Stories the Stones Tell by Sara Wright

Metate

The potshard in the center seems to have a “face”… although I bring some of these artifacts home for closer inspection it is part of my spiritual practice to return them to the land.

Mano

Avanyu, spirit of the waters

The storied land

Another view of the stones that tell stories.

A couple of days ago I was climbing a mesa with a friend who is “a guide to the wild places” – those places off the beaten track where stories are told by the stones and the Earth that supports them. Continue reading “Stories the Stones Tell by Sara Wright”

Restoration by Molly Remer


In 2014, I sat on a low wooden bench nursing my 6 week old baby boy while wet plaster strips were laid across my face to create a mask. The final activity of the Rise Up and Call Her Name program, a women’s spirituality curriculum by Elizabeth Fisher that I’d been guiding over the course of an entire year, I had shown all of the women in my living room how to make masks and now it was my turn to have the mask material applied. My back was sore and I felt tired and lonely within my plaster shell. As my face faded from view, the women began to talk around me as if I suddenly wasn’t there and as my lips were covered, I became voiceless and closed in, shrouded and silent. When the plaster dried and I emerged again, I saw a dear friend sitting in the recliner drinking tea. While I was not sorry to have finished my commitment to the group and to have closed out the year-long program, I was suddenly awash with a deep longing for rest, a deep longing to be the one in the chair being brought tea, instead of the one to lead the group, baby dangling from her breast, tugged in a million directions by questions and needs.

This moment, this snapshot of maternal priestessing, has recurred for me many times over the last few years, a wondering of why I could not permit myself to be the tea-drinker instead of the hostess, the person to enjoy instead of the person to teach, the person to rest instead of the person to create experiences. Continue reading “Restoration by Molly Remer”

Like Water Flowing Down a Mountain: Creating Lasting Change by Carolyn Lee Boyd

Carolyn Lee Boyd

As we strive to create a better future, we can look to our rich heritage of global goddess and heroine tales for insight into peaceful, creative, and effective means to achieve our goals. Let me introduce you to the delightful ancient story of two young Chinese heroines, Gum Lin and Loy Yi Lung.

Summarized from Merlin Stone’s Ancient Mirrors of Womanhood:  Gum Lin’s village was starving due to a drought. Even the bamboo she needed to make objects to sell had disappeared. Searching for bamboo on a nearby mountain, she found a lake, but a locked gate stopped its abundant waters from flowing down to the village. A dragon living in an underwater cave held the key. Gum Lin sang sweetly until the dragon’s daughter, Loy Yi Lung, arose from the depths and together they hatched a plan. They sang in unison to draw the dragon to the surface. While Loy Yi Lung continued her song and the dragon listened, Gum Lin swam to the cave where she encountered treasures she could easily steal for herself. She ignored them and found the key.  She unlocked the gate and the waters gently flowed down the mountain in a newly-made river, nourishing the rice and bamboo. In time, Loy Yi Lung moved to the village where she and Gum Lin happily sang at the edge of the water.

Continue reading “Like Water Flowing Down a Mountain: Creating Lasting Change by Carolyn Lee Boyd”

Changing Woman Speaks by Sara Wright

She climbed steep hills
and rubble to reach the meadow.
The flat – topped mountain peered down
at the woman
gathering stones
as if they were diamonds.
Amber, moss, pearl white,
rose red and orange,
gray and ebony – a luminescence
emanated from each,
almost as if the moon had
infused each flake and boulder
with her translucent light.
The Pedernal absorbed
her child-like wonder
and gifted her
with stones
that told a story
of a sea of shells and plants
that once lived there
before people.
Stones speak to
those who love them.

Notes on the Pedernal:

In Abiquiu, New Mexico there is a flat – topped mountain that is called the Pedernal that can be seen from most directions and has been painted and photographed from every angle. Indigenous peoples considered this mountain to be sacred. The mythical (Navajo) Changing Woman was born on this mountain, and it is said that she lives there still. Each year she is born in the spring, emerges as a young woman during the summer, becomes a mother in the fall, and turns into an old woman during the winter season, only to be born again. In the East she is Earth Woman, in the South Mountain Woman, in the West she is Water Woman and in the North she is Corn Woman. Changing Woman embodies Nature’s as a whole and since the Navajo trace their lineage through a matrilineal line she is the Mother of all the People.

The first way Changing Woman saves the world is by birthing the twins, the male aspects of herself. This embodied female/male energy is capable of taking action on behalf of all the people, ridding the world of monsters. It is important to note that the twins require the help of Spider Grandmother’s wisdom, guidance and protection because Spider Grandmother is Changing Woman’s older wisdom aspect, a continuation of her mother – line.

The second and most critical way Changing Woman saves the world from “monsters” is because she secures the matrilineal line for the People. The matrilineal system traces descent through maternal roots. Men who marry move to the wife’s residence (matrilocal) and become part of the maternal family. Mothers, aunts, and grandmothers bring up the children, protecting, guiding, and teaching the children the ancestral family stories. This system unites Navajo society and creates the social structure of the culture connecting generations through kinship.

Although in present day Navajo culture Patriarchy has eroded women’s power the four tenets (harmony, beauty, balance, peace) remain part of the judicial system of the Navajo people.

The multicolored stone called chert and its darker twin, flint, are structural (quartz) parts of this mountain. These stones were once collected to craft the finest arrowheads for hunting.

This collection of chert fragments lies on my desk along with a vessel made by an Indigenous woman. These stones remind me of the power of Changing Woman and how she continues to work through my life even as I return to the North, my homeland.

The mountain absorbed
her child-like wonder
with pleasure,
and gifted one
who climbed to her summit
with a stone
that told a story
of a sea of shells and plants
that once lived here.
Stones speak to
those who love them.

In the myth Changing Woman never dies; she grows old and young again with the seasons. In the East she is Earth Woman, in the South Mountain Woman, in the West she is Water Woman and in the North she is Corn Woman.

Changing Woman embodies Nature’s as a whole and since the Navajo trace their lineage through a matrilineal line she is the Mother of all the People.

According to Navajo mythology the first way Changing Woman saves the world is by birthing the twins, the male aspects of herself. This embodied female/male energy is capable of taking action on behalf of all the people, ridding the world of monsters. It is important to note that the twins require the help of Spider Grandmother’s wisdom, guidance and protection because Spider Grandmother is Changing Woman’s older wisdom aspect, a continuation of her mother – line.

The second and most critical way Changing Woman saves the world from “monsters” is because she secures the matrilineal line for the People. The matrilineal system traces descent through maternal roots. Men who marry move to the wife’s residence (matrilocal) and become part of the maternal family. Mothers, aunts, and grandmothers bring up the children, protecting, guiding, and teaching the children the ancestral family stories. This system unites Navajo society and creates the social structure of the culture connecting generations through kinship.

Although in present day Navajo culture Patriarchy has eroded women’s power the four tenets (harmony, beauty, balance, peace) remain part of the judicial system of the Navajo people.

Above photo of plant and shell fossils in the chert was taken by Iren Schio

 

Working notes:

In Abiquiu, New Mexico the flat – topped mountain we call the Pedernal can be seen from most directions and has been painted and photographed from every angle. Indigenous peoples considered this mountain to be sacred. The mythical (Navajo) Changing Woman was born on this mountain, and it is said that she lives there still. Each year she is born in the spring, emerges as a young woman during the summer, becomes a mother in the fall, and turns into an old woman during the winter season, only to be born again. The multicolored stone called chert and its darker twin, flint, are structural (quartz) parts of this mountain. These stones were once collected to craft the finest arrowheads for hunting.

I have a passion for all stones but especially chert because of its colors. Chert and flint are microcrystalline varieties of quartz. Their crystals are so tiny that chert and flint fracture more like glass than quartz crystals. Skilled Native peoples chipped chert and flint pieces into arrowheads, spear points, scrapers, and other tools. The only difference between chert and flint is color: flint is black or nearly black, while chert tends to be white, gray, pink, or red and can be plain, banded, or preserve fossil traces.

 

Sara is a naturalist, ethologist ( a person who studies animals in their natural habitats) (former) Jungian Pattern Analyst, and a writer. She publishes her work regularly in a number of different venues and is presently living in Maine.

A Thanksgiving Litany for Living through Fractious Times by Alla Renée Bozarth

Alla Renée Bozarth, Philadelphia 11, Philadelphia ordinations
All things being relative, remember
that collective and individual histories
are cyclical but open-ended, and discern
the kind of moment you are in and part of.

Remember how to make it better
by holding on to all that is dear in life,
and becoming more prayerful and thoughtful.

When deprivation comes, return to what is essential—
first, beauty, so look for and create beautiful behavior 
and encourage it.

Continue reading “A Thanksgiving Litany for Living through Fractious Times by Alla Renée Bozarth”

October Magic, by Molly Remer

In was in October that my last grandmother died, my last living grandparent. As the leaves turn to red and gold once more, I wake thinking of her each morning. I wake thinking of my maternal grandmother too, who died seven years ago, in springtime as the iris bloomed. I dream of my husband’s grandfather, he stands shoulder to shoulder with my oldest son, white hair and smile flashing as he compares their heights and laughs.

We’ve just returned from a two week long trip to Florida and have arrived back in Missouri to a life in full swing, books to write, projects to plan, new products to develop for our shop, old requests waiting for our attention. But, the leaves will only be this color for a moment. The air will only be this sweet and pleasant for a moment. The sun will only glint across the cedar branches in this way that brings my soul to life right now, the colors of the day so sharp and vivid, clear and bright to my eyes, that it is almost like stepping into another reality. We have only this moment to join hands and slip off into the woods beneath the early morning sun, stepping past pools of slowly dripping water, over sharp and uncertain stones, soft green moss, and carpets of fallen leaves. It is only this moment in which we will hear the hawk’s cry ring out across the trees. Only now in which we will turn over leaves and discover shining mushrooms, gleaming in the October sun.

I stepped into the woods holding memories of my grandmothers next to my heart. The leaves were lit gold from within and below, forming an enchanted tunnel into the trees near where we have built our new work studio. As I moved into the clearing, I heard two crows raise an alarm call. I stood silently and looked, curious about the source of their alarm. They called again sharply, once, twice, and right in front of me a quiet brown deer, previously unseen, lifted its white tail and leaped gracefully away through the trees. It took a breath, a beat of time, for me to realize that it was me, my own small form standing relatively motionless among the trees watching the morning sun illuminate the yellow leaves, that was the cause of the raised alarm, this communication between species, sharing the same ground.

We set off along a stony gully that bisects the land of my parents, pausing by a series of small pools and gazing through the backs of dogwood leaves turning to rich red with veins of green still lightly tracing through their round centers. Suddenly, the scent of cedar filled the air and I crouched beneath the tree to see the ground beneath it littered with small snippets of evergreen, strewn across a thick blanket of brown oak leaves and yellow maple, glowing in a stained glass impersonation in the perfect touch of the sun upon their surfaces. My breath made a fog in the air and I looked up into the tree to see that it, too, was breathing in this cool morning, steam lifting off its trunk and rising into its thin fingered branches. There are small blue juniper berries brightly laid against the wet green moss beneath the tree and I turn to see the peachy-rose globes of persimmons hanging on thin branches against the sky. I have the sensation that they are watching me there, kneeling on the wet ground, caught between rays of sunlight and enchantment.

We continued picking our way carefully across the lichen-laden gray stones until we came to fallen tree, carpeted with a beautiful array of fungus. Small brown knobs that look like new potatoes spring from what was once the top of the trunk and a panoply of beautifully spiraled whorls of turkey tail mushrooms form small cups which hold last night’s raindrops.

As we descended into the gully, the view opened up before us, slabs of stone forming a naturally terraced series of platforms dropping lower and lower into the round stone pools. The trees are yellow here, sun gleaming on the leaves, forming a temple bower of golden branches. I felt full of delight and joy, so pleased that we had chosen to lay aside the to-dos and come on this ramble together. I asked my husband to take a picture of me in the trees and stones telling him with a smile that this is the only moment in which the leaves will be this color and in which I will be this fabulous.

Being in the world, noticing what blooms and breathes and flows around us, is the fullest expression of my spirituality to me. Seeing what emerges, what fades, what rises and falls, this is a living magic. Honoring the passage of time, the turn of the wheel, the cycles of the land, the earth as an ensouled presence, and my own footsteps on her an act of devotion, these are the cornerstones of feminist spirituality for me. Look. Learn. Listen. Feel. Care. Act. Goddess worship and the symbol of the Goddess plays an important role in re-conceptualizing and restructuring the role of women, the value of nature, and the social order. In her book Ecofeminist Philosophy, Karen Warren writes: “Many spiritual ecofeminists invoke the notion of ‘the Goddess’ to capture the sacredness of both nonhuman nature and the human body…the symbol of the Goddess ‘aids the process of naming and reclaiming the female body and its cycles and processes.” Rather than something to dominate and control, the earth becomes the body of the Goddess and is acknowledged as both literal and spiritual home and is something inseparably linked to personal well-being—planetary health and personal health become synonymous—and both are treated with reverence and respect.

I have wondered if I try too hard to make my life be magical, to make it meaningful and then I realize, if you look for evidence that the world is made of magic, for evidence that your life is magical, that you will find it everywhere. This isn’t wrong. This is beautiful and powerful and real. Yes, my life is magical. So is yours. The whole world is magical. We need only step right up to it and look, to see that we are surrounded by magic, woven right into the threads of it.

The stones were slippery with water and moss as we skirted our way carefully to the bottom of the gully, where a wide, curving, bowl-shaped basin has been formed of rock and rain and time. Gazing at it, tranquil and still, gently rippled rocks forming the sides and leaves filling its bowl, I said aloud:  “When I die, you can leave me curled up here and I’ll be happy.” For a crisp moment I could clearly see my own bones lying nestled, smoothed and ivory, across this bed of leaves and sunbeams.

Something bright red caught my eye then, looking at first like the domed half of a large cherry tomato partially covered by brown leaves and I squatted down to discover a burst of crimson mushrooms grouped together and bright against the decaying foliage.

Mark didn’t answer me, but he laid his hand across my hip and together we scrambled like mountain goats past the crimson mushrooms and up the steep slope, the oak leaves giving way to a carpet of pine needles as we climbed, the now bare stems of lowbush blueberries catching on our socks and pants. At the top of the hill, we sat on the stones, chests heaving, breath fast from our ascent, smiling silently as we looked at the sunshine through the pines.

 

Molly Remer’s newest book of poems, Sunlight on Cedar, was published in March. Molly has been gathering the women to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, mini goddesses, and more at Brigid’s Grove. Molly is the author of WomanrunesEarthprayerthe Goddess DevotionalShe Lives Her Poems, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon, Brigid’s Grove, Feminism and Religion, and Sage Woman Magazine.

Telepathy, Women, and Birds by Sara Wright

I am a naturalist and ethologist who has studied many animals and birds in their natural habitat; my 15 year study of Maine’s black bears is perhaps the best example of the work I do. I am a dedicated animal advocate and telepathic communication is part of many if not all of my interactions with both tame and wild animals.

I am also an eco-feminist who believes that women have always had a more intimate connection to the natural world, that if developed, will lead to telepathic communication.

A couple of months ago I wrote a story about the telepathic relationship between my dove, Lily B and me. I put it on my blog and every day there after I noted that a number of people read it. At first I didn’t pay much attention but after awhile I couldn’t dismiss the odd sensation that this story was traveling from country to country in a very peculiar way. One day I counted 11 countries whose bloggers just read one article, the story about Lily B. Bloggers continue to read about my dove on a daily basis. This morning, for example, someone from Egypt read it. Continue reading “Telepathy, Women, and Birds by Sara Wright”

Passionflower Autumn by Sara Wright

I am gazing out the window; an almost bare leafed apple tree’s sap has begun its descent for the winter months. Trees participate in a great round; breathing slows as the tree becomes drowsy. Soon the merciful cold will put her and others of her kind to sleep, not to awaken until life each tree’s life – blood thickens to rise and soar into the highest branches with a warming sun. Only tree roots stay awake throughout the winter searching for nutrients, exchanging carbon and carbohydrates, water, meeting new friends and avoiding foes, their root tips  branching, fusing, glowing – solving problems far more complex than those of humans…

Last night a full white ‘falling leaf moon’ slid unobstructed through apple branches casting shadowy silver arms around our bed. My dogs were restless. I could see the rounded luminous pearl embedded in an ebony sky shining through all the deciduous trees that were dressed in scarlet splendor just a week ago. Last night those trees were bare. Continue reading “Passionflower Autumn by Sara Wright”

Subversive Sister Saints by Angela Yarber


As the American Embassy was bombed in 1999, I was hunkered in a Russian Orthodox Church, gazing at the brooding, whitewashed faces of icons, hands raised in endlessly frightening benediction. Hundreds of men met my eye, as I found myself asking, “Where are all the women?” In 2005, the sun peaked over the horizon on Mount Sanai as I entered the chapel at Saint Catherine’s Monastery, which houses the oldest collection of Christian orthodox icons in the world. As a sensory overload accosted my eyes, ears, and nose, I scanned the scene to find only two women crammed among all the icons; one was a nameless daughter sacrificed by her own father. Where were all the women? A few years later, I knelt at the Temple of 1,000 Buddhas in Thailand. Not a woman could be found. Where are all the women?

For over a decade, I’ve painted folk-feminist icons of revolutionary women from history and mythology, a subversively artistic attempt to answer my own question by painting the women who have been ignored, excluded, or strategically erased. From Pauli Murray to Sarasvati, Gloria Anzaldua to Papahanoumoku, this work continues to be a gift, joy, and a tremendous part of the mission of my non-profit, the Tehom Center, which empowers marginalized women by teaching about revolutionary women through art, writing, retreats, and academic courses. Continue reading “Subversive Sister Saints by Angela Yarber”

Yes There are Goddesses in the Bible, Part 3

This blog post is the 3rd in a series of looking for female deities in the bible who have been translated out of easy reach or otherwise hidden within its words. In my last blog post I discussed bird imagery and the bible. It is available here

 You can’t complete a discussion about birds without also bringing up Lilith. She appears by name only in one place in the bible; Isaiah 34:14. Isaiah uses the word liyliyth as a feature in a hellish landscape. Although it is also a name, liyliyth is treated as a common noun. The most prevalent translation is “screech owl” although others have included such names as night creature, night monster, night hag, and she-vampire. Continue reading “Yes There are Goddesses in the Bible, Part 3”