Reading Plato’s Allegory of the Cave as Matricide and Theacide by Carol P. Christ

When I read Plato’s allegory of the cave as an undergraduate, I was told it had something to do with the idea that the “form” of a table is more “real” than the table itself. I must confess that I had no idea what this could possibly mean.

As a graduate student, I struggled with philosophical and theological ideas rooted in Platonism.  Rosemary Radford Ruether named the flawed worldview created by a “classical dualism” that separates mind from body, spirit from the world, rationality from emotion, and male from female.  Her ground-breaking essay “Mother Earth and the Megamachine” clarified the difficulties I was having.

Western philosophy, described by Alfred North Whitehead as a series of footnotes to Plato, had gotten off on the wrong foot. At its very beginnings, western philosophy had attempted to sever mind from the body and nature, alleging that “man’s true home” was not life in the body on planet earth. Continue reading “Reading Plato’s Allegory of the Cave as Matricide and Theacide by Carol P. Christ”

Visions of My Grandmother by John Erickson

“I never told my grandmother I was gay. I’ve often wanted to visit her grave, clench my hands together, and pray that she forgive me for betraying the trust she instilled upon me long ago. However, even today, I cannot bring myself to make that trek, up the hill into the countryside where her ashes lay below the ground.”

I haven’t dreamt of my grandmother since her passing one hot summer July evening.

The night, and the days that followed, continue to be a blur.  However, as my family members continue to see her in their nightly visions, I, go on unabatedly longing to see and hear the voice of a woman who made me feel the presence of the divine with each passing story.

My sister saw her in a dream when she was buying shoes, my mother has seen her multiple times when she would be undergoing a particularly stressful situation, and I, left alone and oftentimes wondering through an abyss of loneliness and disarray, wake up each morning wondering why, I am left all alone. Continue reading “Visions of My Grandmother by John Erickson”

Why a Goddess Pilgrimage? by Carol P. Christ

What is a Goddess Pilgrimage and why are so many US, Canadian, and Australian women making pilgrimages to ancient holy places in Europe and Asia?  The simple answer is that women are seeking to connect themselves to sources of female spiritual power that they do not find at home.

Traditionally pilgrims leave home in order to journey to a place associated with spiritual power.  “Leaving home” means leaving familiar physical spaces, interrupting the routines of work and daily life, and leaving friends and family behind.  For the pilgrim, “home” is a place that has provided both comfort and a degree of discomfort that provokes the desire to embark on a journey.  The space of pilgrimage is a “liminal” or threshold space in which the supports systems of ordinary life are suspended, as Victor Turner said.  A pilgrim chooses to leave the familiar behind in order to open herself to the unfamiliar—in hopes that she will return with new insight into the meaning of her life.  Continue reading “Why a Goddess Pilgrimage? by Carol P. Christ”

Who is She? The Existence of an Ontological Goddess By Molly

I do feel Her presence directly in my life—call it an energy, call it the sacred feminine, call it the divine, call it source, call it soul, call it spirit, call it the great mystery…I perceive a web of relatedness and love within the world and I choose to put a feminine form to that energy—to name it and know it as Goddess.

To me, Goddess is found in the act of specifically naming that ineffable sense of the sacred that we all, universally, experience or perceive at some point during our lives. Whether it be in gazing at the ocean or in climbing a mountain, in the births of our children or the hatching of a baby chick, almost all humans experience transcendent moments of mystery, meaning, wonder, and awe. We can call these experiences by different names and I feel that the Goddess arises when we have the courage and capacity to name Her as such, rather than stay hazy, generic, or afraid.  In my own life, I call these numinous experiences Goddess and through this I know She exists in, of, around, and through the world that I live in. It is in these experiences that I touch Her directly. Continue reading “Who is She? The Existence of an Ontological Goddess By Molly”

Goddess as Love: From Experience To Thealogy by Carol P. Christ

If theology is rooted in experience, how do we move from experience to theology? In my life there have been a number of key moments of “revelation” that have shaped my thealogy. One of these was the moment of my mother’s death.

In 1991 my mother was diagnosed with cancer. While she was being treated, I realized that I had never loved anyone as much as I loved her. When I wrote that to her, she responded that “this was the nicest letter” she “had ever received” in her life and she invited me to come home to be with her and my Dad.

My mother died only a few weeks after I arrived, in her own bed as she wished. She was on an oxygen machine, and I heard her call out in the dark of early morning. When my Dad got to the room, he tried to turn up the oxygen, but it didn’t help. Then he called the doctor who reminded him that my mother did not want to go to the hospital under any circumstances.

My Dad then sat by my mother’s bed and held her hand.  As my mother died, I felt that the room was” filled with love.” I sensed that my mother was “going to love.” Continue reading “Goddess as Love: From Experience To Thealogy by Carol P. Christ”

Theapoetics by Molly

I think there is a poet in me

she’s been hiding

I didn’t know she was there

I didn’t see her
I didn’t hear her

I didn’t watch for her
wait for her
listen to her
or know her

and yet, when I come to this place in the woods
and I sit down
and I open my mouth

poetry comes out

and I really think
she’s been here all along.

In the woods behind my house rest a collection of nine large flat rocks. Daily, I walk down to these “priestess rocks” for some sacred time alone to pray, meditate, consider, and be. Often, while in this space, I open my mouth and poetry comes out. I’ve come to see this experience as theapoetics—experiencing the Goddess through direct “revelation,” framed in language. As Stanley Hopper originally described in the 1970’s, it is possible to “…replace theology, the rationalistic interpretation of belief, with theopoetics, finding God[dess] through poetry and fiction, which neither wither before modern science nor conflict with the complexity of what we know now to be the self.” Theapoetics might also be described, “as a means of engaging language and perception in such a way that one enters into a radical relation with the divine, the other, and the creation in which all occurs.” Continue reading “Theapoetics by Molly”

Angrboða, Her Children, and Our Shadow Selves by Deanne Quarrie

In the land of the Northern Europeans, the very first beings were the giants and giantesses. I call them the Jötunn folk for they come from the realm of Jötunheimr. One story that I find particularly fascinating is that of Angrboða and her three children. She is known as the Hag of Iron Wood, one of the witches of Iron Wood who are a group of giantesses that gave birth to fierce wolves. Angrboða took Loki as her consort, and as a product of that union, gave birth to Fenrir, Jormungandr, and Hela.

Angrboða was called Hag, but this comes to us in the same way as Hagia, meaning wise. She was the tribal wise woman of the Nine Clans of Iron Wood, often referred to as the chief of chieftains. The Iron Wood Clan were known to be werewolves – some staying in animal form, others shapeshifting at will to other forms, some were feathered and some scaled. Continue reading “Angrboða, Her Children, and Our Shadow Selves by Deanne Quarrie”

SHADOWS OF THE GODDESS IN GREEK ORTHODOX TRADITION: EASTER AND THE DORMITION OF THE VIRGIN by Carol P. Christ

While I would not wish to argue that Greek Orthodoxy is in any way a “feminist” tradition, the shadow of the Goddess falls long over the two great festivals of spring and midsummer.

In Greek Othodox tradition, there are two major spiritual holidays– Easter in the spring and the Dormition/Assumption of the Virgin at midsummer.  The Panagia, She Who is All Holy, also known as Mother of God, Virgin, and Mary, is a central figure in people’s faith–dethroned neither by the Reformation nor by Vatican II.  Indeed when I speak of the need for the “rebirth of the Goddess” in Greece, I am often told, “the Panagia is our Goddess.”  This may not be theological orthodoxy, but it expresses a truth of practice. Continue reading “SHADOWS OF THE GODDESS IN GREEK ORTHODOX TRADITION: EASTER AND THE DORMITION OF THE VIRGIN by Carol P. Christ”

Her Name by Janine Canan

She is dancing her Dance
and everything changes.
This is what is meant by Impermanence,
buddhist for God.

She is dancing her Dance
and nothing remains.
This is what is meant by Nothingness,
atheist for God.

She is dancing her Dance
and everything is beautiful.
This is what is meant by Changing Woman,
navajo for God. Continue reading “Her Name by Janine Canan”

Painting Pachamama and Gaia by Angela Yarber

 Pachamama prevails.  Her body is one with the Andes and she births the caverns, canyons, and rivers that sustain the earth.  

This month, the indigenous people of the Andes celebrate a high holy season in Incan mythology, honoring their beloved Pachamama.  Pachamama is venerated as the earth goddess and during August, her followers give her payment (pago) with their central ritual of Challa.  So, I’d like for my monthly article about Holy Women Icons to celebrate this earthy goddess of Peru, along with a similar manifestation of mother earth, Gaia.  Thus far, the biblical dancer, the Shulamite, feminist scholar, Mary Daly, and literary figure, Baby Suggs, have been the icons with a folk feminist twist that I have discussed on Feminism and Religion.  Now, I’d like us to join with our Andean sisters in toasting the holy women icons of mythology: Pachamama and Gaia. Continue reading “Painting Pachamama and Gaia by Angela Yarber”