Legacy of Carol P. Christ: Was Ariadne the Most Graceful Bull-leaper of All? Deconstructing and Re-visioning Greek Mythology

carol-christ

This post was originally published on March 3rd, 2014.

Sometimes we think of Greek myth as a pre-patriarchal or less patriarchal alternative to the stories of the Bible. After all, Goddesses appear in Greek myths while they are nearly absent from the Bible. Right?

So far so good, but when we look more closely we can see that Greek myth enshrines patriarchal ideology just as surely as the Bible does.  We are so dazzled by the stories told by the Greeks that we designate them “the origin” of culture. We also have been taught that Greek myths contain “eternal archetypes” of the psyche. I hope the brief “deconstruction” of the myth of Ariadne which follows will begin to “deconstruct” these views as well.

bull leaping ring before 2000 bc phourniAriadne is a pre-Greek word. The “ne” ending is not found in Greek. As the name is attributed to a princess in Greek myth, we might speculate that Ariadne could have been one of the names of the Goddess in ancient Crete. But in Greek myth Ariadne is cast in a drama in which she is a decidedly unattractive heroine.

In the story told by the Greeks, Ariadne falls in love with Theseus, a handsome young man who was sent with 11 other Greek young people to be fed to a monster (who is half man, half bull) known as the Minotuar. The Minotuar is Ariadne’s half brother (see below). Because of her “love” for Theseus, Ariadne helps him to murder her brother.  She then flees with Theseus on his boat.

However, this “love story” does not have a “happy ending” as Theseus abandons Ariadne on a nearby island–long before he arrives home in Athens. Theseus is ever after celebrated as a hero who killed a monster, while Ariadne is just another cast-off female.  Whose story is this? Continue reading “Legacy of Carol P. Christ: Was Ariadne the Most Graceful Bull-leaper of All? Deconstructing and Re-visioning Greek Mythology”

Samhain and the Goddess by Judith Shaw

The wheel of the year is turning us once again toward the dark half of the year. Here in the United States, the bright, shining days of youth and achievement receive the most attention. Death and darkness are rarely honored and often feared.

But the ancient Celts had a completely different view of their place in the world. With a strong belief in reincarnation, the Celts saw death as simply a point of transition in a very long series of lives. People honored the darkness of both night and winter as starting points. In the Celtic worldview a day began at sunset, not sunrise, and the New Year began on Samhain, October 31—the midpoint between Fall Equinox and Winter Solstice.

Samhain, one of the four great fire festivals of Celtic tradition, might have begun long before the Celts arrived in Ireland under the influence of an ancient goddess, Tlachtga (tclak ta). She was most likely from the time of the Fir Bolgs, (fair bolak) the Bronze Age inhabitants of Ireland from the East, and later incorporated into the Celtic pantheon.

Tlachtga--celtic-goddess-painting-by-judith-shaw
Tlachtga, Celtic Goddess of Sun & Lightning, gouache on paper
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Legacy Of Carol P. Christ: The Great Commandment for Women: Love and Care for Yourself as You Love and Care for Others

carol-christ

This post was originally published on Feb. 3rd, 2014.

A rabbi known as Jesus of Nazareth taught that you should  “love God with all your heart and your neighbor as yourself.”  Charles Hartshorne, philosopher of relationship and a twentieth century advocate of the “two great commandments,” added that it should be understood that this means that God wants you to love yourself too.

I quote Hartshorne’s midrash on the great teaching often because, sadly, too many women—and some men too–have been taught to love their neighbors at the expense of themselves, to care for others, but not to care as much for themselves.  Continue reading “Legacy Of Carol P. Christ: The Great Commandment for Women: Love and Care for Yourself as You Love and Care for Others”

Merrows: The Enchanting Mermaids of Celtic Mythology by Judith Shaw

Mermaids have captivated our imaginations worldwide for thousands of years. Across cultures, mermaids are depicted in differing ways—as a dangerous seductresses like the Greek sirens, or as one who could grant immortality like the Japanese ningyo.  

Celtic Ireland, with its abundance of fairies and magical beings has its own kind of mermaid, the Merrow. This term derives from the Gaelic word, “murúch,” which translates as “sea maiden.”

A Merrow‘s Longing by Judith Shaw, gouache on paper, 12″x18″
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The Cauldron of Life: Destruction and Creation in Celtic Myth, Part 2 by Judith Shaw

Branwen’s Story

Branwen, sister of King Bran the Blessed, was cherished for her gentleness, compassion, and beauty. As the mother of the future king in the tradition of the Old Tribes of the British Isles, she embodies Sovereignty. She is the source of all life, ruling over both the spirit and the land.

Branwen, Celtic Goddess painting my Judith Shaw
Branwen: Celtic Goddess of Love and Compassion by Judith Shaw

We first meet Branwen when the Irish King Matholuch arrives, his fleet signaling peace with a great shield pointing outwards. He asks for Branwen’s hand in marriage—a significant event, as no woman of the old tribes had ever left her people for a foreigner, much less she who would give birth to the next king. Nonetheless, Matholuch is welcomed ashore, and Branwen is summoned.

Continue reading “The Cauldron of Life: Destruction and Creation in Celtic Myth, Part 2 by Judith Shaw”

The Cauldron of Life: Destruction and Creation in Celtic Myth, Part 1 by Judith Shaw

With each passing day, the world spirals deeper into chaos under the weight of the most unsuitable and morally bankrupt president the United States has ever elected. In nearly every aspect of life—from politics to economics to technology to the environment—the world as we knew it is gone. We find ourselves caught between chaos and creation. We are in liminal times.

Badb, Dark Goddess by Judith Shaw
Badb: Fate Weaver by Judith Shaw
Continue reading “The Cauldron of Life: Destruction and Creation in Celtic Myth, Part 1 by Judith Shaw”

Pandora/Gaia—Bringer of Gifts by Judith Shaw

As we move deeper and deeper into full autocratic rule, the timeless themes found in mythology help me find my way. 

My first thought for these days was of Pandora, whose story in the myth of Pandora’s Box serves as a powerful metaphor for the complexities of human choice—relevant today by the choice of many to elect Trump, resulting in multiple destructive consequences. 

Hope Endures, by Judith Shaw, gouache on paper, 7.5″x10″
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Amphitrite: Greek Sea Goddess — Balance, Abundance and Protection, by Judith Shaw

In the origin stories of the Greek deities the overarching importance of water, which surrounds their domain, is undeniable. Water held the power of life, death and renewal.

In each successive pantheon of Greek goddesses and gods — the Primordials, the Titans, and the Olympians — a goddess and a god ruled the seas together. During the time of the Primordial deities, it was Thalassa and Pontus, followed by the Titans, Thetys and Oceanus, and Doris and Nereu, and finally by the Olympians, Amphitrite and Poseidon.

“Amphitrite, Greek Sea Goddess,” gouache on paper, 11″ x 17″ by Judith Shaw
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The Solstice Tree of Life by Judith Shaw

The exact day of the Winter Solstice ushers in what I think of as the Winter Solstice Season — a ten day period when, in the northern hemisphere, the sun barely moves from it’s most southerly position in the sky. The days are very short and the nights are long, long, long. 

At this time of year I embrace the worldview of my Celtic ancestors who relished the darkness in a way that is foreign to us today. Every day began at dusk not dawn. The new year began on October 31, as the cold set in and the world turned toward the dark. The harvest was in, thanks were given, and nature was moving into its period of death. I find an inherent wisdom in this counting of time.

In this moment, my connection to trees feels especially profound. I find such beauty in the winter trees, naked of their green and golden finery, etching stark lines in the sky. As we drew near to the solstice, I felt compelled to create a new painting that expresses my love for winter trees and the Winter Solstice. 

Solstice Tree of Life, by Judith Shaw
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From the Archives: I Sing Asherah Exalted! by Janet Maika’i Rudolph

This was originally posted Dec. 16th, 2021

With this season of the festivals of light upon us (Hanukkah, Christmas, Solstice, Kwanzaa), I wanted to focus on the more joyful aspects of our lives. For that, I have been diving into passages about joy and singing in the bible.

Sometimes when I write these posts, they take me in directions I never thought to go. This post is one of them. The surprise direction I found is in the Psalm below:

Sing unto him, sing psalms unto him: talk ye of all his wondrous works.
Glory ye in his holy name: let the heart of them rejoice that seek the LORD.
Psalm 105:2-3 KJV

Continue reading “From the Archives: I Sing Asherah Exalted! by Janet Maika’i Rudolph”