Tree Teachings by Sara Wright

I breathe in
the scent of
moist wooded bogs,
crystal lake waters,
baskets of dew
heavy and sweet
soaking heat
through every pore…
note withered leaves
shriveled mosses
and still
the rains do
not come.

The Earth is on Fire.

Stagnant pools
shrunken trunks,
the lack of fruiting bodies
falling leaves
a crisped ground
beneath my feet
remind me
that grief must be
felt with as much
awareness as possible
to create the
necessary bridge…

My weeping pine
keeps me mindful –

The Earth is on Fire.

Two thousand year old Redwoods
succumb to flaming
heartwood…
Yet some will live on.
Trees know that
There is nothing they
can do to stop
this holocaust
besides witnessing,
accepting their dying,
leaning into
the Grief of the Earth,
as she yields
to the power of
‘What Is.’

Tree Table

Working notes:  From the personal to the collective

A few days ago I had to take down a pine tree that I loved. Although I did not do the actual cutting I did make the decision to end the tree’s life, so I am the one responsible. My young friend made the cut, felling the tree in just the right direction; his father who was assisting felt a fierce wind hit his face as the tree slammed into the ground just beside him. Indoors, I shuddered involuntarily even as relief flowed through me like a river. It was over.

This tree cutting was witnessed by “tree people” – three humans who truly love trees. Afterwards, Marcus came to me. “Are you all right?” I choked back an avalanche of tears. Not (at that moment) for the tree, but for me because, like the tree, I too had just been witnessed by this boy’s sensitivity – For the first time in my 75 years I was not alone with my tree grief. No other words passed between us but the depth of our feelings united us with each other and that tree. Not a shred of separation. Amazing, and yet so comprehensible.

 

I felt sorrow over the loss of the tree; but also, strangely, accepting. The next morning I wrote the following:

Treefall 

Last night I poured water at the base of the tree as a blessing, gathered herbs to place against her trunk. I lay my hands on rough bark as I spoke … reminiscing about the bear fur I first found scattered around her pine-rooted floor. I told the tree how much I loved the sound of her needles rustling, the intoxicating scent of those that fell to the ground, the “candles” s/he bore in late spring, the masses of pine cones that appeared shortly thereafter. How kindly s/he blocked the heat of the summer sun from the house; how much I loved her. I told her too that I hoped that she would not feel too much pain. I listened then for a response and sensed a stillness; this tree knew what was coming and accepted her dying. There was no answer forthcoming regarding pain… (I called this marked tree a female but all white pines are monoecious meaning that each tree produces male and female cones).

That was as far as I got.

An email came in from Marcus a few minutes later that addressed my question: did he feel that trees experienced pain?

What follows is his response.

“In my experience, I have found that trees certainly do feel pain. The difficulty is in understanding it because the pain the trees feel is only knowable at a visceral level in our bodies. The pain in my body is the tree‘s pain. The tough part is that because that pain is in my body, it gets mixed up with my own feelings of loss, which makes it immensely challenging to sort through. However, a few weeks ago when I had to cut down an apple tree that was being destroyed by tent caterpillars the separation of this pain was discernible. Once the tree was gone there was an immense release of pain in my body. But even so I still carried the sadness of the tree’s loss…I spent so much time getting to know that apple tree that I could feel it drowning in its own sap because it could no longer photosynthesize. Yesterday was different. I could feel the tree and the split but couldn’t communicate with it as well…I was so nervous and stuck in my own place (we all were nervous because the tree was 167 feet tall). But what I know for certain is that trees accept death much easier than we do… the dying hurts physically but the trees are never scared of death or regretful at what is being left behind. They are much more in touch with the fluidity of their spirituality and with the cyclic nature of life. They understand that death is not an endpoint… Dead trees that have stumps continue to live as they transfer what I think of as their essence, meaning soul, spirit, consciousness to whatever comes next. It is only when the underground network for transference is ripped away that a tree really dies.”

I should add that Marcus is a nature mystic, though he doesn’t yet know it. A scholarship to Dartmouth left him feeling as if he didn’t belong and after a year he dropped out. Now he cares for his family’s forest, cuts trees when needed, creates magnificent art from dead trees and trains for the Olympics. He is 21 years old.

It stuns me that someone who is 50 years younger than I am could be such a powerful teacher, friend, and the first person I have ever known that feels the way I do about trees and can communicate these ideas/feelings on such an embodied level. I adore him.

The following day I learned firsthand about the terrible fires that are ravaging Colorado after talking with a woman who cannot even leave her own house (I have deliberately been avoiding the news).

That night I had a catastrophic dream rife with cultural holocaust elements.

When I awakened that morning I was so sluggish I could barely move. I dragged myself outside and stood quietly by the tree soaking in her dying scent. Pinenes. Tears were seeping into the heartwood from the still living cambium. I thought of the billions of burning,  slaughtered trees. I felt helpless and quite stupid. Profoundly depressed, I knew enough to stay with the grief as I moved through the day; the trees had taught me well. My body felt like lead. I fell asleep in the early afternoon.

The next morning I awakened refreshed; the collective grief had receded because I felt it and didn’t try to hurry it or twist my experience into some bizarre form blurring its painful edges with new age ‘gratitude,’ for example. I paved my own way to peace and illumination on a personal level by being with others who truly loved trees and allowed themselves to feel their grief as I did – with them and also alone.

It also interests me that as a ‘tree woman’ that I was still called to feel catastrophic tree grief on a collective level just after my personal loss. By avoiding the news (because of Trump) I was also lacking in awareness and knowledge. Our Earth is on Fire, trees are dying by the billions, and these beings need to be witnessed, especially by those who are capable of standing it (so many are not and I think this is part of the problem). Blind acceptance of the death of billions of trees seems out of place in this context. Resignation is not an endpoint. The trees will guide me into whatever comes next. Of this, I am certain.

 

Sara is a naturalist, ethologist ( a person who studies animals in their natural habitats) (former) Jungian Pattern Analyst, and a writer. She publishes her work regularly in a number of different venues and is presently living in Maine.

Re-Visioning Medusa: Part I by Sara Wright


All through my childhood a self-portrait, painted by my mother hung above my parents’ bed. I was fascinated by this image of the stern face of my very beautiful mother with her long wavy chestnut hair. In the painting my mother’s body was buried in the sand up to her neck. Behind her, churning waves cascaded onto the shore. A blue sky was visible. A few seashells were scattered around and a large shiny green beetle was crawling over the sand. On the surface this image of my mother with her long curly hair seemed quite serene but as a child the painting disturbed me. It was as if this painting held a key – but to what? My father loved the painting and often commented on it…

I can remember playing at the seashore. My father would dig holes and bury both his children up to their necks in the warm sand that also held us fast…

I had one reoccurring childhood nightmare of waking up and not being able to breathe. Continue reading “Re-Visioning Medusa: Part I by Sara Wright”

Sacrificial Gathering in the Long Covid Desert by Tallessyn Zawn Grenfell-Lee

I am a fairly private person; but I do like nice hugs. I grew up in a home that involved so much intentional love and affection that I came to see it as a normal part of any loving relationship. I’m pretty sure I startle my friends sometimes by saying such affectionate things; but they endure, and many of them claim to appreciate a nice hug, too.

I know there are plenty of people who have experienced unhealthy or abusive touch; in fact, I’m one of them. I also know that the way to heal those wounds is usually through healthy touch, in relationships of trust.

Continue reading “Sacrificial Gathering in the Long Covid Desert by Tallessyn Zawn Grenfell-Lee”

Herb Talk: Bee Balm by Sara Wright

For Carol.

Women’s relationship with plants stretches back to the beginning of humankind.  Most of us know that women invented agriculture and became the first healers.

I come from a family of women who all had gardens,  but no one grew herbs. It interests me in retrospect how I turned to these healing plants. I first used them for culinary purposes as a young mother; but as I approached midlife (mid –thirties) I began to gather herbs for medicinal purposes. I realize now that I made this shift just as I began to embrace the goddess and the Earth body as my mother and turned inward to healing myself. The two were definitely connected. It is the Body of the Earth that is capable of healing our broken souls and bodies; and some wise unconscious part of me knew that. Continue reading “Herb Talk: Bee Balm by Sara Wright”

ANNA’S DANCE: A BALKAN ODYSSEY by Michele Levy – Book Review by Joyce Zonana

Toward the end of her complex odyssey, Anna finds herself alone in an ancient Istanbul synagogue, where at long last she unreservedly “name[s] herself” a Jew and experiences connection with a God that “fuse[s] both male and female” and “from that wholeness birth[s] mercy and love.” Vowing to work to “help repair [the] world”–tikkun olam–she moves forward to face her life with a “sense of wholeness” that had eluded her for so long.

202002_Zonana_JoyceHow to come to terms with the most maligned or vulnerable aspect of ourselves—whether it be race, ethnicity, religion, gender, sexuality, physical ability, or any other trait—remains among the most pressing questions of our time. Should we try to “pass,” identifying with the oppressor and denying or rejecting who we are? Should we assume a militant, defiant stance, wreaking vengeance on those who have harmed us? Or can we find a way to embrace and affirm ourselves, neither denying nor reifying the pain of our individual and collective pasts? Can we love those who have harmed us?

These are among the questions faced by 23-year-old Anna Rossi, the central character in Michele Levy’s complex, lyrical new novel Anna’s Dance: A Balkan Odyssey (Black Rose Writing, $20.95), set in the turbulent summer of 1968. 

Raised in the U.S. as a non-observant Jew, Anna has nevertheless been seared by anti-Semitism—both the indignities experienced by her parents, and those she has encountered herself. Her mother, a brilliant mathematician, had been denied admission to Purdue’s engineering school— “You’re a woman and a Jew”—and rejected by her Irish-American mother-in-law as a “filthy immigrant Jew.” Growing up in a Northern Virginia suburb, Anna was branded “Miss Israel” in the ninth grade and given low marks by a teacher who insisted she was “not like us.” Later, in college, a professor called her a “Jewish bitch.”

Continue reading “ANNA’S DANCE: A BALKAN ODYSSEY by Michele Levy – Book Review by Joyce Zonana”

Living with Uncertainty by Sara Wright

I was deeply moved by Carol’s willingness to share deeply personal feelings about how her visit to the hospital , enough so that I decided to write about how the Covid virus has impacted my life and the lives of those around me.

Here in my corner of the world summer is a time to be outdoors, and so returning to Maine in the early spring has allowed me to be emotionally present in a joyful way for Nature’s turnings, first from winter to spring, and then from spring to summer. But I am a naturalist and only too aware that my love for the wild is not shared by everyone.

Because I have no family, the longing to be with loved ones does not pierce my heart in the same way it does for others. Continue reading “Living with Uncertainty by Sara Wright”

The Sacred HU by Janet Maika’i Rudolph

Sing to the LORD, all you godly ones! Praise his holy name.
Psalm 30:4 (New Living Translation)

Therefore I will give thanks unto thee, O LORD, among the heathen, and I will sing praises unto thy name.
2 Sam 22:50

Let them praise the name of the LORD: for this name alone is excellent.
Psalm 148:13

The wording of these passages is very odd. After all, why is God’s name always being praised? It’s like saying to someone, “you must be a wonderful person because you have a lovely name,” or “the LORD must be great because ‘he’ {sigh} has such a great name.” Actually though, as I began to go deeper into my own personal practices of spirit work and chanting, I found that there is a profound truth to this use of praise. Most, if not all, of the ancient names of deities are made up of power syllables. By this I mean certain sounds that have a vibrational essence which not only resonate within our bodies but connect us with all the vibrations that surround us. Sounds made by these syllables are a bridge between worlds created by our breath.

Mystically speaking we could say that the breath of creation and our own breath interfuse. We can experience this through the vibration of power syllables. The most common syllables in the west are familiar ones – AL LA HA AH YA LO WAH and the mighty HU. Think of all the names of divinity that can be created by experimenting with these syllables. Continue reading “The Sacred HU by Janet Maika’i Rudolph”

Nourishing Wholeness in a Fractured World, by Molly Remer

List for today:

Rescue tadpoles from the evaporating puddle
in the driveway.
Look for pink roses in the field.
Look for wild strawberries
along the road.
Listen to the crows in
the compost pile
and try to identify them
by their different voices.
Plant basil and calendula
and a few more rows of lettuce.
Examine the buds beginning
on the elderberries
and check blackberry canes
to see if the berries have set.
Watch the yellow swallowtail butterflies dance.
Wonder about action and apathy
and what bridges gaps.
Refuse to surrender belief in joy.
Listen for faint echoes of hope.
Feel the tender beat of humanity
pulsing in the world.
Feel the sun on your face
and water seeping
into your jeans.
Remember that even if you have to
move one tadpole at a time,
change is always possible.

It is easy to become exhausted and overwhelmed by the volume of things there are to say, the things there are to think about, to care about, to put energy into, to love, to be outraged about. I want to invite you, at the moment of this reading, to breathe it out, to let yourself come into your body right where you are this second, and put one hand on your heart and one hand on your belly. Remind yourself that you’re whole right here, right now. There is suffering and there is fear and there is pain and there is joy and there is beauty and there is life, and we can hold it all. Let yourself settle and feel, present in this moment, in this unfolding. And, with whatever you feel, whether you feel hopeless or joyful or angry or happy or thrilled or enthusiastic or creative or drained, whatever it is, with your hand on your heart, accept those feelings as okay right now: how you feel, is how you feel; where you are, is where you are; who you are, is who you are. Continue reading “Nourishing Wholeness in a Fractured World, by Molly Remer”

La Llorona and the Dark Green Religion of Hope by Sara Wright

Picture of Sara Wright standing outside in natureI recently returned to Maine after what can only be called a harrowing journey from the Southwest. Grateful to feel beloved earth under my feet, I walk along the pine strewn woodland paths to keep myself sane. My animals have been ill, my neighbor was hospitalized briefly, other neighbors deliberately destroyed my garden wall crushing a baby balsam, and used this property as their personal ski slope, the threat of the C/virus looms – there are no words to describe this kind of exhaustion. As a PTSD survivor all my senses are on permanent scream. The simplest task has become monumental. And I am only one of so many…

Each day I attempt to feel gratitude for what is good in my life.

Momentary peace is found in the Dark Green Religion of Hope that I experience walking under every balsam, lichen, wet leaf, deciduous tree, listening to chickadees, phoebes, juncos, and finches, meandering along the swollen brook – Just to see clear mountain waters rushing to the sea reminds me that Nature’s rhythms are my own, and that most of the time I am not breathing with her – unless I take these walks. Somewhere along the way over these last weeks I have lost access to my body (PTSD). Continue reading “La Llorona and the Dark Green Religion of Hope by Sara Wright”

The Phenomenology of Embodiment—a poem by Marie Cartier

Picture of author, Marie Cartier (left) and her partner, Kimberly.
Photo of the author and her wife by: Margaret Smith

In these United States and across the world we are in quarantine. Lockdown.

Shelter in place. We’re alone together.

And I miss it all: restaurants, coffee shops, movies, hanging out with friends in real time,

But mostly I miss hugs—and I live with my wife and we hug a lot

…but I miss hugs from friends and even sometimes strangers.

I’m a hugger.

I miss handshakes and whispers and rubbing shoulders and close smiles.

Are we embodied beings? Does the body need other bodies?

What is a “crowd of something called” is always my favorite thing to look up:

a pandemonium of parrots, a swarm of eels, a fever of sting rays,

a cauldron of bats, a gaggle of women,

a herd of sea horses, a clutch of vampires, a clowder of cats,

an army of frogs, a crash of rhinos, a business of ferrets,

a passel of possums….

It’s all mythical now, for humans anyway, groups and crowds.

We might as well be mermaids.

And if mermaids were fish, a group of us would be called a school.

If we were human mermaids, we would be a tribe.

And if we were sea mammals, like dolphins, we would be a pod.

I’m missing my pod,

my school, my tribe.

Like whales or manatees, or dolphins—we need a pod.

We are social creatures. We zoom our pod on social media.

And I worry for the elderly in my pod that they do not use this technology that keeps us whizzing

into each other’s homes.

Zooming in– in Brady Bunch boxes.

Here we are! Open your mic!

Toasting the edges of my Brady Bunch box with my glass of wine—Cheers!

Did God mean for us to need each other in bodies? As bodies.

In the same space?

What does it mean that we are here spinning on the planet in embodied forms?

Our experience and our consciousness of being in bodies—

the phenomenology of what it means to be in a body with other bodies.

We are bodies first I think; we are bodies.

Human bodies. A crowd of them, a group… a family, a band, a community,

a nation, a city, a town…a party.

So– I miss hugs, and handshakes and close spaces and smiles and whispers.

I miss sitting tight next to strangers at a sold-out play, a concert, a movie….

I miss crowded events, parades…a club where I am jostling my drink

across the floor to meet my friends.

I miss waiting for a table and making small talk with the other patrons

and chatting up the maître de.

I miss laughing with clerks at the convenience store and talking

to everyone. In person.

And I miss hugging. I’m a hugger.

And I miss, oh I miss

my pod.

 

–Marie Cartier
April 2020

Photos by the author: from the “sheltering at home” collection

Marie Cartier has a Ph.D. in Religion with an emphasis on Women and Religion from Claremont Graduate University.  She is the author of the critically acclaimed book Baby, You Are My Religion: Women, Gay Bars, and Theology Before Stonewall (Routledge 2013). She is a senior lecturer in Gender and Women’s Studies and Queer Studies at California State University Northridge, and in Film Studies at Univ. of CA Irvine.