Feminism and Religion – Page 87 – Feminism and Religion

Embracing the Hebrew Priestess by Jill Hammer

Jill Hammer Even after I was ordained as a rabbi, I longed to be a priestess. The spiritual leadership I wanted most was less about leading traditional Torah study and prayer (though I’d done plenty of that) and more about immersing in the ocean, creating new rituals, reading kabbalistic sources on Shekhinah (the divine feminine mentioned in Talmud and kabbalah), or interpreting legends about women. My deepest desire was for there to be a school for Jewish women on a priestess path.

Ten years ago, my dream came true. In 2005, Taya Shere and I founded the Kohenet Hebrew Priestess Institute to bring to life the traces of the priestesshood we were finding in the Bible, in Near Eastern archaeology, and in Jewish lore and history. In Kohenet sacred space, we explore the women of spirit among our ancestors, resist their erasure, and bring forward the practices that were sacred to them. We discover in these forgotten teachings the mysticism of the material: the understanding that in our lived experience on the earth we are closest to divinity. At Kohenet, we meet the submerged version of deity called Shekhinah, Imma Ilaah, Elat, Goddess, Divine Mother, and understand why she has been so feared and rejected, yet also has been a deep and lasting part of our tradition as Jews.

The Kohenet Institute has ordained four classes of women and now meets twice a year for training weeks at the Isabella Jewish Retreat Center in Falls Village, Connecticut, and at Ananda Meditation Retreat in Nevada City, CA. We and our students run workshops and services in venues like Limmud UK and the Parliament of World Religions, as well as classes at retreat centers, local synagogues and women’s centers. Days at Kohenet are filled with spiritual exploration: prayer in the feminine in Hebrew and English; ceremony to grant new names or celebrate elders or heal the sick; making incantation bowls in the style of ancient Babylonia; slideshows of ancient priestess and Goddess art from the lands of the Bible; drum circles and labyrinths; stories of witches dueling with Talmudic sages, immersing in the lake before the Sabbath. At Kohenet, we celebrate and embody the sacred feminine, and prepare our students to lead ritual in an earth-based, embodied, feminist way that is rooted in Jewish tradition. Continue reading “Embracing the Hebrew Priestess by Jill Hammer”

Dionysian Rites by Carol P. Christ

In today’s blog, I offer an excerpt from A Serpentine Path: Mysteries of the Goddess. The setting is Zaros, Crete, the time of year is mid-October.

We had a scrumptious dinner of fresh fish, salad, fried potatoes, local amber-colored wine, and tiny olives. Later the two waiters, Themis and Nikos, bearing another pitcher of wine, sat down at our table.

They told us they were best friends and had just gotten out of the army. When they discovered that we were writers, the two young men were intrigued. “Our village has a very interesting history and many interesting customs,” they told us. “If you would like to come back and write about it, we will introduce you to all of the old people.” This conversation was in Greek, but I translated for Naomi. “This must indeed be a very interesting village,” I said to her, “because when they learn that I am a writer, most Greek men will say ‘write about me, I have a very interesting story.’ These men, in contrast, want us to write about their village.”

When we finished our wine, the young men offered to give us a lift back to our hotel on their motorbikes, suggesting we could have a coffee at the hotel bar. When we got to the hotel, they didn’t stop. “What happened?” I asked. “The bar wasn’t open at the hotel, so we’re looking for another place.” I wondered what Naomi, perched on the back of a motorbike and unable to speak Greek, must be thinking—especially since she was afraid of the unknown. We drove through the town and turned down a dirt road, arriving at the Zaros water factory. “We wanted to show you this,” they said sheepishly. “People drink our water all over Crete.” “O.K., “Naomi said, “but then you must take us back.” There were a few workers on the night shift, and the boys told us they had worked there too, before going into the army.

Leaving the factory, we continued down the dirt road heading away from the town. “Where are we going?” I asked, wondering what we had gotten ourselves into. “Just a minute,” Themis said, as he got off the bike in front of what looked like a small house in the middle of nowhere. “We need to go back,” Naomi said definitively. “Yes, I already said that,” I answered. “Come inside,” Themis beckoned. “We want to show you how they make the raki (the colorless alcoholic drink that had been offered to us in shot glasses us after meals). This is the still,” he continued, as he showed us into a small dark room with a glowing fire. “After the wine is pressed, they put the skins and stems into barrels like those you see in the corner. The mixture takes six weeks to ferment, and then they bring it to a still, where it is heated over a fire. The steam that rises is directed through long curved pipes, and comes out as raki,” he said, pointing to various parts of the mechanism. Continue reading “Dionysian Rites by Carol P. Christ”

Mysteries by Carol P. Christ

Savor an excerpt from A Serpentine Path: Mysteries of the Goddess:

Finding ourselves together in Crete after attending a conference, four friends and I set out to visit the caves of Eilitheia in Amnissos and Agia Paraskevi in Skoteino. As we drove along the coast toward Amnissos, I recalled that caves have been understood as sacred from the dawn of religion. When people knew the earth as their mother, the cave, the opening in the earth was her vagina and womb, the passageway to her deepest mysteries, the secrets of birth and rebirth.

The Eilitheia Cave is in the hills above the ancient port of Amnissos. We arrived in the morning, accompanied by the guard who came with us to unlock the gate. The cave has one large, long room, with a wide mouth, and a low ceiling. There is a belly stone near the entrance that women rubbed to insure conception. Near the center of the cave, in shadowy darkness, are two stalagmites, one squat and the other tall, surrounded by the remains of ancient walls that enclosed the sacred space. The guard told us that they were worshipped as the Mother, seated, and the Daughter, standing. Their heads were chopped off with the blow of an ax. In the back of the cave there are small pools of water, used for healing

As our eyes adjusted to the darkness, we felt that we too had entered into the womb of the Mother. Naomi sat by the Daughter stalagmite, while I leaned against the Mother. We chanted to Her and sang, aware of the bemused but accepting presence of the guard, who retreated to the entrance of the cave. As we turned to leave, Mara crouched at the cave’s entrance to take a picture, her short, full body the image of the Mother Goddess, her wispy blonde hair capturing the light, crowning her like a halo. Slowly, we emerged from the cool depths, the place of ancient mysteries, into the light and warmth of the midday sun.

We visited the Skoteino Cave late in the day, after lunch and a refreshing swim in the sea. To reach the cave, we ascended into the mountains, passed through the small village of Skoteino, and turned right down a dirt road. Above the cave is a small church dedicated to Agia Paraskevi, the patron saint of eyesight. I had been to the cave eleven years earlier with my husband, Roger, on the saint’s name day, July 26th. That day the locals celebrated first in the church, where they decorated the icon of Agia Paraskevi with flowers and lit candles, and then in the cave, where they roasted lamb, sang, and danced. It is likely that this cave has a continuity of worship from ancient times to the present day.

The first time I visited the cave of Skoteino, which means dark, I thought it was a single, huge, high-ceilinged, cathedral-like room, adorned with stalagmites and stalactites. In the meantime, I had learned that beyond the first room, there are three more levels, the final one, totally dark. Mardy offered to lead the way. Two young German men, emerging from the depths, told us the way down was not easy, as there was no clear path.

Marie, unsure of her footing, stayed near the entrance. Naomi, afraid of the unknown, perched on a rock at the back of the first room holding her candle. Mara, Mardy, and I braved the descent. We did not know what awaited us in the dark. With candles and small flashlights, we climbed and slid, sensing a way down. The rocks were cool, damp in some places, but not slippery. There were no sharp edges because the rocks had been smoothed by water. Encouraging each other we reached a place where it looked like the next descent would be though a hole or narrow opening. We still had faint light from the mouth of the cave. The final passageway was unknown, frightening, inviting. We paused, eyes fixed on the dark opening. Mardy broke the silence saying that we should turn back because the sun was about to set.

I made the ascent more rapidly than the others, my body urging me on until I reached the first level. As I walked slowly up the path that meandered through the first large room, I could see two women before me with candles, and two behind me coming up from the depths. I could almost see Persephone coming up from the underworld, torch in hand. Surely it was in a place like this that the Eleusinian Mysteries began.

A Serpentine Path: Mysteries of the Goddess is available in kindle and paperback. Carol P. Christ leads the life-transforming Goddess Pilgrimage to Crete. Her books include: Goddess and God in the World: Conversations in Embodied Theology, written with Judith Plaskow and She Who Changes and and Rebirth of the Goddess; also with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions.

Updated on December 26, 2016.

Two Wrongs Don’t Make a Right by John Erickson

Kim Davis does need a lot of things but saying of suggesting that she needs a haircut, a makeover, or even to lose weight, makes you and those that continue to repeat it no better than she is; to state such statements doesn’t purport the ideal that #LoveWins, which took over social media just mere months ago, but changes the whole narrative to symbolize that sexism and hate are more important than love and equality.

Kim Davis, the defiant county clerk, is currently sitting in isolation in a jail cell after refusing to issue marriage licenses to same-sex couples in Rowan County, Kentucky, even after she was ordered by a judge to comply with the Supreme Court’s ruling on same-sex marriage or be held in contempt of court.

Everywhere I turn on both social media or in person people are talking about Ms. Davis, her actions, personal history and for some weird reason her hair and looks. I’m all for individuals taking a virulent stand against an individual who chooses to not uphold the law of the land as well as continually acting in an unjust discriminatory way but bringing her looks or anything else about her physical appearance into the narrative is not only just plain wrong it is sexism in its worst form. Continue reading “Two Wrongs Don’t Make a Right by John Erickson”

Francis: My Holy Conundrum by Linda Pinto

Chicago enjoys a long history of women whose voices echo a call for dignity and equality.

Jane Addams was a pioneer American-settlement social worker, public philosopher, sociologist, author, and leader in women’s suffrage movement. In an era when presidents such as Theodore Roosevelt and Woodrow Wilson identified themselves as social activists, Addams outshined them as one of the most prominent reformers of the Progressive Era.

Ida Bell Wells was an African-American journalist and newspaper editor, a sociologist, and an early leader in the women’s as well as civil rights movement. Notably and disturbingly, she courageously documented lynching in the United States, showing that it was often used as a way to control or punish blacks who competed with whites.

Frances Xavier Cabrini was an Italian nun, who founded the Missionary Sisters of the Sacred Heart, serving the Italian immigrant population in Chicago. Despite the lack of support by bishops and clergy alike, her groundbreaking outreach to the poor and marginalized, earned her the privilege of being the first naturalized citizen of the United States to be canonized by the Roman Catholic Church.

More contemporary Chicago feminist prophets include Tina Fey, Jennifer Hudson and Chaka Kahn. And, I would be remiss not to invoke the names of the Holy Trinity of contemporary Chicago women saints….Hillary Clinton, Michele Obama and Oprah Winfrey.

So, now we focus on Francis, who I call my Holy Conundrum.

His words are, indeed, impressive….listen to what he says…..

The best wines come from every person who risks everything on love.

Things have a price and can be for sale, but people have a dignity which is priceless.

Let the church always be a place of mercy and hope where everyone is welcomed, loved and forgiven.

It is vital that government leaders and financial leaders take heed and broaden their horizons working to make sure that all citizens have dignified work, education and healthcare.

Finally,

Let us not be afraid to say it: we want change, real change, structural change. We want change in our lives, in our neighborhoods, in our everyday reality. We want a change which can affect the entire world, since global interdependence calls for global answers to local problems. The globalization of hope, a hope which springs up from peoples and takes root among the poor, must replace the globalization of exclusion and indifference!

Makes one wonder….

Does Francis truly intend to inspire the church to become the open window of John XXIII, letting in the fresh air of the Spirit or does he represent an institutional dose of air freshener; hoping we would smell the roses rather than the stench of a clerical system which, at best isolates women and at worst, renders them invisible? Continue reading “Francis: My Holy Conundrum by Linda Pinto”

The Book Is Finished, Now On to Publicizing It by Carol P. Christ

Goddess and God in the World: Conversations in Embodied Theology by Carol P. Christ and Judith Plaskow, forthcoming from Fortress Press in 2016.

In Goddess and God in the World, two leading theologians model a new method of embodied theology, rooted in experience and tested in dialogue. Christ and Plaskow agree that the God who is dead in our time is the transcendent and omnipotent male God of traditional theology. They believe that we must create new understandings of divinity because theologies not only help us to make sense of the world, but also provide guidance as we face the urgent social, political, and environmental issues of our time. In contrast to traditional views, Plaskow and Christ situate divinity in the world and place responsibility for the fate of the world firmly in human hands. They argue for an inclusive monotheism that affirms the unity of being through a plurality of images celebrating diversity and difference. Carol believes Goddess is the intelligent embodied love that is in all being, a personal presence that can inspire us to love the world more deeply. Judith understands God as an impersonal power of creativity, the ground of being that includes both good and evil. Their intense questioning of each other’s views provides an exciting model for theological conversation across difference.
Continue reading “The Book Is Finished, Now On to Publicizing It by Carol P. Christ”

The Great Dragon, Níðhöggr by Deanne Quarrie

I am a student of the Northern European/Old Icelandic worldview known as Seidr. What I find particularly fascinating in my studies are not the deities but rather the creatures living on the World Tree, along with the Primordial Giants who predated the gods. One such creature is Níðhöggr, the “Derision Striker.” Níðhöggr is a great dragon who lives at the base of Yggdrasil, the World Tree. She gnaws on the roots of the tree, stimulating new growth. Her home stretches from icy Niflheim, near what is called the “Roaring Kettle”, the sacred well of all the rivers of Niflheim, all the way to Dead Man’s Shore in Helheim where she devours the piled corpses.

Níðhöggr embodies the principle of rot, which is that all things must decay to make room for those things that are new. It is Níðhöggr’s job to clean up the mess! She is involved in acts of undoing. She reminds us of the impermanence of life and that eventually, all that is must become undone. It is important to know this so that we can be prepared for unexpected or difficult changes in our lives.

Níðhöggr is there to devour nasty things in one’s self, both physical and emotional. She is there to take away anything that no longer serves us, as long as we are willing to give it to her. She also is there to help anyone working to clean up the environment, especially from our own pollution.

Many fear Nidhogg because of the job she must do but without this part of the life cycle there would be no cycle at all. We make every effort to hide things that are unpleasant. We flush our human waste into our water supply instead of simply giving back to the Earth where we can restore it and use it as nourishment for new life. Menstrual blood is hidden away as if somehow shameful. We hide all that is ugly or that which makes us uncomfortable. And so it is too, with creatures and characters in mythology. Somehow in our dualistic world, the lines between good and bad, negative and positive are clearly drawn. So often those things we suppress, hide and call negative are actually, what save our lives. They are the things in our basic natural spirit that propel us forward into becoming better human beings.

Níðhöggr also serves us as a moral agent, reminding us that our own cruelty, especially harmful acts that undermine another’s sense of self. Bullying behavior is a good example. She reminds us that our actions always have consequences to the energy of the whole, not just our own lives.

Her work is much like that of the vulture, a bird so ugly it is beautiful. I have always thought of vultures as the great recyclers, returning what is lifeless and no longer useful back to the Earth to make ready for new growth.

She is truly all about roots, and keeping them clean. As that, she reminds us that real strength is found in one’s roots.

In her story, at the end of days, Níðhöggr chews through a root and upends the World Tree. Clearly if this were the root upon which all else depended, the mighty tree would fall. Perhaps this would represent our own failure to clean up after ourselves, both in our own lives as well as here in this place we call home, the Earth.

Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidic Shamanism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.

The Dog Days of Summer by Carol P. Christ

Sirius rises late in the dark, liquid sky
On summer nights, star of stars,
Orion’s Dog they call it, brightest
Of all, but an evil portent, bringing heat
And fevers to suffering humanity. –Homer, The Iliad

The dog days of summer are associated with the reappearance of the brightest star in the sky, the “dog star,” also known as Sirius, just before dawn from July 23 until August 23. This star heralds the days of the most intense summer heat. Though this is the time of the summer harvest in Mediterranean cultures, it a time of death. Energy wanes. The grasses have dried out on the hillsides, plants in gardens will die too unless they are watered. The healthy “sit out” the heat of the day with closed shutters, while those who are old or very ill often give up the ghost. They say that this is also a time when babies are conceived during long and languid afternoon naps.

The Greater Mysteries of Demeter and Persephone were celebrated at the end of this period, and the Greek Orthodox festival of the Dormition (Death) and Assumption (Rebirth) of the Panagia (the Virgin Mary) echoes an ancient rhythm.

This year I have spent most of the dog days in air-conditioned rooms, feeling little inclination to brave the heat of the day even for a refreshing swim in the sea. During this time, Judith Plaskow and I completed the final draft of the manuscript of Goddess and God in the World and submitted it to our publisher: a midsummer harvest!

To be truthful, I also spent many of the dog days days glued to my computer watching reruns of D.C. Banks and Blue Murder. These days of rest were good for the knee I had injured earlier in the summer, which now is almost healed. They must have been good for my spirit as well, for a friend who had not seen me since late spring told me that I looked refreshed and renewed.

In nature, the death days of late summer are followed by rebirth. At the very time when the sun is at its most intense, the days become shorter—first imperceptibly, and then quickly. While sun “stands still” for several months, setting at more or less the same time before and after the Summer Solstice, all of a sudden (or so it seems), the sun sets half an hour earlier. From then on, it sets several minutes earlier each day: a clear indication that fall is on its way. Before long, the rains come and the hillsides become green again.

For me, August 14, celebrated in Greece as the day of the Dormition of the Panagia, marks the beginning of the end of the intense heat of midsummer. Yesterday, on this day, with some trepidation, I packed my dogs into a hot car and headed for the sea. Our favorite tavern was empty and a light breeze coming from the sea tempered the heat. A friend arrived unexpectedly, and—joined by my intrepid miniature schnauzer—we enjoyed a swim so refreshing we didn’t come out of the water until our fingers became wrinkled. Just before sunset my friend and I met again to ascend the stairs to the shrine Church of the Panagia on the Rock to light candles for Rebirth and Renewal, ending our day with dinner by the sea.

As I write the next morning, I feel poised on the edge of rebirth and regeneration. I don’t yet have new ideas in my mind, nor do I have the fullness of energy I know will continue to return as the heat wanes. I look forward to the coming of fall and await new green shoots of inspiration in my life and my work.

Carol P. Christ leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter). Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming in 2016 from Fortress Press, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing. Photo of Carol by Shanti Jones. Photos of beach at Anaxos by Andrea Sarris.

No Longer Moved … by Symbols that Once Moved Me Profoundly by Carol P. Christ

This week Judith Plaskow and I submitted the final version of our new book Goddess and God in the World to our publisher at Fortress Press. Just before completion, I added a shorter version of the following passage to my final chapter. In it I tried to describe the odd feeling of not being moved any longer by a religion that once moved me profoundly. Our book, which explores an embodied theological method, will be out in the summer of 2016.

I have never regretted my decision to leave Christianity. Although I have a sentimental attachment to Christmas trees, Christmas dinners, Christmas carols, and some hymns, I miss little else about Christianity. At a distance of several decades, I find that I quite simply have no feeling for the Christian edifice of doctrines and rituals based on the life and death of a single individual. Jesus was a visionary, but there have been many others like him—including Martin Luther King, Elizabeth Cady Stanton, and Gandhi, all of them flawed, as Jesus must have been as well.

A few years ago, I decided to participate in the Greek Orthodox Easter week services, because they are attended by so many of my neighbors. But while enjoying the company of the women who decorated the epitaphios (tomb for Jesus), the procession through the streets of our town on Friday night, and the lighting of candles at midnight on Saturday, I came to a clear understanding that the Easter drama is no longer my drama. During the Thursday night services, I realized that many of the women were openly grieving the death of Jesus. Though intellectually I could understand that the Easter drama allowed my friends to release pent-up and repressed feelings, I found their deeply emotional response to the re-enactment of the death of Jesus bizarre.

In leaving Christianity, I had gained the freedom to name the sacred in my own experience, confirmed my deep inner knowing about the human connection to nature, and found the power to create and participate in rituals that have meaning in my life. For me now, the rituals on the Goddess Pilgrimage to Crete are at the center of my spiritual life. To listen to Alice Walker’s words, “We have a beautiful/mother/Her green lap/immense/Her brown embrace/eternal/Her blue body/everything we know”* on a mountaintop or to repeat Ntozake Shange’s cry, “we need a god who bleeds now/whose wounds are not the end of anything”** at the mouth of a cave, moves me more than any passage from the Bible.

Singing “Light and Darkness” in the depths of caves is an embodied act of reclaiming the womb as a symbol of creation and the darkness as a place of transformation. I still enjoy singing the Doxology (Hymn of Praise)—and doing so connects me to my history. But I now sing it in front of altars laden with summer fruits or winter vegetables and with words that express my spirituality: “Praise Her from whom all blessings flow/Praise Her all creatures here below/Praise Her above in wings of flight/Praise Her in darkness and in light.”***

*Alice Walker, “We Have a Beautiful Mother,” Her Blue Body Everything We Know: Earthling Poems 1965-1990 (New York City and Orlando, FL: Harcourt Books, 1991), 459-460.
**Ntozake Shange, “we need a god who bleeds now,” A Daughter’s Geography (New York: St. Martin’s, 1983), 51.
***See Carol P. Christ, She Who Changes: Re-imagining God in the World (New York: Palgrave Macmillian, 2003), 238, for a discussion of the meaning of the new words.

Carol P. Christ leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter). Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming in 2016 from Fortress Press, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing. Photo of Carol by Maureen Murphy. Photo of Idean Cave by PJ Livingstone.

ALTERNATIVE IMAGES OF GOD BY CAROL CHRIST AND EMMA TROUT

Carol P. Christ at Alverno College 1 — Carol Christ at the Conference of Women Theologians

Today I am publishing an early work on female language for God that I wrote with Emma Trout at the first Conference of Women Theologians in 1971. Highly contested at the conference, this essay is a foreshadowing of my subsequent work on the need for female imagery for divinity.

Rereading this essay more than four decades later, I am gratified to see that though we began our essay with the image of God giving birth (which I still view as an important image), Emma and I were aware of the danger that female imagery for God could reinforce “a false sexual polarity.” We insisted then that female imagery for God must not repeat sex role stereotypes, but rather must shatter them. Continue reading “ALTERNATIVE IMAGES OF GOD BY CAROL CHRIST AND EMMA TROUT”