they have done countless times throughout their lives. We are in the village of Pentalofos in Greek Thrace in the early twenty-first century, living a timeless scene which has been repeated through the generations for hundreds, perhaps thousands of years. Continue reading “Women’s Ritual Dances: The Dancing Priestess of the Living Goddess by Laura Shannon”

“Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ

In recent years monotheism has been attacked as a “totalizing discourse” that justifies the domination of others in the name of a universal truth. In addition, from the Bible to the present day some have used their own definitions of “exclusive monotheism” to disparage the religions of others. Moreover, feminists have come to recognize that monotheism as we know it has been a “male monotheism” that for the most part excludes female symbols and metaphors for God. With all of this going against monotheism, who would want to affirm it?

In response to some or all of the above critiques, many modern pagans define themselves as polytheists, affirming at minimum, the Goddess and the God, and at maximum a vast pantheon of individual deities, both female and male, from a single culture or from many, including divinities with animal characteristics. Other pagans define themselves as animists, affirming a plurality of spirits in the natural world. A group of Christian feminists have argued that the Christian Trinity, the notion of God Three-in-One, provides a multiple and relational understanding of divinity.

While also rejecting exclusive monotheism and male monotheism, Jewish poet, ritualist, and theologian Marcia Falk provided a definition of inclusive monotheism that I find compelling.

Monotheism means that, with all our differences, I am more like you than unlike you. It means that we all share the same source, and that one principle of justice must govern us equally. . . Continue reading ““Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ”

Painting and Ordaining the Holy Woman Icon by Angela Yarber

This month on the Spring Equinox I celebrate ten years of ordination. And for the first time in over fourteen years I am not employed as a minister at a local church. While I miss preaching and occasionally long for liturgy, I have never been more happy, and I find company and solace in the myriad holy women that fill my life. They have become my beloved community. They hold me accountable to my calling. They celebrate the birth of my child, dry my tears, laugh with me heartily, and remind me to dance for justice even when it’s difficult.

Most of them are real flesh and blood women—my wife, friends, family, colleagues, even the Feminism and Religion virtual community. Many are also the Holy Woman Icons with a folk feminist twist that I feature each month: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, Dorothy Day, Sappho, Jephthah’s daughter, Anna Julia Cooper.

So, as winter turns to spring and I enter the next decade of ordained life now outside the church’s walls, I find myself clinging to Walt Whitman’s admonition: “From this hour forward I ordain myself loos’d of limits and imaginary lines.” As I think about this great cloud of witnesses surrounding me—my beloved Holy Women—I recall the ways in which we are all called to be prophets for justice.

Many have claimed that artists are our contemporary prophets, those who rage against the status quo, and call us to actions of justice that create beauty in the lives of all humanity, even all creation. So I turn to a great artist whose music has set free countless women and queer folk in search of new symbols, new language, new stories that are deep and wide enough to contain our subverted and searching spiritualities. The great womanist prophet, Tracy Chapman, sings these words in her song, New Beginnings: Continue reading “Painting and Ordaining the Holy Woman Icon by Angela Yarber”

Celtic Goddesses – a Personal Journey by Judith Shaw

When I first discovered the Goddess as a young woman, I was drawn to the Goddess of prehistory. I felt Her power and importance through the statues, figurines and shrines that were uncovered, as Her names and stories have been lost to us.

Later I discovered, in the first written tablets found, the story of Inanna, the Sumerian Goddess. Her story covers all the aspects of a woman’s life – the maiden, the lover, the queen, the mother. She brought the gifts of civilization to Her people. She descended into the underworld and was reborn. As Queen of Heaven and Earth, She ruled all. I worked with images of Her for many years.

Continue reading “Celtic Goddesses – a Personal Journey by Judith Shaw”

Echoes of Mesopotamia by Molly

Echoes of Mesopotamia
small figures from ancient places
ancient times
and ancient faces
ancient words
and ancient wisdom
still flowing in my veins

Clay in my hands
clay in her hands
running on the rivers of time
spiraling in the mysteries of being
spinning in the eddies and ripples of eternity…

I have a strong emotional connection to ancient Paleolithic and Neolithic goddess sculptures. I do not find that I feel as personally connected to later goddess imagery, but very ancient figures call to something deep and powerful within me. I have a sculpture of the Goddess of Willendorf at a central point on my altar. Sometimes I hold her and wonder and muse about who carved the original. I almost feel a thread that reaches out and continues to connect us to that nearly lost past—all the culture and society and how very much we don’t know about early human history. There is such a solid power to these early figures and to me they speak of the numinous, non-personified, Great Goddess weaving her way throughout time and space. Continue reading “Echoes of Mesopotamia by Molly”

Painting Anna Julia Cooper by Angela Yarber

As we celebrate Black History Month I’d like to honor a remarkable black woman who joins the Holy Woman Icons with a folk feminist twist that I feature each month. Anna Julia Cooper stands alongside Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, Dorothy Day, Sappho, and Jephthah’s daughter.

Cooper was born a slave in Raleigh, NC in 1858. Her mother was a slave and her biological father was her mother’s white master. After living and working as a slave until the age of five, Cooper began her formal education at a school for slaves. She would grow up to become one of the most educated and intellectual black women of her century. In fact, she was the fourth African American woman to earn a Ph.D. in the United States, writing her dissertation on “Attitudes toward Slavery in Revolutionary France.” Continue reading “Painting Anna Julia Cooper by Angela Yarber”

Women’s Ritual Dances and My Journey to Healing by Laura Shannon

Since 1985, I have been researching Balkan folk dances and teaching them in women’s circles all over the world. Common symbols in dance patterns, textile motifs and archaeological artifacts from southeastern Europe have remained the same from ancient times to the present, which leads me to suggest that the dances may be descended from ritual practices dating back to Neolithic times. In my view, these patterns serve as a symbolic language, expressing reverence for the cycle of life. Emphasizing connectedness and continuity, homecoming and support, women’s ritual dances can rekindle ancient values of sustainability, empathy and equality, and provide an antidote to the alienation of self which is epidemic in the western world. In nearly thirty years of teaching, I have found that women all over the world respond to these dances as valuable tools for healing and self-discovery. Continue reading “Women’s Ritual Dances and My Journey to Healing by Laura Shannon”