Goddess – Page 47 – Feminism and Religion

Sharing a Snowstorm with The Goddess of Winter by Carolyn Lee Boyd

Though our calendars indicate that we have hit spring, the 32 degree weather and the forecasted snow this coming week in New England indicate otherwise. Here you have one more winter-themed post in an effort to bid it farewell and make room for spring!

A few weeks ago, I stepped onto a platform at a train depot in the middle of a snowstorm and looked straight up into the sky. The flakes were chunky and drifted like feathers, tranquilly undisturbed on their journey by the loud and busy human world into which they were about to land. The wind was perfectly still, so as I stood, I could see each flake descend from very far above and follow it with my eyes till it reached the ground, as if some sky goddess shook them loose from heaven for me to bring safely to Earth with my guiding gaze. For the first time in my 50 years, I felt as if I were not just observing the work of Goddess, but was part of Her world, a true Co-Creator.

I have so often written of the Divinity within everyone, but never really experienced that personally. What does it mean to actually participate in Goddess while still being human? At that moment, I felt as if I was within the joy that perhaps Goddess has as She witnesses her most exquisitely beautiful creations. Yet I never felt as if I had left the everyday realm in body, mind, and spirit; never had I become other than my very ordinary self to partake in this moment. The train arrived, I stepped onto it, and carried on with my day, though I am still pondering the meaning of that memory.

I came to know Divinity from Nature, especially Michigan winters and their extreme cold. I grew up in a liberal church that encouraged us to forge our own relationship with God/dess, and mine was always as She was reflected in Nature. While spring and summer, with their blossoms and fruits, flashing fish swimming in lakes, and tall pines making cathedrals in the woods, were beautiful reminders of the loveliness of Creation, winter seemed to me to be the greater manifestation of Nature’s power and essence. Even as a child, frostbitten fingers and the magnificence of shining fields of snow in the sun taught me that all living beings must understand that they are one element of Nature and therefore Goddess, not Her ruler, and seek their proper place while celebrating Her abundant gifts.

As I became older, the many complexities of winter began to coalesce into a winter goddess image uniquely meaningful for me. Winter kills, but also gives life to those plants needing the cold to grow in the spring. Winter is essential for balance, not only in regulating Earth’s ecosphere, but cold also regulates the temperature of our bodies. Winter is the artist of intense beauty in the infinite designs of snowflakes as well as the grace and majesty of ice formations. The more I learned of winter’s many facets, the more I realized that this winter goddess was the self I strove to be – a healer, a life-giver, a bringer of balance and maker of beauty. This manifestation of Goddess in Nature as winter gave me the Divine face I needed to see in order to begin to be with Her as a Co-Creator.

This awakening moment came just as I am realizing that I need to grow into being a Co-Creator if I am to be effective as an agent of change in this world. As Co-Creator with Goddess, and her manifestation in Nature, I see that I need to take responsibility for doing what I can to benefit all beings, even those far away on the other side of the globe, as if I were standing next to each woman in her time of need and knowing that she is standing next to me at mine. Just as in Nature, all beings are interconnected in the ecosystem, so are we all one in our increasingly global social, cultural and spiritual human system.

As a Co-Creator with Goddess, I must think not only about how my decisions affect our planet and humans of today or tomorrow, but how what I do affects, in some way, every generation to come even onto billions of years. Just as Nature exists in deep time, so do our souls and spirits when we see beyond the tiniest dot that represents our lives in time’s real vastness. Time is not measured in the decades of my life, but in millennia and beyond.

As Co-Creator with Goddess, I know that every woman’s voice must be heard. Just as in Nature every being “sings” its unique message by fulfilling its niche in the universal ecosystem, so must we thoughtfully and joyfully use the voices of our lives to express all our innate and unique wisdom. When I think of myself as Co-Creator, I am unafraid to speak with the spiritual power and authority that is the birthright of women spiritual leaders in many times and places but which are so often not honored in our own.

I am about to have a birthday that many people believe marks a passage into another stage of life. Perhaps this is Goddess’s birthday gift to me. This experience was not one I worked for or expected; it appeared when I needed it. Truly experiencing ourselves as Co-Creator with Goddess helps us transform into the women our special gifts demand that we be and gives us a perspective and sense of power that is sorely needed if we are to heal ourselves and our planet. What is your “snowstorm,” or life experience that reminds you of the honor, responsibility and joy of truly being a Co-Creator? Who are you when you are Co-Creator with Her?

Carolyn Lee Boyd is a human services administrator, herb gardener, and writer whose work focuses on the sacred in the everyday lives of women. Her essays, short stories, memoirs, reviews and more have been published in numerous print and online publications. You can read more of her work at her blog, www.goddessinateapot.com.

Our Loss of Od by Deanne Quarrie

Freyja is an Old Icelandic goddess of the Earth, fertility, and beauty. Her name means “Lady.” Freyja is known to be very beautiful and sexual. It is thought that Freyja was first in union with Od. This union represented what is known in Old Icelandic as sam-vit, a state of united consciousness. In other words, consciousness that reflects a state of being united, integrated, or whole. Od had vanished from Her life causing her to weep for his loss. Where her tears fell on the land, they turned to amber and where they fell in the Sea they became gold. Amber and gold are both sacred to Freyja. From the time he left, she continued to travel and search for him. Continue reading “Our Loss of Od by Deanne Quarrie”

“Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ

In recent years monotheism has been attacked as a “totalizing discourse” that justifies the domination of others in the name of a universal truth. In addition, from the Bible to the present day some have used their own definitions of “exclusive monotheism” to disparage the religions of others. Moreover, feminists have come to recognize that monotheism as we know it has been a “male monotheism” that for the most part excludes female symbols and metaphors for God. With all of this going against monotheism, who would want to affirm it?

In response to some or all of the above critiques, many modern pagans define themselves as polytheists, affirming at minimum, the Goddess and the God, and at maximum a vast pantheon of individual deities, both female and male, from a single culture or from many, including divinities with animal characteristics. Other pagans define themselves as animists, affirming a plurality of spirits in the natural world. A group of Christian feminists have argued that the Christian Trinity, the notion of God Three-in-One, provides a multiple and relational understanding of divinity.

While also rejecting exclusive monotheism and male monotheism, Jewish poet, ritualist, and theologian Marcia Falk provided a definition of inclusive monotheism that I find compelling.

Monotheism means that, with all our differences, I am more like you than unlike you. It means that we all share the same source, and that one principle of justice must govern us equally. . . Continue reading ““Immanent Inclusive Monotheism” with a Multiplicity of Symbols Affirming All the Diversity and Difference in the World by Carol P. Christ”

Gaia by Jassy Watson

We have come to a point in the history of our civilisation where our relationship to nature seems to be more of one of destruction than of nurturance and respect. Humankind has steadily distanced itself from nature, our homes are filled with dead things, plastics, metals and chemicals. Everything around us is synthetic and manufactured in factories. Some people live their lives never touching nature – the soil, the plants, the grass. I have even met people who have a deep fear of being in nature. This distancing from nature is a reflection of distancing from our Divine Earth mother, not just as the outside world, but also as the energy of the archetypal Earth Mother within our own psyche.

Many cultures and traditions herald a Great mother, Mother Earth or Mother Nature but our connection to her, especially recently in the Western world, has been severed. In the Greek mysteries, Gaia or Gaea, the Divine Mother, was one of the primal elements who first emerged from cosmic chaos at the dawn of creation. All the later Pantheon of Gods and Goddesses are said to have descended from her initial union with Ouranos (the sky) and Pontos (the sea). Her geneology and her presence in Greek myth is full of complexities, conflicts and contrasts. Her worship in Ancient Greece did in fact decline, for her role was supplanted by the Gods of Olympus. Some scholars such as Harris and Platzner (Greek Mythology: Images & Insights, 2011), maintain that the decline in her worship and the demonizing and slaying of the snake or serpent – one of Gaia’s primordial symbols and a symbol of archetypal feminine energy, represents the death of the sacred feminine brought about by the insidious reign of a patriarchal pantheon of male gods.

Gaia is not only a figure in Greek myth however. In the 1960s, James Lovelock (2000) formulated the Gaia hypothesis. Lovelock states that all life, and all living things on this planet, are part of a single, all-encompassing global self-regulating system (he avoided the word consciousness) which he named Gaia. It is this global system of interconnection that makes our planet capable of supporting life. Further, he believes, if you live in balance with Mother Nature, health and healing are yours; violate Her laws and tip the balance, you pay the price in suffering and disease. Thus Gaia does not only represent the Ancient Greek Mother Earth and the physical planet, she also represents the forces of nature: laws and intelligences that function on every level of the cosmos. She is the very fabric of existence. Glenys Livingstone says it beautifully: “She is the eternal pulse, in which each one of us flows. Gaia is Earth, is Universe, is Ultimate Mystery, is you, is me – She is multivalent.” (from her Essay ‘Gaia as a Cosmic Name‘, 2014)

I recently taught two workshops for women ‘Painting Gaia – Exploring our Connection to the Earth’ based in my belief that disconnection and distancing from nature is an issue that needs attention. We need more than ever, at this time in history to re-connect deeply with the earth and with the feminine – regardless of faith of tradition. This re-connection that will aid in deep ways in the healing of the planet and of the self. If we are not connected, how can we care about the plight of the planet and all sentient beings? And if we are not caring, how can we take action to make a difference?

I am dedicated to taking action, raising awareness and making a difference in the ways that I know how. The intention for these workshops is to connect to Gaia through the process of visioning, painting and inquiry. Our Gaias were birthed from the cosmos and as we brought her into being we deepened our connection to Her, within and without. We also strengthened our commitment to healing the earth in a capacity that is manageable. Some, including myself, expressed feelings of being overwhelmed by all the atrocities we are flooded with on the news and in social media forums. In this context, our goal was to become more mindful of our actions and choices. The workshop also called us to a deep, primal remembering of Her eternal presence, from the cosmos to the core.

It was apparent in our discussions is that Gaia represents paradox – life/death, chaos/order, creation/destruction, beauty/ugliness, peace/fury. Connecting deeply with Gaia is ultimately about living in paradox; we must accept both life and death to truly know her nature. Marion Woodman (Dancing in the Flames, 1996) states that “paradox is the core of wisdom and the core of the goddess”. The balance of both must be held.

In Greek art Gaia was often represented “tamed,” presented as a beautiful voluptuous woman, half risen from the Earth as can be seen here:

img_gaia — Gaia rising from the earth, Athenian Red-figure Kylix, 5th c BCE – image from http://www.theoi.com

Following are two of my recent paintings of Gaia in all her elemental power. I hope you feel and appreciate the difference!
Continue reading “Gaia by Jassy Watson”

Persephone by Barbara Ardinger

Here we are, creeping up on the vernal equinox (March 21), which astronomers and weathermen on TV tell us is the start of spring. I see Imbolc (as described by Deanne Quarrie) as the true beginning of spring, however. It’s when we see the first little crocuses popping up through the snow…..oh, yeah…..well, maybe not this year, when more than half the U.S. is buried under mountains of snow. Let’s just agree that in ordinary years crocuses pop up and bloom and trees start showing us their tiny green leaves in February. The equinox is really the turning point of spring, the hinge of time when the rising energy tips over into falling energy that is flowing toward summertime, which will arrive at Beltane (May 1 or 2).

We’re probably all familiar with the story of Persephone, who under her childhood name, Kore, was out picking flowers in the meadow one day when her Uncle Hades roared up out of the earth in his mighty chariot and kidnapped her. This led her mother, Demeter, the grain goddess, to search for her and finally go on strike and let the world turn back into winter. This went on until Aunt Hecate told Demeter where her daughter was. When Persephone, now queen of the underworld, came back up with her mother—voilà! It was springtime. That’s how the vegetation myth goes. Continue reading “Persephone by Barbara Ardinger”

Celtic Goddesses – a Personal Journey by Judith Shaw

When I first discovered the Goddess as a young woman, I was drawn to the Goddess of prehistory. I felt Her power and importance through the statues, figurines and shrines that were uncovered, as Her names and stories have been lost to us.

Later I discovered, in the first written tablets found, the story of Inanna, the Sumerian Goddess. Her story covers all the aspects of a woman’s life – the maiden, the lover, the queen, the mother. She brought the gifts of civilization to Her people. She descended into the underworld and was reborn. As Queen of Heaven and Earth, She ruled all. I worked with images of Her for many years.

Continue reading “Celtic Goddesses – a Personal Journey by Judith Shaw”

IS GODDESS “WITH US” OR “IN CONTROL” OF EVERYTHING? THE “THEOLOGICAL MISTAKE” OF DIVINE OMNIPOTENCE by Carol P. Christ

How do we make sense of loss, great loss, and everyday disappointment? Some would tell us that “everything has a purpose” or that whatever happens “must be the will of God.” I have found that these answers to questions raised by life as we know it often do more harm than good. Yet they have a sticking power–we hear them all the time, sometimes even from other feminist seekers.

From the beginning feminists in religion rejected “the God out there” who rules the world from a throne in heaven. Most of us have insisted that “God” is more “in” the world than “beyond” or “outside it.” However we have not always been consistent in our convictions. When feminists are confronted with untimely death or great evil or just not getting what we think we want, we can sometimes be overheard to wonder, “Why did God (or Goddess) let that happen?” This question is based in the assumption that God or Goddess is omnipotent and rules the world from outside it. This is the theological idea I intend to question today.

The “zero fallacy” is a term philosopher Charles Hartshorne used to explain the “theological mistake” known as divine omnipotence. Hartshorne pointed out that if God is omnipotent, then God has “all” or “100%” of the power. If this is so, then human beings and all other beings have “zero” power. But if we have zero power, then do we even exist? Continue reading “IS GODDESS “WITH US” OR “IN CONTROL” OF EVERYTHING? THE “THEOLOGICAL MISTAKE” OF DIVINE OMNIPOTENCE by Carol P. Christ”

MATRIARCHY: DARING TO USE THE “M” WORD by Carol P. Christ

For me the word “matriarchy” expresses the certainty that “another world” can exist—a world not based in domination and hierarchy or violence and war.

The word “matriarchy” makes people’s hair stand on end as they imagine the mirror-image of patriarchy: societies in which women dominate men, beat men, rape men, hold men as slaves, and demand obedience from men. Some who do not protest very loudly or at all against patriarchy are horrified by the very idea of matriarchy. To be fair, most feminists have also been schooled not to use the “m” word.

Early in my academic career, I read “The Myth of Matriarchy” by Joan Bamberger and learned that the idea of matriarchy gone wrong has been used by men to justify patriarchy. From other academics I learned that in matrilineal societies, uncles have a great deal of power—so therefore there never was a matriarchy. I was also aware that Jungian and other proponents of a “matriarchal stage” in the development of culture have argued that matriarchy had to be succeeded by patriarchy in order for societies to evolve to a “higher” stage. Unlike many of my colleagues I stubbornly held onto the belief that there must have been “a better way” prior to patriarchy. Continue reading “MATRIARCHY: DARING TO USE THE “M” WORD by Carol P. Christ”

Echoes of Mesopotamia by Molly

Echoes of Mesopotamia
small figures from ancient places
ancient times
and ancient faces
ancient words
and ancient wisdom
still flowing in my veins

Clay in my hands
clay in her hands
running on the rivers of time
spiraling in the mysteries of being
spinning in the eddies and ripples of eternity…

I have a strong emotional connection to ancient Paleolithic and Neolithic goddess sculptures. I do not find that I feel as personally connected to later goddess imagery, but very ancient figures call to something deep and powerful within me. I have a sculpture of the Goddess of Willendorf at a central point on my altar. Sometimes I hold her and wonder and muse about who carved the original. I almost feel a thread that reaches out and continues to connect us to that nearly lost past—all the culture and society and how very much we don’t know about early human history. There is such a solid power to these early figures and to me they speak of the numinous, non-personified, Great Goddess weaving her way throughout time and space. Continue reading “Echoes of Mesopotamia by Molly”

WOMEN AND WEEDING, THE FIRST 10,000 YEARS* by Carol P. Christ

Mary, Mary, quite contrary, how does your garden grow? With silver bells and cockle shells, and pretty little maids all in a row.

From the beginning of horticulture about 8000 BCE or earlier to the present day, weeding has been women’s work. Women, who were the gatherers and preparers of food in traditional nomadic societies, no doubt were the first to discover that seeds dropped at a campsite one year sometimes sprung up as plants the next year. When this discovery was systematized, agriculture was invented, and human beings began to settle down in the first villages and towns.

In the early days of horticulture (the name for the earliest stage of agriculture before the plow was developed), the cycles of planting and harvest and all the stages in between were understood to have been given to mothers by the Great Mother, the Source of Life. The secrets of planting, seed collection, harvest, and food preparation and preservation were all perceived to be “mysteries” connected to the ongoing cycles of birth, death, and regeneration in the universe.

My grandmother Lena Marie Searing who was born on a farm in Michigan must have learned agricultural secrets from her mother, for she not only created a beautiful garden, she also farmed an orchard and preserved its fruits in glass jars that lined her pantry. It was she who taught me and my brothers and cousins to love nature. My mother learned to garden from her mother, but she did not harvest food crops. I think of both of them whenever I work in my garden.

The past few days I have been weeding my garden after heavy rains that left the soil clumpy and moist. I have weeded before, but I have never enjoyed it so much. My garden has matured over the past seven years, and now the weeds are more “under control.” There aren’t so many of them, and as I have now been weeding them out over the years, their roots are shallow.

As I slide a trowel into the earth the weeds lift up and with my fingers I gently pull the plants with their roots from the soil. The weeds are familiar, though I don’t know all of their names. The “sticky weed” has many tough roots, the clover has many fine ones—both are hard to eradicate. Other weeds are easy to pull up and do not reappear again until the next year.

wild chamomile blooming among "weeds" — wild chamomile blooming among “weeds”

I am discovering that weeding is a delicate process. Sometimes the roots of plants I want in the garden are entangled with those of the weeds. I work carefully choosing the ones to save and the ones to discard.** I leave poppies, chamomile, yellow daisies, and marigolds where I find them, as I consider them to be wildflowers that will provide beauty in my garden when they bloom in spring. I also take care to “keep the soil in good heart” by not discarding too much of it along with the weeds.

As I weed, I think of the women in my village who harvest greens from the fields, feeling certain that some of the weeds I discard are edible. I marvel at all of the knowledge women have shared and passed down over the past 10,000 years and more, as I realize how little of it I know. My suspicion that some of my weeds could be food is validated when a friend and I order boiled “greens from the mountains” for lunch at a local taverna and are served one of the plants I had thrown into the garbage can.

As I weed, I am reminded of an essay called “Keeping the Soil in Good Heart: Women Weeders, the Environment, and Ecofeminism” by Candice Bradley which was published in Karen J. Warren’s Ecofeminism. Bradley writes that weeding is women’s work in almost all cultures. As I work, I understand that this is so because weeding is delicate work that requires concentration and patience and that must be repeated. Bradley says that in many cultures men disparage weeding as they disparage housework—not considering either to be “real” work.

Horticulture is the most environmentally friendly form of farming, according to Bradley, because it does the least harm to the soil, and because the weeds that are not eaten are burned or composted and turned back into the earth to replenish it.

While weeding by hand has been considered work for women and children, men have generally controlled the plow and its recent successor, the tractor. However, as Bradly states, the plow and the tractor do not eliminate the need for hand-weeding. In many cases they encourage the weeds to regenerate. Women and children still weed.

The chemical gardening and farming industry (“round it up”) is based on the premise that weeds can and must be eradicated. Rachel Carson warned us of the danger this approach to agriculture presents to human and all other forms of life. A by-product of chemical agriculture is that the careful work of women weeders is further discounted.

I do not use chemicals or pesticides in my garden, and I will be out there weeding on a regular basis in the next months. As I put my hands in the earth, I will think of all the women before me who have weeded and planted, weeded and harvested, and weeded again. Blessed be.

*The title of this essay is an homage to Elizabeth Wayland Barber’s Women’s Work: The First 20,000 Years which discusses and celebrates women and weaving.

**I am aware that no plant was born a “weed” and that the designation of some plants as weeds is a by-product of human digestive systems, human taste, agriculture, and the creation of gardens for the celebration of beauty.

Carol P. Christ created a newly released new website for the Goddess Pilgrimage to Crete which she leads through Ariadne Institute. Early bird special for the spring pilgrimage available until February 15. Carol can be heard on a WATER Teleconference. Carol’s books include She Who Changes and Rebirth of the Goddess and the widely-used anthologies Womanspirit Rising and Weaving the Visions.