
In my work with the folklore and music of children’s games and circles, I’m enchanted by how many bits of magic are interwoven into everyday children’s games from many, many years ago. Our childhood closely intersects with the deep, witchy, magic world of spells, talking animals and whispering spirits.
POEM: “Hopscotch Spells”
One, two, three, O’lary,
four, five, six, O’lary….
I’m pulled like a slingshot’s band
back to those childhood, everyday spells.
Ally, ally, in-come-free!
Each day, we’d open the screen door
and hurry to our witches’ college,
pursuing a degree in the Child’s School of Magic.
One potato, two potato, three potato, four!
What drew us to each other this way?
The circle of street kids, our pals,
our fists beating out the rhythms,
our jumps and our skips conjuring powers.

Tobie Nathan’s panoramic novel about Jews and Muslims (and Christians) in early twentieth-century Egypt, 





When I was growing up, home was the last place I wanted to be. It’s not that ours was an abusive or angry household: both parents loved me and my mother labored to create a calm, clean space to contain us all. It’s just that I felt suffocated.
I have a vivid childhood memory of being sick with the stomach flu and standing in the doorway of my parents’ bedroom looking for my mother. Her care for sick children was tender and thorough. She would bring us ginger ale and toast with jelly. When she had time, she read us stories. I can remember her steering me, heavy with fever, back to a bed that she had magically smoothed and cooled. But that day my mother lay in her own bed in an old nightgown, not stirring. She had the flu, too, and could not get up to care for the rest of us. It was a shocking and sobering moment.