Feeding the Dead by Deanne Quarrie

Deanne QuarrieMost people really love this time of year and I share much of that.  Living in South Central Texas we actually only have two seasons, with a perhaps two to three weeks in between what we laughingly call spring and fall.  Because the winters are not harsh here, the step into spring feels different from those whose winters are frozen for months on end.  We do experience some relief when our temperatures finally drop a bit in October. Even then those drops are only teasers.  When we do finally get a briskness in the air in the wee, early morning hours of dawn but when the sun rises overhead, any memory of that coolness is forgotten.  This morning at 5:30 am, when I woke, it was 54 degrees. I stepped outside to smell and feel the air, so clean and cool.  And yet, now it is 85 degrees and rising, it once more feels like summer. We don’t have the sudden frosts that turn our trees to vibrant reds, yellows and browns.  Yes, the leaves eventually turn and fall to the ground, but we have no heavy freeze and so our colors are pale compared to those in the North and colder climates.

Many Texans think the emotional feel for our two seasons is backwards, believing that summer, with its blazing sun, is the time to withdraw.  Then in winter, when the weather is mostly mild, that’s the time to come out to play.  This is a reversal of pagan thinking about the seasons in North America. Continue reading “Feeding the Dead by Deanne Quarrie”

WOMEN ARTISTS AND RITUALISTS IN THE GREAT CAVES: THE BEGINNING OF THE END OF INDOLENT ASSUMPTIONS by Carol P. Christ

carol-christIn an earlier blog, I suggested that women might have blown red ocher around their hands to leave their marks in prehistoric caves.

At the time I thought this was a rather bold suggestion.

Had I been asked why I thought the images were made by women, I might have said that people have understood caves to be the womb of the Great Mother, the Source of All Life, from time immemorial. I might have added that those who performed rituals in the caves cannot have been performing simple “hunting magic,” but must also have been thanking the Source of Life for making life possible for them and for the great beasts they hunted.  Still I am not certain that I imagined women as the artists in the Paleolithic caves.

handprint peche merle cave

In recent days the news wires have been carrying a story titled “First Cave Artists May Have Been Women, New Study Suggests.”   According to retired anthropological archaeologist Dean Snow, the handprints made by Paleolithic ancestors 40,000-20,000 years ago may have been made primarily by women. Snow spent a decade gathering and analyzing photographs of the handprints left in caves. The scientific fact that women’s first and ring fingers are generally of the same length, while men’s ring fingers are generally longer their index fingers, led him to the conclusion that ¾ of the handprints in the caves were made by women! If women were painting their hands on the caves in larger numbers than men, then isn’t likely that they were also painting the images of the great beasts on the walls of the caves? Continue reading “WOMEN ARTISTS AND RITUALISTS IN THE GREAT CAVES: THE BEGINNING OF THE END OF INDOLENT ASSUMPTIONS by Carol P. Christ”

Peace of mind vs Dogma and Capitalism by Oxana Poberejnaia

oxanaWhen I said in my response to Carol P. Christ’s comment that on one level Goddess spirituality and Buddhism are about the same thing, I am afraid it could have sounded shallow. What I wanted to express is that for a Goddess adherent, the primary goal is not to go through death and be reborn. Neither is the primary goal for a Buddhist to go through death and not be reborn. I believe they both seek the same thing: to be happy in this lifetime, to be comfortable with themselves and the world, to be OK with the reality of their own death. Carol says: “For me, regeneration applies to the community, to nature, to the whole, not to the individual”.

The two faiths just lead to this result by using different theology and practices. One of the ways Buddhism installs this peace of mind is by dissolving the very notion of an “individual” and thus, their impending death becomes less of a problem. From the Goddess side of things, listen to an episode of Karen Tate’s Sex, Religion, Politics podcast Enlightenment for the Rest of Us/Shamanism with Polly Campbell, author of Imperfect Spirituality: Extraordinary Enlightenment for Ordinary People. Karen is a Goddess advocate, and what Polly was teaching could be called secular Buddhism: the same breathing techniques, being in the moment and being grateful.

Continue reading “Peace of mind vs Dogma and Capitalism by Oxana Poberejnaia”

Balance and the Autumn Equinox by Deanne Quarrie

Deanne QuarrieWe are in the season of the Autumn Equinox.  The Autumn Equinox occurs on a specific day each year, as does the Spring Equinox. While it may be a precise moment in time, it is also a season. Nothing happens quickly in time and space. Without getting scientific as an explanation of what happens at both, here is a quick one – the name ‘equinox’ comes from the Latin aequus,  meaning equal and nox, meaning night. Earth’s two hemispheres are receiving the sun’s rays equally at the equinoxes. This causes night and day to be approximately equal in length. Continue reading “Balance and the Autumn Equinox by Deanne Quarrie”

WANGARI MUTA MAATHAI AND SACRED MOUNT KENYA by Carol P. Christ

carol-christWangari-Maathai-1September 25, 2013 is the second anniversary of the death of environmental, peace, justice, and democracy advocate and Nobel Peace Prize recipient Wangari Muta Maathai.

Wangari Muta was born in 1940 in a round hut in rural tribal Kenya.  Wangari’s tribe considered the fig tree to be holy, and she was taught that one is never to cut a fig tree down or to use its branches for firewood.  Wangari spent many happy childhood hours in the shade of a fig tree that grew by a nearby stream.  Fig trees play an important role in the ecological system of the Rift Valley of Kenya.  Their roots penetrate the hard rock surface of the mountains to find underground water, thus opening channels where the water flows upward to fill streams and rivers.

As an adult Maathai learned that the fig tree she played under had been cut down by a settler with the result that the river had dried up.  This was happening all over Kenya on a massive scale to make room for cash crop plantations.  Rivers were silting up and widespread erosion threatened to turn the fertile Rift Valley into a desert. Crops were failing, animals were starving, there was no wood for cooking fires, and rural people were suffering.

Maathai  says that as she was thinking about this problem “It just came to me: ‘Why not plant trees?’ … This is how the Green Belt Movement began.”  Continue reading “WANGARI MUTA MAATHAI AND SACRED MOUNT KENYA by Carol P. Christ”

Flidais, Celtic Earth Goddess, Lady of the Forest and Much More by Judith Shaw

gugg jude72This year the fall equinox occurs on September 22.  In the Pagan calendar it is a time for giving thanks called Mabon.  Mabon celebrates the end of the harvest season and is a time to honor our wild nature and nature spirits. It is a day of perfect balance when the hours of daylight and darkness are equal. Mabon ushers in our journey into the dark night of winter.

Flidais (pronounced flee-ish) is a complex Celtic Goddess with many differing stories and aspects.  She represents both our domestic and our wild natures and is an appropriate Goddess to call on on this day of balance.  She first appears in the ancient mythological cycles as an Earth Mother. She was the  mother of the Irish cultivator heroes, Arden, and Bé Téite and the “she-farmers” Bé Chuille and  Dinand.   From Her they gained the power to cultivate and work the earth for the community.

Flidais, Celtic Goddess painting by Judith Shaw Continue reading “Flidais, Celtic Earth Goddess, Lady of the Forest and Much More by Judith Shaw”

A New Glossary for Crete: The Power of Naming and the Study of History by Carol P. Christ

carol-christThe words we use affect our thinking. In the case of ancient Crete the repetition of the terms “Palace,” “Palace of Knossos,” “King Minos,” “Minoan,” “Priest-King,” and “Prince of the Lilies” shape the way we understand history–even when we ourselves know these terms are incorrect. We must engage in “new naming.”

Ariadne. May have been a name of the Goddess of pre-patriarchal Crete. The ending “ne” signifies that Ariadne is not of Greek or Indo-European origin and thus predates the later Greek myths.

Ariadnian. The name I have given to the Old European pre-patriarchal culture of Crete, from arrival of the Neolithic settlers from Anatolia c.7000 BCE to the Mycenaean invasion c.1450 BCE. Arthur Evans named the Bronze Age (c.3000-1450 BCE) culture of Crete “Minoan” after King Minos of Greek mythology, son of Zeus and Europa, husband of Pasiphae, father of Ariadne, whose gift of the secret of the labyrinth to Theseus led to the downfall of her culture. Evans assumed that Minoan Crete was ruled by a King.

This image I call “Ariadne Dancing” could become the new “icon” of Ariadnian Crete.

minoan woman dancing

It could and should replace the “icon” of  the “Priest-King” Arthur Evans’ “imaginatively” reconstructed and named the “Prince of the Lilies.”

 prince of the lilies

Once we remove the crown which probably belonged to a Sphinx, the figure’s white color and athletic body suggests it was intended to portray a young female bull-leaper leading a bull. Continue reading “A New Glossary for Crete: The Power of Naming and the Study of History by Carol P. Christ”

GODDESS WITH US: IS A RELATIONAL GOD POWERFUL ENOUGH? by Carol P. Christ

carol-christLast week I wrote about Protestant Neo-Orthodoxy’s deification of male power as power over.  This week I want to ask why the relational Goddess or God* of process philosophy has not been more widely embraced, both generally and in feminist theologies.

Could it be that a relational God just isn’t powerful enough? Are some of us still hoping that an omnipotent God can and will intervene in history to set things right?  Do we believe an omnipotent God can save us from death?

Process philosophy provides an attractive alternative to the concept of divine power modeled on male power as domination.  According to leading process philosopher Charles Hartshorne, the power to coerce, power as power over and domination, is not the kind of power God has.

The concept of divine power as omnipotent (having all the power) leads to what Hartshorne called “the zero fallacy.”  If God has all the power and can dominate in all situations, then the power of individuals* other than God is reduced to zero.  In effect, this means that individuals other than God do not really exist, but at most are puppets whose strings are pulled by the divine power.

Moreover, as Hartshorne argued, the power to coerce is not the kind of power Goddess “should” have.  Although many have been forced to submit to them, tyrants and bullies do not empower others.  Should we not understand the “highest power in the universe” as empowering of others?

For process philosophy Goddess is understood to be the most sympathetic or empathetic of all relational beings.  Continue reading “GODDESS WITH US: IS A RELATIONAL GOD POWERFUL ENOUGH? by Carol P. Christ”

THE LABRYS: A RIVER OF BIRDS IN MIGRATION by Carol P. Christ

carol-christ“There’s a river of birds in migration, a nation of women with wings.” Goddess chant, Libanalabrys seal ring

On the Goddess Pilgrimage to Crete, I explain that many of the names given to “Minoan” (c. 3000-1450 BCE) Cretan artifacts and architecture are products of patriarchal and Eurocentric imaginations, and as such, are misleading.  For example the name “Minoan” was given to the culture of Bronze Age Crete in honor of “King Minos,” who was said to have ruled in Crete a few generations before the Trojan War–several hundred years after the end of the culture to which his name was attached.  In fact, despite his eagerness to find evidence that King Minos ruled at Knossos, the excavator Sir Arthur Evans finally had to concede that the best he could do was to produce a fresco of a “Prince of the Lilies” which he identifed as the image of the male ruler of the culture he called “Minoan.”  Evans’ Prince had white skin, a fact that Evans conveniently overlooked–because according to his own interpretation of “Minoan” iconography, white skin would mark the figure as female.  Mark Cameron, who reviewed Evans’ reconstruction of the fresco, suggested that the Prince is more likely to be a young woman who is perhaps leading a bull to take part in the bull-leaping games.  He also stated that the “crown” belonged to another fresco altogether.

Evans’ failure to find evidence of a King or for that matter a Queen at the complex of buildings he called “The Palace of Knossos” calls into question his idea that these structures were palaces.  Nanno Marinatos argued that the “palace” was instead a ritual center for the surrounding village, as well as a community gathering place, a place for storing grain, wine, and oil in a sacred way, and a place where ritual objects were fashioned of clay, bronze, stone, and gold.  Following her lead, I renamed the “Palaces” “Sacred Centers.” In this blog I will experiment with renaming the “Minoan” culture “Ariadnian,” after the pre-Greek name Ariadne, which may be one of the names of the Goddess of Bronze Age Crete.

One of the most pervasive–and many would say–most enigmatic symbols of the Ariadnian culture is the labrys.  Continue reading “THE LABRYS: A RIVER OF BIRDS IN MIGRATION by Carol P. Christ”

Tailtiu, Primal Earth Goddess for this Season by Deanne Quarrie

Deanne QuarrieWe are approaching the season of Lughnasadh, also known as Lammas.  This is the first of three harvest festivals.  This one focuses on what we call the “first fruits”, those fruits, vegetables and grains ripening early in the season. The other two are Mabon and Samhain, one celebrating the harvest of the last crops and the next that of the herd animals sacrificed to feed the tribes. Continue reading “Tailtiu, Primal Earth Goddess for this Season by Deanne Quarrie”